Showing posts with label Jenny Dee. Show all posts
Showing posts with label Jenny Dee. Show all posts

Friday, June 21, 2024

The Shang Hi Los - "Morganatic Panic"


I can say with nearly 100% certainty that The Shang Hi Los are the first band in history to write a power pop song about Edward VIII's abdication of the British throne in the wake of his engagement to divorced American socialite Wallis Simpson. But given that it touches on love, passion, scandal, intrigue, and sacrifice, this story is absolutely the perfect subject matter for a three-minute pop song. It's no shock that the Shangs have churned out an indie chart smash in "Morganatic Panic." They are a hit singles machine. The band has never rocked harder, and they're channeling Cheap Trick more than a little on this rollicking earworm. There's enough guitar power on this track to shake a packed stadium. On the toe-tapping scale, this song rates a 12 out of ten. Once that "You'd better run, run Teddy/Run, run Teddy" refrain hits, resistance is futile. You are hooked, and everyone within earshot of you for the next several hours will be too. A constitutional crisis with a whiff of sex is sure to arouse anyone's interests, and the Shangs have given Edward and Wallis an anthem worthy of their world-altering romance. Get this song of the summer contender now from your home of the hits, Rum Bar Records! 

Wednesday, January 25, 2023

The Shang Hi Los - Aces Eights & Heartbreaks


Can you believe it has already been two years since I first prayed to the music gods for a Shang Hi Los full-length album? Having now had said album in my possession for a couple weeks, I will reiterate one of my core beliefs: music this good is always worth waiting for! Heading into 2023, the Rum Bar Records release Aces Eights & Heartbreaks was hands-down my most highly-anticipated album of the year. Not so long ago, I publicly predicted the album would be a "blockbuster." I must say it has proven to be all that and then some. 

To recap: The Shang Hi Los formed in 2019 and feature two of the finest singers and songwriters in modern-day rock and roll. Dan Kopko (Watts) and Jen D'Angora (The Dents, The Downbeat 5) are co songwriters and lead vocalists. They're joined by bassist Lee Harrington (The Neighborhoods, Future Dads) and drummer Chuck Ferreira (Eddie Japan, Lonely Leesa & The Lost Cowboys). The 2021 EP Kick It Like A Wicked Habit was a promising debut for this Boston super group, but Aces Eights & Heartbreaks totally blows it out of the water. While the influences for this release vary from garage rock to new wave to punk rock to power pop to spaghetti Westerns, what comes through here is that The Shang Hi Los are above all else a great rock and roll band. And the world can always use more great rock and roll bands. This record has got it all: killer riffs, magnificent vocals, radio-worthy choruses, awesome guitar solos, epic drumming, massive production, and melodies that will stick with you. The Shangs are the rare all-star group that's even more than the sum of its parts. Kopko and D'Angora work so well together (both vocally and as a creative partnership) that it's hard to believe they haven't been collaborating forever. Here and there, I might find myself saying "That sounds like a vintage Danny Kopko riff" or "This could have been a Jenny Dee song." But for the most part, The Shang Hi Los sound like something neither songwriter could have fully created on their own. 

Like any great rock album should, Aces Eights & Heartbreaks comes roaring out of the gates. "Takes One To Know One" is energetic, fun, and musically irresistible — a side 1/track 1 that even prime Cheap Trick would have envied. "Monsieur Valentine" sounds like the best Blondie song in decades (if it's not released as a single for Valentine's Day, that will be an opportunity missed!). With the bar set that high, the Shangs keep it going all the way to the end. The title track is a legit good stab at disco pop that has "couples' roller skate 1980" written all over it. "Plymouth Rock" is perfect punky power pop. "These Four Walls" and "Ingenue" are pure rockers with hooks for days. And of course there's "Billy" — a recently anointed Coolest Song in the World on Little Steven's Underground Garage. Why did I wait so long to mention the hit? Well on an album like this one, every song's a hit! 

