Sunday, July 26, 2026
Badzy - ...To The Bone
You've surely seen some of the rave reviews for ...To The Bone, the debut album from New Orleans-based Badzy. I sure don't disagree with anything I've read about this record. Three years in the making, ...To The Bone is pure energy and catchiness from start to finish. It hits that sweet spot where power pop, glammy punk rock 'n' roll, and big, hooky arena rock all crash into each other at full speed. There's no pretension to what these guys are doing. They are throwbacks to a time when rock 'n' roll was loud and fun but never afraid to be radio friendly. This is a great record to throw on when you're having a good time or want to be having a good time. The band's sound is the epitome of powerful pop, and it's plenty gritty enough to fit nicely within the underground punk rock 'n' roll bubble. But you can also tell that there's some Def Leppard, KISS, and Cheap Trick in its spiritual DNA. Sometimes the key with rock 'n' roll is not taking yourself too seriously but being damn serious about the craft of songwriting. Tracks like "Say That You Will," "Say You're Ready," and "Ain't That Enuff" would be radio hits in some alternative timeline where they still play real rock 'n' roll on commercial radio. "Shadows" is full-on classic power pop. "Ripped Outta Time" and "Bad Til I Die" venture into heavy metal territory without a trace of irony and kick all kinds of ass. This is an absolutely killer album. I can't help but be reminded of the early 2010s when the likes of The Mandates, Barreracudas, and WYLDLIFE were just coming on the scene. This year in music continues to please!
The Speed Dials - SD Demos
My first reaction to The Speed Dials' demo was "Wow!" I'm always excited to hear straight-forward power pop carried off with tremendous energy and perfect simplicity. And it didn't take me long to recognize a familiar voice on lead vocals. The Speed Dials are a little bit of a Philadelphia indie-pop supergroup. The band is made up of Brendan from Log Flume on guitar/vocals, Dale from Civil Rats/Dummest Records on bass, and Ryan from Mango Safari on drums. That's an impressive lineup, and the songs live up to the pedigree. You can hear elements of these guys' other bands, but The Speed Dials are a royal treat for fans of classic power pop. In this age of streaming, the line between a proper demo and a self-released home-recorded EP has been blurred. So I like that The Speed Dials are calling this a demo. It suggests that this is just the start of something much bigger. The band just played its first show on July 15th, and it is set to record a debut album in the fall. These four songs are just a little taste of what the album will be, and it's immediately obvious that these guys have got something special going. All these songs are really good, but the band was wise to lead with "Ordinary" —a bona fide hit in any era. And looking at the band's logo, I can't help but feel a little twinge of nostalgia for the age of landline phones! Remember when you had to physically pick up a phone to call your girlfriend or boyfriend? Power pop fans, you'll want to get in on the ground floor floor with The Speed Dials!
Saturday, July 18, 2026
Golden Richards - "I Want to Be Like Jeff Goldblum"
It's never a proper summer without a new single from Golden Richards on my playlist. Thankfully, Gil Golden and Billy Richards are here with their 2026 contribution. I think they were just waiting for the smoke to clear! "I Want to Be Like Jeff Goldblum" is in that Golden Richards '90s power pop alternative rock sweet spot — a perfect track for road trips to the beach, poolside lounging, outdoor barbeques, and whatever else you enjoy doing in the summer weather. In typical Golden Richards fashion, the song tells a story. It's about a guy who's experiencing a little slump with the ladies and thinking he could totally turn it around if he were more like Jeff Goldblum. The song was inspired by Gil Golden discovering, a number of years ago, that a bandmate of his had a huge crush on Jeff Goldblum — and then doing some internet sleuthing and finding out that she was hardly alone! I mean, come on: who wouldn't want to be like Jeff Goldblum? Even now in his 70s, that dude has swag! This song is a Gil Golden/Billy Richards co-write, and it totally cranks. It's very Fountains of Wayne, and I'm not mad at that at all. I dig the way the verse sounds super punchy while the chorus is more laidback. That's a summer vibe for sure! This was a great concept for a song, and it's executed with cleverness and humor. You can always count on Golden Richards to produce a banger. Now summertime can begin in earnest!
