Faster and Louder
Punk and rock n' roll reviews from Lord Rutledge and friends
Sunday, July 26, 2026
Badzy - ...To The Bone
You've surely seen some of the rave reviews for ...To The Bone, the debut album from New Orleans-based Badzy. I sure don't disagree with anything I've read about this record. Three years in the making, ...To The Bone is pure energy and catchiness from start to finish. It hits that sweet spot where power pop, glammy punk rock 'n' roll, and big, hooky arena rock all crash into each other at full speed. There's no pretension to what these guys are doing. They are throwbacks to a time when rock 'n' roll was loud and fun but never afraid to be radio friendly. This is a great record to throw on when you're having a good time or want to be having a good time. The band's sound is the epitome of powerful pop, and it's plenty gritty enough to fit nicely within the underground punk rock 'n' roll bubble. But you can also tell that there's some Def Leppard, KISS, and Cheap Trick in its spiritual DNA. Sometimes the key with rock 'n' roll is not taking yourself too seriously but being damn serious about the craft of songwriting. Tracks like "Say That You Will," "Say You're Ready," and "Ain't That Enuff" would be radio hits in some alternative timeline where they still play real rock 'n' roll on commercial radio. "Shadows" is full-on classic power pop. "Ripped Outta Time" and "Bad Til I Die" venture into heavy metal territory without a trace of irony and kick all kinds of ass. This is an absolutely killer album. I can't help but be reminded of the early 2010s when the likes of The Mandates, Barreracudas, and WYLDLIFE were just coming on the scene. This year in music continues to please!
The Speed Dials - SD Demos
My first reaction to The Speed Dials' demo was "Wow!" I'm always excited to hear straight-forward power pop carried off with tremendous energy and perfect simplicity. And it didn't take me long to recognize a familiar voice on lead vocals. The Speed Dials are a little bit of a Philadelphia indie-pop supergroup. The band is made up of Brendan from Log Flume on guitar/vocals, Dale from Civil Rats/Dummest Records on bass, and Ryan from Mango Safari on drums. That's an impressive lineup, and the songs live up to the pedigree. You can hear elements of these guys' other bands, but The Speed Dials are a royal treat for fans of classic power pop. In this age of streaming, the line between a proper demo and a self-released home-recorded EP has been blurred. So I like that The Speed Dials are calling this a demo. It suggests that this is just the start of something much bigger. The band just played its first show on July 15th, and it is set to record a debut album in the fall. These four songs are just a little taste of what the album will be, and it's immediately obvious that these guys have got something special going. All these songs are really good, but the band was wise to lead with "Ordinary" —a bona fide hit in any era. And looking at the band's logo, I can't help but feel a little twinge of nostalgia for the age of landline phones! Remember when you had to physically pick up a phone to call your girlfriend or boyfriend? Power pop fans, you'll want to get in on the ground floor floor with The Speed Dials!
Saturday, July 25, 2026
Unicorn Dogs - Closer To Death
Two years ago, Unicorn Dogs released Age Typical Junk Behavior, one of the best pop-punk debut albums of whatever you want to call this nightmare of an era we're currently attempting to survive. It was a debut that was going to be almost impossible to top. I say almost because here we are on the 25th of July in the year 2026, and Closer To Death (brought into the world by those twin institutions of musical excellence, Jolly Ronnie Records and Mom's Basement Records) has indeed topped its mighty predecessor. If Age Typical Junk Behavior was the album that solidified modern-day pop-punk as the soundtrack to everyone's midlife crisis, Closer To Death takes things to the logical next level. It's an album about how much it sucks to get old — especially in a bizarro world where the robots are taking over and 2 + 2 can equal 5 depending on whom you vote for. If you're looking for a record that will make you optimistic about the world or offer lighthearted escapist entertainment, this is most certainly not it. But if you want to pump your fist in the air and shout along at the top of your lungs to impassioned, anthemic pop-punk songs that will feed the fire of righteous indignation raging inside you, this record is not to be missed.
