Faster and Louder
Punk and rock n' roll reviews from Lord Rutledge and friends
Tuesday, September 29, 2026
Pavid Vermin - The Life of a Showgirl: The Encore
Back with an addendum to last year's dandy full-length The Life of a Showgirl, Glenn Robinson delivers a new EP of snappy, crackling, poppy punk rock from his stellar one-man project Pavid Vermin. You know what to expect: crisp, hard-hitting pop-punk tunes with killer hooks and lyrics that are sure to make you chuckle. And this release, with lyrics inspired by Robinson's pals Joey Herbz and Ryan Minter, is particularly well-suited for those with limited attention spans or limited time. With four songs in four minutes, he's not fooling around! You've got songs about barfing up a co-worker's contribution to the company potluck, the city of Cleveland, the dangers of inhaling iodine vapors, and a '90s porn flick called Babylon. Yes, it's clear that Glenn Robinson can write a catchy tune about any topic under the sun! He literally wrote and recorded this EP in just a little over two hours last Thursday morning. I hate to overuse the term "genius," but sometimes it's apropos.
Josephine Network - Little Spells
Two new albums in six months? It seems we might have entered a portal to 1981, but Little Spells is no contractual obligation from Josephine Network. It just shows that Josephine is on a creative roll, and we are all very fortunate to be able to enjoy it!
If the last album Hooked was Josephine's lean into the louder, more arena-rocking side of power pop, Little Spells is more of a pure pop record — albeit one that isn't afraid to rock when it needs to. Recorded with Olive Faber from Sunflower Bean over the winter/spring of 2024-25, Little Spells is a charming little guitar pop record that deserves to be appreciated in its own right. Of course Hooked is a hard act to follow, but if you're a Josephine Network fan, Little Spells will not leave you wanting. I might, in fact, like this album a little more than Hooked since I'm such a geek for that '70s by way of the '60s classic power pop sound that looms large here.
Josephine's knack for writing melodious two-minute pop songs with infectious hooks and clever lyrics is on display from start to finish. "Gotta Get Outta My Heart" is vintage Josephine and a perfect tone-setter. With its blend of sweet melody and playful sexual energy, "Bumpin' Into You" would not have sounded out of place on Hooked. "He's Not Mine" could almost be The Monkees, and I mean that as nothing less than a supreme compliment. "Music Turns Me Round" is giving Stones meet Big Star, and I've got no complaints. The album's middle section finds Josephine in her sweet spot of Beatles-influenced textbook power pop. If you listen to this record, be ready for the jangly "Put A Guitar In Her Hands" to be stuck in your head all week. "I Could Say No" kicks up some Raspberries-style harmonies via George Harrison pop majesty. "Little Spell" is gentle and sweet and simply makes my heart smile. The appropriately-titled "Magnificent" walks a delicate line between '60s pop and '70s AM radio/soft rock. Then to finish the record, we get some pleasing changes of pace with the thoughtful rocker "Tall Buildings" and the stripped-down, piano-driven "Sisters" — an anthem of love and affirmation.
This 2026 is turning into one for the history books for fans of power pop & indie pop, and my attitude is that we should take the time to appreciate the embarrassment of riches that the music gods have blessed us with. "Too much" good music is an absolutely wonderful problem to have. I may have not set any records for speed in getting this review of Little Spells into public view, but the silver lining is that I had a few weeks to simply enjoy the record before I had to start thinking about what I wanted to say about it. If one new album from Josephine Network this year was a cause for celebration, two is even better! There are a few things in life that I literally never get tired of, and a well-written pop song with hummable melodies and an earworm chorus is certainly one of them. And I appreciate how Josephine wears her love for recording and performing on her sleeve. A great pop-rock record ought to be something that you can turn to when you want to feel good, and Little Spells definitely falls into that category. What a gem!
Sunday, September 27, 2026
Rob Moss - "The More I Scroll"
Rob Moss is back with a new single that is hitting me really hard. Moss, whom many of you know from his days with Government Issue and Artificial Peace, has established himself as a unique and prolific lead artist in recent years. "The More I Scroll" takes his distinctively gruff punk rock/post-punk style and weaves in the spiritual influence of Johnny Cash.
