Saturday, July 25, 2026

Unicorn Dogs - Closer To Death


Two years ago, Unicorn Dogs released Age Typical Junk Behavior, one of the best pop-punk debut albums of whatever you want to call this nightmare of an era we're currently attempting to survive. It was a debut that was going to be almost impossible to top. I say almost because here we are on the 25th of July in the year 2026, and Closer To Death (brought into the world by those twin institutions of musical excellence, Jolly Ronnie Records and Mom's Basement Records) has indeed topped its mighty predecessor. If Age Typical Junk Behavior was the album that solidified modern-day pop-punk as the soundtrack to everyone's midlife crisis, Closer To Death takes things to the logical next level. It's an album about how much it sucks to get old — especially in a bizarro world where the robots are taking over and 2 + 2 can equal 5 depending on whom you vote for. If you're looking for a record that will make you optimistic about the world or offer lighthearted escapist entertainment, this is most certainly not it. But if you want to pump your fist in the air and shout along at the top of your lungs to impassioned, anthemic pop-punk songs that will feed the fire of righteous indignation raging inside you, this record is not to be missed. 

What makes great pop-punk great pop-punk? There are a lot of ways to answer that question, but there's something about simple, two-minute-ish songs with punchy guitars and earworm hooks that I never, ever tire of. I could live to be a thousand years old and hear records in a thousand different genres, and I'd still steadfastly maintain that the Ramones were every bit as important as Beethoven. Of course the caveat is that the style has to be done well, and that's the main thing Lucas and Jon bring to the table. They're not trying to be original or innovative. But they're just so freaking good at writing simple pop-punk songs. They play a tried-and-true style of music, but they make it current and fresh by writing about things that matter to them. If you could measure the passion and urgency that goes into music, these guys would be a ten out of ten every time. 

And so here we have Closer To Death, and as usual, the songs rip hard and really have something to say. If you're going to write songs about living out your miserable decline in a word where everything sucks, you better have a sense of humor about it. And that's the magic of Unicorn Dogs. They can be (and often are) quite serious a lot of the time, but they also know how to make an art form out of self-deprecating humor. A lyric like "More than half my life is over with/Not sure I made the most of it/I don't have a bucket list/Just a lot of things I wanna quit" makes me laugh so hard precisely because it speaks a truth I can relate to. These guys aren't playing the brand of pop-punk where middle-aged men pretend they're still teenagers. They're playing the brand of pop-punk where middle-aged men begin reckoning with the sneakily rapid of encroachment of Father Time. If you relate to that description, this record has got plenty for you to chew on. Here we have anthems for people who have managed to get older without getting wiser and who feel like time has made them worse versions of themselves. This band writes profoundly about failure, regret, and just being plain tired of being beaten down by life. That's really heavy stuff, but it's also honest and real. The social commentary side of Unicorn Dogs ("Hallucination Free," "One Disaster Away," "Replaceable") is perhaps an even more bitter pill to swallow, but again, it's not like these guys are wrong about anything. There's even a hint of optimism in "Fix Your Heart Or Die" ("We don't fight because we'll win/We fight because there are things worth fighting for/And we gotta try"). The song is a reminder of why protest music (and protest in general) are so vital in this moment. And at a time when simply being a kind, empathetic human is an act of rebellion, Unicorn Dogs are here to show us the way. 

In spite of its title, Closer To Death is by no means a bummer of a record. Lucas and Jon (joined by Jon's son Oliver, who kills it on drums) might write from the perspective of disillusioned, over-the-hill folk who feel like life has passed them by. But the truth is that as musicians and songwriters, they've never been better than they are right now. You don't get the backing of two of the best pop-punk record labels ever by accident. Closer To Death is the best record they've ever made. It's packed with smart, super-catchy punk songs that mix their candidly dark musings with an undeniably upbeat energy. If these lyrics were about dominating in pickleball, cooking the perfect lentil soup, and the thrill of stargazing, this would still be quality pop-punk. But it wouldn't quite hit the same, would it? If you take these songs too seriously, it's like spending 27 minutes with Debbie Downer. But I don't listen to these songs and hear complete resignation. Amidst all that frustration, disappointment, and self-effacing humor, I hear a fighting spirit that won't stop pushing. I still don't feel my age, but the cold, hard math of me being as close to 70 as I am far from 40 really fucks me up sometimes. A little more urgency in my life would not be a bad idea. We're all getting a little closer to death every day. But that leads to an obvious question: What are we gonna do about it?

