Tuesday, February 10, 2026

The Cheap Cassettes: Ten Golden Greats




I usually don't write "in memoriam" posts for bands, so I won't quite do that for the The Cheap Cassettes in the wake of their recently announced disbandment. I believe what I've written about this band over the years more than suffices for a proper tribute. I'm not in the mood for any sad shit. But given that I was with this band from the beginning, I ought to be there at the end as well. As a public service to anyone who might still be unfamiliar with this band's catalog, I now present to you my top ten all-time favorite Cheap Cassettes songs. This was very difficult to pick just ten tracks from a catalog that included three full-length albums and three 7" records. Damn it, Charles — why do you have to be so brilliant? But I think if you look at what this band put out over the course of the years 2011–24, you could argue, without hyperbole, that this was one of the five or ten best power pop groups of the past two decades. What a body of work! Someday, books will be written about this band (probably by me — ha ha!). And people will eventually pound the table for an overpriced reunion tour. I'm not saying that what lies below is the band's definitive "greatest hits." These are just my personal favorite tracks. But a lot of bands would wish to have a best-of collection as good as this. If you believe, as I do, in power pop as one of the purest forms of rock 'n' roll, The Cheap Cassettes are a band you need to know about, even in retrospect. Alright, let's go! 

10. "Disappear with You" (2016) 

If my memory serves me correct, this was a song that Charles just had sitting around when Malibu Lou wanted a new track for a Rum Bar Records reissue of The Cheap Cassettes' debut album All Anxious, All The Time. Imagine having something this good in your secret stash of songs!

9. "Wreckless" (2013) 

This was a very early Cheap Cassettes song. All of us who had been waiting for Charles to write his own "Bastards of Young" were finally rewarded.

8. "Red Line Blue" (2022) 

I consider this one of The Cheap Cassettes' finest "deep cuts." When I talk about Charles Matthews being not just a great punk or power pop songwriter but rather a great songwriter, period, I can point to this song as a prime example. This is music with soul.

7. "Hung the Moon" (2024)

What was I just saying?

6. "See Her In Action!" (2021) 

Will they someday make physical compilations of the best of 2020s power pop when CDs come back into mass popularity? If so, this will be on a lot of them.

5. "Fade to Nothin'" (2024)

Side two, track 1 from the best album anyone put out in 2024.

4. "My Little Twin" (2011) 

Now we're going way back. I love that this song was never "properly" recorded. The original rough version that was shared with the world via Bandcamp back before anyone else was using Bandcamp remains the definitive version of this stone cold banger.

3. "How I Got What I Wanted" (2022) 

I'm not saying I have pandemic nostalgia, but this song sure takes me back.

2. "Bad Xerox" (2024) 

If your ex ends up with an inferior version of you, that's a win, right?

1. "Kiss The Ass Of My Heart" (2018)

Quite possibly the greatest song ever written by anyone.

There you have it. I know some of you will be outraged about me overlooking "New Gun In Town," perplexed about me snubbing "She Ain't Nothing Like You," and apoplectic about me sleeping on "Worse N' Better." But tough choices had to be made. RIP The Cheap Cassettes. If you like what you've heard, smash the links below for a whole lot more power pop rock 'n' roll goodness! 

Posted by at No comments:
Labels: , ,

The Falling Out - Don't


It's probably a little late to be talking about New Year's resolutions. But if I had some, one of them would be to write about more bands from "my area" — which I would loosely define as anything in between the Delaware and Susquehanna Rivers (even though I'm technically a few miles west of that). On that note, The Falling Out are an awesome band from Philadelphia, and their new album Don't is one of the most original and interesting things I've heard in a while. It comes to us from the ever-reliable Dummest Records, who also proudly rep the City of Brotherly Love. 

Don't is a not-quite sophomore album from The Falling Out. It's more like album 1.5, as it's comprised of a few tracks the band wrote for its debut LP (but were not properly mixed in time to be on the album) as well as newly remixed versions of some songs that were on the album. The first time I listened to this record, I didn't know quite what to make of it. It doesn't quite fit into any of my usual go-to genres. But that's not a bad thing at all. As I continued to listen, I was really blown away by the quality of the songs and the undeniable appeal of the band. Broadly, The Falling Out sound like garage rock meets reverb-heavy indie/alternative with co-ed harmony vocals and the feel of '60s pop and rock 'n' roll. Sometimes they remind me of X if they'd been into the Jesus and Mary Chain. Other times, I'm hearing a less-campy Cramps. Other times, they aren't too far off from the loud crunching garage/punk/pop I'm always so fond of. The band enlisted EJ Hagen to mix and master these tracks. So the unreleased songs are now ready for the world to hear, and the previously released tracks have been given a slightly noisier edge. It all comes together nicely, which is no surprise given that all these songs were written around the same time. There's a great variety of tunes on this album. Songs like "I Draw the Line" and "We're Alright" work a more controlled pace and really let those harmonies and melodies breathe. "I Don't Believe in Love" and "Dead Dumb and Blind" are full-bore rockers that absolutely pound. "I Don't Wanna Cry" is straight-forward garage/punk/powerpop that totally rules. "Falling," one of the remixed tracks from the self-titled album, is one of the catchiest and most exhilarating rock 'n' roll tunes you'll hear all year.  

