Sunday, August 09, 2026

Mopar Stars - Official Researchers Of The NJ Devil


I put tremendous value in the Niek seal of approval, so it didn't take me long after reading his review of Mopar Stars' new album Official Researchers Of The NJ Devil before I was sitting down and spending some quality time with the album. Was I impressed? The mere existence of this review answers that question. It's kind of cool how an overseas review of a band that's only 100 miles away from me can lead me to a record I'll play over and over. God bless the internet. 

Following two EPs, Official Researchers Of The NJ Devil is this Philly-based foursome's proper debut album. It's a blessing that high-quality indie pop like this is thriving at the moment, and it's imperative that we don't take that for granted. You know in five years, we're gonna be like, "Something special was brewing in the mid-2020s!" Very reminiscent of all those '90s indie bands who loved '70s power pop with some Replacements worship sandwiched in between, Mopar Stars manage to sound very much like a contemporary indie rock band even as their music is rooted in classic guitar pop. The specific influences are not at all super-obvious, and perhaps that's because they're numerous and quite varied. Without getting too complicated or ambitious in his approach (only one track is longer than three minutes), Nao Demand is showing himself to be a masterful and gifted songwriter. Far from a mere collection of songs, this is a true album. You put it on, and you want to listen all the way to end. On one level, this is a power pop record, and the hooks cannot be denied. But the overall vibe is laidback (some might say slacker-ish) and reflective. It's the sort of album you ought to listen to while you're sitting alone in a comfortable space and nursing a beverage. This is an album that will make you think about life. These tunes aren't trying to beat you over the head. Even in the two minute-ish range, they take their time introducing themselves. Sometimes power pop gets classified as empty calories for the ears, but these songs are by no means lacking in substance. 

How do you make an album that's tried-and-true indie pop that still doesn't sound like ten thousand albums you've heard before? Ultimately it comes down to the craftsmanship and charm of the songs. You hear songs like "Drinkallnite," "Only Bar In Town," and "Lifetime of Pain" a couple of times, and it feels like you've known them forever. Mopar Stars have delivered a splendid debut album that is absolutely worthy of the rave reviews it's garnering. The City of Brotherly Love is ruling power pop right now!

Friday, August 07, 2026

Loose Lips - "Beehive"


Still riding the momentum of their excellent debut album Last Laugh, Melbourne's power poppin' punk rock and rollers extraordinaire Loose Lips are back with a hot new single off a new EP that will release next month. You always know what you're going to get from Josh, Nadine, and Ethan, and "Beehive" is very much in that lane. It's a fun, high-energy rocker with an unbeatable hook. It takes just a little over two minutes to get the job done, and then you're ready for another go-around. While the full EP doesn't come out until September 4th, you can pre-order it now and check out another track, "Remember We Love You." With 2026 being one of the hottest years for new music in recent memory, I'm pumped to have Loose Lips be part of it! 

Sweet Teeth - The Void That Eats The Heart


Hailing from Finspång, Sweden, Sweet Teeth has the self-awareness to refer to its sound as "Hüskerrock." There's just no denying that this foursome worships daily at the Church of Bob Mould. But as it turns out, that doesn't have to be a bad thing. If ten thousand bands can make a genre out of emulating the Ramones, why can't we have at least one band turning out the kinds of records that we wished Bob Mould was making in the post-Sugar years of the late '90s and 2000s? As Niek has stated, Sweet Teeth was more or less keeping this particular sound alive prior to Sugar's reunion. I might go as far as to say that the songs on the band's new album The Void That Eats The Heart can stand toe-to-toe with (or maybe even top) Sugar's new tracks. Of course this band has the style down pat. Those massive, fuzzy guitars just blow out of the speakers. And Jocke on drums is an absolute monster. But beyond that, the band has the tunes as well. These guys understand how to write truly excellent punky alternative rock songs that are full of heart and lyrical substance. The passion that this band puts into its music is palpable. I have to admit that the first time I heard Sweet Teeth, I wondered if that really was Bob Mould on vocals (ha ha)! From the first note, the musical inspiration is obvious. But if this is Hüskerrock, it's the gold standard of Hüskerrock. Who cares about originality when the music is this good? This record instantly transports me back to the '90s but sounds absolutely vital in the world of 2026.

MOM - "Miss U Madly"


Check it out! After a long wait, we finally get new music from MOM! "Miss U Madly" is the brand-new single from Malmö, Sweden's greatest power pop band, and of course it's a smash! Not counting Christmas releases or live albums, this is the first new track we've heard from MOM in four years. It does not disappoint. This song is vintage MOM — a sticky wad of bubblegum rock 'n' roll full of melody, handclaps, and radio-sized hooks. Barely topping the two-and-a-half minute mark, this tune will leaving you wanting more. So then you just play it again! Yeah, man: this is pop! Stay tuned for much more of MOM!

Thursday, August 06, 2026

The Lemon Drop Gang - Wreckless Eyeballs


The Gang is back, and you have been properly warned! Wreckless Eyeballs is the sixth in a string of singles released by desert-pop superheroes The Lemon Drop Gang between 2023 and today. Like most of the installments in the series, it arrived without prior notice. One day, I wasn't even thinking about new music from The Lemon Drop Gang; the next, new songs were stampeding out of my headphones and making plans for permanent residency in my head. 

Me calling The LDG the best band on the Rum Bar Records roster is no hot take. And every new release adds to the growing mountain of evidence. On a surface level, this is a band that almost anyone who reads this blog can enjoy. Garage pop with a punk rock urgency is a vital part of all our musical diets. But at a deeper level, you've never heard a band quite like this one. The way this band can milk such a pleasurable listening experience out of the darkest and strangest subject matter never ceases to amaze me. Even their most bitter pills hit the tongue like hard candy. Every song is a window into the brilliant and utterly unique mind of Steph O'Halloran. Even on record, her presence is commanding and enthralling. Her songwriting partnership with husband Johnny produces an enticing sonic stew with a rare depth of flavor. 

