I always love a good sequel. My friend Jay Castro and I tandem-posted a while back on the ten punk bands from the 1990s that are most essential to us. So we decided the obvious next step was to write up similar lists for the 2000s. If we were trying to explain to an extraterrestrial or someone who wasn't yet born in the 2000s why we love the punk music of that decade so much, which bands would we mention?
Faster and Louder
Punk and rock n' roll reviews from Lord Rutledge and friends
Friday, May 22, 2026
Ten Punk Bands Essential To Me: The 2000s
I always love a good sequel. My friend Jay Castro and I tandem-posted a while back on the ten punk bands from the 1990s that are most essential to us. So we decided the obvious next step was to write up similar lists for the 2000s. If we were trying to explain to an extraterrestrial or someone who wasn't yet born in the 2000s why we love the punk music of that decade so much, which bands would we mention?
The Amplifier Heads - "A Song Called Sha La La"
Given the world domination recently achieved by The Peppermint Kicks, I got distracted from the fact that Sal Baglio hadn't released any new songs from The Amplifier Heads since Rectifier came out at the end of 2022. Well, that situation has been, uh, rectified! "A Song Called Sha La La" is the brand-new single from The Amplifier Heads, and it's a red-hot, super-duper, intergalactic smash! Writing a great rock 'n' roll song about the dearth of great rock 'n' roll songs now being written is just about the most meta thing ever. But if you're going to do a song like this, this is how you do it! "A Song Called Sha La La" might be the best Amplifier Heads song ever, so you know that Sal is bringing it with all he's got. The whole spirit of the song is nicely summed up by lyrics like these:
Get up and shout and not worry ‘bout who’s listening
Somebody write a few bars
That we can turn up loud in our cars
Somebody write a song that goes
Amen! With this song, The Amplifier Heads are fully in 1960s classic radio hit form. Just press play, and you've got pure pop majesty for three-and-a-half glorious minutes. For sure, this is a song you can sing, and it will quickly have you up and shouting. And of course you will want to turn it up loud in your car as you rock out with full vigor and care not what a fool you look like to all those smug observers who live sad lives devoid of the joy that rock 'n' roll brings. Also on board are rhythm players Kevin "King" Rapillo and Brad Hallen along with some special guest stars: Jeff "G-Man" Giacomelli on tenor sax and Carlos Menenzes Jr, Matthew Naeger, and Henley Douglas Jr from the mighty Jambalaya Horns!
What do you do when you long for someone to write a song called "Sha La La"? You write a song called "A Song Called Sha La La," and it becomes a self-fulfilling prophecy! Glenn Robinson's cover art is so on-point that I briefly thought it was a photo of an actual 45 record! And that gives you the vibe this song is going for. If you grew up plugging coins into jukeboxes and amassing stacks of vinyl singles in your bedroom, this will be your jam. Look for Super 8, the new Amplifier Heads album, on Rum Bar Records this summer!
Civic Mimic - self-titled
How about I throw a little more love to that state next door? New Jersey–based Civic Mimic, formerly Jeff Hersch's rather prolific pandemic solo project, has made its full-band debut on an excellent new self-titled EP. Hersch (whom you might recognize from Casual & Glazer) is joined by Josh Stavola, Jeff Schroeck, and Phil Connor in this new iteration of Civic Mimic. Style-wise, it's what you might expect: poppy, punky indie rock with just the right amount of noise and hooks a plenty. This EP is short and sweet with three songs clocking in at a total of six-and-a-half minutes. If you grew up on early '90s college radio, this band will be speaking your language. I appreciate that the lyrics are clever and interesting in a way that's very open to interpretation but not at all pretentious. If there's really such a thing as a "New Jersey indie rock" sound (and I think there surely is), this record hits it bang-on. As a singer and songwriter, Hersch is likeable and endearingly offbeat. And Schroeck is such a unique and inventive player — an asset to any band he's in. I'm going back to all the earlier EPs and really liking what I'm hearing, but I'm definitely pleased that Civic Mimic has morphed a proper band. More please!
Dimmicks - Love, Raptors, and Robots
Back with a new single, Toulouse, France's Dimmicks continue to be one of the most exciting and delightful new bands in the pop-punk universe. Love, Raptors, and Robots delivers two more songs in the band's wheelhouse of science fiction and pop culture obsession. Musically, this is top-tier pop-punk all the way. It's full of tasty guitar leads, harmonies to die for, super-catchy melodies, and a pure spirit of fun that is truly infectious. Perhaps music sometimes ought to be serious and have something important to say. But sometimes you just want to crank up some tunes and feel good about life. Love, Raptors, and Robots will make you smile and fill your soul with joy. It ought to be a lock for your 2026 summer playlist!