Aces Eights & Heartbreaks represents everything that's wonderful about rock and roll. It features two excellent singers who sound great both individually and in harmony. It's stacked with stellar tunes that will have you tapping your toes, singing along, and breaking out the air guitar and drums. I wouldn't exactly call it "retro," but it recalls a time when they still played great rock songs on the radio. When these songs are playing, it's an eternal summer. God bless Malibu Lou for unleashing this masterpiece in the middle of January and laying waste to our collective winter blahs. The bar is always open! 


Saturday, November 06, 2021

The Shang Hi Los - "Plymouth Rock"

Just as I was searching for a new song to add to my Thanksgiving playlist, The Shang Hi Los and Rum Bar Records have come through! Okay, so maybe "Plymouth Rock" isn't exactly a Thanksgiving song. It concerns a different kind of pilgrimage from the one they teach in school -- from the puritanical suburbs of the South Shore to the welcoming haven of Boston's music clubs. It's a song about finding acceptance and finding yourself, and it's the latest smash hit from a foursome that is quickly becoming one of my favorite bands out there. Co-written by singer/guitarists Jen D’Angora and Dan Kopko and featuring lyrics and lead vocals by D’Angora, "Plymouth Rock" is probably The Shang Hi Los' most "pop" track yet. And you know I'm not complaining! This is a throwback punky power pop tune that totally hits the sweet spot for me. The guitars pack a serious punch, the melodies are undeniable, and D’Angora totally crushes the vocal! With its sing-along hook "We were young/And didn't belong", this is an anthem that will strike a chord even with folks who have no personal connection to Boston. I'm not denying that I sometimes enjoy this song with a side of pumpkin ale, but "Plymouth Rock" is truly a song for all seasons. It will appear on the Shangs' debut album due out in the spring. Oh man, I can't wait!

Friday, June 04, 2021

The Dents - self titled


It was always my belief that The Dents should have been huge. I know I say that about a lot of bands, but it's especially true in the case of The Dents. In the middle 2000s period of punk rock, The Dents were one of the best bands going. They had killer tunes, a blistering live act, and two powerhouse vocalists/songwriters in Michelle Paulhus and Jennifer D'Angora. They were beloved in their hometown of Boston but never properly recognized across the globe. The band released a criminally underrated debut album called Time For Biting in 2005 -- which sadly turned out to be the only LP the group would make in its original run circa 2003-2007. Fast forward to today: The Dents have been back together a while and are primed to take the world by storm. Out today on Rum Bar Records, The Dents' self-titled EP is their first official release in 14 years. Three of these tracks were released digitally in 2018, and opening cut "Last One Standing" is a remix of one of the band's signature songs from back in the day. Altogether it makes for a terrific package. There are four songs on the CD plus three digital bonus tracks. Listening to these songs, I'm struck by how much the world still needs a band like The Dents in 2021. The sound is melodic but hard-edged, bolstered by rocking musicianship and top-notch production. Paulhus and D'Angora are exceptional vocalists both individually and in harmony. There was a time in the not so distant past when you could hear music like this on your favorite "alternative" radio station.  

Interestingly, the centerpiece of The Dents' self-titled EP is a cover of "Homeless" -- a song originally written and recorded by Holly Beth Vincent for her project The Oblivious in 1993. "Homeless" was the first song that Malibu Lou shared with me in advance of the EP, and I can totally understand why. The Dents absolutely shine as a band on this nearly six minute track -- sounding more than ready to rock the roof off of an arena near you. Both lead singers are vital to this powerful duet, and Craig Adams tears it up like the guitar god you already knew he was. "Last One Standing" is certainly the anthem of this EP, and "Want It Back" is probably the most obvious "hit". But it's the stunning cover of "Homeless" that is the real "grower" here. Every time I go back to this EP, I'm struck by the song's brooding intensity. The Dents honor a hidden gem of Holly Beth Vincent's catalog but also manage to make the song their own. I also like the way "Homeless" fits in with the rest of the tracks. It's different, but by no means does it sound out of place on this EP. 