The title track of the new EP was something I never could have anticipated: a haunting, five-minute Western epic that breaks completely from the band's usual two-minute minimalism. Steph sounds like she's purging poison from her soul, and the musical performances (hey there, D. Walker and Matt Rendon!) are so flawless that an instrumental remix on track 2 was fully warranted. You could be a skeptic and call a second version of "Wreckless Eyeballs" superfluous, but there's something fascinating about hearing the same desert dirge repeated with J. Clay Koweek's pedal steel essentially doing the "singing." It's like they're both the same song but also not the same song. Who knew we needed ten minutes of "Wreckless Eyeballs"? I will always admire a band that's willing to take chances on an idea that not everyone will get. 

The final track "Comin' To Get Him" was originally done by Steph's old band Tulip Sweet and Her Trail of Tears. Here it receives a proper Lemon Drop Gang makeover — finding the band back in the fuzzy garage punk/pop lane with a hint of spy flick soundtrack. Steph's vocal is fierce, and those lyrics are totally bonkers in the very best way. Johnny kills it on guitar, and that rhythm section locks in tightly. That hook is worth its weight in gold. If ever a song needed to be revived for the world of 2026, this was it! 

With 13 new tracks released since its first album came out, The Lemon Drop Gang more or less has a whole second LP already in virtual existence. They could comp these tracks now and instantly have one of the best albums of the year. Whether that project is imminent or a little further down the road remains to be seen. But if you're not keeping up with all this stuff, you're missing out on one of the most extraordinary indie bands of the moment. Head on up to the bar and let Lou hook you up with this triple shot of spiked punch!

Sunday, August 02, 2026

Dany Laj And The Looks - "Tell It To You"


Oh boy! We've got another new track from Dany Laj And The Looks! And it's a dandy! "Tell It To You" is the second single off the band's album If Looks Could Kill, which will be out September 18th on Toronto's Having Fun Records. I like this track because it adds some really cool layers to the usual pop-rock approach. It starts off a little laidback before really hitting its stride in the chorus. Dany has some really interesting things going on with his guitar tone on this record. I love the way his guitar and Jeanette's bass bob and weave around each other in such a striking way. The song comments on one of the worst aspects of modern life — the way public discourse is dominated by supposed truths that are anything but. A lesser songwriter may have been too heavy-handed with the topic. But this song takes a more subtle and human approach, holding off on the snark until the final verse, and even then its comes off as perfectly good-natured. How is it that we're knee-deep in the Information Age and people are more prone than ever to believing the dumbest things? The "three chords and the truth" approach to music has never been vital, and "Tell It To You" is exactly what the doctor ordered. When that chorus hits, it hits hard. Based on the singles that have been released so far, I can't help but be excited about If Looks Could Kill coming out next month — one day before NHL preseason starts! Let's go!

PLRLS - Sleeping in a Dress

Sleeping in a Dress is the fourth full-length album from long-running Baltimore-based band PLRLS. And while I'm loathe to reach into my bag of cliches in just the second sentence of a review, I believe the phrase "breath of fresh air" sums up this record nicely. The world needs more music like this. This band combines creativity, quirkiness, a spirit of fun, and infectious hooks in a way that's classically new wave-ish yet genuinely contemporary. I hear elements of post-punk, power pop, punk rock, and indie rock all coming together as if the music gods had deemed it. The challenge of being inspired by later '70s/early '80s new wave yet creating music that sounds like 2026 is a formidable one, yet PLRLS pull off that very thing in impressive fashion. Each of the ten songs on Sleeping in a Dress is completely different from the others, yet there's clearly a vibe that ties it all together. If you like earworm pop songs that are kind of weird but also super endearing and sure to make you want to dance like a maniac, this album and band are for you. These folks sound like they had so much fun in both writing and recording this material. And the quality of the songs is maintained all the way to the final track. Very often, the term "post-punk" brings to mind dreary, emotionally-detached music. Well, PLRLS are the opposite of that. The moment I knew this album was special was when I tried to play it in the background while I was working and quickly found myself too distracted to work. Some music just refuses to live in the background. New wave is alive and well!

Vista Blue - So Much Music!


I've noticed, and I am sure you have too: the sheer amount of music that's out there and available to listen to these days is vast, overwhelming, and growing exponentially. But leave it to Vista Blue to remind us that that's not necessarily a bad thing. On its new single "So Much Music!", the band reflects on this world we now live in. There really is so much music out there that no one could ever keep up with everything. We will all die without hearing hundreds of records we may have loved. You've got new bands and artists popping up every day. You've got reissues of old stuff you love and old stuff you may have never heard but would like to hear. Heck, The Glow Bots broke up in '98 while recording "Genie in the Amp," and their label just released the unmastered tracks on Bandcamp. But you know what? It's all OK! 

This song manages to poke fun at the deluge of music that's literally at our fingertips yet still frame it in an ultimately positive light. And the cover art is a tribute to all of you out there who love music too much to ever worry about there being too much of it. You can say that the worst thing about music today is that anyone can release a song. But isn't that also the best thing about music today? Aren't we better off without corporate suits dictating which music the world gets to hear? That would be like allowing one franchise to dominate Major League Baseball (oh, wait). Sure, with all the options people have for "consuming content," it's harder for bands to get anyone to listen or care. But still, you eventually find your niche and connect with your people. "So Much Music!" is a vintage Vista Blue song. It's upbeat pop-punk that mixes humor with a genuine spirit of love for music. In a way, it's like a sequel to  "Somebody's Favorite Band." You've got a lot of things going on in life and may never actually check out that new Chromadome EP. But someone out there knows every song by heart. 