If you enjoyed The Falling Out's debut album, you'll certainly enjoy Don't. And if Don't is your first exposure to The Falling Out, it will surely make you want to hear the debut album. This Philly trio has a cool vibe and legit killer songs, and it's certain that I will be following this band closely in the future. Hand-stamped red cassettes are available now from Dummest Records' Bandcamp!


Posted by at No comments:
Labels: ,

Saturday, February 07, 2026

The Melmacs - "Keep On"


I often think about what it is that draws me to certain bands. Of course The Melmacs are my cup of tea (or better yet, my pint of beer) musically. But beyond that, there's something special with this band. And I just realized it: I've never known another band that puts more love into its music. And I'm not just talking about a love for playing music. I'm talking about using that music to put more love into the universe. New single "Keep On" is a perfect case in point. This song is essentially a pep talk to anyone who might be listening. Its message is simple and powerful: no matter how bad things get, you should never give up on hoping for better things. As long as you believe in yourself, it's never too late to turn things around. And what I appreciate about this song is that it's not really aimed at one person in particular. It's aimed at all of us. How can you possibly listen to this song and NOT feel inspired to be kind to yourself — and to others as well? Musically, this is one of the band's most "pop" songs yet, but it still has that punk energy and urgency to it. Bimmi's sprightly keyboard riff is totally infectious, and the whole song is as well. This is not phony feelgood nonsense — this is a genuine anthem of hope and resolution. The Melmacs are not going to tolerate you quitting on life because they know you deserve better! There are not sufficient words in the English vocabulary for me to convey how much I love this band! The full album EUPHANCHOLIA will be out April, and it's going to be an early contender for album of the year. For now, check out this new single and keep on keeping on!

Posted by at No comments:
Labels: , , , , ,

High On Stress - Over/Thru EP


One of my favorite things that Rum Bar Records does is to re-introduce the world to amazing music. The Over/Thru EP is a compilation of four previously released tracks from Minneapolis rebel rousers High On Stress. I can imagine Lou coming across some of these tracks and just knowing this band needed to be part of the Rum Bar family. One connection is that drummer Mark Devaraj is in Cindy Lawson's amazing band. Another is that singer/guitarist Nick Leet sounds like he could be Tom Baker's brother from another mother. And so Lou has assembled a four-song sampler that will turn just about anyone (myself included) into an instant High On Stress fan. These four tracks sit at the intersection of power pop and no-frills heartland rock 'n' roll, and of course that's a sweet spot for me. If you dig hooky, heart-on-sleeve songwriting that doesn't apologize for worshipping at the Church of Westerberg, you will find a lot to like here (and in the band's full catalog). The fact that one of these tracks is a cover of Tommy Keene's "Nothing Can Change You" gives you a further glimpse into the soul of High On Stress. Great find, Lou!

Posted by at No comments:

Itchy & The Nits - Greetings From...


And they're back! Sydney-based garage punk sensations Itchy & The Nits, authors of my 16th-ranked album of 2024, return with that rare just-as-good-as-its-predecessor sophomore long player. While Itchy & The Nits have graduated from the no-budget minimalist production of their debut EP, they've managed to retain all that charm from that initial release. Out on Anti Fade Records in Australia and Total Punk Records in the U.S., Greetings From... blasts through 12 tracks of quintessential garage punk in less than 22 minutes. Simple, catchy, and fun is a formula that does not need to be messed with, and these three gals pull it off with unbeatable snap, crackle, and pop. Who doesn't love songs about smelly boys, nude beaches, television, and fortune tellers? And what's the only thing better than a rock 'n' roll band with a theme song? A rock 'n' roll band with two theme songs! Even in times as dark as these, an album like Greetings From... is sure to make you smile. It will also have you tapping your toes to a frantic degree and singing along like your life depended on it. Is it possible that the band that gave us classic songs like "Beat It Bozo!" and "Crabs" has gotten even better? My ears tell me the answer is yes!