A lot has changed in the independent music universe since The Dents' heyday. These days we have social media, streaming platforms, and a vast network of underground radio programs promoting punk/garage/rock and roll bands all over the world. If a band put out a CD in 2005, the only way to hear it was to...buy the CD! Today, a song can go viral in moments. It is in this particular environment that The Dents release their first new EP in a decade and a half. It delivers four (or seven) tracks of powerful punk rock and roll with killer hooks. Something tells me The Dents won't be Boston's best-kept secret very much longer.

Friday, January 22, 2021

The Shang Hi Los - Kick It Like A Wicked Bad Habit


Boston's The Shang Hi Los were without question my favorite new band of 2020. Needless to say, the band's debut EP was poised to be one of my most highly-anticipated releases of 2021. The good news was that I didn't have to wait very long. Kick It Like A Wicked Bad Habit is out today on your home of the hits, Rum Bar Records! The even better news is that The Shang Hi Los have not disappointed on their first extended play release. Kick It Like A Wicked Bad Habit is a most-own for any fan of rock and roll steeped in harmonies and pop melody!

To recap: The Shang Hi Los were formed back in 2019 by a couple of my favorite voices and songwriters. Jen D'Angora (Jenny Dee & The Deelinquents, The Dents, The Downbeat 5) and Dan Kopko (Watts) have been featured on this blog many times in the past. As collaborating songwriters, they've created a band that touches on their shared and combined influences. Thus The Shang Hi Los bring together the best elements of the last six decades of rock and roll. Particular inspirations are '60s girl groups, '70s glam and classic rock, '80s new wave, and '90s indie/alternative rock. The band is rounded out by a couple of all-stars from the Boston scene: bassist Lee Harrington (The Neighborhoods) and Boston's "drummer about town" Chuck Ferreira (Eddie Japan, Lonely Leesa & The Lost Cowboys). While sometimes "super groups" sound better on paper than they actually do on record, The Shang Hi Los are an example of a dream team that truly clicks. Kick It Like A Wicked Bad Habit highlights the talents of D'Angora and Kopko both individually and as a duo. "Stay" sounds like it could have been a Jenny Dee song, and "Skipping Records" could pass for a Watts tune. But on "Sway Little Player", "Funeral Home Mint", and an amazing cover of "Saturday In the Park", D'Angora and Kopko merge both their voices and their musical identities. I've already said plenty about "Sway Little Player", my pick for the #1 single of last year. The rest of the EP proves to be just as good. "Stay", masterfully produced by the incomparable Ed Valauskas, is an absolutely beautiful pop song that mixes old school Blondie vibes with a modern rock aesthetic. "Skipping Records", the second single from the EP, is a feelgood rocker that will have you up from your desk chair and dancing around the house in no time flat (I have this mental image of Malibu Lou hearing this song for the first time and totally flipping out!). "Funeral Home Mint" is new wave rock that actually rocks (that guitar solo is everything!). And to cap off the EP, that "Saturday In the Park" cover is nothing short of magical! It's spiritually faithful to the original and could not sound more "'70s". Yet it's also injected with the essence of The Shang Hi Los. The mixing work on this track by Dan Kopko & Pat DiCenso is top notch. 

My only criticism of Kick It Like A Wicked Bad Habit is not a criticism at all: it left me wanting more! Five songs from The Shang Hi Los is just not enough! Kudos to this band for getting this debut made during a pandemic. It took some coordination with tracks being recorded at four different studios, but it all came together swimmingly. I will cross my fingers for a debut album next year, and let's all hope for a time when The Shang Hi Los can get up and play these rockin' tunes in front of people who will be dancing and singing along! If you love rock and roll, you need some Shang Hi Los in your life.

