Saturday, March 28, 2026

Sick Shooters - Super Sonic Rock Saga


Holy 2005, Batman! On their debut long player, Utrecht, Netherlands–based Sick Shooters take me back to the heyday of garage punk/power pop mash-ups. The perfectly tiled Super Sonic Rock Saga blasts through 11 tracks of blistering punk rock 'n' roll with relentless power pop hooks in 28 thrilling minutes. This is an all-killer, no-filler affair from start to finish. Think first generation punk-pop (Buzzcocks, Undertones, Boys) if you gave it a '90s garage punk kick in the pants and and then injected it with a modern-day youthful exuberance. If I made a playlist of the stuff I was listening to two decades ago (Kidnappers, Manikins, The Heartattacks, Marked Men, etc.), any of these songs would fit right in. Yet the sound of this record is totally fresh and exciting  — proving the timelessness of this type of music when it's done right. There aren't really many new bands like this these days — especially not ones made up of folks in their early 20s. 

What a breath of fresh air this album is! It delivers a perfect mix of scorching punk rock 'n' roll tracks ("Evacuation," "Gambling Girl," "Never Comin Home"), more power pop leaning numbers ("Daisy," "Sweet Telephone," "Holding On"), and a few that split the difference ("Heartbreaker Soulshaker," "Supersonic Lovin," "In Between"). A couple of my influential friends have already weighed in with ringing endorsements, and I will happily add my voice to the chorus of acclaim. 2026 is stacking up to be perhaps the most loaded year for new music in decades, but Super Sonic Rock Saga will absolutely have a spot near the top of my year-end albums list. When it comes to just about everything I love in music, this record hits the target dead-center. Get it from Wap Shoo Wap Records in Amsterdam. Is it just me, or is The Netherlands turning into the epicenter for everything that's awesome? 

Vista Blue - Batting Around


Baseball season is never officially underway until Vista Blue properly opens it with a baseball-themed release. But we didn't have long to wait this year, as Vista Blue released Batting Around the day after the real Opening Day (one game on Netflix doesn't count) — and on Mike's birthday to boot. Mike got an early present in the form of a Pete Crow-Armstrong contract extension with the Cubs, and now he and Mark have gifted us four new Vista Blue tracks that no ABS system will ever be able to deny. 

The title track starts things off with some snappy, toe-tapping punk rock that celebrates one of the most formidable achievements a baseball lineup could ever hope to attain (and no, Meta AI, "batting around" does not refer to casually hitting the ball in a relaxed or informal setting). "Good Reputation" takes things in a more pop direction. It's a song about the one guy who's on the roster because he's respected in the clubhouse and contributes to the team in ways that are never apparent on the stat sheet. "What's Your Favorite Lockout?" is one of my favorite types of VB songs — a 30-second speed-burner that makes The Queers sound like Emerson, Lake & Palmer. And I'm absolutely on board with '94 being the gold standard for MLB lockouts. "I Don't Wanna Be DFA'd" is in classic VB territory. Paired with "Good Reputation," this song finds Mike and Mark speaking up for the guys who aren't big stars with massive contracts. A lot of players have to fight for roster spots and hope the axe doesn't fall on them when it's time to designate someone for assignment. I'll be pouring one out for Garrett Stubbs, a Phillie with a good reputation who has sadly been DFA'd. 

From that first chord of "Batting Around," I knew I was in for another first rate Vista Blue release. I'm always open to interpreting this band's sports songs on a metaphorical level, so let's hope that this is a year where all of you clear the bases in your life and put some crooked numbers on the board.

Thursday, March 26, 2026

Sparrowhawk - Sunflowers in the Moonlight


On its second full-length album, Minneapolis-based foursome Sparrowhawk continues on its mission to make super-awesome rock music. I'm not one to judge an album by its cover, but it would be hard to look at Lucas Gluesenkamp's bad-ass cover art for Sunflowers in the Moonlight at not assume that the music would totally kick ass. Luckily, there's no assumption necessary in the era of streaming. But even in digital times, some albums ought to be experienced on vinyl based on how they look and sound. This is one of them! 

Sparrowhawk is by no means the only indie/punk band embracing '70s arena rock, but you won't find anyone else doing it better. Following their excellent 2023 debut, Johnny Eggerman, Zach McCormick, Damien Tank, and Marty Mueller have doubled down on their love for classic rock. I was amused that the promotional email I received in the advance of the album release was sent by "Phil Lynott." If Philo was going to come back from the dead to do some publicity work, it was certainly going to be for a record like this one. This is an arena-sized rock 'n' roll long player with a punk rock heart. On this release, the band has added a touch of Allman Brothers/Molly Hatchet influence and expanded its repertoire to include ballads and rustic folk rock. Your dad or granddad would love this record, and that's not a knock. Sparrowhawk truly throws it back to a time when there was no shame in crafting a rock radio hit. 

