Showing posts with label Canadian Takeover. Show all posts
Showing posts with label Canadian Takeover. Show all posts

Friday, November 07, 2025

N.E. Vains - Running Down Pylons


Since we're getting to that time of the year where I have to start working on my end-of-the-year best-of lists, first drafts are already underway. I took a leap of faith and saved a spot in my top LPs list for N.E. Vains, trusting that they wouldn't throw me a curveball and make this new record sound like Sugar Ray. I can breathe a sigh of relief: the band's debut long player Running Down Pylons (out on Big Neck Records) is a certified banger and precisely what you would expect from a meeting of the minds involving TJ Cabot, Jeffrey Thunders, and friends. 

The last time I checked, these guys were called The Vains. But because they are decent and reasonable humans, they added the "N.E." to avoid confusion with The Vains from Cincinnati. There may be some mystery as to what the "N.E." stands for. "New England" and "North Eastern" seem like obvious answers, but I haven't ruled out "Nominally Egregious," "Naturally Effervescent," "Notable Errors," "New Earmuffs," "Naval Excellence," and "Not Evil" as additional possibilities. New Haven meeting Moncton sounds like an American Hockey League match-up from 40 years ago, but in the case of N.E. Vains, it's a creative partnership between two of the coolest dudes in punk rock which began a few years ago on the Facebook Budget Rock group (possibly the only music group on Facebook not overridden with obnoxiously pretentious gatekeeping a-holes). Shandy Lawson (lead guitar), Bill Bates (bass) and Elvis Belushi (drums) were enlisted to round out the lineup, and the rest is history. Tragically, Bates passed in 2023. Scott Fitch, a notable New Haven musician and engineer, has ably filled in on the band's subsequent recording sessions. 

Running Down Pylons is, as expected, a fun punk rock record that you should not be legally allowed to play under a volume that would likely annoy anyone within earshot. We can loosely call this "garage punk," but to me, it's just great punk. I'm hearing lots of '70s punk and early '80s hardcore influences, but the overall sound is really unique. This is not just another band trying to be Teengenerate. Whatever quarantine-fueled madness inspired these songs was something akin to genius. 10 of 11 songs clock in at under two minutes, and every single track totally cranks. The thing about a TJ Cabot–fronted record is that you're not just getting run-of-the-mill punk rock lyrics. Instead you can expect lots of amusing, wild, and presumably true stories from the life and mind of this Atlantic Canadian luminary. Favorite tracks for me include the pissed-off opener "Kicked off the VPN," the ferocious title track, the blistering "Pinched Nerve," and the mid-tempo stomper "Six for Thirty Six." But honestly, the whole album kicks ass. 

So here's where I get to the predictable part of my review and say that there aren't enough records like this anymore. But I say it because it's true. This is killer punk rock, plain and simple. If you don't like this, there's something wrong with you. I would say that I would gladly listen to TJ Cabot sing the phone book, but he might be the one person to actually take me up on that. Running Down Pylons is limited to 300 copies, so move fast if you want to be able to say you owned it when pandemic nostalgia is all the rage in five years.

Tuesday, July 01, 2025

Outtacontroller - "Hold It Out" + "At Night"

The always dependable Outtacontroller returns with a new digital single. You know what to expect, but that doesn't make it any less of a treat. "Hold It Out" and "At Night" both clock in a little north of two minutes and dish out a whole lot of fuzzed-out poppy punk goodness with just the right amount of garage edge. These guys have been at it since the early 2010s and have managed to retain their signature sound without a hint of decline or stagnation. Free music from a band this good is an absolute gift, and this single is first class stuff. Happy Canada Day!