On the virtual B-side, the faster, punkier "She Only Listens To Blue" is another love letter to music geekery. It's a simple concept, as it's about a girl who believes that the blue album is the only good Weezer record. I could probably start a war if I stated an opinion on this topic, so I'll just say a lot of you will have your own strong opinions one way or another. And isn't that the sort of thing that makes it so much fun to be a rock nerd? You may know someone who only listens to blue. You may be that person. But you probably don't have to travel far to find someone who is willing to die on the hill of Hurley having a couple of good songs. I like that the narrator in the song is a good sport about all of this. If two people with very different opinions about Weezer can maintain a functioning relationship, there has to be hope for this world. 

I know what you're thinking: What's Vista Blue doing releasing music on any day other than Friday? Well, you know there's so much music out there. Sundays are lighter traffic for new releases. And now you've got all week to find four minutes to listen to this gem of a single. Hey, all you bands out there putting music into the world: I salute you!

Rob Moss and Skin-Tight Skin and The James Clark Institute - Split single


For the seventh time, Rob Moss and Skin-Tight Skin have released a digital split single that finds them swapping songs with another band or artist. If this just involved straight copies of the original songs (like you might hear at a live show), this series would have gotten stale by installment 2. But somehow Moss has turned the "Let's both cover one of each other's songs!" concept into a proper art form. I always look forward to these splits, and I'm always pleased by what I hear. Part of that is the musical diversity of the bands and artists Moss collaborates with. But an even bigger part of it is the approach.  

In this latest installment, Moss teams up with Toronto's The James Clark Institute. Moss notes that The James Clark Institute's cover of "A Donkey" (from Rob Moss and Skin-Tight Skin's album Now with More Rockets) is very, very different from the original. But he points out that's an entirely good thing. "That's what keeps me interested in doing this series of split singles, " he says. "The one rule is that no one does a note-for-note cover. But beyond that, there are no limits on how one goes about reinterpreting the other's song." You can really hear that no-limits philosophy coming to life on TJCI's version of "A Donkey." While the original is all fire, fury, and snarl, Clark reimagines it in his signature style of modern and slightly quirky guitar pop. It's fascinating to hear two very distinctive vocalists with extremely different styles put their stamps on the same song. Here the remake proves to be as powerful as the original but in an entirely different way. If you didn't know better, you'd think Clark wrote the song, part of which is because he made many changes to the lyrics. It would not sound out of place on any of his records. 

On their half of the split, Moss and Skin-Tight Skin cover "Bettie Page Rides A Donkey" from Clark's album Sideshow Unattraction. That's right: both songs on this release mention donkeys, which makes for a very cool connection. Moss, backed by Glenn Kowalski (from 7 Door Sedan) on lead guitar, Tom McNally on bass, and Steve Naff on drums, transforms Clark's stripped-down, melody-driven original into a deliberately paced and somewhat other-worldly glam-punk rocker. The significantly altered arrangement and Moss's cool, understated vocal delivery completely change the feel of the song. Moss and his band manage to honor the genius of Clark's original, but they don't hesitate to make it their own. This is what doing cover songs is all about! 

Out of all the split singles Moss has done since he launched this project in 2024, this particular one shows the highest degree of creative reinterpretation yet. If you appreciate someone else's song enough to want to record it yourself, you ought to appreciate it enough to want to make it your own. Both of these tracks here sound like almost completely new songs, and I love it! If you're a fan of Rob Moss and Skin-Tight Skin, be on the lookout for another split (with TA-80) in September and a Moss solo single in October!

Sunday, July 26, 2026

Badzy - ...To The Bone


You've surely seen some of the rave reviews for ...To The Bone, the debut album from New Orleans-based Badzy. I sure don't disagree with anything I've read about this record. Three years in the making, ...To The Bone is pure energy and catchiness from start to finish. It hits that sweet spot where power pop, glammy punk rock 'n' roll, and big, hooky arena rock all crash into each other at full speed. There's no pretension to what these guys are doing. They are throwbacks to a time when rock 'n' roll was loud and fun but never afraid to be radio friendly. This is a great record to throw on when you're having a good time or want to be having a good time. The band's sound is the epitome of powerful pop, and it's plenty gritty enough to fit nicely within the underground punk rock 'n' roll bubble. But you can also tell that there's some Def Leppard, KISS, and Cheap Trick in its spiritual DNA. Sometimes the key with rock 'n' roll is not taking yourself too seriously but being damn serious about the craft of songwriting. Tracks like "Say That You Will," "Say You're Ready," and "Ain't That Enuff" would be radio hits in some alternative timeline where they still play real rock 'n' roll on commercial radio. "Shadows" is full-on classic power pop. "Ripped Outta Time" and "Bad Til I Die" venture into heavy metal territory without a trace of irony and kick all kinds of ass. This is an absolutely killer album. I can't help but be reminded of the early 2010s when the likes of The Mandates, Barreracudas, and WYLDLIFE were just coming on the scene. This year in music continues to please!

