Faster and Louder
Punk and rock n' roll reviews from Lord Rutledge and friends
Saturday, June 27, 2026
Bastard - "Doctor Gong" b/w "Comfort"
Well it only took 52 years, but Bastard finally has a record out! Famously, Bastard was the early-to-mid '70s U.K. and Belgium–based heavy rock band that featured Brian James (later of The Damned) and Alan Ward (later of Elton Motello). When we talk about "proto" punk rock, Bastard was a prime example. Listening to the single "Doctor Gong" (recorded in 1974), you can hear a band building off of The Stooges, MC5, Alice Cooper, etc. and cultivating a sound that has much in common with punk rock as we know it. The songwriting and musical approach aren't quite as lean as what "New Rose" would be a couple years later, but you can hear the raw energy and hard-pounding sonic attack starting to take shape. In celebration of issuing its 30th release, the red hot Dutch label Wap Shoo Wap Records did something special and rescued these two tracks from the dustbin of history. For those who thought these recordings might be interesting for music historians or Brian James super-fans but not exactly essential tracks in their own right, I'd say this record pretty much erases the skepticism. These tunes rip! Man, that Brian James sure could play the guitar! I honestly can't believe these tracks went unheard for five decades plus. The classic punk recordings of 1976 and '77 certainly weren't created in a vacuum, and it's thrilling to find one of the most direct precursors to first wave punk finally getting a record out. With a pressing limited to 300 copies, this thing is bound to be gone before you can blink twice. Pounce, my friends!
Adult Learners - self-titled EP
A few months since they released a super-promising demo online, Boston's Adult Learners have a 7" record out on Saccharine Tryst Records. Just in case you wondered if having properly released music would cause this wicked awesome foursome to sell out and record in a pricey studio with some overbearing slick producer, I can assure you that the band's lo-fi, low-budget charm remains fully and enthusiastically in tact. There's really only one word that rightfully sums up this EP, and that's fun! Adult Learners may be a very hard band to Google, but they're a joy to listen to with their high-energy, organ-driven mashup of garage rock, punk, and power pop. No songs cross the two-minute mark, and they don't need to. Each track gets to the hook as fast as possible, and that leaves room for more songs on the record. That's genius! This band keeps it simple and catchy, and these tunes will make you wanna get up and dance around the house (or whatever other physical space you happen to be inhabiting as you blast these tunes — you could do a lot of damage in a drug store or dentist's waiting room). There's definitely a ton of Boston garage rock DNA in Adult Learners' music, and at times I'm picking up early Blondie vibes as well. What's not to love? Push play and bop 'til you drop!
Friday, June 26, 2026
Taxi Girls - Static
On New Year's Eve of 2024, I wrote, "If we finally get a Taxi Girls full-length next year, it may very well be my album of the year for 2025!" Well, I was a year off in my estimation, but my prediction is surely looking spot-on. In what has been the best first six months of a year for new music in recent memory, Taxi Girls have my absolute favorite release of the half-year with their fantastic debut long player Static (out today on Stomp Records in North America and the great Wild Honey Records in Europe).
Jamie Radu, Vera Bozickovic, Lynn Poulin, and Gabrielle Noël Bégin were smart to take their time and make their debut album something special. As good as the debut EP Coming Up Roses and follow-up single "Rainy" were, Static blows those releases away. It's that rarest of things: an album that carries the appeal and influence of late '70s/early '80s punk rock yet sounds genuinely current in the contemporary punk/garage/rock 'n' roll universe. Influences run the gamut from classic punk and new wave to power pop to '90s feminist punk and alternative rock to modern-day garage rock. Yet Taxi Girls aren't trying to be anyone but themselves. Jamie Radu, in fact, described the album to me as "us on a plate." And that's what I love about this record. The influences are all over the place, but these songs are uniquely and undeniably Taxi Girls. These four women are not just extraordinarily talented; they also have a chemistry and kinship with each other that is immediately palpable. You're getting different musical influences from everyone in the band, and it all coalesces into something that only these four individuals working together could have created. I've never heard a record that sounds quite like this.
