Sunday, August 16, 2026

Candybar - First Bite


Well here's something the world absolutely needed! Say hello to Candybar from Brooklyn, New York! Big Eyes were one of the shining lights of punk-influenced power pop in the 2010s. They released four albums between 2011 and 2019, establishing Kait Eldridge as one of the finest songwriters of her generation. And just like that, they were gone. Candybar reunites Eldridge with her Big Eyes band-mate Jeff Ridenour. They're joined by Lily Gist (Frida Kill) on bass and Dante Fotino (Born Sinner, Puddle Splasher) on drums. There was very little advance hype about Candybar, but it's not going to take long for the excitement to spread given the quality of the foursome's debut EP. It's called First Bite, and it delivers three truly excellent tracks. Candybar is not necessarily Big Eyes, part 2. But if you've always loved the way Eldridge blends punk, power pop, and rock influences in her own signature style, you will not be disappointed in First Bite. All three of these tracks rock hard and are crammed full of hooks. The catchy, crunching "Queen of Sunday" is an ode to the coziest day of the week and the joy of lying around the house doing whatever you feel like. "Love Comes and Goes" (which has a bit of a glam rock vibe to it) and the pure pop gem "Wash the Salt" are heartfelt, deeply relatable love songs. As the title reflects, this is just a small first taste of what Candybar has in store for us. This is a band that people are going to be talking about, and so many of us have taken that first bite and are left craving much more. Stay tuned!

Saturday, August 15, 2026

Nato Coles & the Blue Diamond Band - Join Us For A Few


Let's play a game of "good news/bad news." I'll deal with the bad news first: Nato Coles & the Blue Diamond Band have gone on an indefinite hiatus. The good news is that Join Us For A Few, the band's third studio album, is finally available digitally after being a vinyl-only release for a few months. I hear a phrase like "indefinite hiatus" and can't help but wonder if I'll ever have the chance to review this band again. I suppose that depends on how long I keep wiring about music. As it is, an album release from Nato Coles & the Blue Diamond Band is a rare occurrence. There was a six-year gap between Promises To Deliver and Flyover and nearly a seven-year gap between Flyover and Join Us For A Few. I've spoken frequently about Promises To Deliver being one of my favorite records of this particular century, and I think my personal connection to that album has led me to undervalue its successor, Flyover. It's never quite fair to judge one record in comparison to another, and I don't want to make the mistake of putting Join Us For A Few in competition with either of its predecessors. 

So let's talk about what Join Us For A Few is: it's the work of a great American rock 'n' roll band led by a songwriter who always knows how to balance heart & grit with tuneful melodies and sing-along choruses. Over the years, this band has honed its craft and established itself as a quintessential rootsy bar band. The punk roots are still there in spirit, but the songs on this record are given plenty of room to breathe, typically falling into the four–five minute range. The band is again pulling from 20th century meat & potatoes Americana — blending early rock 'n' roll with country, rhythm & blues, and folk rock influences. The band, seasoned by years and years on the road, has never sounded better. And Nato Coles has fully come into his own as a songwriter. I probably did him a disservice in the past by emphasizing some of his musical influences rather than focusing on what's unique and appealing about him as an artist. He personifies heart-on-sleeve sincerity, and time and life have only amplified his talents. This album has some top-quality punchy rockers in "Hiraeth" and "Can't Get My Mind Off Of You." But it's the ballads and semi-ballads that are the real heart and soul of the record. When a songwriter can get to the point where their ballads are songs you actually look forward to as opposed to merely tolerate, that's when you know they've mastered their craft. You have to be pretty confident to start an album with a five-minute mellow jam like "The 4th of July," but there's no doubt that this was the perfect opener. It's anthemic, soulful, and moving. Similarly, "Strangers' Backyards" and "Fire Without a Flame" are as powerful and poignant as any song Nato has ever written. The band also reworked one of its most beloved songs, "Midnight In Memphis" (from its split with State Drugs), and made it even better. And how about a cover of The Brains' new wave hit "Money Changes Everything" (famously covered by Cyndi Lauper) completely revamped to conjure late night barroom regret? 

Let's be clear: a hiatus, even when indefinite, is not necessarily a closing of the book. If I had to put money on it, I'd bet on this not being the last we hear from Nato Coles & the Blue Diamond Band. But if this is the last we hear from the band for a good while, they are are hitting pause on a high note. The album title is welcoming by design. It summarizes the very spirit of this band. These are guys who will play their hearts out for you and then sit and drink with you. Join Us For A Few is essentially a hang session with your drinking buddies. These songs mix sadness and heartache with hope and joy. They tell stories and reflect on life. They represent what is best about music: its capacity to form connections between people. This band can still rock with the best of 'em, but it's the songs that really stand out. If you're a longtime fan and have been waiting, as I have, for Join Us For A Few to make its way to a digital platform, you will not be disappointed. And if you've yet to be initiated into the world of Nato Coles & the Blue Diamond Band, this is a fine place to start. In a year full of great rock 'n' roll albums, this one is very worthy of your consideration.