The Speed Dials - SD Demos


My first reaction to The Speed Dials' demo was "Wow!" I'm always excited to hear straight-forward power pop carried off with tremendous energy and perfect simplicity. And it didn't take me long to recognize a familiar voice on lead vocals. The Speed Dials are a little bit of a Philadelphia indie-pop supergroup. The band is made up of Brendan from Log Flume on guitar/vocals, Dale from Civil Rats/Dummest Records on bass, and Ryan from Mango Safari on drums. That's an impressive lineup, and the songs live up to the pedigree. You can hear elements of these guys' other bands, but The Speed Dials are a royal treat for fans of classic power pop. In this age of streaming, the line between a proper demo and a self-released home-recorded EP has been blurred. So I like that The Speed Dials are calling this a demo. It suggests that this is just the start of something much bigger. The band just played its first show on July 15th, and it is set to record a debut album in the fall. These four songs are just a little taste of what the album will be, and it's immediately obvious that these guys have got something special going. All these songs are really good, but the band was wise to lead with "Ordinary" —a bona fide hit in any era. And looking at the band's logo, I can't help but feel a little twinge of nostalgia for the age of landline phones! Remember when you had to physically pick up a phone to call your girlfriend or boyfriend? Power pop fans, you'll want to get in on the ground floor floor with The Speed Dials!

Saturday, July 25, 2026

Unicorn Dogs - Closer To Death


Two years ago, Unicorn Dogs released Age Typical Junk Behavior, one of the best pop-punk debut albums of whatever you want to call this nightmare of an era we're currently attempting to survive. It was a debut that was going to be almost impossible to top. I say almost because here we are on the 25th of July in the year 2026, and Closer To Death (brought into the world by those twin institutions of musical excellence, Jolly Ronnie Records and Mom's Basement Records) has indeed topped its mighty predecessor. If Age Typical Junk Behavior was the album that solidified modern-day pop-punk as the soundtrack to everyone's midlife crisis, Closer To Death takes things to the logical next level. It's an album about how much it sucks to get old — especially in a bizarro world where the robots are taking over and 2 + 2 can equal 5 depending on whom you vote for. If you're looking for a record that will make you optimistic about the world or offer lighthearted escapist entertainment, this is most certainly not it. But if you want to pump your fist in the air and shout along at the top of your lungs to impassioned, anthemic pop-punk songs that will feed the fire of righteous indignation raging inside you, this record is not to be missed. 

What makes great pop-punk great pop-punk? There are a lot of ways to answer that question, but there's something about simple, two-minute-ish songs with punchy guitars and earworm hooks that I never, ever tire of. I could live to be a thousand years old and hear records in a thousand different genres, and I'd still steadfastly maintain that the Ramones were every bit as important as Beethoven. Of course the caveat is that the style has to be done well, and that's the main thing Lucas and Jon bring to the table. They're not trying to be original or innovative. But they're just so freaking good at writing simple pop-punk songs. They play a tried-and-true style of music, but they make it current and fresh by writing about things that matter to them. If you could measure the passion and urgency that goes into music, these guys would be a ten out of ten every time. 

And so here we have Closer To Death, and as usual, the songs rip hard and really have something to say. If you're going to write songs about living out your miserable decline in a word where everything sucks, you better have a sense of humor about it. And that's the magic of Unicorn Dogs. They can be (and often are) quite serious a lot of the time, but they also know how to make an art form out of self-deprecating humor. A lyric like "More than half my life is over with/Not sure I made the most of it/I don't have a bucket list/Just a lot of things I wanna quit" makes me laugh so hard precisely because it speaks a truth I can relate to. These guys aren't playing the brand of pop-punk where middle-aged men pretend they're still teenagers. They're playing the brand of pop-punk where middle-aged men begin reckoning with the sneakily rapid of encroachment of Father Time. If you relate to that description, this record has got plenty for you to chew on. Here we have anthems for people who have managed to get older without getting wiser and who feel like time has made them worse versions of themselves. This band writes profoundly about failure, regret, and just being plain tired of being beaten down by life. That's really heavy stuff, but it's also honest and real. The social commentary side of Unicorn Dogs ("Hallucination Free," "One Disaster Away," "Replaceable") is perhaps an even more bitter pill to swallow, but again, it's not like these guys are wrong about anything. There's even a hint of optimism in "Fix Your Heart Or Die" ("We don't fight because we'll win/We fight because there are things worth fighting for/And we gotta try"). The song is a reminder of why protest music (and protest in general) are so vital in this moment. And at a time when simply being a kind, empathetic human is an act of rebellion, Unicorn Dogs are here to show us the way. 

In spite of its title, Closer To Death is by no means a bummer of a record. Lucas and Jon (joined by Jon's son Oliver, who kills it on drums) might write from the perspective of disillusioned, over-the-hill folk who feel like life has passed them by. But the truth is that as musicians and songwriters, they've never been better than they are right now. You don't get the backing of two of the best pop-punk record labels ever by accident. Closer To Death is the best record they've ever made. It's packed with smart, super-catchy punk songs that mix their candidly dark musings with an undeniably upbeat energy. If these lyrics were about dominating in pickleball, cooking the perfect lentil soup, and the thrill of stargazing, this would still be quality pop-punk. But it wouldn't quite hit the same, would it? If you take these songs too seriously, it's like spending 27 minutes with Debbie Downer. But I don't listen to these songs and hear complete resignation. Amidst all that frustration, disappointment, and self-effacing humor, I hear a fighting spirit that won't stop pushing. I still don't feel my age, but the cold, hard math of me being as close to 70 as I am far from 40 really fucks me up sometimes. A little more urgency in my life would not be a bad idea. We're all getting a little closer to death every day. But that leads to an obvious question: What are we gonna do about it?