Saturday, March 22, 2025

Real Sickies - Under a Plastic Bag


If you thought Real Sickies' last album Love Is For Lovers was a significant progression from their previous records, wait until you hear their new one! Under a Plastic Bag, the band's fifth album and first in nearly four years, is out now on Stomp Records. Engineered and produced by Joshua Wells (Autogramm, Lightning Dust), this album finds Real Sickies completely transcending their signature punk-pop sound. Ben and the gang really went for it on this release — incorporating influences ranging from late '70s/early '80s new wave & post-punk, '80s college radio, '90s alternative rock, and modern indie rock without straying too far from their classic punk and power pop roots. If the intention was to move things in a weirder, moodier direction, then clearly Wells was a perfect choice for a producer. Not surprisingly, Under a Plastic Bag is a genuine triumph. The band's flair for well-crafted hooks and anthemic choruses remains fully in tact, but this album offers way more variety and sophistication in songwriting than you'd ever expect from a Real Sickies record. If the band's earlier recordings tended to instantly grab you by the throat, this one pulls you in more gently and deliberately. You can't just listen to a song or two and predict what the rest of the album is going to be. A couple tunes like "Over Thought About It" and "Paralyzed" (the best song Teenage Head never wrote!) recall the Real Sickies of old. But for the most part, this album really breaks the mold. On songs such as "Wild Imagination" and "Destinations," you can really hear the more modern vibe the band was going for on this album. "Summer," perhaps my favorite track on the album, is pure pop that's redolent of the early '80s. "Never Going Back" hits that sweet spot where power pop meets '80s alt-rock. "Lost By a Landslide" sounds like something you might have heard on modern rock radio in the early 2000s. The band also does a wonderfully fresh & original interpretation of MOTO's classic "Choking on Your Insides."

Every great punk-pop band has to struggle with how to handle longevity. At some point, you can't continue to make the same record over and over. Love Is For Lovers was a sign that Real Sickies had ambitions beyond three-chord punk. Under a Plastic Bag takes that progression and accelerates it at a rate no one could have foreseen. Working with a producer who not only understands the band but also has a great feel for how to make new wave rock sound relevant and current in the 21st century, Real Sickies have delivered an album that is sure to attract new fans without alienating existing ones. Great album! 

Saturday, March 15, 2025

Golden Shitters - Brutal Planet


Do you think this whole world is going down the toilet? Do you hate your miserable life and most of the people in it? Have you observed that everything sucks these days? If so, Golden Shitters' new album Brutal Planet is for you. This Hamilton-based band comprised of Matt Ellis, Dave Tyson, and Kyle Fisher has delivered an instant classic of thumping, Ramones-inspired punk rock with lyrics reflecting the zeitgeist of these bleak times. Musically, Golden Shitters strip everything down to the essence of three-chord punk rock, and they do so to perfection. The majority of the 12 songs on Brutal Planet clock in under a minute-and-a-half, and the longest barely eclipses two minutes. The band puts on a clinic on how to be Ramones-inspired without necessarily being "Ramonescore." And I'm definitely hearing some early 2000s Dirtnap Records vibes as well. What this band does is so simple. Yet as I've said numerous times before, simple is hard to do well in music. These guys totally nail this style with fast-paced, catchy tunes and lyrics that are way deeper than it seems on the surface. Basically, anything that Matt Ellis is ever involved with is gold. In this case, it's Golden Shitters. Brutal Planet is a truly perfect punk rock album that will kick you in the teeth leave you wanting more. Push play, crank up the volume, and let your rage flow!

Saturday, February 22, 2025

Cult Crime - "Throwaway Kids"


Toronto's Cult Crime continues its assault on your senses with another ripping single. "Throwaway Kids" brings to mind the dawn of hardcore punk — when bands were starting to play harder and faster but still a kept a foot planted in rock 'n' roll. A la last month's "Desperation," this track is blistering, ferocious, and chock full of raw energy. This, my friends, is punk fucking rock as it ought to be. A full album on Ugly Pop is shortly forthcoming, and I can't wait! If you dig DOA, Zero Boys, early Black Flag, etc., Cult Crime ought to be your new favorite band.

Saturday, February 15, 2025

Outtacontroller - "Cheap Pop"


What else can you say about Outtacontroller other than that this is one of the best freaking bands out there that never gets enough credit? Year after year and release after release, these guys continue to bring it. New digital single "Cheap Pop" is vintage Outtacontroller — a short-and-sweet earworm of buzz-saw garage-punk-pop goodness that's sure to get your head bobbing and leave you begging for more. So go ahead and push play, crank up the volume, and enjoy some cheap pop of the absolute highest quality. If you can manage to have more fun than this for the low price of zero dollars, you are living well!

