Faster and Louder
Punk and rock n' roll reviews from Lord Rutledge and friends
Saturday, August 22, 2026
The Batter Ups - "Cailee"
One thing I'll never tire of is well-executed bubblegum pop-punk. Denmark's Thomas Stubgaard, whom you may remember from Tommy and the Rockets, has a new band called The Batter Ups going that could not be any more up my alley. This one-man operation combines a distinctly European (meaning very pop-leaning) style of pop-punk with a heavy dose of comic book and sci-fi fandom. Before I'd even heard a note of the music, the band slogan "Fast songs; Catchy hooks; Awkward crushes; Questionable decisions" had me won over! Mixed and mastered by the great Perry Leenhouts, new single "Cailee" is a love letter to the actress Cailee Spaeny. What a catchy tune! It's a perfect pop-punk song that wears its sci-fi geek heart on its sleeve. The song is taken from the forthcoming album Interstellar Crush, and you can bet I'm stoked to hear it! If you like "Cailee," be sure to check out the other tracks already posted on The Batter Ups' Bandcamp — one of which is a Green Day cover!
JEM Records Celebrates Bob Dylan
It seems like only yesterday that JEM Records launched its Celebrates series with a stunning tribute to John Lennon. But the math tells me that that was almost six years ago, and here we are now with the 7th installment, JEM Records Celebrates Bob Dylan. The fact that Marty Scott and JEM's talented roster of bands have kept this project going all this time and produced a new album every single year is beyond impressive. That shows a tremendous commitment — and I can't even begin to imagine how much works goes into bringing these albums into existence. I know not everyone is on the tribute album train; however, I love the idea of celebrating great songwriting and enrichening the legacy of great songs. In the case of Bob Dylan, we're talking about perhaps the greatest American songwriter of the rock 'n' roll era. You could do a triple album of Dylan covers and not even scratch the surface of his most essential work. So song selection was going to be critical here. JEM Records Celebrates Bob Dylan does an excellent job of choosing some of the obvious classics but also going outside the box a few times. And, as we've come to expect in this series, none of these bands/artists settle for a note-for-note cover. Marty Scott gives them all free reign to make these songs their own, and they do just that.
The earlier JEM Records Celebrates installments seemed like such no-brainers because they involved such core influences (Beatles, Kinks, Who, Beach Boys) on the label's roster. But with these last two albums (Dylan and David Bowie), we're really starting to see what makes this project interesting. It's clear that all these artists are big Dylan fans, but you might not always notice it in their own music. So to hear them take these classic songs and put their own signatures on them is very exciting.
The Half/Cubes come the closest to a "straight" cover with their version of "The Mighty Quinn," but still they interpret the song through the lens of power pop and classic guitar pop. The Airport 77s make "It Ain't Me, Babe" sound like, well, The Airport 77s! The Midnight Callers give 1965's "It’s All Over Now, Baby Blue" a fresh makeover that brings to mind Big Star and Badfinger. The Weeklings tackle one of Dylan's most iconic songs, "Rainy Day Woman #12 and 35," and completely transform it with their master class harmonies. Similarly, The Grip Weeds and The Anderson Council make "This Wheels On Fire" and "Queen Jane Approximately" sound like classic slices of later '60s UK guitar pop. The On and Ons imbue "Meet Me In The Morning" with a vintage garage rock feel, while The High Frequencies reimagine "Subterranean Homesick Blues" as an early '80s new wave hit. It's no surprise that Paul Collins (covering "Stuck in Mobile with The Memphis Blues Again") and Nick Piunti (covering "Mr. Tambourine Man") both knock it out of the park. Then there are the two curveballs. The Jive, making its debut for JEM, has at "I Ain't Gonna Go To Hell for Anybody" from Dylan's gospel period. It's both a surprising selection and a surprisingly sophisticated performance — sounding completely unlike what I would have expected from The Jive. I feel like I've walked into a room and found the class clown solving the impossible math equation that the teacher left on the board. Perhaps the album's most extraordinary cut is The Cynz's rocking take on the extremely controversial "Neighborhood Bully." The song has been a fixture on The Underground Garage this summer, and hats off to Marty Scott for having the guts to back up the band's song choice.
Like its six predecessors in this series, JEM Records Celebrates Bob Dylan does exactly what it aims to do: celebrate an artist who changed music. In the liner notes, Richard Barone writes, "Does the world really need another Bob Dylan tribute album? The answer, at least for the foreseeable future, will always be 'Yes.'" I could not agree more. You don't even have to be a huge Dylan fan to enjoy this album. The songs speak for themselves, but what these artists have done with the source material is remarkable in its own right. If you view a cover song not as act of generating filler but as an act of love and admiration, I think you'd have to say these JEM Celebrates albums demonstrate how it ought to be done. Great songs ought to be both played forever and re-made forever. Even hardcore Bob Dylan fans, who will surely listen to this record critically, will have a hard denying that these 12 bands and artists truly get it.