Sunflowers in the Moonlight builds on the sound and style of its predecessor. It's everything that was great about the last album and much more. The melodic rockers "Underneath the Moonlight," "Still Talk About It Now," and "Power and the Glory" will please anyone who loved the band's debut. "Blackberry Brandy" is full-on Southern rock and totally freaking excellent. "Lonesome Operator" is a splendid power ballad in the proper sense of the term. "Down the Line" is giving Stones/Faces energy, and I'm sure not complaining. The title track is earnest Americana with all kinds of scrappy charm. And what other band would think to close an album with a Western-themed eleven-minute multipart finale? That's pure genius! 

Of course Sunflowers in the Moonlight rocks hard. Those harmonized lead guitars remain front and center, and these tunes will have you air-drumming like a maniac in short order. But the Midwestern soul in this music should not be sold short. The album's lyrics are heavy on storytelling and character sketches, so this is like listening to a record with the substance of a movie or short story collection. The band reunited with Andy Mathison, whose recording and mixing favors a sound that's massive but never too slick. Imagine what a king you would be if you were walking around with the Sparrowhawk logo emblazoned on the back of your denim jacket. People would see you and immediately want to hear the band that had the vision to pick such an unfuckwithable name. And one guy would be like, "I heard those guys! They did that song 'Take a Bow'!" And you'd be like, "Dude! Wait until you hear this new album!" 

How do you top a big, hooky rock record? You make an even bigger, hookier rock record! The vinyl, limited to 200 copies, was pressed in Minneapolis by Outta Wax and released on the Twin Cities' own Piñata Records. In the process of bringing this album into existence, the band really showed some love to its own community. And that tells you a lot about Sparrowhawk. Grab a copy of this monster while you can!

Sunday, March 22, 2026

The New Brutarians - "Del Rio Way"


Today must be Adam Turkel Day in Faster and Louder Land! I just weighed in on the Beatings retrospective, and now I've got something new for your ears. "Del Rio Way" is the latest single from The New Brutarians. The track features Alan MP from Juvenile Wrecks on lead guitar, Robbie Rist on drums on bass, and Greg Shankland on piano. What we've got here is a quintessential glam rock blues ballad in the neighborhood of The Dogs D'Amour with hints of '70s Stones. This song is pure heart and soul and finds Adam in fine form both lyrically and vocally. And of course the recording sounds amazing. Arriving on the heels of the hard-rocking "Tonight's Your Night (Tonight)", "Del Rio Way" takes things in a mellower, more reflective direction. Both of these songs should be turning up on vinyl later this year courtesy of Sioux Records. For now, enjoy this poignant track on your favorite streaming platform!

The Beatings - 1997-2007

Since late '90s/early 2000s punk rock is my jam, I am thrilled about Baltimore's glam-punk heroes The Beatings finally getting the full retrospective treatment. If you've been on this ride with me from the beginning, you may recall me flipping my shit for The Beatings' Kiss on the Cheek EP circa 25 years ago. And while my prognostications of The Beatings becoming the next huge band in American punk rock never came true, Adam T. is still going strong with one of the best bands out there, the mighty New Brutarians. So whether you think of The Beatings as part of Adam T.'s origin story, one of the best and most overlooked of the later '90s old school punk revivalists, or a mainstay of the Baltimore punk scene back in the day, the new digital collection 1997-2007 is well worth your time and attention. As the title suggests, this album compiles material that was recorded and released from the late '90s through the early-to-mid 2000s. It includes the songs from all three of the band's 7" releases: "The Ballad Of Jimmy & Jenny" (WAX/Telegraph Records), Kiss on the Cheek (Pelado Records), and the Solid Gold picture disc (Glass Manacle Records). It also includes The Beatings' cover of The Boys' "First Time," which was originally released on Pelado's cult classic Three Minute Heroes compilation. Also included are "Pretty Face (Born Too Late)" and "Like a Broken Shoe" from the band's 1997 demo tape, a live recording of "Party In Berlin" from New Year's Eve 1998, and some demos from Adam's bands Heavy Metal Kitchen and Treasure Island. At 23 tracks in one hour, this is a massive collection for longtime fans or anyone interested in the music Adam made prior to The New Brutarians. 