Saturday, July 18, 2026

The New Brutarians - "Tiger Tales"/"The New Picasso"


Back with another superb single, The New Brutarians are channeling Side 2 of G N' R Lies by way of The Dogs D'Amour. Written in his bed at the Mondrian Hotel in Hollywood, "Tiger Tales" is Adam T's ballad of an aging glam rocker — a song that finds him reflecting back on a journey we all take. One day, you're young and pretty, and so much seems to be in front of you. Then the next day you wake up, and the decades have passed. Life has kicked you in the butt pretty well, and you have all sorts of regrets and disappointments to confront. But you've also got precious memories and some great stories to tell. I've been a fan of Adam T for a long time, but there's something about the gravitas he possesses now that has me feeling like we're just starting to see (or hear) the best of him. He has blossomed into one of rock 'n' roll's finest living lyricists. "Tiger Tales"' lyrics absolutely knock me out, and they're delivered in such a way that you can really feel them. If you're going to do ballads, they should be like this where someone can hear it and be like, "Oh hell yes, this is my life, too!" The song is loaded with touchstone references and comes off like an anthem for all those Gen X glam-punks who are still fighting the good fight. How's this for a chorus? 

We were loaded like a night train
Reeling from the brain drain
Baby
Never got the invite
Never got the wind in our sails
Living in a house of pain
Loving all these lame flames
lately
But maybe tonight
I'll get that tiger by the tail
Tell some tiger tales

On "Tiger Tales," Adam T is joined by Deb Ruby on vocals along with Alan MP, Robbie Rist, Jerry Andrews, and Billy T.  It's a powerhouse of a song, and I love the way it culminates on a positive note — as Adam T remembers himself and his friends as "neon peacocks twisting in the air." Within a very particular community, this song will be goosebump-inducing. 

On the virtual B-side, "The New Picasso" is a stripped-down acoustic number that alternates between being a deeply intimate love song and a reflection on Adam's identity as an artist. Perhaps he's been called the new Bukowski or the new Stiv Bators a time or two, but at this point, he's the one-and-only Adam T. I love the rawness and simplicity of this song. Its mixture of humor ("I'm not gonna throw myself under a car near Porte de la Chapelle/Or cut off my fucking ear") and sincerity is deeply satisfying. A song like this can be hard to pull off, but this track could not be more perfect. 

"Tiger Tales," along with the recent New Brutarians singles "Born Out of Time," "Delinquent Things," "(Better Than The) Apocalypse," "Del Rio Way," and "Tonight's Your Night (Tonight)" has been compiled onto a 10" record that is coming out on Sioux Records. You diehard glam rockers will want to keep your eyes peeled for that! A digital version should also be available soon. As a whole, these songs represent a new distinct chapter for The New Brutarians, with much more certain to come!

Golden Richards - "I Want to Be Like Jeff Goldblum"


It's never a proper summer without a new single from Golden Richards on my playlist. Thankfully, Gil Golden and Billy Richards are here with their 2026 contribution. I think they were just waiting for the smoke to clear! "I Want to Be Like Jeff Goldblum" is in that Golden Richards '90s power pop alternative rock sweet spot — a perfect track for road trips to the beach, poolside lounging, outdoor barbeques, and whatever else you enjoy doing in the summer weather. In typical Golden Richards fashion, the song tells a story. It's about a guy who's experiencing a little slump with the ladies and thinking he could totally turn it around if he were more like Jeff Goldblum. The song was inspired by Gil Golden discovering, a number of years ago, that a bandmate of his had a huge crush on Jeff Goldblum — and then doing some internet sleuthing and finding out that she was hardly alone! I mean, come on: who wouldn't want to be like Jeff Goldblum? Even now in his 70s, that dude has swag! This song is a Gil Golden/Billy Richards co-write, and it totally cranks. It's very Fountains of Wayne, and I'm not mad at that at all. I dig the way the verse sounds super punchy while the chorus is more laidback. That's a summer vibe for sure! This was a great concept for a song, and it's executed with cleverness and humor. You can always count on Golden Richards to produce a banger. Now summertime can begin in earnest!

-L.R.   

Banda AL9 - Hey! Hey! We're Banda AL9


Banda AL9 are largely known as TikTok sensations, but I wouldn't hold that against them. The Brazilian duo made up of brothers Matheus and Thiago Khouri has just released its first album on Wicked Cool Records, and it's sure to please fans of power pop and the classic '60s pop that directly inspired it. The duo's excellent covers of The Rubinoos' "I Wanna Be Your Boyfriend" and Kurt Baker's "She Can Do It All" have been Underground Garage staples this year, and they definitely piqued my interest in hearing more. And so now we get more. Hey! Hey! We're Banda AL9 can most properly be called a compilation since most of the tracks are newly remixed and remastered versions of previously released songs. Little Steven has essentially given the United States and the world at large a proper introduction to Banda AL9 — compiling the best of the band's English language tracks along with a brand new song called "Indigo Skye" that was written by the head honcho himself. 

There's no doubt that when it comes to singing and harmonizing, the Khouri brothers are the real deal. But this album shows that they talented songwriters as well. If the cynical response to this year's radio hits was, "Great, but can they do more than covers?", the album answers that question in the affirmative. Of course the musical influences are obvious. But isn't that the whole point? I'm hearing The Beatles meet The Everly Brothers on "She Calls Me Love." "American Girl" brings to mind Big Star doing the Beach Boys (or is it the other way around?). "Love Bug" is early American rock 'n' roll by way of The Fab Four. The aforementioned "Indigo Skye" kind of sounds like Frankie Valli trying his hand psychedelic pop, and I am here for it! The ballad "The Best Night Of Our Lives" is back in Everlys territory, and I have no complaints. "The Only One" and the absolutely splendid "California" demonstrate that these lads can do the '70s power pop thing at a level that rivals many of their musical heroes. If "She Can Do It All" is still the best track, that's no knock. These guys took a great song and genuinely made it their own. 