Posted by at No comments:
Labels: , ,

The Cynz - Confess


In my mind, one of the hardest things to do in music is to follow up a fantastic album and not disappoint. On 2024's Little Miss Lost, the long-running New York/New Jersey—based band The Cynz absolutely wowed me. This was a proper rock band playing splendidly crafted pop songs and doing it with honesty and heart. I was reminded of a whole bunch of later '80s/early '90s bands that were cool enough to be college radio darlings but accessible enough to get played on album rock radio formats. The album set an extremely high bar for the follow-up to clear. But sure enough, the new album Confess finds The Cynz knocking another one out of the park. This is the band's sixth album and second on JEM Records. Once again, the musical and songwriting partnership between Cyndi Dawson and Henry Seiz has produced a stellar set of tunes that will go over well with just about any fan of melody-driven rock 'n' roll that's packed with lyrical substance. 

Produced by the ever-dependable Kurt Reil, Confess finds The Cynz confronting (in their own words) "trauma and losses." That's some pretty heavy stuff, but that's certainly where this band thrives — harnessing darker, deeply personal subject matter into relatable and ultimately empowering songs. While the title of the record is certainly a play on the band name, it's also an accurate description of the songs themselves. The band's mix of crunching '80s guitars and '60s-inspired psych-tinged jangle could not be any more in Reil's lane, and he ably captures the band's sound in all its multifaceted glory. Confess's track listing includes a couple of fantastic previously released singles ("Woman Child' and "Heartbreak Time") along with a splendidly rocking cover of Tom Petty's "You Wreck Me." These songs blend seamlessly with the new material, which is marvelous in its own right. "My Father's Gun" marries the band's roots in punk rock with a modern and thunderous rock 'n' roll edge. With its soaring hooks and impassioned vocals, "Ghost Rider" sounds like it could have been a staple of later '80s rock radio. "Light the Sky" is the kind of finely crafted classic rock that many people assume doesn't exist anymore. On the more melodic side, "Impossible Ending" and "Don't Give Up" are elegantly bittersweet pop gems — the work of a confident songwriting duo at the top of its game.  

The Cynz are a fine example of a rock 'n' roll band aging like fine wine. Confess demonstrates that maturity and musical growth don't have to equate with losing your edge or going soft. If not a "power pop" record per se, this album does represent what powerful pop music ought to be. It brings together elements of rock, pop, and punk in a way that's reminiscent of the past yet also very "now." From start to finish, this album delivers the goods. Confession is certainly good for the soul, and it's also fertile ground for songwriting inspiration!

Posted by at No comments:
Labels: ,

Sunday, February 01, 2026

TJ Cabot - "Some People Just Ain't Liked" (2026 Real Rejects demo)


As one of the tens of Real Rejects super-fans populating this Earth, I am a firm believer that a TJ Cabot biopic would be must-see TV. If they can make a gigantic Hollywood film about Bruce Springsteen recording demos in his house with Stingray from Cobra Kai, why can't they make one for TJ Cabot that would at least go straight to streaming? Whether or not the lyrics in new demo "Some People Just Ain't Liked" are fact or fantasy, I can totally see someone pitching Ryan Gosling the role of the hapless barista who has been disliked and mistreated his whole life for no good reason and proceeds to exact his sweet revenge through fabricated allegations of a pubic hair turning up in a cup of coffee. Why does no one else see the cinematic gold that lies right in front of us? Look, there's Tyler lying on the floor listening to MOTO. Look, there's Tyler throwing the remains of a gas station sandwich at the TV when the Leafs choke away a playoff series. Who could resist a dramatized account of the time the words "occipital neuralgia" were first scribbled on a piece of paper? They could call the movie Patron Saint of Degenerate Little Shitheads. You are all welcome to steal my idea. All I ask for in return is a six-pack of high quality Canadian lager. 

For musical inspiration here, Tyler turns to early '80s Australia. While the rest of the punk world had hardcore fever, the Aussies were busy trying to re-create power pop in the garage by way of the Ramones. "Some People Just Ain't Liked" marries that vibe to the spirit of poorly recorded and sloppily performed bedroom budget punk. This doesn't aim to be a finished product, but it absolutely cranks. In the hands of the full Real Rejects, it will almost certainly be transformed into a beloved track on the band's next record. In all seriousness, this is actually quite a profound song. Sometimes in life, you run into people who don't like you. You can drive yourself crazy trying to win them over, or you can just say "Fuck 'em!" and get on with your day. Let it be said that if a child cares enough to abscond with loose leaf paper from a classroom cupboard, that sort of intellectual curiosity should celebrated.

Posted by at No comments:
Labels: ,
Subscribe to: Comments (Atom)