Sunday, August 09, 2026

Mopar Stars - Official Researchers Of The NJ Devil


I put tremendous value in the Niek seal of approval, so it didn't take me long after reading his review of Mopar Stars' new album Official Researchers Of The NJ Devil before I was sitting down and spending some quality time with the album. Was I impressed? The mere existence of this review answers that question. It's kind of cool how an overseas review of a band that's only 100 miles away from me can lead me to a record I'll play over and over. God bless the internet. 

Following two EPs, Official Researchers Of The NJ Devil is this Philly-based foursome's proper debut album. It's a blessing that high-quality indie pop like this is thriving at the moment, and it's imperative that we don't take that for granted. You know in five years, we're gonna be like, "Something special was brewing in the mid-2020s!" Very reminiscent of all those '90s indie bands who loved '70s power pop with some Replacements worship sandwiched in between, Mopar Stars manage to sound very much like a contemporary indie rock band even as their music is rooted in classic guitar pop. The specific influences are not at all super-obvious, and perhaps that's because they're numerous and quite varied. Without getting too complicated or ambitious in his approach (only one track is longer than three minutes), Nao Demand is showing himself to be a masterful and gifted songwriter. Far from a mere collection of songs, this is a true album. You put it on, and you want to listen all the way to end. On one level, this is a power pop record, and the hooks cannot be denied. But the overall vibe is laidback (some might say slacker-ish) and reflective. It's the sort of album you ought to listen to while you're sitting alone in a comfortable space and nursing a beverage. This is an album that will make you think about life. These tunes aren't trying to beat you over the head. Even in the two minute-ish range, they take their time introducing themselves. Sometimes power pop gets classified as empty calories for the ears, but these songs are by no means lacking in substance. 

How do you make an album that's tried-and-true indie pop that still doesn't sound like ten thousand albums you've heard before? Ultimately it comes down to the craftsmanship and charm of the songs. You hear songs like "Drinkallnite," "Only Bar In Town," and "Lifetime of Pain" a couple of times, and it feels like you've known them forever. Mopar Stars have delivered a splendid debut album that is absolutely worthy of the rave reviews it's garnering. The City of Brotherly Love is ruling power pop right now!

Friday, August 07, 2026

Loose Lips - "Beehive"


Still riding the momentum of their excellent debut album Last Laugh, Melbourne's power poppin' punk rock and rollers extraordinaire Loose Lips are back with a hot new single off a new EP that will release next month. You always know what you're going to get from Josh, Nadine, and Ethan, and "Beehive" is very much in that lane. It's a fun, high-energy rocker with an unbeatable hook. It takes just a little over two minutes to get the job done, and then you're ready for another go-around. While the full EP doesn't come out until September 4th, you can pre-order it now and check out another track, "Remember We Love You." With 2026 being one of the hottest years for new music in recent memory, I'm pumped to have Loose Lips be part of it! 

Sweet Teeth - The Void That Eats The Heart


Hailing from Finspång, Sweden, Sweet Teeth has the self-awareness to refer to its sound as "Hüskerrock." There's just no denying that this foursome worships daily at the Church of Bob Mould. But as it turns out, that doesn't have to be a bad thing. If ten thousand bands can make a genre out of emulating the Ramones, why can't we have at least one band turning out the kinds of records that we wished Bob Mould was making in the post-Sugar years of the late '90s and 2000s? As Niek has stated, Sweet Teeth was more or less keeping this particular sound alive prior to Sugar's reunion. I might go as far as to say that the songs on the band's new album The Void That Eats The Heart can stand toe-to-toe with (or maybe even top) Sugar's new tracks. Of course this band has the style down pat. Those massive, fuzzy guitars just blow out of the speakers. And Jocke on drums is an absolute monster. But beyond that, the band has the tunes as well. These guys understand how to write truly excellent punky alternative rock songs that are full of heart and lyrical substance. The passion that this band puts into its music is palpable. I have to admit that the first time I heard Sweet Teeth, I wondered if that really was Bob Mould on vocals (ha ha)! From the first note, the musical inspiration is obvious. But if this is Hüskerrock, it's the gold standard of Hüskerrock. Who cares about originality when the music is this good? This record instantly transports me back to the '90s but sounds absolutely vital in the world of 2026.

MOM - "Miss U Madly"


Check it out! After a long wait, we finally get new music from MOM! "Miss U Madly" is the brand-new single from Malmö, Sweden's greatest power pop band, and of course it's a smash! Not counting Christmas releases or live albums, this is the first new track we've heard from MOM in four years. It does not disappoint. This song is vintage MOM — a sticky wad of bubblegum rock 'n' roll full of melody, handclaps, and radio-sized hooks. Barely topping the two-and-a-half minute mark, this tune will leaving you wanting more. So then you just play it again! Yeah, man: this is pop! Stay tuned for much more of MOM!

