Sunday, October 11, 2026

Nonchalant - When I Lost My Heart


When I talk about this being an epic year for power pop, part of that is the great variety of bands/artists who fall broadly under that banner. So it's not like all this stuff sounds the same. On its debut album When I Lost My Heart, Germany's Nonchalant meets at the intersection of power pop and '70s punk with a touch of new wave. Well now you're really speaking my language! This album is absolutely a throwback to 1979 or '80, and I've got no complaints. Once again, I will reiterate that punks aspiring to write great pop songs is my jam. And Nonchalant nails that vibe perfectly. It's as if this band hailed from the heyday of Good Vibrations Records, lived through the early years of synth-pop, and then hopped a time machine to today. The melody, hooks, energy, and romance that make this sort of music so appealing are all there. This band leaves no doubt as to which lane it wants to occupy, and it carries off the sound with reverence and vigor. If O.G. punk/powerpop is your thing, you won't be nonchalant about this record!


Gene Champagne - Too Pop For Punk...Too Punk To Care

Drummer extraordinaire and punk/power pop solo artist Gene Champagne is back with a new mini-album (or maxi-EP) titled Too Pop For Punk...Too Punk To Care. The title sums up what this guy is all about. Punk rockers writing pop songs has always been a sweet spot for me, and these tunes hit the mark just right. Half the record is comprised of previously released digital singles (the double A-side wham-bam of "Gimme Ammunition" and "She's an Atom Bomb" along with covers of The Barracudas' "I Can't Pretend" and The Ohio Express's "Yummy Yummy"). Too Pop For Punk... adds four new tracks for a proper long extended play experience. The best of the new tunes, "Friends Like These," is vintage Gene Champagne: punchy, crunchy punk-pop that serves up hooks a plenty and hits with authority. "Sweet Little Lies" is a mid-tempo number that puts the power in power pop. "Beach Boy Wannabe" has great fun living up to its title. "I'm Disconnected" caps things off in a decidedly different direction with some tough & gritty '70s-style punk fury. All in all, this is a terrific little album from the Teenage Head/Killjoys/Black Halos drummer, and it's available on white vinyl while supplies last!

Pocket - self-titled


On its self-titled debut album, Bristol-based Pocket tears through eight songs of raw, energetic, and totally excellent pop-punk. This one-sided 12" is an absolute thriller for anyone who enjoys pop-punk that leans to the punk side but doesn't skimp on hooks. Thom Weeks, Kathryn Woods, Andrew Horne, and Brian Scally are all established players in the UK indie/punk scene. As Pocket, they come together to deliver a perfect mix of melody and aggression. All these tunes hit hard and are carried off with urgency and feeling. Even when the band ventures into noisy indie rock territory, the songs are still crackling and brimming with energy. And at a lean eight tracks, this is the quintessential all-killer, no-filler affair. This is a record that you can't help but crank super-loudly as you shout along and pump your fist. From start to finish, you can truly feel the passion that went into these songs. Since this is technically half of a vinyl record, I don't know whether to call it an LP or an EP. But it's one of the most exciting records I've heard this year, and you know I've heard a lot. Get it from Specialist Subject Records!

The Shortstops - Preseason


You have to love a band with a baseball-themed name releasing an EP called Preseason just in time for the postseason! I'm still salty about the Phillies' early playoff exit, but I sure dig this record. The Shortstops are from Louisville, Kentucky, and they don't write songs about baseball. But it's possible that they play baseball and certain that they like baseball. The band cites Matthew Sweet, Weezer, and Jeff Rosenstock as influences, so that gives you some idea where these guys are coming from. They're broadly a power pop band — but not the kind that wants to be The Beatles. I'm feeling some serious '90s indie/alternative rock energy on the endearingly dorky "Absurd." "Caroline" and "Betsy" are giving jangly, mushmouthed early REM vibes. What really won me over is that the song lyrics are interesting and creative. "Absurd" is about this dude who's into this girl who clearly, obviously thinks he's a loser — and so, of course, that makes him all that more obsessed with her and all the more convinced in his chances. "Ford Pinto" crafts the ultimate metaphor for a relationship that you ought to know is destined for disaster. "California" seems to be your typical romanticized road trip pop song, but then it takes a very sudden dark turn. "Mockingbird" comes off like the pop-punk song Edgar Allan Poe might have written. There are also a couple of more conventional love songs to bring it all home. This is a charming little EP that shows exactly the sort of range you'd want from a bunch of Shortstops.

Friday, October 09, 2026

The Brickabrats - "Fun Night


 "Fun Night" is the debut single from The Brickabrats out of Portland, Oregon — a foursome that reminds me of all the bands that made me fall in love with punk rock back in the '90s. The band likens itself to "Screeching Weasel making out behind a 7-Eleven with The Queers while Sloppy Seconds steals beer from the gas station next door," and I am here for that! Sometimes I want to hear pop-punk that has found a way to grow up a little. But other times, I just want pop-punk to be simple, stupid, and (above all else) pure fun. The Brickabrats aren't trying to be original or practice rocket science. They aren't hiding their influences. They want to write the catchiest possible songs and blast them with maximum enthusiasm. It's a simple approach that a million other bands have tried. But they pull it off so well that you wouldn't want it any other way. 