Real Sickies - Triage

Edmonton's Real Sickies have been nothing but pure class when it comes to poppy punk rock over the past decade. Next month, they will release their fifth full-length album, Under a Plastic Bag. In advance of the album, new single "Triage" is a sign of what's to come. The song was inspired by a car accident that Ben Disaster and his wife were lucky to survive, and its chaotic feel is by design. Infusing a punk-pop song with the spirit of both panic and perseverance is no easy feat, but Real Sickies have pulled if off in collaboration with producer Joshua Wells. With the forthcoming album promising to expand on the band's sound with the incorporation of more new wave, power pop, and indie rock influences, "Triage" is a nice little taster. The full album will be out March 14th on Stomp Records. For now, enjoy this surreal banger and its accompanying music video!

Tuesday, November 26, 2024

Taxi Girls - Rainy


Now here's a record I've been waiting for all year: the second vinyl release from the mighty Taxi Girls! This band had my top-ranked EP of last year, and it's on track to have my top-ranked single of this year. That single is called "Rainy," and I can't talk about it without invoking the dreaded "double A-side" cliché. One song is a kick-ass rocker, and the other is an old school punk rock sing-along. They're equally great, so the determination of which one is the "hit" will come down to personal preference or your mood at the time. If you're looking at the cover art right now, you may have noticed that this Montreal-based trio is now a foursome. New member Gabrielle absolutely slays on lead guitar, and her playing definitely elevates Taxi Girls to another level. 

The title track brings to mind the punk rock side of '90s alternative rock, and it's a total monster. I love the big riffs, cool harmony vocals, red-hot leads, and overall rocking vibes. The lead vocals and lyrics are A+ as well. How many of us knew Jamie all those years without realizing she was a freaking rock star on the mic? If this song had come out in 1993, it would have been massive! "The Lion's Share" picks up the pace with more of an anthemic catchy punk rock style. It's a total toe-tapper, and again the lyrics rule so hard. I can't listen to this song without thrusting my fist in the air and shouting along. And how amazing do those guitars sound? Both of these songs are full of spirit and attitude, and they straight-up rock. The liner notes do a great job of explaining what these songs are about, so be sure to check them out. Let's just say that Taxi Girls understand that a song can be catchy and fun to listen to yet still full of substance. If I had to pick a favorite track here, I would go with "The Lion's Share," but that's like saying I like oxygen more than food. "Rainy" is available now from Dirt Cult Records in North America and Wild Honey Records in Europe.


Monday, November 11, 2024

Night Court - $hit Machine


The mighty Night Court, already on its fourth full-length album, continues to stand out as one of the most unique and exciting groups in contemporary punk music. Out now on the venerable Recess Records, $hit Machine finds Emilor, Jiffy, and Dave-O growing more creative and ambitious than ever without the slightest diminishment in songwriting quality. Depending on which track you landed on, you might peg Night Court as garage punk, indie rock, post-punk, pop-punk, new wave, or hardcore punk. Of course Night Court manage to be all those things and none of them at the same time. They just sound like themselves, and this is a great example of a band where every member is crucial to the group as a whole. Night Court would not be Night Court if it weren't these exact three individuals working in harmony, and it's their collective talent and worldview that sets this band apart. 

As always, these three prove to be masters of writing with efficiency. $hit Machine squeezes 17 songs into less than 27 minutes (that's a minute and a half per song). Yet all these songs sound complete and fully realized in spite of their brevity. From start to finish, it's nothing but awesome tunes. There are not a whole lot of 27-minute albums that feel this epic and sprawling. So you get the auditory experience of an hour-long sonic adventure in half that time — which is ideal considering how precious time has become in a world where the amount of things we can choose to consume it are virtually limitless. The skeptical person might wonder why this band finds it necessary to release such a large volume of music. But $hit Machine, like its predecessors, is devoid of anything close to filler. If these folks did write a couple sub-par tunes for this album, they left them on the cutting room floor. And speaking from my own experience of struggling with inspiration, I must commend this band for striking while the iron is hot. If the songs keep coming to you, you ought to keep recording them and keep releasing them. It's better for you as an artist to get your creations out there while they still reflect your recent experience, and it's better for the world to not have to wait additional years to hear such great music. Don't bother questioning the roll Night Court is on —just enjoy it! All the band's albums have been great, but $hit Machine is without doubt the best of the lot. The vinyl is limited to 300 copies, so act now if you want this bad boy in your record collection! 