Sunday, August 16, 2026
Candybar - First Bite
Well here's something the world absolutely needed! Say hello to Candybar from Brooklyn, New York! Big Eyes were one of the shining lights of punk-influenced power pop in the 2010s. They released four albums between 2011 and 2019, establishing Kait Eldridge as one of the finest songwriters of her generation. And just like that, they were gone. Candybar reunites Eldridge with her Big Eyes band-mate Jeff Ridenour. They're joined by Lily Gist (Frida Kill) on bass and Dante Fotino (Born Sinner, Puddle Splasher) on drums. There was very little advance hype about Candybar, but it's not going to take long for the excitement to spread given the quality of the foursome's debut EP. It's called First Bite, and it delivers three truly excellent tracks. Candybar is not necessarily Big Eyes, part 2. But if you've always loved the way Eldridge blends punk, power pop, and rock influences in her own signature style, you will not be disappointed in First Bite. All three of these tracks rock hard and are crammed full of hooks. The catchy, crunching "Queen of Sunday" is an ode to the coziest day of the week and the joy of lying around the house doing whatever you feel like. "Love Comes and Goes" (which has a bit of a glam rock vibe to it) and the pure pop gem "Wash the Salt" are heartfelt, deeply relatable love songs. As the title reflects, this is just a small first taste of what Candybar has in store for us. This is a band that people are going to be talking about, and so many of us have taken that first bite and are left craving much more. Stay tuned!
Saturday, August 15, 2026
Nato Coles & the Blue Diamond Band - Join Us For A Few
Let's play a game of "good news/bad news." I'll deal with the bad news first: Nato Coles & the Blue Diamond Band have gone on an indefinite hiatus. The good news is that Join Us For A Few, the band's third studio album, is finally available digitally after being a vinyl-only release for a few months. I hear a phrase like "indefinite hiatus" and can't help but wonder if I'll ever have the chance to review this band again. I suppose that depends on how long I keep wiring about music. As it is, an album release from Nato Coles & the Blue Diamond Band is a rare occurrence. There was a six-year gap between Promises To Deliver and Flyover and nearly a seven-year gap between Flyover and Join Us For A Few. I've spoken frequently about Promises To Deliver being one of my favorite records of this particular century, and I think my personal connection to that album has led me to undervalue its successor, Flyover. It's never quite fair to judge one record in comparison to another, and I don't want to make the mistake of putting Join Us For A Few in competition with either of its predecessors.
So let's talk about what Join Us For A Few is: it's the work of a great American rock 'n' roll band led by a songwriter who always knows how to balance heart & grit with tuneful melodies and sing-along choruses. Over the years, this band has honed its craft and established itself as a quintessential rootsy bar band. The punk roots are still there in spirit, but the songs on this record are given plenty of room to breathe, typically falling into the four–five minute range. The band is again pulling from 20th century meat & potatoes Americana — blending early rock 'n' roll with country, rhythm & blues, and folk rock influences. The band, seasoned by years and years on the road, has never sounded better. And Nato Coles has fully come into his own as a songwriter. I probably did him a disservice in the past by emphasizing some of his musical influences rather than focusing on what's unique and appealing about him as an artist. He personifies heart-on-sleeve sincerity, and time and life have only amplified his talents. This album has some top-quality punchy rockers in "Hiraeth" and "Can't Get My Mind Off Of You." But it's the ballads and semi-ballads that are the real heart and soul of the record. When a songwriter can get to the point where their ballads are songs you actually look forward to as opposed to merely tolerate, that's when you know they've mastered their craft. You have to be pretty confident to start an album with a five-minute mellow jam like "The 4th of July," but there's no doubt that this was the perfect opener. It's anthemic, soulful, and moving. Similarly, "Strangers' Backyards" and "Fire Without a Flame" are as powerful and poignant as any song Nato has ever written. The band also reworked one of its most beloved songs, "Midnight In Memphis" (from its split with State Drugs), and made it even better. And how about a cover of The Brains' new wave hit "Money Changes Everything" (famously covered by Cyndi Lauper) completely revamped to conjure late night barroom regret?
Let's be clear: a hiatus, even when indefinite, is not necessarily a closing of the book. If I had to put money on it, I'd bet on this not being the last we hear from Nato Coles & the Blue Diamond Band. But if this is the last we hear from the band for a good while, they are are hitting pause on a high note. The album title is welcoming by design. It summarizes the very spirit of this band. These are guys who will play their hearts out for you and then sit and drink with you. Join Us For A Few is essentially a hang session with your drinking buddies. These songs mix sadness and heartache with hope and joy. They tell stories and reflect on life. They represent what is best about music: its capacity to form connections between people. This band can still rock with the best of 'em, but it's the songs that really stand out. If you're a longtime fan and have been waiting, as I have, for Join Us For A Few to make its way to a digital platform, you will not be disappointed. And if you've yet to be initiated into the world of Nato Coles & the Blue Diamond Band, this is a fine place to start. In a year full of great rock 'n' roll albums, this one is very worthy of your consideration.
