Saturday, January 23, 2021
My first reaction to Rochester, New York's False Positives was that they've got a "Boston" sort of sound. That actually makes sense given that songwriter/guitarist/vocalist Dave Harrison was a founding member of late '80s/early '90s garage rockers The Voodoo Dolls (a band that also featured Evan Shore, later of Muck and the Mires). With The False Positives, Harrison digs into his garage rock roots but also adds elements of power pop and straight-forward rock and roll. He's been releasing digital singles on Bandcamp since December of 2018. And since early last year, he's been working with a full band consisting of Paco Vives on drums, Brian Murray on bass, and Don Blair on keyboards. The latest single, "Closed-Circuit TV Romance", is a humorous yet quite poignant tale of two individuals trying to sustain a relationship via remote technology. While it's easy to take a cynical view of people making romantic connections long distance, there's a hopeful sentiment to this song that I find very sweet and reassuring. Given the events of the last ten months, there have to be a lot of people who will relate to this song. Harrison specifically cites The Kinks, Velvet Underground, the MC5, Randy Newman, and the Flamin’ Groovies as influences. On this track, I'm hearing a little Jonathan Richman/Modern Lovers influence. I'd definitely recommend this tune if your tastes gravitate toward the garage/DIY end of the power pop spectrum. The False Positives now have seven singles available via Bandcamp, and they're all name-your-price downloads. Check 'em out!
Friday, January 22, 2021
Boston's The Shang Hi Los were without question my favorite new band of 2020. Needless to say, the band's debut EP was poised to be one of my most highly-anticipated releases of 2021. The good news was that I didn't have to wait very long. Kick It Like A Wicked Bad Habit is out today on your home of the hits, Rum Bar Records! The even better news is that The Shang Hi Los have not disappointed on their first extended play release. Kick It Like A Wicked Bad Habit is a most-own for any fan of rock and roll steeped in harmonies and pop melody!
To recap: The Shang Hi Los were formed back in 2019 by a couple of my favorite voices and songwriters. Jen D'Angora (Jenny Dee & The Deelinquents, The Dents, The Downbeat 5) and Dan Kopko (Watts) have been featured on this blog many times in the past. As collaborating songwriters, they've created a band that touches on their shared and combined influences. Thus The Shang Hi Los bring together the best elements of the last six decades of rock and roll. Particular inspirations are '60s girl groups, '70s glam and classic rock, '80s new wave, and '90s indie/alternative rock. The band is rounded out by a couple of all-stars from the Boston scene: bassist Lee Harrington (The Neighborhoods) and Boston's "drummer about town" Chuck Ferreira (Eddie Japan, Lonely Leesa & The Lost Cowboys). While sometimes "super groups" sound better on paper than they actually do on record, The Shang Hi Los are an example of a dream team that truly clicks. Kick It Like A Wicked Bad Habit highlights the talents of D'Angora and Kopko both individually and as a duo. "Stay" sounds like it could have been a Jenny Dee song, and "Skipping Records" could pass for a Watts tune. But on "Sway Little Player", "Funeral Home Mint", and an amazing cover of "Saturday In the Park", D'Angora and Kopko merge both their voices and their musical identities. I've already said plenty about "Sway Little Player", my pick for the #1 single of last year. The rest of the EP proves to be just as good. "Stay", masterfully produced by the incomparable Ed Valauskas, is an absolutely beautiful pop song that mixes old school Blondie vibes with a modern rock aesthetic. "Skipping Records", the second single from the EP, is a feelgood rocker that will have you up from your desk chair and dancing around the house in no time flat (I have this mental image of Malibu Lou hearing this song for the first time and totally flipping out!). "Funeral Home Mint" is new wave rock that actually rocks (that guitar solo is everything!). And to cap off the EP, that "Saturday In the Park" cover is nothing short of magical! It's spiritually faithful to the original and could not sound more "'70s". Yet it's also injected with the essence of The Shang Hi Los. The mixing work on this track by Dan Kopko & Pat DiCenso is top notch.
My only criticism of Kick It Like A Wicked Bad Habit is not a criticism at all: it left me wanting more! Five songs from The Shang Hi Los is just not enough! Kudos to this band for getting this debut made during a pandemic. It took some coordination with tracks being recorded at four different studios, but it all came together swimmingly. I will cross my fingers for a debut album next year, and let's all hope for a time when The Shang Hi Los can get up and play these rockin' tunes in front of people who will be dancing and singing along! If you love rock and roll, you need some Shang Hi Los in your life.