Saturday, July 18, 2026

The New Brutarians - "Tiger Tales"/"The New Picasso"


Back with another superb single, The New Brutarians are channeling Side 2 of G N' R Lies by way of The Dogs D'Amour. Written in his bed at the Mondrian Hotel in Hollywood, "Tiger Tales" is Adam T's ballad of an aging glam rocker — a song that finds him reflecting back on a journey we all take. One day, you're young and pretty, and so much seems to be in front of you. Then the next day you wake up, and the decades have passed. Life has kicked you in the butt pretty well, and you have all sorts of regrets and disappointments to confront. But you've also got precious memories and some great stories to tell. I've been a fan of Adam T for a long time, but there's something about the gravitas he possesses now that has me feeling like we're just starting to see (or hear) the best of him. He has blossomed into one of rock 'n' roll's finest living lyricists. "Tiger Tales"' lyrics absolutely knock me out, and they're delivered in such a way that you can really feel them. If you're going to do ballads, they should be like this where someone can hear it and be like, "Oh hell yes, this is my life, too!" The song is loaded with touchstone references and comes off like an anthem for all those Gen X glam-punks who are still fighting the good fight. How's this for a chorus? 

We were loaded like a night train
Reeling from the brain drain
Baby
Never got the invite
Never got the wind in our sails
Living in a house of pain
Loving all these lame flames
lately
But maybe tonight
I'll get that tiger by the tail
Tell some tiger tales

On "Tiger Tales," Adam T is joined by Deb Ruby on vocals along with Alan MP, Robbie Rist, Jerry Andrews, and Billy T.  It's a powerhouse of a song, and I love the way it culminates on a positive note — as Adam T remembers himself and his friends as "neon peacocks twisting in the air." Within a very particular community, this song will be goosebump-inducing. 

On the virtual B-side, "The New Picasso" is a stripped-down acoustic number that alternates between being a deeply intimate love song and a reflection on Adam's identity as an artist. Perhaps he's been called the new Bukowski or the new Stiv Bators a time or two, but at this point, he's the one-and-only Adam T. I love the rawness and simplicity of this song. Its mixture of humor ("I'm not gonna throw myself under a car near Porte de la Chapelle/Or cut off my fucking ear") and sincerity is deeply satisfying. A song like this can be hard to pull off, but this track could not be more perfect. 

"Tiger Tales," along with the recent New Brutarians singles "Born Out of Time," "Delinquent Things," "(Better Than The) Apocalypse," "Del Rio Way," and "Tonight's Your Night (Tonight)" has been compiled onto a 10" record that is coming out on Sioux Records. You diehard glam rockers will want to keep your eyes peeled for that! A digital version should also be available soon. As a whole, these songs represent a new distinct chapter for The New Brutarians, with much more certain to come!

Golden Richards - "I Want to Be Like Jeff Goldblum"


It's never a proper summer without a new single from Golden Richards on my playlist. Thankfully, Gil Golden and Billy Richards are here with their 2026 contribution. I think they were just waiting for the smoke to clear! "I Want to Be Like Jeff Goldblum" is in that Golden Richards '90s power pop alternative rock sweet spot — a perfect track for road trips to the beach, poolside lounging, outdoor barbeques, and whatever else you enjoy doing in the summer weather. In typical Golden Richards fashion, the song tells a story. It's about a guy who's experiencing a little slump with the ladies and thinking he could totally turn it around if he were more like Jeff Goldblum. The song was inspired by Gil Golden discovering, a number of years ago, that a bandmate of his had a huge crush on Jeff Goldblum — and then doing some internet sleuthing and finding out that she was hardly alone! I mean, come on: who wouldn't want to be like Jeff Goldblum? Even now in his 70s, that dude has swag! This song is a Gil Golden/Billy Richards co-write, and it totally cranks. It's very Fountains of Wayne, and I'm not mad at that at all. I dig the way the verse sounds super punchy while the chorus is more laidback. That's a summer vibe for sure! This was a great concept for a song, and it's executed with cleverness and humor. You can always count on Golden Richards to produce a banger. Now summertime can begin in earnest!

-L.R.   

Banda AL9 - Hey! Hey! We're Banda AL9


Banda AL9 are largely known as TikTok sensations, but I wouldn't hold that against them. The Brazilian duo made up of brothers Matheus and Thiago Khouri has just released its first album on Wicked Cool Records, and it's sure to please fans of power pop and the classic '60s pop that directly inspired it. The duo's excellent covers of The Rubinoos' "I Wanna Be Your Boyfriend" and Kurt Baker's "She Can Do It All" have been Underground Garage staples this year, and they definitely piqued my interest in hearing more. And so now we get more. Hey! Hey! We're Banda AL9 can most properly be called a compilation since most of the tracks are newly remixed and remastered versions of previously released songs. Little Steven has essentially given the United States and the world at large a proper introduction to Banda AL9 — compiling the best of the band's English language tracks along with a brand new song called "Indigo Skye" that was written by the head honcho himself. 