Whichever corner of the punk and punk-adjacent underground you gravitate to — whether that's old-style punk, power pop and pop-punk, garage rock, or the more rock 'n' roll side of punk — you are sure to find much to love about Static. It's full of superb songwriting with killer hooks. It rocks hard. It's got punk rock attitude all day long. The lyrics are meaningful and relatable. The production is incredible. And Vera and Jamie, as co-lead singers, have an amazing hot sauce & honey dynamic going on. Their styles are contrasting yet also beautifully complementary. Both individually and in harmony, they make a formidable tandem. I can't think of many bands with two lead singers/songwriters where I don't like one a little (or a lot) more than the other. But with these two, it's a dead heat. Add in a lead guitarist who totally shreds and one of the best drummers in punk rock, and you've got yourself a band that ought to be huge.
Taxi Girls certainly chose well with the three singles it has released off the album. But I'm hard-pressed to find any song on here that wouldn't have been a fine choice for a single. The sequencing of this record is flawless. It comes roaring out of the gates with a great mix of powerhouse rockers ("Say It!" and "Red Flag Crush") and energetic, super-catchy punk tunes ("Try Harder" and "Auto-Hysterics") before taking a surprising turn with the sweet, sentimental power pop of "So Quaint" and the delightful, effortlessly cool new wave throwback "Midnight Mixtape." And from there, the ride remains a great time but never gets predictable. By the time I got through the four-song run which includes the furious punk scorcher "Kill Your Darlings," the poppy punk earworm "Secret Handshake," the punk rock 'n' roll fireball "It Makes Me Think," and the genius New Order/Go-Go's mashup "Highs//Lows," I started to wonder if this band has secretly been together for 15 years and is just compiling greatest hits! And one thing that is always a deal-clincher for me is when an album offers an extraordinary pair of bookends. I always love an album that starts off with a song that makes you want to listen to the whole record and closes with a song that makes you want to immediately play it again. "Say It!" opens the record with a proverbial bang, and album closer "Other Heart" is this simple, unassuming little ballad that just tears your heart out. It's beautiful, tender, and instantly memorable — a perfect punctuation mark on the best album I've heard in a long, long time.
So is Static everything I thought it would be? Yes and then some! I have been known to sometimes overstate things a little bit (ha ha). But it's not hyperbole to suggest that this album puts Taxi Girls right in the thick of the "best band out there" conversation. For people my age, this is one of those records that reaffirms that it's a healthy thing to keep up with new bands and not assume that music stopped being good 30 years ago. If you have young daughters, granddaughters, nieces, etc., this is the kind of album that could very well inspire them to start their own bands and grow up to be total bad-asses like Jamie, Vera, Lynn, and Gabrielle. Honestly, I have a hard time imagining any regular reader of this blog not being into this record. It's just so freaking good! I have a different favorite song every day. You hear a record like this, and you believe in rock 'n' roll again. You'll want a tattoo —or at least a t-shirt! When I see the critical and fan acclaim Taxi Girls are receiving, it makes me happy because it shows that even in these times when algorithms are king, talent and hard work still matter in music. There are still some huge albums due out later this year, but it's going to take something truly out of this world to top Static.