Banda AL9 - Hey! Hey! We're Banda AL9
Banda AL9 are largely known as TikTok sensations, but I wouldn't hold that against them. The Brazilian duo made up of brothers Matheus and Thiago Khouri has just released its first album on Wicked Cool Records, and it's sure to please fans of power pop and the classic '60s pop that directly inspired it. The duo's excellent covers of The Rubinoos' "I Wanna Be Your Boyfriend" and Kurt Baker's "She Can Do It All" have been Underground Garage staples this year, and they definitely piqued my interest in hearing more. And so now we get more. Hey! Hey! We're Banda AL9 can most properly be called a compilation since most of the tracks are newly remixed and remastered versions of previously released songs. Little Steven has essentially given the United States and the world at large a proper introduction to Banda AL9 — compiling the best of the band's English language tracks along with a brand new song called "Indigo Skye" that was written by the head honcho himself.
https://open.spotify.com/album/1KIP53EnC5508XbbROIAnL
https://www.youtube.com/watch?v=Se--vaeUvjQ&list=OLAK5uy_n9viSHwvPz-c-anTT8UaVY3dqiYNrN_ac
https://www.amazon.com/Hey-Were-Banda-AL9/dp/B0GFPLVSLR
https://www.tiktok.com/@bandaal9oficial
https://www.instagram.com/bandaal9oficial/
https://www.facebook.com/BandaAL9/
https://www.youtube.com/BandaAL9
Sunday, July 12, 2026
Vista Blue - "Wooden Horse"
In addition to holding the record for being the most frequently reviewed band on Faster and Louder (today they surpass Roger Maris with write-up #62), Vista Blue is also the only band that I've ever reviewed both twice on the same day and on back-to-back days. The back-to-back day part of that has been accomplished today, and I know a lot of you are speculating about any improper benefits I may have received in exchange for facilitating such a milestone. Let me reiterate that it would be unlawful for me to accept any shipment of alcoholic beverages brought into the Commonwealth of Pennsylvania from an unlicensed entity. The truth is that I just really love this band and really love writing about this band. I will go as far as to vow that I will continue to write about music for as long as Vista Blue continues to exist as a musical entity. So yeah, if Vista Blue releases a song in 2050 to celebrate Pete Crow-Armstrong's Baseball Hall of Fame induction, I'll almost surely be there to write a review that you can download from a microchip in your eyeball and read in your flying car.
Just when I was starting to wonder how nearly every band I love releasing an album in 2026 would impact the musical offerings of 2027, I get my first "I can't wait until next year!" moment. In March of 2027, Vista Blue will release an epic project titled 50 Stories. The album will include 50 songs, which will all be inspired by books and short stories Mike has enjoyed over the years. Given that I'm a book geek when I'm not busy being a music geek and a sports geek, I'm really stoked about this release. The brand-new single "Wooden Horse" is a sneak preview of the album. Leave it Vista Blue to take inspiration from Homer's Odyssey and come up with a love song! The song's release, of course, coincides with The Odyssey hitting movie theaters this week. It's something a little different for Vista Blue. It features strings arranged and recorded by Nicolas Ocampo and falls closer to pure majestic pop than it does to punk rock. That said, it still feels like a classic Vista Blue song.
Obviously, when you're putting 50 songs on an album (I still can't believe they're doing that!), there's going to be a lot of variety in terms of musical style. So this is just a little taste of what's to come. Mike and Mark really knocked this one out of the park, and I appreciate that the use of strings actually fits the song. They didn't say, "Let's put strings on this track because we can!" They put a lot of thought into this one, and I feel like the folks at Universal Pictures will be pretty upset they didn't know about the song in time to put it in the movie. This tune has bigtime closing credits energy! The connection to the Odyssey is undeniable, yet the song's relatability transcends any particular work of literature. Will this be on Christopher Nolan's personal playlist by year's end? I wouldn't be surprised!