Wednesday, January 20, 2021
Yeah, that's right: we've got ourselves a brand new Dictators tune! "God Damn New York", the first new Dictators song in 20 years, features three-quarters of the band's original lineup (Andy Shernoff on vocals and bass, Ross the Boss on lead guitar, and Scott Kempner on guitar) along with Albert Bouchard (Blue Öyster Cult, Brain Surgeons) on drums. And as you'd expect after a two decade absence, the mighty Dictators have come roaring back with a bona fide anthem! "God Damn New York" is both a love letter to New York and a lamentation on how corporations and billionaire scum have brought ruin to so much of what once made this beloved city so great. I put this song at the same level as more recent Dictators classics like "Who Will Save Rock 'N' Roll?" and "Avenue A". Andy Shernoff has written another perfect song, which absolutely blasts thanks to mixing by the legendary Ed Stasium. This is one of the greatest bands ever in top form. Hail the mighty Dictators!
Tuesday, January 19, 2021
Sunday, January 17, 2021
You know I'm always a sucker for a band with a classic '77-style punk sound. On that note, The Braats are a newer band that have really captured my attention. Hailing from Kartuzy, Poland, The Braats play catchy '77 punk that ought to have you pumping your fist and pogoing around your bedroom. The band just put out a digital EP called Żonobijka on Bandcamp, and I'm really digging it. You can sure tell that these guys love The Clash. I've got no complaints about that! The lyrics are in Polish, so I've got no idea what they're singing about. But I can sure feel the energy and urgency in these four tracks. If you're a fan of first wave punk or the 1990s '77 revival, this band ought to be on your radar.
Friday, January 15, 2021
Here come The Sorels again with another perfect bubblegum punk glam rock and roll single! We last heard from this super awesome Winnipeg trio back in the summer of 2019 when it released its debut 7" on the most excellent labels Reta Records and Surfin' Ki Records. So it's been a good while since we've been treated to new tunes from The Sorels. But now, just when we needed it the most, we get to feast our ears on the second single "Spring Break". As we find ourselves in the middle of meteorological winter, I'd say it's the perfect time to start thinking about spring break! Jo Jo, Jennifer, and Jill are back and sounding better than ever on this delightful shot of new wave pop meets old school punk rock. This is a fun song from a fun band - combining big hooks with a great raw energy and plenty of beachy vibes. In my daydream world of an eternal 1980, this is the song blasting from a million car radios as the masses eagerly make their way to the nearest shore. Put it on a mix with The Go-Go's, Holly and the Italians, and Nikki and the Corvettes, and you'll be golden! Mirroring the approach of their previous 45, The Sorels back this poppy/punky A-side with a bad-ass glam rock stomper called "Palo Santo". I love the way these two tracks show different sides of The Sorels yet fit together perfectly. This is a record made to be heard on record!
Reta Records and Surfin' Ki Records have opened preorders for "Spring Break", which will release on February 2nd. This gives you plenty of time to reserve a copy on pink, green, or clear splatter vinyl (only 100 of each were pressed!). All preorders come with an 11 x17 inch poster. In the meantime, be sure to check out the amazing cartoon video for "Spring Break" that was animated by Nicholas Friesen. If The Sorels are not yet one of your favorite bands, that could very well change in the next two and a half minutes!
Thursday, January 14, 2021
The Airport 77s had me with the mere mention that they formed over a shared love of The Jags' "Back of My Hand" and 20/20's "Nuclear Boy"! This trio comprised of Chuck Dolan (bass), Andy Sullivan (guitar), and John Kelly (drums) is based out of the D.C. area and just released its debut album Rotation on the first day of this new year. Unsurprisingly, Rotation is an album steeped in classic power pop. But what I appreciate about The Airport 77s is that their clever humor and eagerness to rock out provide a refreshing twist on this musical style. The influences are discernible, but Rotation doesn't come off like an album I've heard a thousand times before. This is a band that brings not just great hooks, but also a lot of personality.