Monday, October 07, 2024

Bambies - Snotty Angels

Alright, kids! Montreal's finest slingers of ultra-energetic poppy punk rock are back at it on the appropriately titled Snotty Angels. Out on Wanda Records and Spaghetty Town Records, this is the sophomore long player from Bambies — a band I find super underrated in the punk rock world. Sami, Franki, and Feli do not mess around on this release. They blast out 15 tracks of blistering, snotty-as-heck punk rock 'n' roll with pop hooks for days. If you're looking for a fun album to get you bopping and hopping, this is it! A punk band's sophomore album can be a tricky endeavor. If you show too much growth, they'll say you lost the plot. If you show no growth, they'll say you just made the same album twice. Bambies have navigated this situation well. Snotty Angels doesn't mess with a winning formula, but nor is it a copy of 2021's Summer Soon. If anything, they've stepped it up with this release. This is a catchier, more diverse set of songs, and the energy level of the music has not dipped even a little. Any fan of old school punk-pop will be well served to pick this record up.

Saturday, August 24, 2024

Dany Laj and the Looks - "Meet Me On The Floor"


It has been a minute since we last heard from the always delightful Dany Laj and the Looks. Their last single came out in November of 2022, and their last studio album was released three years ago. Most distressingly for a band that lives to play in front of live humans, they have not had the chance to tour since 2019. That will change this fall as Laj and the Looks hit the road and finally get to tour in support of their terrific 2021 album Ten Easy Pieces. To celebrate, the band has cooked up the brand-new party anthem "Meet Me On The Floor." This new single sets a tone for the upcoming live dates, and its accompanying music video (the splendid creation of Courtney O'Hearn) gives you a little taste of what to expect. It's just a great rock 'n' roll song — a feelgood hit about setting aside your worries, hitting the club floor, and dancing until you drop. You know stuff like this gets me even more fired up than the Flyers' penalty kill! "Meet Me On The Floor," which draws equally from power pop, garage rock, and soul music, is all about infectious energy and good vibes. It could not be any catchier. How nuts are the crowds gonna go for this song on tour?! Joining Laj and his partner Jeanette Dowling on this release are David Laplante on guitar and Alex Pauzé on drums. Stacey Case (Tijuana Bibles, Weirdies) guest stars on tambourine. There can never be too much tambourine in rock 'n' roll! I've missed Dany Laj and the Looks, and their return is truly triumphant. They'll be touring all across Canada in late September and early October and then hitting the USA for some dates in the Midwest and New York — then returning to Canada with Paul Collins' Beat! Click here for further tour info!

Sunday, August 18, 2024

Golden Shitters - Love Blows

I can't decide if Golden Shitters is the worst band name I've ever heard or the absolute best. But I can tell you that this trio from Hamilton, Ontario is my kind of band. Golden Shitters are Matt Ellis (Anxious Pleasers, The Vapids) on vocals, guitar, and bass; Dave Tyson (Sam Coffey and the Iron Lungs) on vocals, guitar, and bass; and Kyle Fisher (the Dirty Nil) on vocals and drums. These guys play old school punk rock "with bad taste and a B-movie bathroom budget." What's not to love about that? On their new EP Love Blows, they tear through four catchy, totally killer tracks in just over five minutes. There's nothing fancy going on here —just three-chord punk rock as the music gods intended. Lyrics address relatable topics like wanting to leave this planet, being underpaid and unappreciated at work, and despairing over matters of the heart. Somehow I missed an absolutely fantastic album released by Golden Shitters last year, so I'll be catching up with that while I continue to enjoy Love Blows. Tell your friends, foes, families, and neighbors: Golden Shitters are the shit!  

Sunday, July 28, 2024

Dangereens - Chic


After 25 years, Alien Snatch Records is going stronger than ever and continuing to show why it's one of the most important independent labels in the rock 'n' roll universe. I might even argue that the last few years of Alien Snatch have been its very best. Montreal's Dangereens have been a huge part of that. Their new album, Chic, arrives four years after their debut, Tough Luck. I was blown away by Tough Luck. It didn't really sound like anything else on Alien Snatch or anything else in modern music, for that matter. But from my very first listen, I knew it was something special. Chic follows it up in an impressive manner. It sounds like the best '70s rock 'n' roll record that never was — absorbing country, R &B, and  early rock 'n' roll influences into a warm-sounding mix of '70s glam, arena rock, and AM radio pop that somehow sounds current in 2024. On the album's press release, Daniel suggests that Dangereens are to rock 'n' roll what The Exbats are to pop, and that's really on the money. Somehow this band has developed a sound that's both classic and totally original, and its songwriting talents are absolutely extraordinary. Over the course of 13 tracks, Chic delivers a non-stop succession of radio-ready hooks, mighty guitar heroics, and irresistible rhythms. It's hard to put a finger on what separates great rock 'n' roll from not-so-great rock 'n' roll. But whatever "it" is, Dangereens have got it in abundance. Chic reminds us that we're still living in an era of great rock 'n' roll bands and great rock 'n' roll records. There are a lot of factors that have made Alien Snatch Records such an enduring institution of the garage/punk/rock 'n' roll underground, but Daniel's ear for exceptional music remains the stuff of legend. If Dangereens aren't one of your favorite bands, you probably haven't heard them yet.