Saturday, July 11, 2026
Mauro & The Mob - What Have I Got To Lose
Mauro Venegas (ex Speedways, Godfathers, Jonny Cola & the A-Grades, the Rocks ) has launched a new solo-ish project, and of course it's brilliant! "What Have I Got To Lose," Mauro & the Mob's debut single, will be released on vinyl this fall by Spain's Snap!! Records. The digital tracks are already available from Bandcamp and well worth owning in advance of the 7". The title track, featuring David Ryder Prangley on bass and Steve Grainger on drums, is a straight shot of rockin' power pop with impassioned vocals and a killer chorus. On the flip side, "Don't Look Now" (featuring additional playing by producer Jez Leather) is a little more '80s new wave-ish and quite reminiscent of the excellent songs Mauro wrote for the last Speedways album. Those guitar lines are immediately recognizable as his, and they mingle nicely with the keyboards that drive the song. This is a very nice pairing of tunes: one a little punchier, and the other a little moodier. But which one is the hit? It's a tough call! Keep your eyes peeled for information about the vinyl release, which is slated for September! This will be up there with the best singles of the year.
Tuesday, July 07, 2026
Tiger Bomb - 15 Super Hits
You have to love an album with the name 15 Super Hits. Right off, you know to expect nothing more and nothing less than fun and timeless rock 'n' roll. There will be no robot voices or seven-minute songs about dragons. You know that when you put that record on, you'll soon be dancing and singing along and generally having a great time. Tiger Bomb, a band co-fronted by Chris Horne from garage rock legends The Brood and Lynda Mandolyn from Fabulous Disaster, has been at it for nearly a decade now. I am more than a little chagrined that I've never previously reviewed this band that was practically tailor-mode for this blog. But the great thing about being a fan of music is that it's never too late to get hip (pun intended) to all kinds of good stuff. With a lineup rounded out by Amanda Ayotte (Legendary Unknowns) on bass and Jessica Smith (The Resistance) on drums, the Portland, Maine–based Tiger Bomb plays upbeat & infectious garage rock influenced by girl groups, punk rock, power pop, and classic pop and rock 'n' roll. Yeah, I know: that sounds like something I would be into! Out on the legendary Get Hip Recordings, the aptly named 15 Super Hits features 15 original songs that could easily pass for covers of forgotten '60s classics.
Thursday, July 02, 2026
Sparkle Blood - ZIP ZAP
From Lethbridge, Alberta, Sparkle Blood is a terrific trio making punky, poppy, modern rock with thoughtful lyrics and hooks a plenty. On its new album ZIP ZAP, the band (Tyler Stewart on guitar/vocals, Bre Day on drums, and Bailey Kate on bass/vocals) dishes out 12 earworm tracks in just 27 minutes. As a songwriter, Stewart is a master of efficiency. Each song comes in, grabs your attention, and then quickly makes way for the next. A lot of these songs (like "Mad About It," "The World Is Run By Sexist Men," and "In Real Life") are political in nature and don't hold back anything. But overall, the vibe of this record is warm and upbeat ("Totally Ignorant" has to be the happiest-sounding angry song I've ever heard). Stewart has the gift of being someone you can't help but like the moment he opens his mouth to sing. He can write serious songs without getting pretentious about it, and themes of friendship and fun loom large throughout this record. "This album speaks to the importance of recognizing we all have to take an active role in shaping the society we want to live in," says Stewart. "But at the same time, we can't take every moment of every day too seriously." From start to finish, the quality of the songs is top-notch. And the energy level rarely takes a dip. Yeah, I know there are thousands of new tracks coming out every day. It's just so hard to keep up. But Sparkle Blood is very much worth your time. These three make music that will give you hope in humanity. You'll want to buy their record. You'll want to drink beers and watch hockey with them. If this is "happy punk," sign me up for more!
Wednesday, July 01, 2026
Songs From The Film* - "She Don't Mind"/"Waiting For the World to Explode"
I didn't have much time to cry in my beer over the sudden split of The Cheap Cassettes. Charles Matthews has already launched his new solo project Songs From The Film* (who doesn't love a good Tommy Keene reference every once in a while?). A debut single (and video!) have been unleashed on this very blessed day. Are you ready? Are you excited?