The 1-2 punch that opens Rotation is particularly impressive. Both tracks demonstrate this band's knack for building songs around humorous yet fully relatable concepts. "Christine's Coming Over" is about a guy who ponders cleaning up his house - and perhaps his entire life - in advance of a big date. "(When You're Kissing On Me Do You Think Of) James McAvoy" is pretty self-explanatory. With a title like that, the song had a lot to live up to. But it does not disappoint. Who among us has not pondered the possibility that our significant others would leave us for a dashing actor - and perhaps even sink to the depths of embracing creme brulee and Coldplay? Off to such a formidable start, Rotation continues to please in numerous ways. "Shannon Speaks", which tells the story of a "mysterious, unconscious visitor who might provide the skeleton key to the modern era", sounds like something off of the Valley Girl soundtrack. "Wild Love" is full-on Cheap Trick worship executed to arena-rocking perfection. "All The Way", a tale of a summer romance culminating in the back seat, is accurately described as "the Raspberries meets .38 Special". "Bad Mom!" savagely spoofs the high drama of the modern-day PTA/soccer mom scene. "Girl Of My Dreams" is a wonderfully faithful cover of the Bram Tchaikovsky classic - a song that so fascinated drummer John Kelly that he once flew to England to interview its author Ronnie Thomas.
It would be impossible for me to not like a band that aspires to write original material good enough to follow "Jessie's Girl" in its live set. And of course I quickly identified The Airport 77s as kindred spirits who like me have invested countless hours of their lives perusing musty stacks of vinyl in search of Artful Dodger LPs. But what I really admire is how this band takes that late '70s/early '80s power pop influence in its own unique direction. Rotation strikes a perfect balance between songs that make me laugh and songs that embrace the visceral horniness of the arena rock of yore. If the best power pop is always fundamentally rock and roll, then The Airport 77s pass the test for sure. You know I never like to go too far into a year without identifying an early album of the year contender. So I'll slide Rotation into my #1 spot and make it the one to beat. Hands down, the best album of the past 14 days!
Wednesday, January 13, 2021
Given that the intersection of power pop and punk has long been my musical sweet spot, it's no surprise that I've been loving the debut EP from The Linda Lindas! The L.A. foursome is described as channeling "the spirit of original punk, power pop, and new wave through today's ears, eyes, and minds". Comprised of two sisters, a cousin, and their close friend, The Linda Lindas inject a classic style of music with a youthful energy and point of view. But while the band members are all teens and tweens, there's nothing gimmicky about The Linda Lindas. The group's new EP, recently out on Bandcamp, is one of the best punk/power pop releases I've heard in the last couple years. The songs (all originals) are well-crafted, punchy, and absolutely infectious. This is music that will make you smile and compel you to dance - which is exactly what the world needs in these trying times. If you've seen The Claudia Kishi Club on Netflix, you may have already heard The Linda Lindas' song "Claudia Kishi". The band has released that track on Bandcamp as well. And while I know literally nothing about The Baby-Sitters Club, "Claudia Kishi" absolutely knocked me out from the first listen. Now that is some perfect punky power pop! The new EP opens with "Missing You", a very poignant tune about what it's like to be a kid stuck at home under quarantine. "Never Say Never", a song about believing that life can get better even when all seems hopeless, is exactly the kind of inspiration we ought to be getting from younger generations. On a lighter side, there's also a song about a Siamese cat. And you know I will always wholeheartedly endorse anything cat related!
Sunday, January 10, 2021
He's back! One year after releasing the brilliant and highly ambitious album Street Penetration, Frankie Delmane has turned out another terrific long player in a similar glam/proto-punk/sleazy street rock mold. Field Recordings For The Dispossessed is Delmane's "pandemic album". All songs were written and recorded during the 2020 lockdown. As was the case with Street Penetration, Field Recordings For The Dispossessed crosses various genres of rock and roll but is especially recommended if you like Lou Reed, the Velvet Underground, Iggy Pop, and 1970s Rolling Stones. Fans of Delmane's songwriting in The Crazy Squeeze and Teenage Frames will find no lack of rocking tunes with memorable hooks. But working at home with complete control over his musical vision has really allowed Delmane to establish a singular identity as a solo artist.