Living as we do in a post Lemon Twigs world where classic guitar pop is cool again, I'm excited to find out how far a band like Banda AL9 can go. Hey! Hey! We're Banda AL9 is an album in the tradition of the 1960s heyday of pop and rock 'n' roll. It cherry-picks much of Banda AL9's best existing material to create an album that properly represents what this band is all about. This group is no overnight sensation. The brothers have been at it since 2017, steadily honing their craft and deepening their love for melody-driven pop-rock of many different eras. Certainly a lot of folks will enjoy this record because it reminds them of music from another time, but I can see younger audiences loving it as well. Banda AL9 infuses a timeless musical style with youthful excitement. Steven Van Zandt wasn't going to sign a band just because he thought they could sell records. The Khouri brothers are legit. They've got that family band chemistry that always appeals to me, and their unapologetic love for pure pop music is something I relate to deeply. And the joy that they exude is genuine and infectious. Trends in music come and go, but melody, harmonies, and catchy choruses are eternal. World, meet Banda AL9! 

Thursday, July 16, 2026

Amplifier Heads - Super 8


Smack dab in the middle of this most wonderful year for music — a year in which many have observed that real deal rock 'n' roll has come back with a vengeance — it seems fitting that we would be treated to a new full-length album from The Amplifier Heads. Super 8 releases tomorrow on the world-famous Rum Bar Records. It is, by my count, the band's sixth LP. And it's almost certainly the finest effort yet from Sal Baglio and friends. It's essentially a sonic journey through rock 'n' roll history — a history that is, in fact, still being written. As you would expect from an Amplifier Heads album, the menu is packed with a variety of popular flavors. You'll hear hints of everything from the blues and first generation rock 'n' roll to the British Invasion to garage rock to power pop to glam rock to the Rolling Stones to OG punk rock. If the firecracker opening track "Rock N' Roll Riot" had been the whole record, Baglio could have dropped the mic and declared victory. But that's just a starting point, and Super 8 keeps on bringing the hits. Life is too short to waste on filler. 

Off the bat, "Rock N' Roll Riot" is a pure jolt of raucous energy to get you moving and shaking and dominating your day. It literally starts at the beginning — time-traveling back to the Moondog Coronation Ball in Cleveland in 1952 and rocketing forward into the world-altering sonic explosion that soon followed. On the sexy and sticky-sweet "Hot Stars," the time machine stops off in the early '70s for a rendezvous with Marc Bolan. "A Song Called Sha La La" takes it back to the '60s and slyly pilfers a melody from The Troggs. Baglio, as he longs for someone out there to write another timeless rock 'n' roll radio smash, proceeds to will that very thing into existence. Just like that, you've got an opening 1-2-3 punch that few albums will ever beat. But wait! There's more! "They Don't Dance Anymore" is a reflective ballad longing for a time when rock 'n' roll ruled the airwaves and all the kids still knew how to groove. "A Girl Named Chop Suey" is kickin' livewire garage rock that winks and nods in the direction of "Louie Louie." "Can't Put My Finger On It," which is a little bit country and a whole lot of rock 'n' roll, is an earworm of master class status. "Superstar" sounds like the best song Dave Edmunds never wrote. "Hot Wax" takes us back to a moment in time when rock 'n' roll was climbing mischievously out of the womb of rhythm and blues — a suitable last stop on this full circle journey through time and sound. 

It's hard not to look back at last year's tremendous Peppermint Kicks album Pop Rocks In My Chewing Gum (which Baglio co-authored) and note that Super 8 seems to have been made from the same magical stuff. Sometimes The Amplifier Heads sound like an intergalactic rock machine, but on this record, they're sticking to Planet Earth and the scorching sounds that pumped new life into it in the latter half of the 20th century. As a songwriter, Baglio has never sounded more inspired. Joined by Kevin "King" Rapillo on drums and Brad Hallen on bass (along with some special guest stars on a few tracks), he exemplifies everything that rock 'n' roll ought to be and still can be. There's no need for bells and whistles when you can conjure this sort of glorious and rousing racket that comes roaring out of the garage and into the dive bars and dance halls. These guys truly put their soul into this record, and the joy is palpable in every note. This is the work of a child of the '60s who fondly recalls the majestic past but isn't resigned to being stuck in it. 

Is Super 8 a throwback record? Yes and no. The whole point of all this time traveling is to remind ourselves why we still love rock 'n' roll and why we all remain so passionate about its preservation. All of you out there playing in bands, running labels, promoting music, buying records, hosting radio shows, writing reviews, and going out to see bands don't even have to question why you do it. This is the music that sets our souls on fire. Who wants to live in a world without rock 'n' roll? Thankfully we'll never have to (as the first half of 2026 has made evident). Gather 'round, true believers, and behold the gospel according to The Amplifier Heads!

Sunday, July 12, 2026

Bart and the Brats - Brats Being Brats


Bart is back! Out on Big Neck Records, Brats Being Brats is the 7th 7" record from La Rochelle, France's one-man wrecking crew Bart and the Brats. The title says it all. You should expect nothing different than usual from Bart. He's not attempting five-minute epics or trying to learn a fourth chord. He's not singing about his feelings. He's here to deliver four more tracks of thumping meat and potatoes rock 'n' roll that bridges the 1977 punk explosion to the '90s budget punk heyday. Expect vocals drenched in attitude, lyrics that tell it like it is, pummeling power chords, rapid-fire drums and bass, and songs that never overstay their welcome. Who can't relate to songs about killing your TV and needing three coffees before noon? As always, Lo'Spider was on hand to catch this madness on tape at Swampland, Toulouse. As France shows the whole world that it's unbeatable on the football pitch, Bart and the Brats would make one hell of a run if there were a World Cup of punk rock. Vinyl is limited and sure to go fast!

