Showing posts with label '77 Punk. Show all posts
Showing posts with label '77 Punk. Show all posts

Friday, September 11, 2026

Freak Phone - Fresh Set


Are you ready for some killer straight-up punk rock? On its new EP Fresh Set, Portland, Maine's Freak Phone tears through six tracks of totally ripping late '70s/early '80s–style punk rock 'n' roll. You know what I mean: simple and catchy tunes with attitude and guts out the wazoo. The singer, Rosie, can really belt it and is the absolute epitome of a bad-ass. Of course older folk like me are going to freak out over the fact that punk music like this is still being made. But this is no retro, "Let's try and turn back the clock" type deal. This is a new and exciting band that will have punks of all ages bobbing their heads and shouting along to the lyrics. What's super-cool is that this is all new material. None of these tunes are recycled from the band's demo from last year (which also rules). I also like that these tracks are well-recorded. Lo-fi works for some bands, but a cleaner, crisper production really highlights the power in Freak Phone's attack. This is the no-nonsense rock 'n' roll you've been craving, kids. Bring on a full album!

Wednesday, September 09, 2026

Botox - You Need Botox

I am not worthy of reviewing Botox's new instant classic '77-style punk album in the wake of the masterpiece that my friend Jay Castro has already unleashed. Seriously: There is nothing left for me to say. The world has been put on notice. So go ahead and read your scripture, blast the album so loudly that it enrages your friends, foes, and neighbors, and do whatever is necessary within the bounds of the law to secure the vinyl from No Front Teeth Records. This has been a public service announcement. 

Sunday, September 06, 2026

Loose Lips - Love You


The Loose Lips train just keeps on rolling! One year after Josh, Nadine, and Ethan clobbered us with their great album Last Laugh, they return with a new EP that smashes together all the best parts of garage punk, power pop, Aussie punk, and kick-ass rock 'n' roll. Out on DIG! Records, the four-songer Love You is exactly what you were hoping it would be: 10 minutes of pure electricity crammed with infectious hooks. Loose Lips have found such a natural and distinctive sound as a trio that I sometimes forget that they're a super-group. They've got the main band energy going strong on this EP. 

If I said that "Beehive Teardrop" could easily be an Unknowns song, that's hardly a dismissal. My thirst for catchy old school punk rock with a garage edge is never-ending, and this tune really hits the spot. It's fun, simple, and guaranteed to leave you wanting more. Josh is so good at writing songs like this. If you like poppy punk rock that definitely isn't "pop-punk," well this is a tune that will get your heart racing. Nadine is on lead vocals on "Looking For," a song totally in that late '70s/early '80s new wave power pop pocket. Ethan channels Graham Maby with his bass lines, and no one will be complaining! Yes, my friends, you have entered power pop heaven. "Remember We Love You" is a mid-tempo rocker that brings to mind '70s punk with thunderous, Aussie-sized riffs. What a banger! Finally, "Tired of Toein' the Line" is a fabulous cover of Rocky Burnette's 1979-80 hit — one of my favorite under-the-radar radio songs from my childhood. I love how Loose Lips take a quintessentially American roots rock 'n' roll number and make it sound like something they could have written! That goes to show you that great pop songs are great pop songs. 

All in all, Love You is a perfect continuation of the glorious racket that Loose Lips have been kicking up in recent years. If you like your music raw, catchy, and full of spirit, it doesn't get much better than this. You love this band, and for sure it loves you back. Vinyl is coming in less than two weeks, so get your orders in!

Saturday, September 05, 2026

Perilous - "Overwhelmed By Reality"


Buffalo, New York's Perilous, a foursome I consider one of the best old school punk rock 'n' roll bands currently operating, has just unleashed an absolute anthem for these times on its new digital single. A title like "Overwhelmed By Reality" pretty well summarizes the zeitgeist of 2026, doesn't it? At a moment when there are so many things at the personal and worldly levels to make us anxious, fearful, or just plain depressed, coping with reality really can be an overwhelming, emotionally draining thing. It's as if the one thing that actually unites us all is the acknowledgement that everything sucks. In true Perilous fashion, this song pairs this dark, highly topical subject matter with upbeat, hook-laden power pop punk rock that throws it back to the classic music you grew up on. Pauline really pours her heart into that lead vocal, and this song is as rocking as it is relevant. Perilous just keeps on bringing the hits! On the B-side, "Rock & Roll Runaway," Bob Cat takes on lead vocals and really leans into his love for the Ramones and the timeless '60s sounds that inspired them. It's a fun, simple punk rock song that contrasts nicely with the A-side.  