Kurt Baker - Got It Covered (vinyl reissue)


Out now on vinyl for the first time ever, Kurt Baker's Got It Covered was one of the most important power pop releases of the 2010s. It was Baker's first solo record, released at a time when his band The Leftovers were coming to an end. The choice of songs made the mission completely clear. Baker set out to cover a bunch of his favorite new wave and power pop songs from the late '70s and early '80s. This was his way of paying tribute to the songs and artists that would ultimately shape his own direction as a lead artist. This is where it all started. Before there was Brand New Beat, Play It Cool, and After Party, there was Got It Covered. The track list ("Let Me Out" by The Knack, "Hanging on the Telephone" by The Nerves, "Pump It Up" by Elvis Costello, "I've Done Everything for You" by Sammy Hagar {and reinterpreted by Rick Springfield)}, "Is She Really Going Out with Him?" by Joe Jackson, "Cruel to Be Kind" by Nick Lowe, and "Turning Japanese" by The Vapors) is absolutely bulletproof. Those are some of my favorite songs ever! Any place with those songs on a jukebox would be my idea of a slice of heaven. In marrying those influences with '90s/2000s pop-punk, Baker would write a new chapter in the history of power pop. 16 years later, I can really appreciate the way he injected these classic tunes with new energy. For this release, Justin Perkins has remastered the original recordings. And there's new cover art that definitely nails the vibe Baker was going for on this release. Got It Covered will be an essential addition to your vinyl collection if you're a Baker fan or a fan of power pop in general. The first 90 copies were personally signed by Baker. Get it from Oglio Records!

Sunday, August 09, 2026

Mopar Stars - Official Researchers Of The NJ Devil


I put tremendous value in the Niek seal of approval, so it didn't take me long after reading his review of Mopar Stars' new album Official Researchers Of The NJ Devil before I was sitting down and spending some quality time with the album. Was I impressed? The mere existence of this review answers that question. It's kind of cool how an overseas review of a band that's only 100 miles away from me can lead me to a record I'll play over and over. God bless the internet. 

Following two EPs, Official Researchers Of The NJ Devil is this Philly-based foursome's proper debut album. It's a blessing that high-quality indie pop like this is thriving at the moment, and it's imperative that we don't take that for granted. You know in five years, we're gonna be like, "Something special was brewing in the mid-2020s!" Very reminiscent of all those '90s indie bands who loved '70s power pop with some Replacements worship sandwiched in between, Mopar Stars manage to sound very much like a contemporary indie rock band even as their music is rooted in classic guitar pop. The specific influences are not at all super-obvious, and perhaps that's because they're numerous and quite varied. Without getting too complicated or ambitious in his approach (only one track is longer than three minutes), Nao Demand is showing himself to be a masterful and gifted songwriter. Far from a mere collection of songs, this is a true album. You put it on, and you want to listen all the way to end. On one level, this is a power pop record, and the hooks cannot be denied. But the overall vibe is laidback (some might say slacker-ish) and reflective. It's the sort of album you ought to listen to while you're sitting alone in a comfortable space and nursing a beverage. This is an album that will make you think about life. These tunes aren't trying to beat you over the head. Even in the two minute-ish range, they take their time introducing themselves. Sometimes power pop gets classified as empty calories for the ears, but these songs are by no means lacking in substance. 

How do you make an album that's tried-and-true indie pop that still doesn't sound like ten thousand albums you've heard before? Ultimately it comes down to the craftsmanship and charm of the songs. You hear songs like "Drinkallnite," "Only Bar In Town," and "Lifetime of Pain" a couple of times, and it feels like you've known them forever. Mopar Stars have delivered a splendid debut album that is absolutely worthy of the rave reviews it's garnering. The City of Brotherly Love is ruling power pop right now!

Friday, August 07, 2026

Loose Lips - "Beehive"


Still riding the momentum of their excellent debut album Last Laugh, Melbourne's power poppin' punk rock and rollers extraordinaire Loose Lips are back with a hot new single off a new EP that will release next month. You always know what you're going to get from Josh, Nadine, and Ethan, and "Beehive" is very much in that lane. It's a fun, high-energy rocker with an unbeatable hook. It takes just a little over two minutes to get the job done, and then you're ready for another go-around. While the full EP doesn't come out until September 4th, you can pre-order it now and check out another track, "Remember We Love You." With 2026 being one of the hottest years for new music in recent memory, I'm pumped to have Loose Lips be part of it! 

Sweet Teeth - The Void That Eats The Heart


Hailing from Finspång, Sweden, Sweet Teeth has the self-awareness to refer to its sound as "Hüskerrock." There's just no denying that this foursome worships daily at the Church of Bob Mould. But as it turns out, that doesn't have to be a bad thing. If ten thousand bands can make a genre out of emulating the Ramones, why can't we have at least one band turning out the kinds of records that we wished Bob Mould was making in the post-Sugar years of the late '90s and 2000s? As Niek has stated, Sweet Teeth was more or less keeping this particular sound alive prior to Sugar's reunion. I might go as far as to say that the songs on the band's new album The Void That Eats The Heart can stand toe-to-toe with (or maybe even top) Sugar's new tracks. Of course this band has the style down pat. Those massive, fuzzy guitars just blow out of the speakers. And Jocke on drums is an absolute monster. But beyond that, the band has the tunes as well. These guys understand how to write truly excellent punky alternative rock songs that are full of heart and lyrical substance. The passion that this band puts into its music is palpable. I have to admit that the first time I heard Sweet Teeth, I wondered if that really was Bob Mould on vocals (ha ha)! From the first note, the musical inspiration is obvious. But if this is Hüskerrock, it's the gold standard of Hüskerrock. Who cares about originality when the music is this good? This record instantly transports me back to the '90s but sounds absolutely vital in the world of 2026.

MOM - "Miss U Madly"


Check it out! After a long wait, we finally get new music from MOM! "Miss U Madly" is the brand-new single from Malmö, Sweden's greatest power pop band, and of course it's a smash! Not counting Christmas releases or live albums, this is the first new track we've heard from MOM in four years. It does not disappoint. This song is vintage MOM — a sticky wad of bubblegum rock 'n' roll full of melody, handclaps, and radio-sized hooks. Barely topping the two-and-a-half minute mark, this tune will leaving you wanting more. So then you just play it again! Yeah, man: this is pop! Stay tuned for much more of MOM!