The beauty of recording solo material is that it doesn't necessarily have to fit in with any particular band or even any particular genre of music. You can just write the songs that are in your heart. Whatever comes out is whatever comes out! My history with writing about Charles's music now dates back 30 years. We were both young men then. Now, we're somehow still young men since 55 is the new 30. The first thing I'll say about this single is that it sounds like Charles. This is him on a plate that you'll absolutely want to eat up. This isn't specifically a punk rock project or a power pop project, but you can hear elements of both — along with all that bubblegum glam rock and big hair new wave pop we all grew up on. Anyone who loved the Dimestore Haloes and Cheap Cassettes will recognize Charles's signature style and voice. It's not like this is his Metal Machine Music. He's still in the familiar territory of hooky three-chord rock 'n' roll with punchy guitars. But at the same time, this is something a little different. You can hear Charles experimenting a little with his guitar tone, vocals, and the overall vibe. The guitar riffs on "She Don't Mind" are by themselves worth the price of admission.
Upbeat and rockin,' "She Don't Mind" is a more conventional loud pop love song and certified smash. I literally laughed out loud at the entire first verse — not just because of the cleverness of it all but also because I recognized my own experience in those lines. If you can find your person who can put up with all your weirdness and return it with their own wonderful weirdness, that's a priceless, beautiful thing. A line like "And the day we met, I knew I'd be your singin', dancin' clown" hits me so hard that it gives me chills. If that's a little too much feelgood for your tastes, the mid-tempo rocker "Waiting For the World to Explode" ought to be very much to your liking. Who can't relate to a song about being so disenchanted with living in this dystopian timeline that you start thinking that the complete obliteration of the world might be a best-case scenario? Tailgating the apocalypse with a six-pack of Corona would be half-hearted; a 12-pack, though, is a full commitment. I love social commentary, sarcasm, and dark humor. Put them all together, and you've got pure gold.
Recording by yourself has to be way harder than it seems. You are responsible for getting every detail right, and you're likely to be far more critical of yourself than you'd be of bandmates. When it comes to all those hours spent rehearsing and recording in solitude, you better damn well hope you like the company. It takes a special temperament and skill set to excel as a solo artist. For every George Michael, there are ten Stings. Thankfully, Charles Matthews is the antithesis of Sting. When I first heard "She Don't Mind," I knew that he had freaking nailed it with this new project. It was an immediate "Holy shit! This is good!" reaction. And before I could consider that maybe I was just a weirdo with funny taste in music, bona fide movers and shakers like Malibu Lou and Ryan Meyers had joined the fan club too. I'll gladly throw my lot in with those guys. Songs From The Film* has come out firing like a rocket. Digital is available now from the mighty Rum Bar Records. Vinyl is coming soon from Sioux Records. And how cool is that music video? Add the title of "filmmaker" to Charles's resume!
Saturday, June 27, 2026
Adult Learners - self-titled EP
A few months since they released a super-promising demo online, Boston's Adult Learners have a 7" record out on Saccharine Tryst Records. Just in case you wondered if having properly released music would cause this wicked awesome foursome to sell out and record in a pricey studio with some overbearing slick producer, I can assure you that the band's lo-fi, low-budget charm remains fully and enthusiastically in tact. There's really only one word that rightfully sums up this EP, and that's fun! Adult Learners may be a very hard band to Google, but they're a joy to listen to with their high-energy, organ-driven mashup of garage rock, punk, and power pop. No songs cross the two-minute mark, and they don't need to. Each track gets to the hook as fast as possible, and that leaves room for more songs on the record. That's genius! This band keeps it simple and catchy, and these tunes will make you wanna get up and dance around the house (or whatever other physical space you happen to be inhabiting as you blast these tunes — you could do a lot of damage in a drug store or dentist's waiting room). There's definitely a ton of Boston garage rock DNA in Adult Learners' music, and at times I'm picking up early Blondie vibes as well. What's not to love? Push play and bop 'til you drop!
Friday, June 26, 2026
Taxi Girls - Static
On New Year's Eve of 2024, I wrote, "If we finally get a Taxi Girls full-length next year, it may very well be my album of the year for 2025!" Well, I was a year off in my estimation, but my prediction is surely looking spot-on. In what has been the best first six months of a year for new music in recent memory, Taxi Girls have my absolute favorite release of the half-year with their fantastic debut long player Static (out today on Stomp Records in North America and the great Wild Honey Records in Europe).