Whether you call this type of music old school punk, classic punk, or just plain rock 'n' roll, Perilous are one of the bands keeping it alive. And they are doing it with joy, passion, and enthusiasm. Anything they put out is in the must-buy category, and of course that's true of "Overwhelmed By Reality"! $2.99 won't even get you a gallon of gas these days, but it will get you this thumper of a digital 45!

Sunday, August 23, 2026

Ruckus - self titled 12"


Three years after dropping the impressive single Two Easy, the international super-group Ruckus has delivered a 12" EP that has all the punk rockers going crazy. Drunken Sailor Records and Under The Gun Records have teamed up to unleash this beast of a record — which features six tracks that recall a time when pub rock and trashy glam rock 'n' roll collided at full speed and coalesced into the shooting star we know as punk rock. The band is made up of Kam Lindsey (The Stance) on lead vocals, Mario DaCosta on bass, Brian Crozier (NY Hounds) on rhythm guitar, Alex Palazzo (NY Hounds) on drums, Ethan Stahl (The Prize, Loose Lips, Chubby & The Gang) on lead guitar, and Nick Norrman (Ingrates) on lead guitar. That's a "Wow!" lineup, and the music totally lives up to pedigree. Ruckus manages a very old school sound without coming off like a copy of any band in particular. I love the way these songs combine a rawer approach to production with booty-shaking energy, unapologetic pop hooks, and super-tough vocals. There's really no other band out there that sounds like this. This is punk rock. This is rock 'n' roll. But it's not the same by-the-numbers punk rock 'n' roll that you hear all the time. This EP was recorded in 2024, yet you could easily convince someone it was from 1978 or 1982. Those bass lines are insane, and the double-barreled lead guitar totally works. With only four new tracks, this record still leaves us wanting more. But isn't that how you're supposed to do it? If you want the vinyl, I'd recommend not hesitating!

Friday, August 07, 2026

Loose Lips - "Beehive"


Still riding the momentum of their excellent debut album Last Laugh, Melbourne's power poppin' punk rock and rollers extraordinaire Loose Lips are back with a hot new single off a new EP that will release next month. You always know what you're going to get from Josh, Nadine, and Ethan, and "Beehive" is very much in that lane. It's a fun, high-energy rocker with an unbeatable hook. It takes just a little over two minutes to get the job done, and then you're ready for another go-around. While the full EP doesn't come out until September 4th, you can pre-order it now and check out another track, "Remember We Love You." With 2026 being one of the hottest years for new music in recent memory, I'm pumped to have Loose Lips be part of it! 

Sunday, July 12, 2026

Bart and the Brats - Brats Being Brats


Bart is back! Out on Big Neck Records, Brats Being Brats is the 7th 7" record from La Rochelle, France's one-man wrecking crew Bart and the Brats. The title says it all. You should expect nothing different than usual from Bart. He's not attempting five-minute epics or trying to learn a fourth chord. He's not singing about his feelings. He's here to deliver four more tracks of thumping meat and potatoes rock 'n' roll that bridges the 1977 punk explosion to the '90s budget punk heyday. Expect vocals drenched in attitude, lyrics that tell it like it is, pummeling power chords, rapid-fire drums and bass, and songs that never overstay their welcome. Who can't relate to songs about killing your TV and needing three coffees before noon? As always, Lo'Spider was on hand to catch this madness on tape at Swampland, Toulouse. As France shows the whole world that it's unbeatable on the football pitch, Bart and the Brats would make one hell of a run if there were a World Cup of punk rock. Vinyl is limited and sure to go fast!

Saturday, June 20, 2026

The Riffs - "You Doin' Alright"


Well after 20 years, we finally have new music from The Riffs, and somehow this band did not miss a beat! The Riffs, from Portland, Oregon, released three full-length albums and five 7" records from 1999 through 2006. With their '77 punk meets gritty street punk meets tough rock 'n' roll sound, they were a cornerstone band of two of the best punk rock labels of that period: Pelado Records and TKO Records. And now they're back on another iconic label, the mighty No Front Teeth Records. The new 7", "You Doin' Alright," is classic Riffs through and through. Why bother turning back the clock to 2003 when you can take it all the way back to 1977 or earlier? The sound here is anthemic, powerful, and timeless. Even if they hadn't covered "Join the Professionals," The Professionals would have been one of the most obvious references along side the Sex Pistols, Johnny Thunders & The Heartbreakers, the New York Dolls, Cock Sparrer, and The Boys. What an inspired return! The songs kick ass, and the production is massive (befitting that Jonesy-inspired wall of guitars). You could argue that this rivals the best of The Riffs' original releases, and it's a must-purchase for anyone who geeks out over '77-style punk rock the way I do. Grab your vinyl before it's gone!