Saturday, July 27, 2024

The Follow Ups - Know Who Your Friends Aren't


This is turning into the summer of pop-punk for me. Perhaps that's because there's so much music being released that just feels like the music that made me fall in love with punk rock in the first place. Know Who Your Friends Aren't is the second album (and first in five years) from Moncton, New Brunswick's The Follow Ups. It's out now on Faster and Louder Records in Canada and Mom's Basement Records in the U.S.A. In a totally good way, this album reminds me of the '90s. The Follow Ups take me back to a time when the lines between pop-punk and straight-up snotty punk rock were blurred. These guys play ballsy three-chord punk rock with snotty vocals and lyrics that are humorous in a wonderfully obnoxious way. Vocally, they give off Vindictives/Sloppy Seconds vibes. Musically, they seamlessly move between that Lookout! Records via the Ramones lane that is such a sweet spot for Mom's Basement and a faster, more aggressive '80s-influenced approach to punk rock. This is a really fun album. These guys never take themselves too seriously, but they are serious about playing high quality pop-punk. Their ability to write consistently good songs in varying styles is rare in this genre. Know Who Your Friends Aren't  is a super-solid record that doesn't try to break any new ground and doesn't need to. You might like this one even if pop-punk isn't always your thing!

Saturday, July 20, 2024

Real Rejects - Not Allowed


Well here you go, kids: the garage-trash budget punk rock 'n' roll ear-melting, face-smashing, world-wrecking degenerate masterpiece you've been awaiting with bated breath can now be yours courtesy of the legendary Alien Snatch Records.

A couple weeks back, I proclaimed Real Rejects the "next big thing" in the garage punk universe. This was not just a personal whim but rather the result of meticulous research and consultation with my spiritual advisors. Or maybe I just knew that if Alien Snatch was in on the action, everyone with impeccable taste in music was going to want a Real Rejects tattoo by year's end. Real Rejects are TJ Cabot (Phone Jerks, Nerve Button) on vocals & guitar, Jesse Leblanc (Feral Trash, Outtacontroller) on guitar, Claude Doiron (Nerve Button, Bad Luck #13) on bass, Sonic Hz on keyboards, and Cam Murphy (Thee Requiems, Ghostown Belle) on drums. It was by complete accident that the band name brings to mind two of the greatest garage punk bands of the post-2000 years, The Real Losers and Teenage Rejects (who both, by the way, had releases on Alien Snatch). Yet the shared musical DNA is undeniable. You may or may not consider Not Allowed a full-length album depending on which side of the 10-inch record debate you fall on. But at nine tracks and an 18-minute running time, it makes the full-length cut in my book. I'm no longer a collector of vinyl recordings, but when I was, I thought 10-inchers were the coolest. They have the versatility to be albums or EPs or singles, which is very cool in my book. And I've never been able to understand why anyone would ever prefer 7 inches if they could have ten. Good on Alien Snatch for believing in this format! 

Whether it's an album or a mini-album or a super-sized EP,  Not Allowed is an absolute scorcher of a record. After all those years of solo home recording, Tyler has really hit the jackpot with this merry band of Moncton punk greats. These guys rock l.a.m.f. and take the Rejects' sound to the next level. These nine tracks fully realize the potential of all those really awesome TJ Cabot releases of years past. Think Stooges meet DMZ meets Pagans meet ? and the Mysterians meet Angry Samoans meet Rip Off Records —  or something like that. I'm not saying that the Summer of Spite digital single wasn't full-blown killer. But the thing about Daniel at Alien Snatch is that he has an ear for greatness, and of course the stuff on Not Allowed is the top shelf Real Rejects. I love the blend of high energy, organ-driven '60s garage rock; filthy, attitude-laden '70s/early '80s punk; and quintessential '90s/2000s budget trash. The tunes are great; the lyrics are hilarious and wonderfully spiteful; and the energy level is off the charts. This is the perfect album length for me: it still leaves you wanting more, but it won't leave you feeling short-changed. Is this really an album? Of course it's an album, and it's one of the year's best! 