I closed my review of Street Penetration with the wish that more Frankie Delmane solo albums would be forthcoming. And Field Recordings For The Dispossessed is every bit the follow-up I was hoping for. Like many of the recent and forthcoming pandemic releases in our world, this album takes you into one person's 2020 headspace. And try as we may to put the very existence of last year behind us, there is clearly great value in what our collective experience may have compelled some of us to produce. It will likely be a while before we are graced with the great pandemic novels and great pandemic films. But the viability of home recording has already brought us numerous pandemic albums with many more to come. Field Recordings For The Dispossessed is certainly one of the most compelling entrants so far. It's not necessarily about the pandemic, yet it's most definitely caked in the grime of that trying spring/summer of 2020. Some of the song titles ("Everybody Thinks Nobody Lived Before", "It's Gotta Be Lonely Being the Only One That's Right", "Why Is Everybody Such A Mess") are works of art in and of themselves. These are raw, dirty recordings that nonetheless ooze a swagger that is largely absent from modern-day indie rock music. Opening cut "They're Just Gonna Tell You What They Want" is all the best of glam, proto-punk, and the Stones melded together in glorious low fidelity. "I'm Getting Evil" sounds like '70s Lou Reed recording a pop song with 21st Century home recording equipment. "Human Scum" is just great trashy rock and roll with a nasty edge. The gloomily beautiful "Which Lies Are Your Truth?" could almost pass for The Cure on a budget. "She's Another Woman Tonight" sounds like a stripped-down version of a song Delmane might have written for one of his bands. Across 15 tracks here, Delmane builds on his usual array of influences as he touches on everything from new wave pop to '60s psychedelia to '80s synth-pop to O.G. minimalist rock and roll. It all makes for a varied yet cohesive set of songs that practically transports you to the streets of West Hollywood.
Frankie Delmane is a name known to you if you've been following the power pop/punk/rock and roll scene over the last 25 years. Yet beyond his flair for crafting some of the best three-minute pop songs you'll ever hear, he's a true renaissance man. He's an extraordinary writer, an insightful critic, and a keen student of pop culture and all genres of music. And to this list we can add exceptional solo artist. Field Recordings For The Dispossessed, like Street Penetration before it, is a creation befitting a superlegend.
Friday, January 08, 2021
Thursday, January 07, 2021
As I've reflected on why there are some pop-punk bands I love and others that do absolutely nothing for me, I've become increasingly aware that my favorite pop-punk bands are usually the ones that infuse the formula with bubblegum and '50s rock and roll influences. Pop-punk, when it's done right, is one of our purest forms of rock and roll. So when Staten Island's Goin' Places sing about "saving the world with rock n roll", I'm totally feeling it! Goin' Places have always been upfront about their love for The Queers, Green Day, Mr. T. Experience, etc. But in terms of songwriting and vocal influence, they take just as much from the Beatles and Buddy Holly. The band's 2002 album Girl Songwriting 101 is a modern classic of pop-punk. The follow-up Relationship Sneakers arrived a decade later. Later this year, the band will release its third album Save The World. New 7" Better Things To Do, out now on Mom's Basement Records, features the title track to the new album along with a pair of exclusive songs. Aside from the fact that none of these songs are about girls, this is a vintage Goin' Places release. It falls into that bubblegum/rock and roll side of '90s-style pop-punk, with Richie and Victor trading off on lead vocals. "Save the World" is all about how music can bring people together in a world too often marred by hate and general crappiness. Now that's a cause I can wholeheartedly endorse! "Better Things To Do" is a tongue-in-cheek number about the frustrations of busting your ass to make music that no one seems to care about. A lot of you will surely relate! "Instru Mental", as you may have surmised, is an instrumental. You don't hear a lot of pop-punk instrumentals, but I really like this one!
I'm stoked for the upcoming release of Save The World. Goin' Places is my kind of pop-punk band. You know who the primary influences are, but the songs also reflect a deeper appreciation for classic pop traditions going back to the '50s and '60s. And you always get the sense that these dudes would be fun to hang out with. When I think about some of my favorite pop-punk bands of recent years (Neon Bone, Jagger Holly, The Putz), I consider Goin' Places to be one of the forerunners to that whole scene. It's great to have 'em back!
Tuesday, January 05, 2021
Monday, January 04, 2021
Talk about a New Year's surprise! Rum Bar Records has kicked off 2021 with a special treat I never saw coming: the most comprehensive collection to date of classic recordings by the mighty Dogmatics! Back in 2013, I wrote a review of the long out-of-print Dogmatics 1981-86 compilation. The new Rum Bar collection Est 81 finally brings all of this material back into circulation, with the addition of the rare track "X'mas Time (It Sure Doesn't Feel Like It)". It collects the songs from the band's two albums Thayer St. (1985) and Everybody Does It (1986) along with its debut single "Gimme The Shakes" and some old compilation cuts to form the definitive retrospective on one of the greatest bands to ever come out of Boston and one of the greatest bands of the '80s, period. I previously described 1981-86 as a "must-own for anyone who reads this blog or digs the kind of music I write about". That goes double for Est 81, which will be available on CD from Rum Bar later this month!