Jamie Radu, Vera Bozickovic, Lynn Poulin, and Gabrielle Noël Bégin were smart to take their time and make their debut album something special. As good as the debut EP Coming Up Roses and follow-up single "Rainy" were, Static blows those releases away. It's that rarest of things: an album that carries the appeal and influence of late '70s/early '80s punk rock yet sounds genuinely current in the contemporary punk/garage/rock 'n' roll universe. Influences run the gamut from classic punk and new wave to power pop to '90s feminist punk and alternative rock to modern-day garage rock. Yet Taxi Girls aren't trying to be anyone but themselves. Jamie Radu, in fact, described the album to me as "us on a plate." And that's what I love about this record. The influences are all over the place, but these songs are uniquely and undeniably Taxi Girls. These four women are not just extraordinarily talented; they also have a chemistry and kinship with each other that is immediately palpable. You're getting different musical influences from everyone in the band, and it all coalesces into something that only these four individuals working together could have created. I've never heard a record that sounds quite like this.
Whichever corner of the punk and punk-adjacent underground you gravitate to — whether that's old-style punk, power pop and pop-punk, garage rock, or the more rock 'n' roll side of punk — you are sure to find much to love about Static. It's full of superb songwriting with killer hooks. It rocks hard. It's got punk rock attitude all day long. The lyrics are meaningful and relatable. The production is incredible. And Vera and Jamie, as co-lead singers, have an amazing hot sauce & honey dynamic going on. Their styles are contrasting yet also beautifully complementary. Both individually and in harmony, they make a formidable tandem. I can't think of many bands with two lead singers/songwriters where I don't like one a little (or a lot) more than the other. But with these two, it's a dead heat. Add in a lead guitarist who totally shreds and one of the best drummers in punk rock, and you've got yourself a band that ought to be huge.
Taxi Girls certainly chose well with the three singles it has released off the album. But I'm hard-pressed to find any song on here that wouldn't have been a fine choice for a single. The sequencing of this record is flawless. It comes roaring out of the gates with a great mix of powerhouse rockers ("Say It!" and "Red Flag Crush") and energetic, super-catchy punk tunes ("Try Harder" and "Auto-Hysterics") before taking a surprising turn with the sweet, sentimental power pop of "So Quaint" and the delightful, effortlessly cool new wave throwback "Midnight Mixtape." And from there, the ride remains a great time but never gets predictable. By the time I got through the four-song run which includes the furious punk scorcher "Kill Your Darlings," the poppy punk earworm "Secret Handshake," the punk rock 'n' roll fireball "It Makes Me Think," and the genius New Order/Go-Go's mashup "Highs//Lows," I started to wonder if this band has secretly been together for 15 years and is just compiling greatest hits! And one thing that is always a deal-clincher for me is when an album offers an extraordinary pair of bookends. I always love an album that starts off with a song that makes you want to listen to the whole record and closes with a song that makes you want to immediately play it again. "Say It!" opens the record with a proverbial bang, and album closer "Other Heart" is this simple, unassuming little ballad that just tears your heart out. It's beautiful, tender, and instantly memorable — a perfect punctuation mark on the best album I've heard in a long, long time.
So is Static everything I thought it would be? Yes and then some! I have been known to sometimes overstate things a little bit (ha ha). But it's not hyperbole to suggest that this album puts Taxi Girls right in the thick of the "best band out there" conversation. For people my age, this is one of those records that reaffirms that it's a healthy thing to keep up with new bands and not assume that music stopped being good 30 years ago. If you have young daughters, granddaughters, nieces, etc., this is the kind of album that could very well inspire them to start their own bands and grow up to be total bad-asses like Jamie, Vera, Lynn, and Gabrielle. Honestly, I have a hard time imagining any regular reader of this blog not being into this record. It's just so freaking good! I have a different favorite song every day. You hear a record like this, and you believe in rock 'n' roll again. You'll want a tattoo —or at least a t-shirt! When I see the critical and fan acclaim Taxi Girls are receiving, it makes me happy because it shows that even in these times when algorithms are king, talent and hard work still matter in music. There are still some huge albums due out later this year, but it's going to take something truly out of this world to top Static.
https://taxigirls.bandcamp.com/album/static
https://taxigirls.bandcamp.com/album/static-eu-version
https://www.instagram.com/taxigirlsmontreal/
https://www.facebook.com/taxigirlsband/
https://open.spotify.com/artist/5h3xtVYH6bpf1d9rXMhcoR
https://www.instagram.com/wildhoneyrecords___/
https://www.facebook.com/wildhoneyrecords/
https://stomprecords.com/
Sunday, June 21, 2026
Local Drags - Cool If We Split?