What makes great pop-punk great pop-punk? There are a lot of ways to answer that question, but there's something about simple, two-minute-ish songs with punchy guitars and earworm hooks that I never, ever tire of. I could live to be a thousand years old and hear records in a thousand different genres, and I'd still steadfastly maintain that the Ramones were every bit as important as Beethoven. Of course the caveat is that the style has to be done well, and that's the main thing Lucas and Jon bring to the table. They're not trying to be original or innovative. But they're just so freaking good at writing simple pop-punk songs. They play a tried-and-true style of music, but they make it current and fresh by writing about things that matter to them. If you could measure the passion and urgency that goes into music, these guys would be a ten out of ten every time.
And so here we have Closer To Death, and as usual, the songs rip hard and really have something to say. If you're going to write songs about living out your miserable decline in a word where everything sucks, you better have a sense of humor about it. And that's the magic of Unicorn Dogs. They can be (and often are) quite serious a lot of the time, but they also know how to make an art form out of self-deprecating humor. A lyric like "More than half my life is over with/Not sure I made the most of it/I don't have a bucket list/Just a lot of things I wanna quit" makes me laugh so hard precisely because it speaks a truth I can relate to. These guys aren't playing the brand of pop-punk where middle-aged men pretend they're still teenagers. They're playing the brand of pop-punk where middle-aged men begin reckoning with the sneakily rapid of encroachment of Father Time. If you relate to that description, this record has got plenty for you to chew on. Here we have anthems for people who have managed to get older without getting wiser and who feel like time has made them worse versions of themselves. This band writes profoundly about failure, regret, and just being plain tired of being beaten down by life. That's really heavy stuff, but it's also honest and real. The social commentary side of Unicorn Dogs ("Hallucination Free," "One Disaster Away," "Replaceable") is perhaps an even more bitter pill to swallow, but again, it's not like these guys are wrong about anything. There's even a hint of optimism in "Fix Your Heart Or Die" ("We don't fight because we'll win/We fight because there are things worth fighting for/And we gotta try"). The song is a reminder of why protest music (and protest in general) are so vital in this moment. And at a time when simply being a kind, empathetic human is an act of rebellion, Unicorn Dogs are here to show us the way.
In spite of its title, Closer To Death is by no means a bummer of a record. Lucas and Jon (joined by Jon's son Oliver, who kills it on drums) might write from the perspective of disillusioned, over-the-hill folk who feel like life has passed them by. But the truth is that as musicians and songwriters, they've never been better than they are right now. You don't get the backing of two of the best pop-punk record labels ever by accident. Closer To Death is the best record they've ever made. It's packed with smart, super-catchy punk songs that mix their candidly dark musings with an undeniably upbeat energy. If these lyrics were about dominating in pickleball, cooking the perfect lentil soup, and the thrill of stargazing, this would still be quality pop-punk. But it wouldn't quite hit the same, would it? If you take these songs too seriously, it's like spending 27 minutes with Debbie Downer. But I don't listen to these songs and hear complete resignation. Amidst all that frustration, disappointment, and self-effacing humor, I hear a fighting spirit that won't stop pushing. I still don't feel my age, but the cold, hard math of me being as close to 70 as I am far from 40 really fucks me up sometimes. A little more urgency in my life would not be a bad idea. We're all getting a little closer to death every day. But that leads to an obvious question: What are we gonna do about it?