Kurt Baker - Got It Covered (vinyl reissue)
Out now on vinyl for the first time ever, Kurt Baker's Got It Covered was one of the most important power pop releases of the 2010s. It was Baker's first solo record, released at a time when his band The Leftovers were coming to an end. The choice of songs made the mission completely clear. Baker set out to cover a bunch of his favorite new wave and power pop songs from the late '70s and early '80s. This was his way of paying tribute to the songs and artists that would ultimately shape his own direction as a lead artist. This is where it all started. Before there was Brand New Beat, Play It Cool, and After Party, there was Got It Covered. The track list ("Let Me Out" by The Knack, "Hanging on the Telephone" by The Nerves, "Pump It Up" by Elvis Costello, "I've Done Everything for You" by Sammy Hagar {and reinterpreted by Rick Springfield)}, "Is She Really Going Out with Him?" by Joe Jackson, "Cruel to Be Kind" by Nick Lowe, and "Turning Japanese" by The Vapors) is absolutely bulletproof. Those are some of my favorite songs ever! Any place with those songs on a jukebox would be my idea of a slice of heaven. In marrying those influences with '90s/2000s pop-punk, Baker would write a new chapter in the history of power pop. 16 years later, I can really appreciate the way he injected these classic tunes with new energy. For this release, Justin Perkins has remastered the original recordings. And there's new cover art that definitely nails the vibe Baker was going for on this release. Got It Covered will be an essential addition to your vinyl collection if you're a Baker fan or a fan of power pop in general. The first 90 copies were personally signed by Baker. Get it from Oglio Records!
Sunday, August 09, 2026
Mopar Stars - Official Researchers Of The NJ Devil
I put tremendous value in the Niek seal of approval, so it didn't take me long after reading his review of Mopar Stars' new album Official Researchers Of The NJ Devil before I was sitting down and spending some quality time with the album. Was I impressed? The mere existence of this review answers that question. It's kind of cool how an overseas review of a band that's only 100 miles away from me can lead me to a record I'll play over and over. God bless the internet.
Following two EPs, Official Researchers Of The NJ Devil is this Philly-based foursome's proper debut album. It's a blessing that high-quality indie pop like this is thriving at the moment, and it's imperative that we don't take that for granted. You know in five years, we're gonna be like, "Something special was brewing in the mid-2020s!" Very reminiscent of all those '90s indie bands who loved '70s power pop with some Replacements worship sandwiched in between, Mopar Stars manage to sound very much like a contemporary indie rock band even as their music is rooted in classic guitar pop. The specific influences are not at all super-obvious, and perhaps that's because they're numerous and quite varied. Without getting too complicated or ambitious in his approach (only one track is longer than three minutes), Nao Demand is showing himself to be a masterful and gifted songwriter. Far from a mere collection of songs, this is a true album. You put it on, and you want to listen all the way to end. On one level, this is a power pop record, and the hooks cannot be denied. But the overall vibe is laidback (some might say slacker-ish) and reflective. It's the sort of album you ought to listen to while you're sitting alone in a comfortable space and nursing a beverage. This is an album that will make you think about life. These tunes aren't trying to beat you over the head. Even in the two minute-ish range, they take their time introducing themselves. Sometimes power pop gets classified as empty calories for the ears, but these songs are by no means lacking in substance.
How do you make an album that's tried-and-true indie pop that still doesn't sound like ten thousand albums you've heard before? Ultimately it comes down to the craftsmanship and charm of the songs. You hear songs like "Drinkallnite," "Only Bar In Town," and "Lifetime of Pain" a couple of times, and it feels like you've known them forever. Mopar Stars have delivered a splendid debut album that is absolutely worthy of the rave reviews it's garnering. The City of Brotherly Love is ruling power pop right now!
Friday, August 07, 2026
Loose Lips - "Beehive"
Still riding the momentum of their excellent debut album Last Laugh, Melbourne's power poppin' punk rock and rollers extraordinaire Loose Lips are back with a hot new single off a new EP that will release next month. You always know what you're going to get from Josh, Nadine, and Ethan, and "Beehive" is very much in that lane. It's a fun, high-energy rocker with an unbeatable hook. It takes just a little over two minutes to get the job done, and then you're ready for another go-around. While the full EP doesn't come out until September 4th, you can pre-order it now and check out another track, "Remember We Love You." With 2026 being one of the hottest years for new music in recent memory, I'm pumped to have Loose Lips be part of it!