"Fun Night" is about getting ready to party, but they're talking about the sort of party I would have actually gone to — where people chow down on junk food and listen to cool records. Getting into pop-punk in the '90s wasn't just about discovering music that seemed like it was made for me. It was about bonding with all the other misfits and weirdos who loved the same stuff. That spirit is baked into "Fun Night," a song that is literally all about anticipating good times and putting everything else to the side. You know there will be shenanigans, but there's an undeniable innocence at play as well. 

"Fun Night" is the first taste of The Brickabats' debut EP THWACK! (as far as I'm concerned, there can never be enough onomatopoeia in record titles), which releases January 22nd. I have to respect that level of planning ahead when I haven't even figured out what I'm having for breakfast 40 minutes from now. If you're not a pop-punk person, "Fun Night" won't turn you to the dark side. But something tells me that The Brickabrats don't make music for people who dislike pop-punk. If you do like pop-punk, this is a band to watch!

Wednesday, October 07, 2026

Twerp - 1,000 Ways to Hotwire Your Life


1,000 Ways to Hotwire Your Life
, the new EP from Cleveland-based frantic foursome Twerp, is an absolutely delightful jolt of energy that rides the oh-so-fine fine line between punk rock and new wave. I suppose you could call this "egg punk." But my mind doesn't go to modern-day egg punk when I hear this record; it goes more to Devo and The Waitresses. These tunes are spastic, jerky, and endearingly weird — the sort of music that is in the air and water in northeastern Ohio. Even with the artsy, freewheeling edge, the songs are well-crafted and super-appealing. The singer Mojang has personality and charisma all day long. And I'm totally won over by the audacity of a band that can follow 6 songs in 11 minutes with a nearly 7-minute symphony of chaos. What a brilliant record! I'm late to the party on Twerp's previous EP Digital Distortion, but that's totally killer as well. This is one of the best new punk bands I've heard in quite some time. I'm always up for new ways to hotwire my life, so I'll gladly welcome 1,000 of them!

Tuesday, October 06, 2026

Parasites - self-titled EP


How wild is that I've now been reviewing Parasites records over a period of thirty+ years? If you had told me, when I was a 24-year-old kid, that I'd be writing about a new Parasites EP in 2026, I would have declared you insane. But Dave is still going strong three decades later, and I still haven't found a more appealing hobby than dancing about architecture. So here we are! Out on Something To Do Records, Parasites' new self-titled EP is the band's first release since 2023's EP​-​Onymous and its first standalone EP comprised of new recordings since 1997! So yeah, this is kind of a big deal. In my admittedly biased opinion, Parasites are an all-time top ten pop-punk band, and the A-side of this release is totally in line with what you'd expect from a band that helped define the sound of '90s pop-punk. If you could somehow go back in time and slip "Until You Go" and "The Day You're Gonna Break My Heart" onto Punch Lines or Rat Ass Pie, no one would have been the wiser. When it comes to writing these gut-punch earworm love songs, Dave remains a master of his craft. 1996 me would have eaten these songs up. 

So we're talking vintage Parasites, right? Yes and no! Flip the record over, and you are in for some real surprises. "Drown" is the first time Dave has ever done a proper ballad (replete with strings and piano), and it's all raw emotion and heartfelt sentiment without any heavy guitars or speedy tempos to lean on. I have to admit I heard those opening strains of acoustic guitars and thought Dave was about to go full-on Goo Goo Dolls. But you know what? Lyrically, this is pretty par for the course for a Parasites song. It's genuinely moving and more than a little devastating. It should never be a stretch for a really good pop band to be able to pull off a song like this, and so the Parasites as legitimate balladeers is unexpected but perfectly logical. Dave's vocal definitely has me feeling the song, and that melody has been slowly but surely lodging itself inside my brain. To finish the EP, "What Am I Gonna Do With You" finds the band further entering orchestral pop territory with a cover of an old Gerry Goffin/Russ Titelman composition. The song is most closely associated with The Chiffons, who recorded it first. But Dave's inspiration here was Lesley Gore's version from 1965. Those are some big shoes to fill! At the very least, I applaud the ambition  

I imagine the second side of this EP will be highly divisive. Some longtime fans may be thrown for a loop and perhaps even feel ripped-off. Others might actually like Side 2 better! Certainly no songwriter should ever have to be limited to one musical style for life. Even Dave Parasite can only write so many textbook pop-punk songs before he gets a little tired of it. Whether this is a one-off thing or the start of his Brian Wilson phase remains to be seen. I will certainly be interested in hearing what people think of this departure from Parasites-as-usual. For now, I'll say this: I don't hate it. 

Hit up Something To Do Records if you want to order this EP on 12" vinyl or CD. First vinyl pressing is limited to 150 copies on glow-in-the-dark green vinyl and 150 on black vinyl. You can also order the vinyl and CDs from the Parasite's Facebook page, Dave's Facebook page, and the Waterslide Records web site. Dave is also selling t-shirts and his back catalog items from his Facebook page and the Parasites' Facebook page. You can find all the links below!