https://unicorndogs.bandcamp.com/album/closer-to-death
https://open.spotify.com/album/50uXEKlr2HyF9ZV3tKpm5Z
https://momsbasementrecords.bigcartel.com/product/unicorn-dogs-closer-to-death-lp-or-cd
https://www.jollyronnie.com/product/unicorn-dogs-closer-to-death-lp
https://www.instagram.com/unicorndogsmusic/
https://www.instagram.com/momsbasementrecords/
https://www.facebook.com/MomsBasementRecords/
https://www.facebook.com/JollyRonnie/
Saturday, July 18, 2026
The New Brutarians - "Tiger Tales"/"The New Picasso"
Back with another superb single, The New Brutarians are channeling Side 2 of G N' R Lies by way of The Dogs D'Amour. Written in his bed at the Mondrian Hotel in Hollywood, "Tiger Tales" is Adam T's ballad of an aging glam rocker — a song that finds him reflecting back on a journey we all take. One day, you're young and pretty, and so much seems to be in front of you. Then the next day you wake up, and the decades have passed. Life has kicked you in the butt pretty well, and you have all sorts of regrets and disappointments to confront. But you've also got precious memories and some great stories to tell. I've been a fan of Adam T for a long time, but there's something about the gravitas he possesses now that has me feeling like we're just starting to see (or hear) the best of him. He has blossomed into one of rock 'n' roll's finest living lyricists. "Tiger Tales"' lyrics absolutely knock me out, and they're delivered in such a way that you can really feel them. If you're going to do ballads, they should be like this where someone can hear it and be like, "Oh hell yes, this is my life, too!" The song is loaded with touchstone references and comes off like an anthem for all those Gen X glam-punks who are still fighting the good fight. How's this for a chorus?
We were loaded like a night train
Reeling from the brain drain
Baby
Never got the invite
Never got the wind in our sails
Living in a house of pain
Loving all these lame flames
lately
But maybe tonight
I'll get that tiger by the tail
Tell some tiger tales
On "Tiger Tales," Adam T is joined by Deb Ruby on vocals along with Alan MP, Robbie Rist, Jerry Andrews, and Billy T. It's a powerhouse of a song, and I love the way it culminates on a positive note — as Adam T remembers himself and his friends as "neon peacocks twisting in the air." Within a very particular community, this song will be goosebump-inducing.
On the virtual B-side, "The New Picasso" is a stripped-down acoustic number that alternates between being a deeply intimate love song and a reflection on Adam's identity as an artist. Perhaps he's been called the new Bukowski or the new Stiv Bators a time or two, but at this point, he's the one-and-only Adam T. I love the rawness and simplicity of this song. Its mixture of humor ("I'm not gonna throw myself under a car near Porte de la Chapelle/Or cut off my fucking ear") and sincerity is deeply satisfying. A song like this can be hard to pull off, but this track could not be more perfect.
"Tiger Tales," along with the recent New Brutarians singles "Born Out of Time," "Delinquent Things," "(Better Than The) Apocalypse," "Del Rio Way," and "Tonight's Your Night (Tonight)" has been compiled onto a 10" record that is coming out on Sioux Records. You diehard glam rockers will want to keep your eyes peeled for that! A digital version should also be available soon. As a whole, these songs represent a new distinct chapter for The New Brutarians, with much more certain to come!
Golden Richards - "I Want to Be Like Jeff Goldblum"
It's never a proper summer without a new single from Golden Richards on my playlist. Thankfully, Gil Golden and Billy Richards are here with their 2026 contribution. I think they were just waiting for the smoke to clear! "I Want to Be Like Jeff Goldblum" is in that Golden Richards '90s power pop alternative rock sweet spot — a perfect track for road trips to the beach, poolside lounging, outdoor barbeques, and whatever else you enjoy doing in the summer weather. In typical Golden Richards fashion, the song tells a story. It's about a guy who's experiencing a little slump with the ladies and thinking he could totally turn it around if he were more like Jeff Goldblum. The song was inspired by Gil Golden discovering, a number of years ago, that a bandmate of his had a huge crush on Jeff Goldblum — and then doing some internet sleuthing and finding out that she was hardly alone! I mean, come on: who wouldn't want to be like Jeff Goldblum? Even now in his 70s, that dude has swag! This song is a Gil Golden/Billy Richards co-write, and it totally cranks. It's very Fountains of Wayne, and I'm not mad at that at all. I dig the way the verse sounds super punchy while the chorus is more laidback. That's a summer vibe for sure! This was a great concept for a song, and it's executed with cleverness and humor. You can always count on Golden Richards to produce a banger. Now summertime can begin in earnest!