I was hardly the only reviewer giving The Beatings their flowers in the early 2000s. Some noteworthy lines of praise included "If Duran Duran wanted to be Motörhead and not Roxy Music", "The Bay City Rollers meets the Dwarves", "Better than a boot to the ear hole" and "The NY Dolls on Crack!" The magic of The Beatings was that there wasn't really another band out there quite like them. They were playing sleazy, glammy '70s-style punk with an unlikely mix of bubblegum, new wave, and hard rock influences. It had been a long time since I had listened to The Beatings, so the release of 1997-2007 has been an occasion for me to revisit these songs and decide if my younger self had any idea what he was talking about. By the time I got through "Kiss on the Cheek" and "Ghetto Blaster," I was able to assert that, at least in the case of The Beatings, I wasn't totally full of shit back then! These tracks really hold up — as do "Rollercoaster Girl," "The Ballad Of Jimmy & Jenny," and "Medicine." I don't recall ever owning or hearing the Solid Gold 7", but "New Wave Love" is a stone cold ripper. 

The beauty of the digital music revolution is that old records don't have to be lost to the dustbin of history. And we don't have to play the "You had to be there!" game. Even if you had never heard of The Beatings before, if you like trashy punk rock with a heavy glam influence, it's likely you'll be really into this compilation. I know there's so much music out there to listen to, but I truly believe that there's a significant audience for this album in 2026. It will warm my heart if a few of my influential friends play some of these tracks on their radio shows or if a couple of you end up discovering The Beatings for the first time and genuinely liking what you hear. I remember getting into punk in the '90s and thinking that all those old punk records from 20 years prior were ancient. Now we are three decades removed from the new bands I was into then! Will there be a '90s punk revival? Let's make it happen while there's still time!

Saturday, March 21, 2026

The Melmacs - "Lazy Hearts"

Just when I thought I couldn't possibly love The Melmacs any more, they're back with another new single that shoots straight to my heart. Now the band's fourth single released in advance of the forthcoming album EUPHANCHOLIA, "Lazy Hearts" is perhaps its purest pop song to date. It's a total earworm. I'm not sure it's humanly possible to create a song catchier than this one — this tune is like caffeine for the soul! You could be having the worst day ever, and then this song comes on, and suddenly your possibilities are endless and your hopes are bright. The band puts so much energy into this musical performance, and Bimmi sings every note with absolute joy. 

This song resonates with me because it's an anthem of encouragement to all those people out there who feel like failures because they haven't yet accomplished the things that society expects of them. But the twist is that they're not failures since they hold on to their dreams and cling to the belief that there has to be more to life than having lots of money and status. The band has dedicated this song to the "stamped daydreamers and true believers" who ultimately make this world a better place. So cheers to all the "lazy boys, all the lazy girls" with their hearts full of gold, and cheers to The Melmacs for making music that restores my faith in humanity. I've been playing this track on repeat and getting pumped for EUPHANCHOLIA, which will be out April 10th on Bakraufarfita Records & Wanda Records in Germany, Spaghetty Town Records in the USA, and Beluga Records in Sweden. I can't wait! 

Poison Suckers - Charmer

It's crazy that it has already been five years since the first Poison Suckers 7" came out. Today Jo Jo and Joe are back with a follow-up, and this thing is a stone-cold ripper that will melt your ears clean off your head. Out on Transistor 66, the 4-track EP Charmer finds Poison Suckers doing what they do best: mixing soul music and '60s girl group stylings with ferociously trashy garage punk rock 'n' roll. This band makes an art form out of lo-fi budget production, and the music is all raw energy and thrillingly primitive fury. 

"Slash Tires" is pure fire right out of the gate — like Tina Turner fronting the Oblivians playing an MC5 song. This tune explodes out of your headphones, and Joanne's vocal is just ridiculous. It gives me chills. "Charade" is old school girl group greatness without all the fancy production getting in the way. "Viper Winds" lays down some hip-shaking hillbilly blues stomp — think Southern gothic vibes transplanted to the chilly North. "I'm a Zero" caps things off with full-on garage rock fury. It's a banger of epic proportions. 

And that's that: four perfect songs that give you a little bit of everything you might be craving. I can think of no band that better understands or more fully brings to life the true spirit of rock 'n' roll. Of course this band has talent. These two have a great knack for writing songs that hit you in the gut yet also treat you to enthralling hooks. And there's a very limited number of humans on the planet who can sing like Joanne. But beyond the talent, it's the feeling and the fire in this music that is just so undeniable. Charmer will hit you deep in your soul. It's a record made to be played loudly and enjoyed thoroughly. It's an at-home dance party waiting to happen and a spirited soundtrack to whatever sinful activity you might be compelled to engage in. The EP will be officially released tonight at Times Change(d) High & Lonesome Club in Winnipeg!