Peter and Paul O'Halloran met Jerry Lehane in the first grade at St. Matthew's in Dorchester, Massachusetts. They remained schoolmates for eight years until both families moved out of Dorchester. These three eventually formed the Guttersnipes in Boston with drummer Dan Shannon. The Guttersnipes were quickly renamed the Dogmatics, and Tom Long joined on drums after Shannon left for college. The rest, as they say, is history. Throughout the early to mid '80s, The Dogmatics and their Thayer St. loft were at the heart of Boston's thriving underground music scene. I know I've said this numerous times about numerous bands, but the Dogmatics should have been huge! Ultimately the band's failure to conform to the fashions of punk and hardcore in the mid-'80s is what made it so great. At a time when the hardcore scene was becoming humorless and rigidly conformist (a phenomenon the band goofed on so spectacularly on the classic track "Hardcore Rules"), here you had a bunch of smart-assed kids playing fun rock and roll songs about good looking girls, drinking by the pool, teenagers on drugs, and tyrannical Catholic school nuns. And musically, the Dogmatics weren't going to fit into any neat category. They took pieces of punk rock, garage, pop, and '50s rock and roll and created a sound that was uniquely their own. In a very short amount of time, the Dogmatics wrote more classics than a lot of bands come up with in decades. I mean, come on: "Sister Serena", "Shithouse", "Thayer St.", "Gimme The Shakes", the semi-cover "Teenage Lament"...I could go on and on!
Tragically, the world lost Paul O'Halloran in a motorcycle accident in 1986. Knowing it wouldn't be the same without Paul, the band chose to call it quits. The Dogmatics later did several reunion performances with brothers Johnny and Jimmy O’Halloran filling in on bass. Eventually the band got back together on a permanent basis. In October 2019, Jerry Lehane, Tom Long, and Peter & Jimmy O’Halloran joined the Rum Bar family and recorded She's The One, the first new Dogmatics release in over 30 years. The band continues to honor the memory Paul O'Halloran, to whom Est 81 is dedicated. I'm certainly not the most unbiased reviewer in this case. Rum Bar Records is my favorite record label, and the Dogmatics have been one of my favorite bands ever since I caught one of their reunion shows in 2007. But I honestly believe that Dogmatics 1981-86 is one of the most essential punk rock band retrospectives ever assembled, and I'm beyond excited that it's been reborn as Est 81. Fingers crossed for new Dogmatics music in 2021!
Sunday, January 03, 2021
Not content to tell half a story, Splunge Comminications is back with a second volume of rare and unreleased recordings from legendary Milwaukee punk band The Haskels. 2019's The Haskels compiled 14 unreleased tracks recorded by the original incarnation of the band in 1979. This was essentially the "lost" album by The Haskels, who broke up at the end of 1979 without having ever released any music on record. But this was far from the end of The Haskels. Post-breakup, Richard LaValliere and Guy Hoffman formed a new band called The Oil Tasters. Presley Haskel, meanwhile, rebooted The Haskels with bassist Bobby Mitchell and drummer Vodie Rhinehardt (and briefly, original guitarist Gerard LaValliere). While this newer, considerably more pop-inclined version of The Haskels proved to be short-lived, it did self-release an EP titled Taking The City By Storm in 1980. This EP, highly sought after by collectors for the past 40 years, forms the foundation of this 14-song compilation that bears its name.
In addition to the four songs from the EP, Taking The City By Storm features ten unreleased tracks culled from demos and live performances. This is the Haskels release that a lot of fans have been waiting for. The tracks from the EP, remastered for this project, hold up tremendously well and should excite fans of old school poppy punk. The title track is hands down a Midwestern punk classic. "Body Language" and "Baby, Let's French", songs you may recognize from the previous collection, sound stronger and more fully realized here. The previously unreleased portion of the album is no slouch either. "Stay Up All Night" and "Can I Call You?" ride the fine line between punk rock and power pop. "In Between Girls" is a more than passable stab at reggae influenced new wave. The excellent live cut "Strictly For The Uncommercial" was slated to be the title track on a follow-up EP that unfortunately never got made.
Splunge Comminications has co-released Taking The City By Storm with the venerable Bachelor Records. The album, of course, is of great interest to any Midwestern punk history buff. It completes the process of introducing the world at large to a band that's been beloved in Milwaukee for decades. More specifically for the readers of this blog, it offers a fine example of what pop-influenced punk rock ought to sound like. And with an original copy of the EP likely to set you back hundreds of dollars, this new album is definitely the way to go! Whether you're interested in the history or just the tunes, The Haskels are well worth looking into.