https://taxigirls.bandcamp.com/album/static
https://taxigirls.bandcamp.com/album/static-eu-version
https://www.instagram.com/taxigirlsmontreal/
https://www.facebook.com/taxigirlsband/
https://open.spotify.com/artist/5h3xtVYH6bpf1d9rXMhcoR
https://www.instagram.com/wildhoneyrecords___/
https://www.facebook.com/wildhoneyrecords/
https://stomprecords.com/
Sunday, June 21, 2026
Charlie Continental - "Snow & Rain"
Sometimes you hear a record, and all you can really say is "wow." Clearly I exaggerate since I've managed to write 286 words about Charlie Continental's new single "Snow & Rain" (out on his very own Snappy Little Numbers). But absolutely, my initial reaction was a loss for words. It was just pure feeling. Chuck wrote these songs about the journey that he has gone through since he lost his wife Febra in 2024. I admire him so much for being willing to write about something so personal and painful. He has put himself out there in front of the whole world, and that would mean something even if the songs weren't any good. But the songs are really, really good. This gritty, straight-ahead style of melodic punk lends itself so well to writing and singing with heart on sleeve. These are songs about grief and loss, of course, but also about the uncertain, bumpy road that lies ahead when you try and move forward from that kind of loss. These songs aren't sappy or morose — just honest, raw, and heartfelt. The whole reason why we have songs and movies and books and all sorts of art is because it all connects us as human beings. We share others' joy, pain, hopes, and anxieties because we're in this thing called life together. "Snow & Rain" and "Untethered" make me feel connected to Chuck and to humans in general. It's nice to be reminded that empathy and compassion still live in this world. If writing "the catchiest sad songs" is a skill set that Chuck is notorious for possessing, that's a tremendous gift to have and share. "Snow & Rain" is one of the best singles I'll hear all year.
Local Drags - Cool If We Split?
The prolific Lanny Durbin is back with the fifth album from his (mostly) one-man band, Local Drags. Out on Stardumb Records (which has been with Local Drags from the start), Cool If We Split? finds Durbin moving from the darker energy of 2024's City In A Room to a more melody-driven pop-rock approach in line with his earlier work. He has always had quite a knack for straddling the worlds of power pop and middle-of-the-road singer-songwriter style guitar rock, and that's where he's living on this record. The pace and feel are very laidback — allowing the words and melodies to gently sink into your skull. But the guitars still pack a punch, and the hooks are undeniable. These are serious songs about heavy topics, yet they don't fancy themselves as too important to be great pop songs. This is about as "melody forward" as music gets. Lanny Durbin is really establishing himself as a master craftsman of this "power pop for grownups" genre, and Cool If We Split? captures him in fine form.
Saturday, June 20, 2026
SMARM - self titled
Cincinnati has been an underrated hotbed of punk rock for pretty much as long as I've been following punk rock. The latest sensations from The Queen City are called SMARM, and their debut EP is totally ripping and super-promising. While SMARM is a very new band, members Drew Decker, Liam Dolan, Sam Richardson, and Eric Stein are veteran players who really know what they're doing. Taking inspiration from classic American punk and garage rock, SMARM dishes out an attack that's a tad heavier than your typical garage punk. These songs are muscular and riff-driven while still giving a whole lot of Midwestern grit and attitude. I love that this band doesn't sound like every other garage band out there but will still appeal to anyone who digs tough and bruising punk rock 'n' roll. DMZ, Consumers, Radio Birdman, Union Carbide Productions, and Rubber City Rebels are some stated influences, and that's a nice mix to be working from. For a new-ish band, the songwriting is remarkably well-developed. SMARM has hit the ground running, and surely we will be hearing many more good things from this band!
Unicorn Dogs - "Bogus Journey"/"One Disaster Away"
As they near the release of their new album Closer To Death, Baltimore's Unicorn Dogs are back with another sneak preview single. And as the album title suggests, you ought not to expect light songs about frolicking in the park or basking in fairy tale happy endings. What we have here are a couple more dark songs for dark times — delivered with an energy and catchiness that make these bitter pills remarkably easy to swallow. Unicorn Dogs, simply put, are one of the greatest pop-punk bands going these days. I now cease to be surprised any time their next release is even better than their last. On this latest single, they're not trying to be overly dramatic or deliberately morose. They're just dishing out a heavy dose of real talk. "Bogus Journey" is an unflinching reflection on living in a modern world characterized by "a dearth of kindness" (an observation that's on the money, I'm sad to say). The song plays on the timeless "Life's a bitch, and then you die" theme and notes that no matter how bad things get, they can always get worse. Depending on your perspective, that truth will be either really depressing or oddly comforting. "No one gets out alive" is the song's refrain, and that's no lie.