Sunday, May 24, 2026

Bart and the Brats - Pushin' Your Luck


A good, old-fashioned best-of compilation album is something you rarely see in the indie music world. But that's exactly what we have here from Bart and the Brats, France's #1 '77-style garage punk (one-man) band. Out on London's Dirty Water Records, the new LP Pushin' Your Luck features 15 selections from Bart's existing discography (consisting of four-and-a-half albums and six EPs) and one previously unreleased track called "Pissin' in the Wind." Putting out this album was either a terrible idea or a stroke of genius. A good chunk of these songs have never been available on an LP. And if you've been aware of Bart and the Brats but have never pulled the trigger on buying a record, Pushin' Your Luck is a fine sampling of the band's body of work. It includes a whole slew of fan favorites such as "Can't Stand the Beatles," "Masochistic Pigs," "Constant Nonsense," "Good Cop, Bad Cop," and "Sick, Sick, Sick." 

Recorded by Lo'Spider at Swampland, Toulouse and remastered for this release, these 16 tracks blast out raw, primitive three-chord punk that thumps you in the head with one hand and gives you the finger with the other. The joke about Bart and the Brats might be something along the lines of "If you've heard one of their records, you've heard them all." But that's a good thing, right? We don't want things like progress, artistic ambition, or proper musicianship ruining this band. Just look at some of the labels that have jumped on the Bart train: No Front Teeth, Sweet Time, Big Neck, Take the City....man, that's the best of the best in the punk rock world! This band embodies just about everything that makes punk music so great. I don't want to tell you to not buy all Bart's stuff. But since we're living in times of economic distress, you might need to be stingy with your cash. On that note, Pushin' Your Luck is a lot of value for the money and an excellent representation of a truly killer band.

Friday, May 15, 2026

Automatic Lovers - self titled


When I first heard Automatic Lovers, my instant reaction was, "Hell yeah — we need more bands like this in today's scene!" The Madrid foursome dropped an absolute smasher of a debut single last year — warming my heart with its raw and aggressive vintage 1977 punk rock sound. The band's next challenge was to sustain the same quality and energy over a full album, which is something that's not necessarily easy to do. Sometimes punk rock bands fare better in the short format where they can hit you hard and fast and leave you wanting more. But on their self-titled debut long player (out on Wap Shoo Wap Records and Folc Records), Automatic Lovers prove themselves to be 100% the real deal. 

Over the course of 11 tracks, Automatic Lovers let it rip with force and ferocity — unleashing a heat-seeking missile of a punk rock album. Of course the inspiration for this sound is obvious. The band follows the blueprint of Slaughter and the Dogs, The Vibrators, Eater, The Users, Dead Boys, Menace, Stooges, Pagans, early Damned, etc. with the utmost enthusiasm. But while any band can emulate a style, Automatic Lovers truly have the spirit and power of this classic music coursing through their veins. They tear through these songs with reckless abandon. The drummer sounds like he's trying to pound his kit into submission. The lead guitars rip wildly. The singer spits fire and fury. You might hear a track like "Wasting Time" and surmise that the band can't possibly sustain that level of intensity for a full album. But you'd be wrong! And the tunes (complemented by a couple of ace covers) are legit good. This is a killer punk rock album in any year. You hear a record like this and remember the heart-pounding excitement of hearing punk music for the first time — when suddenly everything else in your record collection seemed super-lame by comparison. What a thrill it is to hear such a young band take up this old school punk rock sound and pull it off this brilliantly. If I had heard a band like this in the later '90s when I was obsessively collecting '70s punk records, I would have flipped my shit! Wap Shoo Wap Records is quickly becoming one of those labels whose releases you never want to miss.