Friday, October 02, 2020

The Shang Hi Los - "Sway Little Player"

 


Wow! When I heard that Dan Kopko (Watts) and Jen D'Angora (The Dents, The Downbeat 5) had started a new band together, I was 100 percent sure it would be great. But somehow the debut single from The Shang Hi Los is even better than I could have imagined. Boston does it again! The track is called "Sway Little Player", and it's the kind of rock and roll song you'll want to play on repeat all day (or is that just me?). Kopko and D'Angora are no strangers to any longtime follower of this blog. On "Sway Little Player", they share lead vocals and sound absolutely amazing as a tandem. They are joined by Lee Harrington (The Neighborhoods) on bass and Chuck Ferreira (Eddie Japan, Lonely Leesa & The Lost Cowboys) on drums - making The Shang Hi Los the latest in an endless line of Boston garage/punk supergroups. This particular track combines the spirit of late '50s/early '6os rock and roll with a cool punk/new wave edge (I'm getting huge Blondie vibes, which is never a bad thing!). Music doesn't get any more upbeat or catchy than this. If this song doesn't make you feel good about being alive, there is probably no hope for you. 

"Sway Little Player" releases today on Rum Bar Records, and I can't think of a more perfect addition to Malibu Lou's star-studded roster! It's not always easy to make a record in the middle of a pandemic. But Ed Valauskas, Dave Minehan, and Benny Grotto were able to team up to produce this perfect slice of joyful rock and roll. In addition, Harry McCoy produced the super fun music video embedded below. It gives you a great feel for what The Shang Hi Los are all about. What a debut. I am so excited to hear more! And if that's Dan's real hair, I am so jealous! 

 

Saturday, March 28, 2020

The Dents - "Last One Standing" (Remix)

Man, you're all gonna get really tired of me talking about these new releases from Rum Bar Records (yeah, I know: some of you are well past that point already!). But in all seriousness, this recent slate of Rum Bar releases (many of them free downloads) has been pretty phenomenal. And I haven't even gotten to the new Watts and Muck and the Mires yet! I've been mentioning how Malibu Lou has been using his super powers to feature many of the shining stars of the Boston punk/garage scene. On that note, it seems so perfect that it's Rum Bar that will be bringing us new music from The Dents for the first time in 13 years! The Dents are legends in the modern lore of Boston punk. Their 2005 album Time For Biting is a must-hear for fans of kick-ass catchy punk with a '60s girl group influence. It was released on Abbey Lounge Records - which was of course co-owned by none other than Malibu Lou! So The Dents and Lou have gone full circle, and you can expect a full EP coming this summer on Rum Bar! Jennifer D’Angora has released some outstanding music with her backing band The Deelinquents over the years. But something special happens when she and Michelle Paulhus join voices and play punk rock. Available now as a free digital single, "Last One Standing" is a remix of one of the band's classic tracks, originally recorded in 2006 by Ed Valauskas. It's a high-energy shot of hooky punk that'll just about rock your face off. While longtime fans are very familiar with this song already, I'm hoping that this single will grab the attention of younger folk and people outside of Boston. Man, The Dents shoulda been huge. Maybe they still will be!



-L.R.

https://rumbarrecords.bandcamp.com/track/last-one-standing-free-digital-single-remix
https://www.facebook.com/thedents/ 
https://www.facebook.com/RumBarRecords 

Thursday, December 18, 2014

Jenny Dee is back!

You may recall my review of Jenny Dee & The Deelinquents' most recent single, "Don't Tell Me". In what has been a truly phenomenal year for music, "Don't Tell Me" is one of the best singles I've heard all year. So it's hardly surprising that Jenny, Ed, and the gang have now delivered a full-length album that's also one of the year's finest. What I enjoy about this album is that it seamlessly combines every phase of Jenny Dee's musical progression into one delightful and unified package. Given that this encompasses everything from Motown & girl group inspired R & B to rootsy rock n' roll to turn of the '80s new wave pop, Electric Candyland can be counted on to offer plenty of variety. Yet it all flows together beautifully - a testament to Jenny's compelling vocal presence and formidable songwriting chops.