Listening to this song, I felt like Moss had somehow accessed my own dark thoughts. As the title suggests, the song is about doom scrolling. Moss sings about how his phone is full of depressing, troubling, and anxiety-inducing content — and the worse it gets, the more he's drawn to it. That's exactly the way it is for me and millions of others. We are literally addicted to technology — even when what that technology has to offer is really bad for our mental and physical health. And as Moss points out in this song, this endless doom scrolling makes us tune out many of the things in our lives that are actually really great. We just keep getting sucked deeper and deeper into the vortex of misery.
Ultimately, though, the message of the song ends up being positive. There's a way out of this: just put the phone down! Perhaps that's easier said than done given the addictive nature of social media, but it can be done (as Moss sings) if we try. I do see the irony of me talking about the virtues of staying off of smartphones when I do a blog that many of you read and listen to on your smartphones. I often go onto social media to discover new music or find out what some of my favorite bands are up to. But it's the moderation I struggle with. One minute, I'm just going to check a couple things. The next thing you know, I'm caught up in all the rage bait, blatant misinformation, and toxic discourse and feeling really hopeless about the world. So yeah, I sure do see the value in staying off that phone as much as I can. Thank you, Rob Moss, for the jolt of hope!
While Rob Moss is always going to sound like Rob Moss, "The More I Scroll" does find him offering his own take on a Johnny Cash and The Tennessee Three sound (think boom-chicka-boom drums, a walking bass line, and some country-ish lead guitar). Moss also does his best to emulate The Man In Black's vocal phrasing without resorting to straight-up imitation. By singing the song mostly in the first person singular and then switching to first person plural at the end, Moss makes the song immensely relatable. His own battle with social media addiction is something most of us know all too well, and his way out of the hole can be ours as well. A lot of what he's singing about is pretty dark, but it's all pointing towards the light. And who doesn't love some punkified Johnny Cash energy? All in all, this is one of Moss's best songs to date!
Friday, September 25, 2026
Dany Laj And The Looks - If Looks Could Kill
This should have been a really simple review. If the only vital question about If Looks Could Kill, the new album from Dany Laj And The Looks (out today on Having Fun Records), is whether it moves me, the answer is a big old yes. End of story. Review over. Go buy the record. Time for me to grab a beer.
https://danylaj.bandcamp.com/album/if-looks-could-kill
https://open.spotify.com/album/4kI9uvAG4eaWNuD7dp0DyH
https://danylajandthelooks.com/en-us
https://www.facebook.com/danylaj/
https://store.wearebusybodies.com/products/dany-laj-and-the-looks-if-looks-could-kill-pre-order
https://www.instagram.com/danylajandthelooks/
https://www.youtube.com/channel/UC5EtqynwyQ07yDHQFc6muJg
Lorne Behrman - If Heaven Didn't Hurt
After four releases, Behrman has fully grown into his signature sound: a half-spoken, half-sung, effortlessly cool vocal delivery; an honest, soul-searching lyrical approach; and a musical style that is as warm & melodic as it is cool & modern. Working with one of the best music producers in the business, Matt Chiaravalle, and a superb cast of musicians (Howard Alper on drums, Matthew Jacob Dougherty on bass, Rob Clores on keyboards, Danielle McCullough on backing vocals, and the legendary Uptown Horns), Behrman had everything he needed in place to really go for it and make the record he envisioned in his head. I would describe If Heaven Didn't Hurt as a really chill, easy-like-Sunday-morning kind of record. These songs don't try to hammer you over the head; they build atmosphere and warmly invite you in. "They Won't Take Us Alive," a bona fide anthem, forms the most direct line to Behrman's punk roots. Elsewhere, the powerful & profound "Ain't It Funny" is a moody rocker meets infectious R & B jam. "Take a Little More Time" and "Bitter Town Blues" are smooth and jazzy. "Pink Cocaine" is primo hipster disco that couldn't be any more New York if it tried. "Every Motherfucker She Sees" is funky blue-eyed soul and a real standout. Closing track "After the Ramblin' Is Done" is Behrman's finest ballad yet — a stunning, ethereal number that brings a gentle but deeply felt finality to an absolutely tremendous album.