Banda AL9 - Hey! Hey! We're Banda AL9
Banda AL9 are largely known as TikTok sensations, but I wouldn't hold that against them. The Brazilian duo made up of brothers Matheus and Thiago Khouri has just released its first album on Wicked Cool Records, and it's sure to please fans of power pop and the classic '60s pop that directly inspired it. The duo's excellent covers of The Rubinoos' "I Wanna Be Your Boyfriend" and Kurt Baker's "She Can Do It All" have been Underground Garage staples this year, and they definitely piqued my interest in hearing more. And so now we get more. Hey! Hey! We're Banda AL9 can most properly be called a compilation since most of the tracks are newly remixed and remastered versions of previously released songs. Little Steven has essentially given the United States and the world at large a proper introduction to Banda AL9 — compiling the best of the band's English language tracks along with a brand new song called "Indigo Skye" that was written by the head honcho himself.
There's no doubt that when it comes to singing and harmonizing, the Khouri brothers are the real deal. But this album shows that they talented songwriters as well. If the cynical response to this year's radio hits was, "Great, but can they do more than covers?", the album answers that question in the affirmative. Of course the musical influences are obvious. But isn't that the whole point? I'm hearing The Beatles meet The Everly Brothers on "She Calls Me Love." "American Girl" brings to mind Big Star doing the Beach Boys (or is it the other way around?). "Love Bug" is early American rock 'n' roll by way of The Fab Four. The aforementioned "Indigo Skye" kind of sounds like Frankie Valli trying his hand psychedelic pop, and I am here for it! The ballad "The Best Night Of Our Lives" is back in Everlys territory, and I have no complaints. "The Only One" and the absolutely splendid "California" demonstrate that these lads can do the '70s power pop thing at a level that rivals many of their musical heroes. If "She Can Do It All" is still the best track, that's no knock. These guys took a great song and genuinely made it their own.
Living as we do in a post Lemon Twigs world where classic guitar pop is cool again, I'm excited to find out how far a band like Banda AL9 can go. Hey! Hey! We're Banda AL9 is an album in the tradition of the 1960s heyday of pop and rock 'n' roll. It cherry-picks much of Banda AL9's best existing material to create an album that properly represents what this band is all about. This group is no overnight sensation. The brothers have been at it since 2017, steadily honing their craft and deepening their love for melody-driven pop-rock of many different eras. Certainly a lot of folks will enjoy this record because it reminds them of music from another time, but I can see younger audiences loving it as well. Banda AL9 infuses a timeless musical style with youthful excitement. Steven Van Zandt wasn't going to sign a band just because he thought they could sell records. The Khouri brothers are legit. They've got that family band chemistry that always appeals to me, and their unapologetic love for pure pop music is something I relate to deeply. And the joy that they exude is genuine and infectious. Trends in music come and go, but melody, harmonies, and catchy choruses are eternal. World, meet Banda AL9!
https://open.spotify.com/album/1KIP53EnC5508XbbROIAnL
https://www.youtube.com/watch?v=Se--vaeUvjQ&list=OLAK5uy_n9viSHwvPz-c-anTT8UaVY3dqiYNrN_ac
https://www.amazon.com/Hey-Were-Banda-AL9/dp/B0GFPLVSLR
https://www.tiktok.com/@bandaal9oficial
https://www.instagram.com/bandaal9oficial/
https://www.facebook.com/BandaAL9/
https://www.youtube.com/BandaAL9
Thursday, July 16, 2026
Amplifier Heads - Super 8
Smack dab in the middle of this most wonderful year for music — a year in which many have observed that real deal rock 'n' roll has come back with a vengeance — it seems fitting that we would be treated to a new full-length album from The Amplifier Heads. Super 8 releases tomorrow on the world-famous Rum Bar Records. It is, by my count, the band's sixth LP. And it's almost certainly the finest effort yet from Sal Baglio and friends. It's essentially a sonic journey through rock 'n' roll history — a history that is, in fact, still being written. As you would expect from an Amplifier Heads album, the menu is packed with a variety of popular flavors. You'll hear hints of everything from the blues and first generation rock 'n' roll to the British Invasion to garage rock to power pop to glam rock to the Rolling Stones to OG punk rock. If the firecracker opening track "Rock N' Roll Riot" had been the whole record, Baglio could have dropped the mic and declared victory. But that's just a starting point, and Super 8 keeps on bringing the hits. Life is too short to waste on filler.