About half of Electric Candyland carries on in the direction of recent singles - suggesting what Blondie might have sounded like if they'd recorded with Jeff Lynne for the Xanadu soundtrack. Ed Valauskas is a truly amazing producer, and his skillful integration of strings, synthesizers, and lush background vocals is nothing short of majestic. If you liked the "Getaway" and "Don't Tell Me" singles, you'll be happy to know that both songs reappear here along with like-minded tracks such as "Bite Your Tongue" and "Livin' Alone". Yet by no means does it seem like you're listening to a different band when the action shifts to upbeat rockers like "Lookin' For Clues" or show-stopping soul numbers such as "Wake It Up". If there's one thing that unifies the different musical eras and styles that inspire Jenny Dee, it's the importance of great singing - both lead and backup. And this album is loaded with great singing. There aren't a whole lot of lead vocalists today who can hold a candle to the likes of Gladys Horton or Debbie Harry. But Jen D'Angora is definitely one of them. Listening to the stunning doo-wop ballad "That Moon Was Low", it's easy to understand why Graham Parker gave her that song to record.

How many times have you heard a band roll off a hot streak of singles, only to disappoint when it was time to make an album? Jenny Dee & The Deelinquents have avoided that fate, and it's no accident. Electric Candyland supplements a wealth of existing material (five of the six single sides are on the album) with some fantastic new songs. And it doesn't hurt that The Deelinquents are a red-hot band! This is not really a "garage" album or a "soul" album or a "new wave" album. It's a Jenny Dee album - and a worthy purchase for anyone who appreciates great music of all kinds.



-L.R.

http://jennydee.bandcamp.com/album/electric-candyland 
https://www.facebook.com/jennydeemusic 
http://jennydeemusic.com/ 

Monday, March 03, 2014

The fabulous Jenny Dee!

I've always believed that when it comes to incredibly talented people in music, they can truly excel in almost any genre you can name. Such is the case with Jenny "Dee" D'Angora - long a fixture of the Boston garage/rock n' roll scene as a singer/guitarist in The Downbeat 5 and The Dents. A few years back, she started Jenny Dee & The Delinquents to indulge her love for the girl groups of the '60s - issuing one of the great neo R & B albums of recent memory in 2010's Keeping Time. Last year's collaboration with Several Men of Mystery proved her equally adept in the realm of traditional country music. Just when you think you've got Jenny Dee figured out, she will surprise you in an entirely pleasant way. That's exactly what's been happening with her last couple of singles with The Delinquents. 

On last year's "Get Away", the band's musical time machine traveled from 1963 all the way to the dawn of the '80s - an era that is near and dear to me because it's when I discovered popular music. It's one thing to go for a "late 70's Blondie meets the Xanadu Soundtrack" vibe. It's another thing to totally nail it. D'Angora and co. delivered a solid hit with "Get Away". But on their new single "Don't Tell Me", they've crushed one out of the park! I close my eyes, and it is 1980 again. Everything about this track is class: the production, the musicianship, and of course the lead vocal. The band is crazy good, led by D'Angora's husband Ed Valauskas (The Gravel Pit, The Gentleman). Valauskas, who has played with everyone from Graham Parker to Peter Gammons and produced Boston greats such as Andrea Gillis and Muck and the Mires, knows a thing or two about how to make a good record. So the attention to detail in the playing and production is no surprise whatsoever. The blending of keyboards and strings is flawlessly executed, and those harmonies are completely insane. If Jeff Lynne had produced a Blondie record in 1979, it would have sounded a lot like this. Yet D'Angora is clearly the star here, and all that lush instrumentation merely supports her formidable vocal prowess rather than overshadow it. The B-side is a cover of The Sweet's "Fox On The Run"- completely transformed into a vintage '79 synth pop style, yet very much in the spirit of the original. If you enjoyed the band's bubbly interpretation of the Undertones' "Teenage Kicks" on the B-side of "Get Away", you'll love this new wavey take on a glam rock classic. 

"Don't Tell Me" is just the first in a series of digital singles due from Jenny Dee & The Delinquents in 2014. I don't know exactly what to expect from the next one - but I can just about guarantee that it will be great. Plain and simple, Jenny Dee is one of the best singers out there. 

 
-L.R.

http://jennydee.bandcamp.com/ 
https://www.facebook.com/jennydeemusic