Friday, May 01, 2026

The Sleeveens - National Anthem


Behold the mighty and magnificent Sleeveens, authors of one of the greatest punk rock debut albums of recent memory! Today they return with their highly anticipated sophomore effort, National Anthem — released on the beyond-iconic Goner Records. The Sleeveens  — Stefan Murphy, James Mechan, Ryan Sweeney, and Eli Steele — have been wowing just about everyone who has heard or seen them since they came storming out of Nashville (and Dublin) three years ago. The subsequent singles "UFO's" and "Downtown" were more than satisfying, but a new album is what we've really been craving ever since the first one was released on Dirtnap Records in early 2024. I must admit that I went to bed last night with the giddy anticipation of hearing National Anthem when I woke up this morning. So was I disappointed? Come on! While it's certainly too soon for me to be lobbing grandiose superlatives into the ether, I can say that The Sleeveens have risen to the occasion of following an acclaimed debut. And that's never easy to do. 

If you loved the first album, you will almost certainly love National Anthem as well. The Sleeveens haven't veered far from the approach that worked so well last time: catchy, hard-driving punk rock 'n' roll full of genuine heart and soul. But this album is by no means a knock-off of its predecessor. This is such a unique band since Murphy is not necessarily writing "punk" songs. He brings a broad array of musical and life influences to his songwriting process. He writes the songs, and then they become Sleeveens songs once they are arranged and recorded by the full band. It's no wonder that people hear this group and immediately notice this is something quite different from anything else that's out there. And yet it all comes together as if the music gods had deemed it. Where else are you going to hear a Southern garage punk rock 'n' roll band fronted by an Irish poet? 

For various reasons, the comparisons to Reigning Sound and Compulsive Gamblers will be inevitable. But there's so much more to The Sleeveens than that. National Anthem has its share of blistering rockers. The 1-2 punch of "If I Was a Casual" and "I Was Born on a Saturday Night" opens the album with the proverbial bang. "Long Black Summer" is in a similar vein. But overall, this is a nicely varied set of songs. "My Pretend Boyfriend" is the closest The Sleeveens have ever come to power pop. "Town Of Horseheads," a new arrangement of one of Murphy's old songs, is a droning, moody number that closes Side 1 in epic fashion. "The Rat" is a cover The Walkmen's early 2000s post-punk classic, done Sleeveens style. "Ernest and Julio" is a straight-forward pub rocker. "Six Counties Punk" could almost be The Clash. "High Babies, Low Babies" is an impassioned blast of darker melodic punk. "Cowboy Queen" is vintage Sleeveens, and that's something I will never tire of. The title track, an unflinching indictment of America under the current regime, has the feel of a folk ballad. A less musically aggressive approach proved really effective on this track because you feel the weight and conviction of every word that comes out of Murphy's mouth. To say he doesn't hold back his feelings would be an understatement. Talk about an anthem for the moment!

I never envy a band that has the task of following a nearly perfect debut album. That first album arrives, and people are approaching it with a blank slate. They have nothing to compare it to, and so they can just enjoy it for what it is. But then comes the next album, and it arrives with lofty expectations. I can't speak for The Sleeveens and their intentions, but it seems like they didn't fall into the trap of overthinking this record. They just did their thing. Stefan Murphy is one of the most talented and prolific songwriters on the planet, and The Sleeveens are a dynamite rock 'n' roll band. Put those two things together, and it's hard to screw it up. I won't even bother comparing National Anthem to the first album. On its own merits, it's a great record — and an inspired one, too. These are songs you crank up loud not just to entertainment yourself but to energize your soul. Murphy writes songs about his life, life in general, and the world at large. While not a "political" album per se, National Anthem certainly has its moments where it speaks to what's going on in the world. And in 2026, why wouldn't it? This is a band that matters making music that matters, and we are lucky to live in a world that has The Sleeveens in it. 

Sunday, April 05, 2026

The Sleeveens - "I Was Born On A Saturday Night"


We are getting closer and closer to the arrival of the second album from The Sleeveens, and I can't deny I'm getting super-pumped. My god, this band is everything! With National Anthem slated to release May 1st on Goner Records, we have been treated to a second advance single. And this thing is coming in hot! "If I Was a Casual" was the rousing punk anthem we expected from The Sleeveens, and now "I Was Born On A Saturday Night" is the fiery and furious rocker that perfectly follows it — both as a single and on the album tracklist as well. Here Stef and the gang lay the pedal to the medal and just rip it hard and fast. This is blistering garage rock 'n' roll with a righteous indignation that's palpable in the lyrics, vocals, and music itself.  Do you want to hear a band playing music like it means it? Well The Sleevens mean it with every fiber of their being. This is the way you start an album! As for the rest of it, our wait will soon be over. Get your pre-order in while the vinyl is still available!