There's no doubt that when it comes to singing and harmonizing, the Khouri brothers are the real deal. But this album shows that they talented songwriters as well. If the cynical response to this year's radio hits was, "Great, but can they do more than covers?", the album answers that question in the affirmative. Of course the musical influences are obvious. But isn't that the whole point? I'm hearing The Beatles meet The Everly Brothers on "She Calls Me Love." "American Girl" brings to mind Big Star doing the Beach Boys (or is it the other way around?). "Love Bug" is early American rock 'n' roll by way of The Fab Four. The aforementioned "Indigo Skye" kind of sounds like Frankie Valli trying his hand psychedelic pop, and I am here for it! The ballad "The Best Night Of Our Lives" is back in Everlys territory, and I have no complaints. "The Only One" and the absolutely splendid "California" demonstrate that these lads can do the '70s power pop thing at a level that rivals many of their musical heroes. If "She Can Do It All" is still the best track, that's no knock. These guys took a great song and genuinely made it their own. 

Living as we do in a post Lemon Twigs world where classic guitar pop is cool again, I'm excited to find out how far a band like Banda AL9 can go. Hey! Hey! We're Banda AL9 is an album in the tradition of the 1960s heyday of pop and rock 'n' roll. It cherry-picks much of Banda AL9's best existing material to create an album that properly represents what this band is all about. This group is no overnight sensation. The brothers have been at it since 2017, steadily honing their craft and deepening their love for melody-driven pop-rock of many different eras. Certainly a lot of folks will enjoy this record because it reminds them of music from another time, but I can see younger audiences loving it as well. Banda AL9 infuses a timeless musical style with youthful excitement. Steven Van Zandt wasn't going to sign a band just because he thought they could sell records. The Khouri brothers are legit. They've got that family band chemistry that always appeals to me, and their unapologetic love for pure pop music is something I relate to deeply. And the joy that they exude is genuine and infectious. Trends in music come and go, but melody, harmonies, and catchy choruses are eternal. World, meet Banda AL9! 

Thursday, July 16, 2026

Amplifier Heads - Super 8


Smack dab in the middle of this most wonderful year for music — a year in which many have observed that real deal rock 'n' roll has come back with a vengeance — it seems fitting that we would be treated to a new full-length album from The Amplifier Heads. Super 8 releases tomorrow on the world-famous Rum Bar Records. It is, by my count, the band's sixth LP. And it's almost certainly the finest effort yet from Sal Baglio and friends. It's essentially a sonic journey through rock 'n' roll history — a history that is, in fact, still being written. As you would expect from an Amplifier Heads album, the menu is packed with a variety of popular flavors. You'll hear hints of everything from the blues and first generation rock 'n' roll to the British Invasion to garage rock to power pop to glam rock to the Rolling Stones to OG punk rock. If the firecracker opening track "Rock N' Roll Riot" had been the whole record, Baglio could have dropped the mic and declared victory. But that's just a starting point, and Super 8 keeps on bringing the hits. Life is too short to waste on filler. 

Off the bat, "Rock N' Roll Riot" is a pure jolt of raucous energy to get you moving and shaking and dominating your day. It literally starts at the beginning — time-traveling back to the Moondog Coronation Ball in Cleveland in 1952 and rocketing forward into the world-altering sonic explosion that soon followed. On the sexy and sticky-sweet "Hot Stars," the time machine stops off in the early '70s for a rendezvous with Marc Bolan. "A Song Called Sha La La" takes it back to the '60s and slyly pilfers a melody from The Troggs. Baglio, as he longs for someone out there to write another timeless rock 'n' roll radio smash, proceeds to will that very thing into existence. Just like that, you've got an opening 1-2-3 punch that few albums will ever beat. But wait! There's more! "They Don't Dance Anymore" is a reflective ballad longing for a time when rock 'n' roll ruled the airwaves and all the kids still knew how to groove. "A Girl Named Chop Suey" is kickin' livewire garage rock that winks and nods in the direction of "Louie Louie." "Can't Put My Finger On It," which is a little bit country and a whole lot of rock 'n' roll, is an earworm of master class status. "Superstar" sounds like the best song Dave Edmunds never wrote. "Hot Wax" takes us back to a moment in time when rock 'n' roll was climbing mischievously out of the womb of rhythm and blues — a suitable last stop on this full circle journey through time and sound. 