A semi-autobiographical rock album of linked song-stories inspired by the heyday of big screen New York is certainly the kind of thing I'd be into. When Lorne Behrman arrived as a solo artist back in 2021, it was as if he had found an instant identity as a singer and songwriter. He has never needed to search for his place in the underground music scene. What he has done is build on his style. If his previous releases weren't for you, If Heaven Didn't Hurt won't be either. But if you liked his first two albums, you're going to love this one — an even better version of those prior efforts. I love songwriters who aspire to make art, and this album is absolutely a work of art. It's sophisticated and thoughtful as it spins relatable tales of desperation and redemption. Yet it never comes off as pretentious or bloated (even the longest tracks barely cross three-and-a-half minutes). This is a soulful, deeply human record. All of that stellar production and amazing musicianship are there strictly to serve the songs, and it's Behrman's words and voice that remain front and center. This is not some sideman cosplaying as a lead artist. This is one of the most exceptional songwriters in our world doing what he was always meant to do. He's on one heck of a creative roll, and we are fortunate to be privy to it.
Sunday, September 20, 2026
Jagger Holly - Wet Hot European Summer
So who's the best pop-punk band of the last ten years? Jagger Holly has to be in the conversation — if not dominating it. On its fifth album, Wet Hot European Summer, Jagger Holly is back doing Jagger Holly things. Jay Dee is a hall-of-fame caliber singer/songwriter in this genre, and he's in prime form on this release. Matt DeeCrack contributes a few ace tunes as he can always be counted on to do, and I wouldn't argue with anyone who says that this is as good as any album in the band's catalog. So yeah, if you want to hear pop-punk done the way pop-punk ought to be done, Wet Hot European Summer will hit the spot. These songs balance just the right amount of pop with just the right amount of punk. Some tracks lean a little more to the former ("Wish I Could See It," "It's Summer Somewhere," "This Kinda Love"), and others lean a little more to the latter ("Everything From You," "Already In Love"). But all in all, this is pop-punk by the book executed to perfection. Jay Dee has a rare talent for writing three-chord punk songs that are impossibly catchy and also hit you straight in the heart. This isn't rocket science, but there's a real science to it. And whatever magic is required to write songs this simple that don't just sound like bad copies of a million songs you've already heard, Jay Dee and Matt sure do possess it. Unlike some pop-punk bands that make their influences ultra-obvious, what we can say about a Jagger Holly record is that it just sounds like Jagger Holly. How perfect of a song is "Anybody Out There"? Who wasn't stoked about the co-ed duet "Won't Catch Me Crying"?
Getting to its fifth album, Jagger Holly could have gone in a lot of different directions. This could have been a more "mature" Jagger Holly record or an attempted expansion of the band's sound. But if you can stick to what works and still make albums this great, why mess with a winning recipe? While this vintage summer album did not arrive in time for your summer enjoyment this year, you can put it on now and let summer live a little longer in your heart. Get it now from Monster Zero Records in Europe and OUTLOUD and Hey Pizza! Records here in the States!
https://outloudrecords.bandcamp.com/album/hot-wet-european-summer
https://monsterzerorecords.bandcamp.com/album/wet-hot-european-summer
https://heypizzarecords.bandcamp.com/album/jagger-holly-wet-hot-european-summer-2
https://open.spotify.com/album/4UrKEpHRUpTFmV5E1Mnuq3
https://www.instagram.com/jaggerholly/
https://www.facebook.com/jaggerhollyrocks/
Saturday, September 19, 2026
The Goods - Goodbye Summertime
There may be a long list of reasons why it sucks to be a human in the year 2026, but a lack of good music is certainly not one of them. The quality of the releases coming out this year continues to blow me away, and it has been an especially notable year for guitar pop. Goodbye Summertime, the second album from Oakland-based The Goods, is up there with the best of 2026's many long-playing power pop-ish treasures. Largely a solo endeavor from Rob Good, Goodbye Summertime is a stunning work suitable for anyone who loves melody and great songwriting. It pulls from a wide array of influences (Beatles, Brian Wilson, '60s psych and baroque pop, '70s AM radio, '80s/'90s indie pop) that all fall under the umbrella of timeless pop music. It adds all sorts of layers to the band's core sound while still keeping the hooks at the forefront. The album's release in the midst of the transition from summer to fall was surely no coincidence. This is the ultimate fall record: a gentle, melancholy set of songs that seems tailor-made for cozy rainy day lounging and solitary walks with just a touch of chill in the air.



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