Saturday, March 28, 2026

Sick Shooters - Super Sonic Rock Saga


Holy 2005, Batman! On their debut long player, Utrecht, Netherlands–based Sick Shooters take me back to the heyday of garage punk/power pop mash-ups. The perfectly tiled Super Sonic Rock Saga blasts through 11 tracks of blistering punk rock 'n' roll with relentless power pop hooks in 28 thrilling minutes. This is an all-killer, no-filler affair from start to finish. Think first generation punk-pop (Buzzcocks, Undertones, Boys) if you gave it a '90s garage punk kick in the pants and and then injected it with a modern-day youthful exuberance. If I made a playlist of the stuff I was listening to two decades ago (Kidnappers, Manikins, The Heartattacks, Marked Men, etc.), any of these songs would fit right in. Yet the sound of this record is totally fresh and exciting  — proving the timelessness of this type of music when it's done right. There aren't really many new bands like this these days — especially not ones made up of folks in their early 20s. 

What a breath of fresh air this album is! It delivers a perfect mix of scorching punk rock 'n' roll tracks ("Evacuation," "Gambling Girl," "Never Comin Home"), more power pop leaning numbers ("Daisy," "Sweet Telephone," "Holding On"), and a few that split the difference ("Heartbreaker Soulshaker," "Supersonic Lovin," "In Between"). A couple of my influential friends have already weighed in with ringing endorsements, and I will happily add my voice to the chorus of acclaim. 2026 is stacking up to be perhaps the most loaded year for new music in decades, but Super Sonic Rock Saga will absolutely have a spot near the top of my year-end albums list. When it comes to just about everything I love in music, this record hits the target dead-center. Get it from Wap Shoo Wap Records in Amsterdam. Is it just me, or is The Netherlands turning into the epicenter for everything that's awesome? 

Sunday, March 22, 2026

The Beatings - 1997-2007

Since late '90s/early 2000s punk rock is my jam, I am thrilled about Baltimore's glam-punk heroes The Beatings finally getting the full retrospective treatment. If you've been on this ride with me from the beginning, you may recall me flipping my shit for The Beatings' Kiss on the Cheek EP circa 25 years ago. And while my prognostications of The Beatings becoming the next huge band in American punk rock never came true, Adam T. is still going strong with one of the best bands out there, the mighty New Brutarians. So whether you think of The Beatings as part of Adam T.'s origin story, one of the best and most overlooked of the later '90s old school punk revivalists, or a mainstay of the Baltimore punk scene back in the day, the new digital collection 1997-2007 is well worth your time and attention. As the title suggests, this album compiles material that was recorded and released from the late '90s through the early-to-mid 2000s. It includes the songs from all three of the band's 7" releases: "The Ballad Of Jimmy & Jenny" (WAX/Telegraph Records), Kiss on the Cheek (Pelado Records), and the Solid Gold picture disc (Glass Manacle Records). It also includes The Beatings' cover of The Boys' "First Time," which was originally released on Pelado's cult classic Three Minute Heroes compilation. Also included are "Pretty Face (Born Too Late)" and "Like a Broken Shoe" from the band's 1997 demo tape, a live recording of "Party In Berlin" from New Year's Eve 1998, and some demos from Adam's bands Heavy Metal Kitchen and Treasure Island. At 23 tracks in one hour, this is a massive collection for longtime fans or anyone interested in the music Adam made prior to The New Brutarians. 

I was hardly the only reviewer giving The Beatings their flowers in the early 2000s. Some noteworthy lines of praise included "If Duran Duran wanted to be Motörhead and not Roxy Music", "The Bay City Rollers meets the Dwarves", "Better than a boot to the ear hole" and "The NY Dolls on Crack!" The magic of The Beatings was that there wasn't really another band out there quite like them. They were playing sleazy, glammy '70s-style punk with an unlikely mix of bubblegum, new wave, and hard rock influences. It had been a long time since I had listened to The Beatings, so the release of 1997-2007 has been an occasion for me to revisit these songs and decide if my younger self had any idea what he was talking about. By the time I got through "Kiss on the Cheek" and "Ghetto Blaster," I was able to assert that, at least in the case of The Beatings, I wasn't totally full of shit back then! These tracks really hold up — as do "Rollercoaster Girl," "The Ballad Of Jimmy & Jenny," and "Medicine." I don't recall ever owning or hearing the Solid Gold 7", but "New Wave Love" is a stone cold ripper. 