The prolific Lanny Durbin is back with the fifth album from his (mostly) one-man band, Local Drags. Out on Stardumb Records (which has been with Local Drags from the start), Cool If We Split? finds Durbin moving from the darker energy of 2024's City In A Room to a more melody-driven pop-rock approach in line with his earlier work. He has always had quite a knack for straddling the worlds of power pop and middle-of-the-road singer-songwriter style guitar rock, and that's where he's living on this record. The pace and feel are very laidback — allowing the words and melodies to gently sink into your skull. But the guitars still pack a punch, and the hooks are undeniable. These are serious songs about heavy topics, yet they don't fancy themselves as too important to be great pop songs. This is about as "melody forward" as music gets. Lanny Durbin is really establishing himself as a master craftsman of this "power pop for grownups" genre, and Cool If We Split? captures him in fine form.
Monday, June 08, 2026
Log Flume - Go Where The Money Goes
The only thing cooler than being pleasantly surprised by a new band's debut album is being pleasantly surprised when its second album turns out to be even better. 2024's Splash Hit was a seemingly out-of-nowhere hit for Philadelphia-based foursome Log Flume. It had scrappy indie charm in spades, but it built its foundation on the timeless art of melody-driven guitar pop. And there was something immediately likeable about the band that was hard to put into words (beyond the band name bringing up cherished childhood memories!). Had Log Flume gone back to the same script on its sophomore release, I would have been perfectly happy. But Go Where The Money Goes finds the band taking a big leap forward, and it does so without losing the qualities that made its predecessor so great. That likability is still undeniable, and again the songwriting is super-lean (with not a single track reaching three minutes). But the band has come into its own in ways that were only hinted at last time. If well-crafted guitar pop is something you live for, this album needs to be on your must-hear list.
While Log Flume is still working that indie power pop territory on album #2, its influences run deeper and its sound is more elegant and refined. From the jump, "Dynamic" makes it clear that infectious pop hooks remain this band's calling card. But it's on track two, "Far from You," that the progression really becomes evident. At this point Log Flume sound less like promising up-and-comers and more like established masters of their craft. It's evident that they've become more accomplished songwriters and musicians and have have fully blossomed as a band. "Necessary Evil" is a gorgeous, sophisticated slice of mature power pop. "Got This Feeling" brings a more delicate, laidback touch yet still sounds fully realized in only two minutes. "Up By 9 O'Clock" is full-on psychedelic pop that channels the '60s by way of '80s indie rock. "Misery" is jangly indie pop done to perfection. It wakes up echoes of the '80s and '90s yet still sounds like music of now. Elsewhere, "Anything" finds the band exploring its punkier side with full energy and exuberance. "Every Single Day" brings back some of that early Weezer energy from the last album but doesn't seem like a rehash. Album closer "Follow You Around" is a particular highlight, and it encapsulates everything I love about this record. It's at once a progression from the band's earlier work and a reminder of why I came to love this group in the first place. It's two minutes of pure, perfect pop.
When I heard that Log Flume had a new album coming out, I was excited to hear it. I knew it would be good. But did I expect it to be this good? Probably not. It's impressive that the band has figured out how to give its songs more room to breathe without making them longer. Compared to Splash Hit, Go Where The Money Goes comes off more as more painstakingly crafted and certainly more meticulously produced (kudos to Mike Bardzik), but it retains the first album's whimsical joy and knack for instantly addictive hooks. 2026 is quickly shaping up to be The Year of Power Pop. The selection of stellar releases in that universe is mounting and mounting, and Log Flume has delivered an album that is up there with the best of that stuff. A physical release on cassette is out on Philly's home of the hits, Dummest Records!