Saturday, January 02, 2021
Recently endorsed by Rodney Bingenheimer, the new single from Golden Richards is a new wave rock anthem that sounds like it's straight out of 1981! Gil Golden and Billy Richards have based this Chicago power pop band on their mutual love for the pop culture of the 1970s and early '80s. They have cited inspirations such as Bruce Lee movies, tetherball, Farrah Fawcett, surfing, Bubble Yum, Trans Ams, and the Bjorn Borg/John McEnroe tennis rivalry. "Borg Vs. McEnroe", appropriately enough, is the band's debut single on Big Blast Records.
While Borg/McEnroe might not technically be the greatest rivalry in the history of tennis, it was by far the coolest. Thoughts of this rivalry take me back to those pre-cable days when televised sports were a huge part of popular culture (some of you old school Chicago folk will recognize that the band name Golden Richards is itself a sports reference!). And what made the rivalry special was that it was so short-lived. Borg and McEnroe met only 14 times on the pro tour, splitting their matches 7-7. And their legendary showdowns in grand slam finals were limited to four matches in 1980 and 1981. When those two faced each other, it was must-see TV! On one side, you had the handsome, cool-headed, and supremely talented Swede. On the other side, you had the intense, hot-tempered New Yorker McEnroe. You were out of luck if you missed their iconic matches - as Borg shocked the world when he retired from tennis at the age of 26 (a total bad-ass move!). Thus the mere mention of Borg vs. McEnroe always takes the mind directly to the years 1980-81. With its big guitars, big hooks, and sprinkling of keyboards, "Borg Vs. McEnroe" fittingly sounds like a lost radio hit from a moment in time when the likes of Blondie and The Cars ruled the airwaves. It also has a bit of a rock anthem feel to it, with playfully over the top vocals and some guest guitar shredding by Mark Down. In a stroke of a genius, the band uses actual recordings of McEnroe's on-court tantrums in the background! I was a big McEnroe fan growing up. But even if I hadn't been, I would still be thrilled by this callback to the infinite coolness of the early '80s. If this theme continues, Golden Richards are not likely to run out of songwriting topics anytime soon! How epic would a "Roper Vs. Furley" song be?
Friday, January 01, 2021
Yesterday I said that I would be writing about Muck and the Mires' new album very soon. You can see I wasn't kidding! Out on Dirty Water Records U.K., Greetings From Muckingham Palace is Muck's first long playing album in several years. I love the idea of one of Boston's most beloved rock and roll bands continuing its alliance with London's finest record label. It's like the British Invasion in reverse! Mixed and mastered by the legendary Jim Diamond (White Stripes, The Fleshtones, The Sonics), this album delivers a 100 percent guaranteed to satisfy Muck and the Mires experience. As always, the band finds that sweet spot where the early Beatles, '60s garage rock, and power pop meet. Evan "Muck" Shore is in my book one of the most underrated songwriters out there. His affection for '60s rock and roll and the Beatles in particular has been well documented. But it's not just about the influences - it's about what he does with them. And there aren't a whole lot of people these days writing better pop songs than Muck!
Over the course of 14 tracks, Greetings From Muckingham Palace is able to explore the many facets of Muck and the Mires' sound. And that covers everything from high-spirited British Invasion pop ("This Time") to snappy garage rock ("Mint Condition") to perfect power pop ("The Way It Was Before") to psychedelic sci-fi/spy thriller rock ("Strange Waves") to o.g. proto punk a la Hamburg era Beatles ("I'm Your Man"). "Too Soon To Fall In Love", which you may recognize from the Muckus Maximus EP, still sounds like a lost classic from 1964. What I love about this album as a whole is that it's just so uplifting. And on the first day of what we hope will be a brighter and better year for all, I can't think of a more fitting album to celebrate. Greetings From Muckingham Palace is the kind of album you throw on when you want dance around the house, sing along to some catchy songs, and just have fun listening to rock and roll! Muck has managed to take the spirit of that timeless '60s music he adores and keep it sounding fresh for 2021. If you're looking for an album to wash away the stink of 2020, you've found it! Greetings From Muckingham Palace is available on both vinyl and CD. Hit up Muck and the Mires on Bandcamp for ordering information. Those of you on my side of the pond can also purchase the digital album and CD from Rum Bar Records. If only we could all live in Muckingham Palace!