The beauty of the digital music revolution is that old records don't have to be lost to the dustbin of history. And we don't have to play the "You had to be there!" game. Even if you had never heard of The Beatings before, if you like trashy punk rock with a heavy glam influence, it's likely you'll be really into this compilation. I know there's so much music out there to listen to, but I truly believe that there's a significant audience for this album in 2026. It will warm my heart if a few of my influential friends play some of these tracks on their radio shows or if a couple of you end up discovering The Beatings for the first time and genuinely liking what you hear. I remember getting into punk in the '90s and thinking that all those old punk records from 20 years prior were ancient. Now we are three decades removed from the new bands I was into then! Will there be a '90s punk revival? Let's make it happen while there's still time!

Saturday, March 14, 2026

Shop Talk - self titled


Brooklyn-based trio Shop Talk, following a series of singles and EPs the last three years, has just unleashed a self-titled album on One Track Mind Records/Revolver USA. Recorded in Nashville with James Mechan of The Sleeveens, this 11-song long player does something that's very hard to do: take obvious inspiration from first wave punk rock while still sounding contemporary and original. 

If you've heard Shop Talk before, you know this isn't a band that's easy to pin down. But hey, why would you even want to? If I got into rock geek mode, I could say this band sounds a little bit like The Adverts might have if they'd come out of Los Angeles but listened to a lot of New York punk rock. The style is powerful, slightly moody melodic punk with intelligent lyrics and razor-sharp hooks. I'm not surprised at all that someone with impeccable taste like Henry Rollins is a fan. Also not surprising is that James Mechan was able to elicit such a perfect recording for a punk rock record. Jon Garcia's guitars really pack a punch but never overwhelm Tristan Griffin's nimble, hard-driving bass lines. The sound is crisp but not excessively polished. Garcia, who mixed the album, and Mikey Young, who mastered it, really get what timeless punk rock ought to sound like. The songs are lean and well-crafted, and they manage to create a dreary-ish mood while still radiating pure energy. I appreciate that the band re-recorded some of its earlier tracks ("Ramona," "Black Friar," "Camp Hero", "Mirage of Love") for this release. They were too good to leave off a full-length album, and they fit in perfectly with new scorchers such as "SOS," "Love Dart," and "Terra Damnata." Clocking in at less than 27 minutes, this album is definitely an all-killer, no-filler experience. If you love first wave punk rock but perhaps lean towards some of the more progressive bands of that movement, Shop Talk is a current band that ought to be on your radar.

Wednesday, January 28, 2026

Disket - "Running"


When it comes to the type of music I like, Disket could not be much more on the money. The New York–based band has just released its first single on General Speech, and it's the perfect mashup of old school punk and late '70s-style power pop. The band, featuring Dani Tute on vocals backed by Mary and Claudia from Baby Shakes, Myke from Mala Vista, and Roberto from Vaxine, more than lives up to its star power promise on this red-hot double A-sider. "Running" barely exceeds the 90-second mark and will quickly have you in vigorous head-bobbing, toe-tapping mode. On the flip, the snappy "Vamos a ganar" eases off the gas pedal just a little but still packs one hell of a punch. This, my friends, is how you do it. The songwriting is aces, and both of these songs are equally parts catchy and rockin'. If you're left wanting more, be sure to check out Disket's demos from last summer. Hit up General Speech to pre-order the new single on black or green vinyl. This thing is going to be on everyone's top ten list at year's end!

Friday, January 16, 2026

Pat Todd & the Rankoutsiders - After The Dolls


Pat Todd & the Rankoutsiders are one of the surest things in rock 'n' roll. Anything they release is guaranteed to be top-notch. And that goes for their cover songs as well. The band's new 10" EP, After The Dolls (out on Heavy Medication Records), was a passion project for Pat Todd. As one of the world's biggest fans of the New York Dolls, Todd has a deep love for the band's catalog that extends into the music the members later released as solo artists. The concept of After The Dolls was to pay tribute to some of the amazing songs that Johnny Thunders and David Johansen wrote when they were supposedly "past their peak." And when you give a great songwriter like Pat Todd the leeway to put his own twist on some old classics and deep cuts, you know you're going to get something special. 