Off the bat, "Rock N' Roll Riot" is a pure jolt of raucous energy to get you moving and shaking and dominating your day. It literally starts at the beginning — time-traveling back to the Moondog Coronation Ball in Cleveland in 1952 and rocketing forward into the world-altering sonic explosion that soon followed. On the sexy and sticky-sweet "Hot Stars," the time machine stops off in the early '70s for a rendezvous with Marc Bolan. "A Song Called Sha La La" takes it back to the '60s and slyly pilfers a melody from The Troggs. Baglio, as he longs for someone out there to write another timeless rock 'n' roll radio smash, proceeds to will that very thing into existence. Just like that, you've got an opening 1-2-3 punch that few albums will ever beat. But wait! There's more! "They Don't Dance Anymore" is a reflective ballad longing for a time when rock 'n' roll ruled the airwaves and all the kids still knew how to groove. "A Girl Named Chop Suey" is kickin' livewire garage rock that winks and nods in the direction of "Louie Louie." "Can't Put My Finger On It," which is a little bit country and a whole lot of rock 'n' roll, is an earworm of master class status. "Superstar" sounds like the best song Dave Edmunds never wrote. "Hot Wax" takes us back to a moment in time when rock 'n' roll was climbing mischievously out of the womb of rhythm and blues — a suitable last stop on this full circle journey through time and sound.
It's hard not to look back at last year's tremendous Peppermint Kicks album Pop Rocks In My Chewing Gum (which Baglio co-authored) and note that Super 8 seems to have been made from the same magical stuff. Sometimes The Amplifier Heads sound like an intergalactic rock machine, but on this record, they're sticking to Planet Earth and the scorching sounds that pumped new life into it in the latter half of the 20th century. As a songwriter, Baglio has never sounded more inspired. Joined by Kevin "King" Rapillo on drums and Brad Hallen on bass (along with some special guest stars on a few tracks), he exemplifies everything that rock 'n' roll ought to be and still can be. There's no need for bells and whistles when you can conjure this sort of glorious and rousing racket that comes roaring out of the garage and into the dive bars and dance halls. These guys truly put their soul into this record, and the joy is palpable in every note. This is the work of a child of the '60s who fondly recalls the majestic past but isn't resigned to being stuck in it.
Is Super 8 a throwback record? Yes and no. The whole point of all this time traveling is to remind ourselves why we still love rock 'n' roll and why we all remain so passionate about its preservation. All of you out there playing in bands, running labels, promoting music, buying records, hosting radio shows, writing reviews, and going out to see bands don't even have to question why you do it. This is the music that sets our souls on fire. Who wants to live in a world without rock 'n' roll? Thankfully we'll never have to (as the first half of 2026 has made evident). Gather 'round, true believers, and behold the gospel according to The Amplifier Heads!
https://rumbarrecords.bandcamp.com/album/super-8
https://theamplifierheads.bandcamp.com/album/super-8
https://open.spotify.com/artist/7AYbxssikFBUN0y5JB2LpF
https://theamplifierheads.com/
https://www.instagram.com/theamplifierheads
https://www.facebook.com/theamplifierheads
https://www.facebook.com/RumBarRecords
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