Jay Castro and I taped a new episode of our Born Too Late podcast last night in which we listed our all-time favorite releases from Alien Snatch Records. As I prepared my list, I was really awed by the sheer volume of amazing records that have come out (and continue to come out) on this label. Without a doubt, this is one of the greatest punk rock record labels to ever exist, and it's incredible that Daniel has kept it going strong for 25 years and counting. So when you head on over to Bandcamp to purchase Not Allowed (come on: you know you're going to!), be sure to take a deeper dive into the Alien Snatch catalog. I know it's terribly irresponsible of me to be compelling you to spend money during inflationary times, but I can't think of a record label or roster of bands that's more worthy of some of your hard-earned dollars. What good is life without music? 

Friday, July 12, 2024

Pack Rat - Life's A Trap


Pack Rat's first album, released in December of 2021, was the solo pandemic project of Patrick McEachnie (Chain Whip, Corner Boys, Hosehead Records). It was a stellar collection of snotty, frantic punk tunes with budget synthesizers. Like a lot of the pandemic projects that came out around that time, Pack Rat was way too promising to simply scrap once lockdown days were over. Not only did McEachnie keep this project going, but he turned it into a full-fledged band. Bella Bebe (vocals and guitar), Ripley McEachnie (bass and vocals), and Tony Dallas (drums and vocals) now round out the lineup. An EP called Bite My Tongue was released last summer, and it quickly sold out. 

Out today on Drunken Sailor Records, Life's A Trap is Pack Rat's second LP and first as a proper band. And while the nervous speed and snotty vocal edge have been retained from that first LP, Pack Rat's sound has definitely evolved. Most notably, this album is influenced by the pop-leaning side of '70s punk and the classic punk sounds of the Pacific Northwest and Vancouver. I have to cite the description from the band bio because it's totally on the nose: "Like if a Canadian Johnny Rotten fronted Vancouver's very own Buzzcocks. If the Briefs and the Hives had a love child that looked just a little like Jay Reatard." Of course that sounds like something I'd be into, and just about anyone reading this will have similar feelings! Life's A Trap sounds genuinely like a modern punk album, yet it has those undeniable classic influences. It's full of bouncy punk tunes with nervous energy and killer hooks. From the hyper fun of "Heart Beat" to the power pop jolt of "Sleepless" to the garagey frenzy of "Ask a Punk" to the infectious blitzkrieg of "Two Makes One" to the new wavey goodness of "Rat Trap," this album features a tremendous variety of standout tracks. And from a vibe perspective, this is the perfect summertime punk record. When I first started this blog 13 years ago, this was exactly the kind of band I envisioned writing about. If you think you'd dig classic Vancouver-style punk with a contemporary freshness, you need to jump on this second album from Pack Rat. The vinyl is limited to 500 copies, so act fast!

Friday, July 05, 2024

Real Rejects - Summer of Spite

After four years of making joke references to Thee Artificial Rejects as if they were real musicians causing chaos in TJ Cabot's life, I can now introduce the Real Rejects: TJ Cabot (Phone Jerks, Nerve Button) on vocals & guitar, Jesse Leblanc (Feral Trash, Outtacontroller) on guitar, Claude Doiron (Nerve Button, Bad Luck #13) on bass, Sonic Hz on keyboards, and Cam Murphy (Thee Requiems, Ghostown Belle) on drums. This is the next big thing in garage punk rock 'n' roll, and today you can get into the fan club on the ground floor before the rates go up. 