Thursday, August 06, 2026

The Lemon Drop Gang - Wreckless Eyeballs


The Gang is back, and you have been properly warned! Wreckless Eyeballs is the sixth in a string of singles released by desert-pop superheroes The Lemon Drop Gang between 2023 and today. Like most of the installments in the series, it arrived without prior notice. One day, I wasn't even thinking about new music from The Lemon Drop Gang; the next, new songs were stampeding out of my headphones and making plans for permanent residency in my head. 

Me calling The LDG the best band on the Rum Bar Records roster is no hot take. And every new release adds to the growing mountain of evidence. On a surface level, this is a band that almost anyone who reads this blog can enjoy. Garage pop with a punk rock urgency is a vital part of all our musical diets. But at a deeper level, you've never heard a band quite like this one. The way this band can milk such a pleasurable listening experience out of the darkest and strangest subject matter never ceases to amaze me. Even their most bitter pills hit the tongue like hard candy. Every song is a window into the brilliant and utterly unique mind of Steph O'Halloran. Even on record, her presence is commanding and enthralling. Her songwriting partnership with husband Johnny produces an enticing sonic stew with a rare depth of flavor. 

The title track of the new EP was something I never could have anticipated: a haunting, five-minute Western epic that breaks completely from the band's usual two-minute minimalism. Steph sounds like she's purging poison from her soul, and the musical performances (hey there, D. Walker and Matt Rendon!) are so flawless that an instrumental remix on track 2 was fully warranted. You could be a skeptic and call a second version of "Wreckless Eyeballs" superfluous, but there's something fascinating about hearing the same desert dirge repeated with J. Clay Koweek's pedal steel essentially doing the "singing." It's like they're both the same song but also not the same song. Who knew we needed ten minutes of "Wreckless Eyeballs"? I will always admire a band that's willing to take chances on an idea that not everyone will get. 

The final track "Comin' To Get Him" was originally done by Steph's old band Tulip Sweet and Her Trail of Tears. Here it receives a proper Lemon Drop Gang makeover — finding the band back in the fuzzy garage punk/pop lane with a hint of spy flick soundtrack. Steph's vocal is fierce, and those lyrics are totally bonkers in the very best way. Johnny kills it on guitar, and that rhythm section locks in tightly. That hook is worth its weight in gold. If ever a song needed to be revived for the world of 2026, this was it! 

With 13 new tracks released since its first album came out, The Lemon Drop Gang more or less has a whole second LP already in virtual existence. They could comp these tracks now and instantly have one of the best albums of the year. Whether that project is imminent or a little further down the road remains to be seen. But if you're not keeping up with all this stuff, you're missing out on one of the most extraordinary indie bands of the moment. Head on up to the bar and let Lou hook you up with this triple shot of spiked punch!

Sunday, August 02, 2026

Dany Laj And The Looks - "Tell It To You"


Oh boy! We've got another new track from Dany Laj And The Looks! And it's a dandy! "Tell It To You" is the second single off the band's album If Looks Could Kill, which will be out September 18th on Toronto's Having Fun Records. I like this track because it adds some really cool layers to the usual pop-rock approach. It starts off a little laidback before really hitting its stride in the chorus. Dany has some really interesting things going on with his guitar tone on this record. I love the way his guitar and Jeanette's bass bob and weave around each other in such a striking way. The song comments on one of the worst aspects of modern life — the way public discourse is dominated by supposed truths that are anything but. A lesser songwriter may have been too heavy-handed with the topic. But this song takes a more subtle and human approach, holding off on the snark until the final verse, and even then its comes off as perfectly good-natured. How is it that we're knee-deep in the Information Age and people are more prone than ever to believing the dumbest things? The "three chords and the truth" approach to music has never been vital, and "Tell It To You" is exactly what the doctor ordered. When that chorus hits, it hits hard. Based on the singles that have been released so far, I can't help but be excited about If Looks Could Kill coming out next month — one day before NHL preseason starts! Let's go!

PLRLS - Sleeping in a Dress

Sleeping in a Dress is the fourth full-length album from long-running Baltimore-based band PLRLS. And while I'm loathe to reach into my bag of cliches in just the second sentence of a review, I believe the phrase "breath of fresh air" sums up this record nicely. The world needs more music like this. This band combines creativity, quirkiness, a spirit of fun, and infectious hooks in a way that's classically new wave-ish yet genuinely contemporary. I hear elements of post-punk, power pop, punk rock, and indie rock all coming together as if the music gods had deemed it. The challenge of being inspired by later '70s/early '80s new wave yet creating music that sounds like 2026 is a formidable one, yet PLRLS pull off that very thing in impressive fashion. Each of the ten songs on Sleeping in a Dress is completely different from the others, yet there's clearly a vibe that ties it all together. If you like earworm pop songs that are kind of weird but also super endearing and sure to make you want to dance like a maniac, this album and band are for you. These folks sound like they had so much fun in both writing and recording this material. And the quality of the songs is maintained all the way to the final track. Very often, the term "post-punk" brings to mind dreary, emotionally-detached music. Well, PLRLS are the opposite of that. The moment I knew this album was special was when I tried to play it in the background while I was working and quickly found myself too distracted to work. Some music just refuses to live in the background. New wave is alive and well!