Vista Blue - "Wooden Horse"


In addition to holding the record for being the most frequently reviewed band on Faster and Louder (today they surpass Roger Maris with write-up #62), Vista Blue is also the only band that I've ever reviewed both twice on the same day and on back-to-back days. The back-to-back day part of that has been accomplished today, and I know a lot of you are speculating about any improper benefits I may have received in exchange for facilitating such a milestone. Let me reiterate that it would be unlawful for me to accept any shipment of alcoholic beverages brought into the Commonwealth of Pennsylvania from an unlicensed entity. The truth is that I just really love this band and really love writing about this band. I will go as far as to vow that I will continue to write about music for as long as Vista Blue continues to exist as a musical entity. So yeah, if Vista Blue releases a song in 2050 to celebrate Pete Crow-Armstrong's Baseball Hall of Fame induction, I'll almost surely be there to write a review that you can download from a microchip in your eyeball and read in your flying car. 

Just when I was starting to wonder how nearly every band I love releasing an album in 2026 would impact the musical offerings of 2027, I get my first "I can't wait until next year!" moment. In March of 2027, Vista Blue will release an epic project titled 50 Stories. The album will include 50 songs, which will all be inspired by books and short stories Mike has enjoyed over the years. Given that I'm a book geek when I'm not busy being a music geek and a sports geek, I'm really stoked about this release. The brand-new single "Wooden Horse" is a sneak preview of the album. Leave it Vista Blue to take inspiration from Homer's Odyssey and come up with a love song! The song's release, of course, coincides with The Odyssey hitting movie theaters this week. It's something a little different for Vista Blue. It features strings arranged and recorded by Nicolas Ocampo and falls closer to pure majestic pop than it does to punk rock. That said, it still feels like a classic Vista Blue song. 

Obviously, when you're putting 50 songs on an album (I still can't believe they're doing that!), there's going to be a lot of variety in terms of musical style. So this is just a little taste of what's to come. Mike and Mark really knocked this one out of the park, and I appreciate that the use of strings actually fits the song. They didn't say, "Let's put strings on this track because we can!" They put a lot of thought into this one, and I feel like the folks at Universal Pictures will be pretty upset they didn't know about the song in time to put it in the movie. This tune has bigtime closing credits energy! The connection to the Odyssey is undeniable, yet the song's relatability transcends any particular work of literature. Will this be on Christopher Nolan's personal playlist by year's end? I wouldn't be surprised!

Saturday, July 11, 2026

Vista Blue - "50 Years"


There are few things I enjoy more in life than a happy love song. And if it's coming from one of my favorite bands, I'm going to be doubly delighted. On its new single "50 Years," Vista Blue has brought us the ultimate happy love song. The song celebrates the 50th wedding anniversary of the band's good friends Kent and Barbie Duffy. Kent co-wrote the lyrics with Mike, and then Mike and Mark recorded the song. Kent and Barbie gave their blessing for the song to be released for streaming, and now we all get to share in the celebration!  

First of all, congratulations to Kent and Barbie! 50 years of marriage is an amazing, beautiful thing, and I wish you many more anniversaries to come! Secondly, I'm really blown away by what a genuinely fantastic song this is. To be able to write a song like this that's heartfelt, beautiful, and sentimental without being cheesy is an amazing achievement. The song takes a matter-of-fact approach that is touching and relatable. I'd be lying if I said I didn't tear up the first two to seven times I read the lyrics. The line "I closed my eyes and opened them/And now it's been 50 years" absolutely gives me goosebumps (I'm feeling the exact same way today about 17 years!). I love the way the song looks back at all the things that have happened in those 50 years — the places Kent and Barbie have lived, the children they've raised, the songs on the radio that have come and gone. And here they still are. The last verse incorporates a passion for music into their love story and reflects on memorable shows they've seen together. And of course, Mike and Mark perform the song joyfully and splendidly. 

There's so much darkness and despair in this world right now, so a song as sweet and uplifting as this was exactly what I needed. I don't think Mike ever gets enough credit for being an excellent singer (honestly, it was the first thing I noticed about Vista Blue back in the day), and here he takes on the tall task of having to give voice to the words that came from another person's heart. But that plays to his natural sincerity as a singer. What an inspired performance, and what a wonderful anniversary gift to give to dear friends! Much is made of Vista Blue being lyrically unconventional for a pop-punk band, but isn't that exactly what makes this band so endearing? Even when they're not doing love songs, the love is always coming through since every song means something to them. Here, they are doing a love song, and it couldn't be more perfect.

Mauro & The Mob - What Have I Got To Lose


Mauro Venegas (ex Speedways, Godfathers, Jonny Cola & the A-Grades, the Rocks ) has launched a new solo-ish project, and of course it's brilliant! "What Have I Got To Lose," Mauro & the Mob's debut single, will be released on vinyl this fall by Spain's Snap!! Records. The digital tracks are already available from Bandcamp and well worth owning in advance of the 7". The title track, featuring David Ryder Prangley on bass and Steve Grainger on drums, is a straight shot of rockin' power pop with impassioned vocals and a killer chorus. On the flip side, "Don't Look Now" (featuring additional playing by producer Jez Leather) is a little more '80s new wave-ish and quite reminiscent of the excellent songs Mauro wrote for the last Speedways album. Those guitar lines are immediately recognizable as his, and they mingle nicely with the keyboards that drive the song. This is a very nice pairing of tunes: one a little punchier, and the other a little moodier. But which one is the hit? It's a tough call! Keep your eyes peeled for information about the vinyl release, which is slated for September! This will be up there with the best singles of the year. 