Sunday, June 07, 2026
The Speedways - "I Shouldn't Have Tried To Leave Without You"
The Speedways promised us a pair of singles in advance of their forthcoming album, and boy, they sure have not disappointed! "I Shouldn't Have Tried To Leave Without You" follows up last month's wonderful "Luna." If "Luna" was surprisingly upbeat for a Speedways song, "I Shouldn't Have Tried To Leave Without You" is a definitive Matt Julian composition: a melancholy, achingly beautiful pop song exploring regret and longing in unflinching terms. How gorgeous are those guitars? A big selling point is that the great Mary Blount turns up on guest vocals, and she and Julian sound fantastic together. It's easy to understand why these two songs had to each be singles in their own right. "I Shouldn't Have Tried To Leave Without You" is technically the flip side of the vinyl release, but this is that rare case where the phrase "double A-side" isn't a massive hunk of bullshit. The music video for the new song is much more DIY than the video for "Luna," but it has plenty of charm and allows the band members (as well as Blount) to appear on screen. Now let the debate rage about which song is "the hit"! I'm too torn to cast a vote at the moment. If you're after the 7", Beluga Records, FOLC Records, and Stardumb Records can hook you up.
So there we have it: the first Speedways vinyl record in over a year, and it's nothing short of a gem. The new album The Magic Comes & The Magic Goes is due out by the end of the year, and the single tracks give me no reason not to have high hopes. This will be the band's first release with Dan Spagnolo on lead guitar. As a lifelong Pennsylvanian, I'm thrilled to have one of our own (a yinzer, in fact!) playing in The Speedways! You can tell from all the interviews that the vibes are good and the new lineup is clicking. Could we be in store for the best Speedways album yet? I would not bet against it!
https://open.spotify.com/album/6Y4JXGAitISCwewq46f9SY
https://thespeedways.bandcamp.com/album/luna-i-shouldnt-have-tried-to-leave-without-you-single
https://www.stardumbrecords.com/products/the-speedways-luna-7
https://folcrecords.bandcamp.com/album/folc306-the-speedways-luna-i-shouldnt-have-tried-to-leave-without-you
https://belugarecords.bandcamp.com/album/luna-leave-without-you
https://www.instagram.com/thespeedways/
https://www.facebook.com/JustAnotherRegularSummer/
https://www.youtube.com/channel/UCDXyRD-2_ZwHba5VeAJuDpw
Saturday, June 06, 2026
Dany Laj and The Looks - We're The Freaks
I'm always stoked for new music from Dany Laj and The Looks — especially when it turns up without advance notice and totally makes my day. "We're The Freaks" is the first single from the band's new album If Looks Could Kill, which is due out in September. There aren't any bad Dany Laj and The Looks songs, but "We're The Freaks" is a particularly inspired number. This one is right there in that Dany Laj power pop rock 'n' roll wheelhouse, and I have to say that it's one of the best songs he has ever written. Joined here by Jeanette Dowling and David Laplante, he's in vintage form. I love the guitar tone on this number! The song is about the importance of artists and independent spaces in revitalizing urban communities. They build something beautiful and exciting, and then in come stuffy new neighbors complaining about "the freaks making all the noise." And just like that, all that creativity and culture is at risk of disappearing.
Monday, May 25, 2026
Gene Champagne - "Gimme Ammunition"/ "She's An Atom Bomb"
Back with his first new solo tracks in a couple years, Gene Champagne hits the mark with a new digital single (arriving in advance of a vinyl release) in his signature punky power pop style. This ace drummer (Brad Marino, Teenage Head, The Killjoys) is also a formidable singer and songwriter, and he's really speaking my language on this crackling summertime two-fer. "Gimme Ammunition" is snappy power pop that will have you tapping your toes and humming along in no time flat. When that hook hits, it hits big! In just a few ticks over two minutes, the song is over and done and leaving you wanting more. That, my friends, is pop songwriting 101. On the virtual flip side, "She's An Atom Bomb" is a little faster and punkier — yet every bit as sunny and catchy. This song is a total earworm, and the lyrics are hilarious! This is a perfect little punk-pop single for warm weather season, and it's sure to go over well with just about anyone who regularly visits this site. You can always count on Canada to come through!