Saturday, May 16, 2026
J Prozac/Space Age Zeros - split
The old school pop-punk vibes are strong on the new split 7" featuring J Prozac and Space Age Zeros, and I am here for it! Out on Critical Mass Music, this split is hitting all the right notes with me largely because so many of my favorite pop-punk records over the years have been in this format.
It's always a pleasure to review anything that J Prozac is involved with, and Space Age Zeros are one of the best of the newer pop-punk groups out there. Sometimes the J Prozac recordings are a little different from the stuff he puts out with The Prozacs. So the twist with "Digging Holes" is that it reminds me of classic Prozacs! This is textbook Lookout! Records–influenced pop-punk with the melodic lead guitar and whoa-oh harmonies in the forefront. But what perhaps makes this more of a J Prozac song is the more mature perspective in the lyrics. I like how Jay has shown that pop-punk for grown-ups can still sound like the pop-punk we all grew up on. "Chemical Reaction" was a nice surprise. It's a semi-acoustic number that still has the spirit of pop-punk. Musically, this is a little more MTX than Screeching Weasel, and Jay really excels in this space. I love the sentiment of the song. It's a positive, feelgood number all the way, and we need more of that kind of energy in the world.
On the Space Age Zeros side, "Cheryl Scott" gives me all the feels. This is throwback pop-punk that's melody-forward and wears its heart on its sleeve. It's got a crisp, clean sound that takes me back to a time when my musical world revolved around the Parasites. "Seasons of You" has a different feel: rougher around the edges and more melodic punk than pop-punk — but still super-catchy and full of heart.
And so there you have it. The key to a successful split is getting two bands that go well together and making sure they can bring quality material to the table. There are no throwaways here. This could easily have been two individual singles that both would have been worth buying. Putting them on one record is a deal and a steal!
https://jprozac.bandcamp.com/album/j-prozac-space-age-zeros
https://spaceagezeros.bandcamp.com/album/space-age-zeros-j-prozac-split
https://open.spotify.com/album/4KfKTwaKwroGLuC7ZPi5k2
https://open.spotify.com/album/25l25PBVTuOFni4cSMmMSV
https://www.facebook.com/spaceagezeros/
https://www.facebook.com/jprozac/
https://www.instagram.com/jprozacofficial/
https://www.instagram.com/space_age_zeros/
https://critical-mass-music-1.storenvy.com/products/37034984-jprozac-space-age-zeros-split
https://www.facebook.com/CriticalMassBlog/
Sourpunch - Shake Them Bones
Back with its first new release in a few years, Sourpunch lets it rip on the excellent new EP Shake Them Bones. This Rhode Island–based foursome fronted by Jenn Lombari (also of the excellent melodic punk duo Stubborn Hearts, which also includes drummer Doug Metivier) plays awesome high energy punk/pop/rock 'n roll music that will get your heart pounding and your toes tapping. "Lipstick and Black" and "Gin Buzz" are in rockin' pop-punk territory, while "Rebound n Down" is full of '50s OG rock 'n' roll spirit. The theme song "Sourpunch Stomp" is a party-starter with a touch of Devil Dogs swagger. "Dead Friends" is fast and frenzied and poignant is hell. "Going up the Country" is a rocked-up cover of the Canned Heat classic. With Jenn Lombari, you're always going to get passion and feeling in the vocals. So even though this is a fun record to put on and shake them bones to, there's an emotional depth and soul to a lot of these songs that is sometimes missing in punk rock 'n' roll world. If you like no-nonsense rock 'n' roll that kicks a whole lot of ass but can also make you laugh and cry, this EP is for you!
Friday, May 15, 2026
Radio Days - "Flying High"
In a year in music that is looking more and more like one for the ages, the impending arrival of a new Radio Days album is yet another cause for much excitement. We are now five years removed from the last Radio Days long player, so Off The Record (due out in September) is very high on my list of 2026 albums I'm looking forward to. In advance of the album, the band has treated us to a couple teasers. The latest is digital single "Flying High," an upbeat, silky-smooth pop song with a big chorus and lots of amazing lead guitar. This tune finds Radio Days in vintage form, embracing melody on top of melody. Dario's vocals go down easier than lemonade on a hot day in July, and the song could not be any catchier. It's just a joy to hear one of the best bands to ever do this kind of music, uh, do this kind of music! It's always a good sign when you get to the end of the song and think, "That went way too fast!"