Sometimes tribute albums fall flat, but After the Dolls feels different. All six of these tracks are inspired takes on incredible songs. The love for the original versions is palpable, but you can tell that you're listening to Pat Todd & the Rankoutsiders. Any Dolls/Thunders fan will be intimately acquainted with the material on the "Thunders side" of the record. Todd & the Rankoutsiders push the tempo on "Dead or Alive" to the point where it practically sounds like a Heartbreakers song. You can feel every ounce of heart and soul in the classic ballad "Disappointed in You." "Short Lives," from Thunders' 1985 release Que Sera, Sera, is re-worked into the roaring '70s punk classic it could have been. On the "Johansen side" of the record, the band pulls some deeper cuts. "Melody" and "Wreckless Crazy" are both from Johansen's oft-overlooked second solo album, In Style. "The Rope," one of Johansen's rawest and punkiest solo tracks, was the B-side to the 1978 single "Funky But Chic." "Wreckless Crazy," as Ted pointed out, comes out sounding like it could have been a Rankoutsiders original. It's a scorching update on the original. The band drags the disco-era blue-eyed soul of "Melody" into modern times without losing the spirit of Johansen's version. "The Rope" sounds like vintage '90s by way of the '70s punk rock 'n' roll — reiterating Johansen's profound influence on Todd and so many of his contemporaries. 

If you're going to take your shot at covering Johnny freaking Thunders and Mr. David Johansen, you can't afford to miss. With After The Dolls, Pat Todd & the Rankoutsiders show the world what a tribute album ought to be. You can tell that this project was on Todd's mind for many years. The song selection could not have been more perfect, and all six of these tracks absolutely smoke. While the band succeeds at making these songs its own, it does so with tremendous affection for the original versions. This EP will make you want to go listen to your Johnny Thunders records and perhaps seek out some David Johansen records. And that, my friends, is surely the point.

Sunday, January 11, 2026

The New Brutarians - "Tonight's Your Night (Tonight)"


The New Brutarians are back with another stone cold banger of a single! Last year's summer of singles was just the beginning! Adam T. and Robbie Rist are in full glam fury on this glitzy rocker that practically explodes out of your speakers. I'm talking scorching guitars, smashing drums, a whiff of whiskey and hairspray, and enough attitude in the vocals to raise Stiv Bators from the dead. If you dig Hanoi Rocks, the New York Dolls, early KISS, and Adam's old band The Beatings, then The New Brutarians are speaking your language! Vinyl release coming from Sioux Records later this year!

Saturday, November 22, 2025

Linear Television - Sandy Beach

Well here's something that couldn't be any more up my alley! From Münster, Germany, Linear Television hits a sweet spot for me: old school, spirit of 1977 pop-punk. Sandy Beach, the band's new EP, delivers four tracks of catchy three-chord poppy punk that ought to appeal to fans of both first wave punk and '90s pop-punk. As soon as I heard the title track was about the simple glory of drinking beer in the sun, I knew this was my kind of band! "Sedated By Television" is not social commentary but rather a relatable breakup song (I would be lying if I said I never had to turn to reruns of Knight Rider or The A-Team to soothe my soul in times of despair). "Stay Strong" could almost be Cock Sparrer, and I sure can't complain about that. If you like your punk music with a lot of melodic lead guitar but also plenty of bite to it, Linear Television is a band well worth your further inspection.

Sunday, November 09, 2025

Mala Vista - Snub Nose .38


Back with its first release since March 2024's criminally overlooked Fun Time LP, New York's Mala Vista brings the heat on the electrifying four-songer Snub Nose .38. The EP, released in Europe by Ghost Highway Recordings and here in the States by the illustrious Spaghetty Town Records, finds Myke, Manny, Erik, and Ben leaning more than ever into their love of class of 1977 punk rock. While Fun Time showed a more melodic side of Mala Vista in many spots, Snub Nose .38 is a more focused attack of fast-paced, down and dirty, punch-you-in-the-mouth street rock 'n' roll. '77-style punk has always been my thing, but you just don't hear enough bands doing it right anymore. Mala Vista pulls off the tricky task of making contemporary old school punk sound timeless rather than retro. Influence-wise, you can hear everything from Teenage Head to The Boys to The Vibrators to Eater to Slaughter and the Dogs to the Dead Boys. But again, there's often a fine line between inspiration and imitation, and Mala Vista doesn't cross it. This kind of music is part of the DNA of New York, and Mala Vista does the city proud. Snub Nose .38 is a kick-ass EP from perhaps the best '77-style punk band out there. Don't miss out!