Friday, May 15, 2026
Radio Days - "Flying High"
In a year in music that is looking more and more like one for the ages, the impending arrival of a new Radio Days album is yet another cause for much excitement. We are now five years removed from the last Radio Days long player, so Off The Record (due out in September) is very high on my list of 2026 albums I'm looking forward to. In advance of the album, the band has treated us to a couple teasers. The latest is digital single "Flying High," an upbeat, silky-smooth pop song with a big chorus and lots of amazing lead guitar. This tune finds Radio Days in vintage form, embracing melody on top of melody. Dario's vocals go down easier than lemonade on a hot day in July, and the song could not be any catchier. It's just a joy to hear one of the best bands to ever do this kind of music, uh, do this kind of music! It's always a good sign when you get to the end of the song and think, "That went way too fast!"
Saturday, May 09, 2026
The Speedways - "Luna"
It has been over a year since I last had the pleasure of writing about new music from one of my favorite bands, The Speedways. In advance of their forthcoming fourth album, The Magic Comes & The Magic Goes, The Speedways are releasing a pair of digital singles. Up first is "Luna," which will shortly be followed by "I Shouldn't Have Tried To Leave Without You." The two songs will then receive a physical release on 7" vinyl in June. Anyone who has been eagerly waiting for new Speedways tunes will be utterly delighted by "Luna." The song was originally slated to be a B-side due to it being rather short and simple. But sometimes a band gets into rehearsing a song and, you know, the magic comes. The whole band had a sense that the song was something special. With some encouragement and creative input from producer Jez Leather, "Luna" became the lead track for the single. Matt Julian notes that the song tells the story of the day he met his ex-fiancé at Luna Fest in Portugal. Because it was written when they were still together, the vibe is sweet and optimistic. So while the song now feels bittersweet to the band, it remains faithful to its original inspiration (a vibe the music video perfectly captures). I've long believed that writing simple songs is one of the hardest things to do in music. But when a simple song hits the mark, it's a beautiful thing. "Luna" is 117 seconds of pop perfection, and it immediately brings to mind classic Speedways. There aren't a whole lot of "happy" love songs in The Speedways' catalog, so that makes this tune stand out all the more. As a fan, I could not be more pleased. Sometimes short and sweet is exactly what we need in life!
Sunday, May 03, 2026
The Chelsea Curve - The Rideout
Can we rightfully call an album that comes out on May 1st a "summer" release? Can we even call it an album if it only has seven songs? I suppose those questions are up for debate. But since I find such debates largely obnoxious, I'm going to say "yes" and "yes" in the case of The Chelsea Curve's The Rideout, out now on Rum Bar Records. On its second album, the Boston-based trio is giving feelgood vibes all day long. Some recent years were trying for The Chelsea Curve, but the band has endured it all and now finds itself inspired and excited about what's ahead.
https://rumbarrecords.bandcamp.com/album/the-rideout
https://open.spotify.com/album/6AN6D9WYhyBiTTEgtsYMil
https://thechelseacurve.bandcamp.com/album/the-rideout
https://www.instagram.com/thechelseacurve/
https://www.tiktok.com/@thechelseacurve
https://www.facebook.com/thechelseacurve
https://www.youtube.com/@thechelseacurve6041
https://www.facebook.com/RumBarRecords
Sunday, April 26, 2026
Radio Weekend - Circles
In recent months, I've written about a couple of singles from Seattle, Washington's Radio Weekend. This foursome is my kind of band. They're right there in that punk-adjacent power pop lane that has always been a sweet spot for me, but they don't really sound like any other band out there. They've carved themselves a nice little niche of their own. They cite some classic influences (The Cars, Cheap Trick, Ramones) but never really sound like they're trying to imitate those bands. There are a couple homages here and there (see if you can spot them!), but Radio Weekend's sound is more of a general vibe. As I listen to new EP Circles, my mind keeps jumping to '90s punk-pop and alt-rock — but by way of the late '70s and early '80s. Essentially, this is the band for all of us who were drawn to pop-punk and power pop because we were new wave kids.













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