After all those years of solo recording in his home studio, Tyler needed a band to play with live. And so very quickly, TJ Cabot and Thee Artificial Rejects simply became the Real Rejects. You know you're on fire when you sort of stumble into one of the best band names in years. Seriously: if you saw a record, and the band name was the Real Rejects, you would instinctively know it was cool. The band's debut digital single is called Summer of Spite, and it features two songs written about one particular day in 2023. Summer of Spite is a great title for this single. Tyler sounds really pissed off — as if you told him that there's no such thing as good pizza in the Maritimes and now he's determined to make you pay. "Eighty Five (On the Inside)" is a raw, riff-driven garage rocker featuring a wonderfully nasty vocal. "Crossed in the Supermarket" is in more familiar TJ Cabot territory of a fast & frenzied punk rock 'n' roll punch in the face. While the former track is based on  real events, the fact that Tyler didn't have to release this single from prison suggests that certain artistic liberties may have been taken with some of the outcomes. The latter track is about shopping for alcohol while inebriated, and it may be the first great "post-pandemic" anthem I've encountered. I can't say I've ever heard a garage punk single before where I thought both songs were practically short stories. Perhaps when it's all said and done, Summer of Spite will be worthy of a full-length movie! If you prefer your summertime jams on the spiteful side or simply love garage punk, the Real Rejects are the band for you.

-L.R.

https://realrejects.bandcamp.com/album/summer-of-spite-digital-single-2024

Tuesday, July 02, 2024

CB Kiddo - Heavy Is the Head (two​-​song demo)


If CB Kiddo eventually compiles all their singles from this year, they're going to have one of the best albums of the year. I'm saving a top ten spot on my list already. Emily is back with Heavy Is the Head, her fourth digital single of 2024, and she continues to construct a universe where garage punk and power pop are quarreling siblings and The Muffs are a veritable religion. "Never Been Wrong" is another catchy blast of low budget poppy punk goodness. "Choking on Your Insides" is a brilliant rendition of all an all-time great MOTO song that suddenly feels more relevant than ever. If you don't love this, you're a jerk. 

Monday, April 01, 2024

CB Kiddo - "Running to You"


A couple weeks back, I tipped you off to the arrival of your new favorite band. Anyone reading this who hasn't already downloaded CB Kiddo's first demo and mailed in their fan club application is either a robot or a Red Hot Chili Peppers fan. Emily could have retired from music right then and there and still had the coolest single of 2024. But luckily she has not retired from music, and she quickly got to work on topping the lo-fi punk-pop magnificence of her debut. No less of an authority than Mick Fletcher has proclaimed that CB Kiddo graduates from the halls of the very good and enters the realm of greatness on this new single titled "Running To You." Perhaps I'm being influenced by the cover of the Forgotten Rebels' "Tell Me You Love Me" on the virtual B-side, but there's just something about these recordings that is quintessentially Canadian. Clearly there's something in the air or the water or the pizza dough up North that couldn't be replicated elsewhere. If someone pressed these tunes onto a 45 and claimed they were recorded during a Maritime blizzard in 1980, no one would have any reason to suspect that was a lie. "Running to You" is a scruffy powerpop/punk earworm that will have you pounding that repeat button until half your day is shot. And the cover of "Tell Me You Love Me" is outrageously good. If you didn't already know the song was a classic, you will now. Emily Williston has been one of the best punk vocalists going for a number of years, and now her songwriting talents are really getting the chance to shine with CB Kiddo. If you're into glammy, garagey, old school pop-punk, you should be running in direction of "Running to You."


Monday, March 18, 2024

CB Kiddo - "Feeling Fine"/"So It Goes"


Wasn't I just talking about how I knew the demise of Phone Jerks would have a silver lining because former members' new projects would ultimately multiply the awesomeness? The awesomeness continues to multiply! CB Kiddo is Emily's home-recorded pandemic project. And while there is much controversy and debate surrounding various aspects of Phone Jerks (What was their best record? Which band did they rip off the most? Which song should they have covered? Which song should they not have covered? Who had the best hair?), I think fans would unanimously proclaim Emily as their favorite Phone Jerks singer. So the idea of Emily singing on another project was going to be warmly-received even if she just sang hockey scores over top of jazz flute. But far better than that, CB Kiddo turns out to be a lo-fi rockin' poppy punk thing that's gonna have you all going nuts. Its worldwide debut features a pair of unmastered demo tracks that you'll love even if you're too bougie to like Phone Jerks. Both of these songs — "Feeling Fine" and "So It Goes" — are stone cold bangers with killer hooks and freaking awesome lyrics. Seriously: "Feeling Fine" could be an A-side right now. Holy cannoli, what a debut! And it's a free download, so you've got no excuses for sleeping on it!