Tuesday, July 07, 2026

Tiger Bomb - 15 Super Hits


You have to love an album with the name 15 Super Hits. Right off, you know to expect nothing more and nothing less than fun and timeless rock 'n' roll. There will be no robot voices or seven-minute songs about dragons. You know that when you put that record on, you'll soon be dancing and singing along and generally having a great time. Tiger Bomb, a band co-fronted by Chris Horne from garage rock legends The Brood and Lynda Mandolyn from Fabulous Disaster, has been at it for nearly a decade now. I am more than a little chagrined that I've never previously reviewed this band that was practically tailor-mode for this blog. But the great thing about being a fan of music is that it's never too late to get hip (pun intended) to all kinds of good stuff. With a lineup rounded out by Amanda Ayotte (Legendary Unknowns) on bass and Jessica Smith (The Resistance) on drums, the Portland, Maine–based Tiger Bomb plays upbeat & infectious garage rock influenced by girl groups, punk rock, power pop, and classic pop and rock 'n' roll. Yeah, I know: that sounds like something I would be into! Out on the legendary Get Hip Recordings, the aptly named 15 Super Hits features 15 original songs that could easily pass for covers of forgotten '60s classics.  

The singing and songwriting partnership between Horne and Mandolyn is one of the things that really makes Tiger Bomb special. The former's songs are mostly high-energy garage rock shakers, while the latter's lean more towards power pop. But Horne's songs still have killer hooks, and Mandolyn's songs still pack plenty of punch. And all these songs go together splendidly. It never feels like you're listening to two different bands. Both of these women could carry (and have carried) a band as the lead songwriter, but they sure are dynamite together. I can't think of one song I would want to subtract from the track list, and even a healthy collection of 15 songs leaves me wanting more. 

Given the individuals involved, it's hardly a surprise that Tiger Bomb is such a fantastic band. But this group is more than just the sum of its parts. These four women get rock 'n' roll, and as a unit, they are an absolute ball of fire. They are masters of their craft, yet they play with the energy and enthusiasm of teenagers in the garage. Many of you are reading this and thinking, "What took you so long, dude?" The rest of you will be wondering how quickly you can acquire Tiger Bomb's full discography. Happy shopping!

Bashful - 'Til It Makes You Sick


This one was an A+ recommendation from Niek. From Richmond, Virginia, Bashful has unleashed an absolute banger of a new album in 'Til It Makes You Sick. I believe the technical way to describe this is "punk rock that kicks ass." You know what I'm talking about: mega-blasting guitars, relentlessly pounding drums, vocals with guts and heart, and hooks that never quit. Pop-punk can often be a hit-or-miss thing, but this is a band that gets it right. Whatever frequent complaints you might have about pop-punk (too wimpy, dumb lyrics, annoying vocals, no originality, etc.) will not apply here. This record is a total firecracker. These songs are as likely to make you want to start a pit in your living room as they are to get stuck in your head. I often have a sweet spot for pop-punk that seems to have been teleported in from the '90s, but Bashful sounds a little more contemporary. I love that you can feel the passion that Bashful put into these songs. This music is infectious and full of life. If I'm sitting on the couch and you ask me why I'm so sweaty, I'll say, "I was listening to Bashful." 

Thursday, July 02, 2026

Sparkle Blood - ZIP ZAP


From Lethbridge, Alberta, Sparkle Blood is a terrific trio making punky, poppy, modern rock with thoughtful lyrics and hooks a plenty. On its new album ZIP ZAP, the band (Tyler Stewart on guitar/vocals, Bre Day on drums, and Bailey Kate on bass/vocals) dishes out 12 earworm tracks in just 27 minutes. As a songwriter, Stewart is a master of efficiency. Each song comes in, grabs your attention, and then quickly makes way for the next. A lot of these songs (like "Mad About It," "The World Is Run By Sexist Men," and "In Real Life") are political in nature and don't hold back anything. But overall, the vibe of this record is warm and upbeat ("Totally Ignorant" has to be the happiest-sounding angry song I've ever heard). Stewart has the gift of being someone you can't help but like the moment he opens his mouth to sing. He can write serious songs without getting pretentious about it, and themes of friendship and fun loom large throughout this record. "This album speaks to the importance of recognizing we all have to take an active role in shaping the society we want to live in," says Stewart. "But at the same time, we can't take every moment of every day too seriously." From start to finish, the quality of the songs is top-notch. And the energy level rarely takes a dip. Yeah, I know there are thousands of new tracks coming out every day. It's just so hard to keep up. But Sparkle Blood is very much worth your time. These three make music that will give you hope in humanity. You'll want to buy their record. You'll want to drink beers and watch hockey with them. If this is "happy punk," sign me up for more!

Consensus Madness - Endeavors


On its debut album, Chicago-based Consensus Madness fills a rather large void in today's punk rock scene. Certainly there are more than a few contemporary bands that could trace their spiritual and stylistic lineage back to The Clash, Sex Pistols, Stooges, Buzzcocks, or Black Flag. There's a whole subgenre devoted to worshipping at the church of the Ramones. But when was the last time you heard a new band and thought, "This is like a modern-day Bags"? Well, Consensus Madness slots into that space nicely with a powerful, rapid-paced sound that meets at the intersection of first wave punk rock and early hardcore with a touch of post-punk/new wave to boot. On Endeavors (out on Iron Lung Records), the band breathes new life into a classic sound. OG California punk vibes co-exist with a distinctly Midwestern sensibility, and you can feel the urgency in the music, vocals, and lyrics. A younger version of me would have been won over simply by a band attempting this sound. But what impresses me is how well Consensus Madness pulls it off. These tunes are killer, and the band sounds tight and energetic. And lead singer Sarah is the real deal. She may be following in the footsteps of Alice Bag and Poly Styrene, but she's no copyist. She's an original in her own right with charisma for days. If you're looking for a band that's got something important to say about life and the world in 2026, crank tracks like "Let's Go To War," "Living and Dying," and "Superfund" as loudly as possible and join the resistance. At a lean 10 tracks, Endeavors will hit you with everything it's got and leave you wanting more. A superb debut!