It's hard not to look back at last year's tremendous Peppermint Kicks album Pop Rocks In My Chewing Gum (which Baglio co-authored) and note that Super 8 seems to have been made from the same magical stuff. Sometimes The Amplifier Heads sound like an intergalactic rock machine, but on this record, they're sticking to Planet Earth and the scorching sounds that pumped new life into it in the latter half of the 20th century. As a songwriter, Baglio has never sounded more inspired. Joined by Kevin "King" Rapillo on drums and Brad Hallen on bass (along with some special guest stars on a few tracks), he exemplifies everything that rock 'n' roll ought to be and still can be. There's no need for bells and whistles when you can conjure this sort of glorious and rousing racket that comes roaring out of the garage and into the dive bars and dance halls. These guys truly put their soul into this record, and the joy is palpable in every note. This is the work of a child of the '60s who fondly recalls the majestic past but isn't resigned to being stuck in it. 

Is Super 8 a throwback record? Yes and no. The whole point of all this time traveling is to remind ourselves why we still love rock 'n' roll and why we all remain so passionate about its preservation. All of you out there playing in bands, running labels, promoting music, buying records, hosting radio shows, writing reviews, and going out to see bands don't even have to question why you do it. This is the music that sets our souls on fire. Who wants to live in a world without rock 'n' roll? Thankfully we'll never have to (as the first half of 2026 has made evident). Gather 'round, true believers, and behold the gospel according to The Amplifier Heads!

Sunday, July 12, 2026

Bart and the Brats - Brats Being Brats


Bart is back! Out on Big Neck Records, Brats Being Brats is the 7th 7" record from La Rochelle, France's one-man wrecking crew Bart and the Brats. The title says it all. You should expect nothing different than usual from Bart. He's not attempting five-minute epics or trying to learn a fourth chord. He's not singing about his feelings. He's here to deliver four more tracks of thumping meat and potatoes rock 'n' roll that bridges the 1977 punk explosion to the '90s budget punk heyday. Expect vocals drenched in attitude, lyrics that tell it like it is, pummeling power chords, rapid-fire drums and bass, and songs that never overstay their welcome. Who can't relate to songs about killing your TV and needing three coffees before noon? As always, Lo'Spider was on hand to catch this madness on tape at Swampland, Toulouse. As France shows the whole world that it's unbeatable on the football pitch, Bart and the Brats would make one hell of a run if there were a World Cup of punk rock. Vinyl is limited and sure to go fast!

Vista Blue - "Wooden Horse"


In addition to holding the record for being the most frequently reviewed band on Faster and Louder (today they surpass Roger Maris with write-up #62), Vista Blue is also the only band that I've ever reviewed both twice on the same day and on back-to-back days. The back-to-back day part of that has been accomplished today, and I know a lot of you are speculating about any improper benefits I may have received in exchange for facilitating such a milestone. Let me reiterate that it would be unlawful for me to accept any shipment of alcoholic beverages brought into the Commonwealth of Pennsylvania from an unlicensed entity. The truth is that I just really love this band and really love writing about this band. I will go as far as to vow that I will continue to write about music for as long as Vista Blue continues to exist as a musical entity. So yeah, if Vista Blue releases a song in 2050 to celebrate Pete Crow-Armstrong's Baseball Hall of Fame induction, I'll almost surely be there to write a review that you can download from a microchip in your eyeball and read in your flying car. 

Just when I was starting to wonder how nearly every band I love releasing an album in 2026 would impact the musical offerings of 2027, I get my first "I can't wait until next year!" moment. In March of 2027, Vista Blue will release an epic project titled 50 Stories. The album will include 50 songs, which will all be inspired by books and short stories Mike has enjoyed over the years. Given that I'm a book geek when I'm not busy being a music geek and a sports geek, I'm really stoked about this release. The brand-new single "Wooden Horse" is a sneak preview of the album. Leave it Vista Blue to take inspiration from Homer's Odyssey and come up with a love song! The song's release, of course, coincides with The Odyssey hitting movie theaters this week. It's something a little different for Vista Blue. It features strings arranged and recorded by Nicolas Ocampo and falls closer to pure majestic pop than it does to punk rock. That said, it still feels like a classic Vista Blue song. 

Obviously, when you're putting 50 songs on an album (I still can't believe they're doing that!), there's going to be a lot of variety in terms of musical style. So this is just a little taste of what's to come. Mike and Mark really knocked this one out of the park, and I appreciate that the use of strings actually fits the song. They didn't say, "Let's put strings on this track because we can!" They put a lot of thought into this one, and I feel like the folks at Universal Pictures will be pretty upset they didn't know about the song in time to put it in the movie. This tune has bigtime closing credits energy! The connection to the Odyssey is undeniable, yet the song's relatability transcends any particular work of literature. Will this be on Christopher Nolan's personal playlist by year's end? I wouldn't be surprised!