Wednesday, July 01, 2026

Songs From The Film* - "She Don't Mind"/"Waiting For the World to Explode"


I didn't have much time to cry in my beer over the sudden split of The Cheap Cassettes. Charles Matthews has already launched his new solo project Songs From The Film* (who doesn't love a good Tommy Keene reference every once in a while?). A debut single (and video!) have been unleashed on this very blessed day. Are you ready? Are you excited? 

The beauty of recording solo material is that it doesn't necessarily have to fit in with any particular band or even any particular genre of music. You can just write the songs that are in your heart. Whatever comes out is whatever comes out! My history with writing about Charles's music now dates back 30 years. We were both young men then. Now, we're somehow still young men since 55 is the new 30. The first thing I'll say about this single is that it sounds like Charles. This is him on a plate that you'll absolutely want to eat up. This isn't specifically a punk rock project or a power pop project, but you can hear elements of both — along with all that bubblegum glam rock and big hair new wave pop we all grew up on. Anyone who loved the Dimestore Haloes and Cheap Cassettes will recognize Charles's signature style and voice. It's not like this is his Metal Machine Music. He's still in the familiar territory of hooky three-chord rock 'n' roll with punchy guitars. But at the same time, this is something a little different. You can hear Charles experimenting a little with his guitar tone, vocals, and the overall vibe. The guitar riffs on "She Don't Mind" are by themselves worth the price of admission. 

Upbeat and rockin,' "She Don't Mind" is a more conventional loud pop love song and certified smash. I literally laughed out loud at the entire first verse — not just because of the cleverness of it all but also because I recognized my own experience in those lines. If you can find your person who can put up with all your weirdness and return it with their own wonderful weirdness, that's a priceless, beautiful thing. A line like "And the day we met, I knew I'd be your singin', dancin' clown" hits me so hard that it gives me chills. If that's a little too much feelgood for your tastes, the mid-tempo rocker "Waiting For the World to Explode" ought to be very much to your liking. Who can't relate to a song about being so disenchanted with living in this dystopian timeline that you start thinking that the complete obliteration of the world might be a best-case scenario? Tailgating the apocalypse with a six-pack of Corona would be half-hearted; a 12-pack, though, is a full commitment. I love social commentary, sarcasm, and dark humor. Put them all together, and you've got pure gold. 

Recording by yourself has to be way harder than it seems. You are responsible for getting every detail right, and you're likely to be far more critical of yourself than you'd be of bandmates. When it comes to all those hours spent rehearsing and recording in solitude, you better damn well hope you like the company. It takes a special temperament and skill set to excel as a solo artist. For every George Michael, there are ten Stings. Thankfully, Charles Matthews is the antithesis of Sting. When I first heard "She Don't Mind," I knew that he had freaking nailed it with this new project. It was an immediate "Holy shit! This is good!" reaction. And before I could consider that maybe I was just a weirdo with funny taste in music, bona fide movers and shakers like Malibu Lou and Ryan Meyers had joined the fan club too. I'll gladly throw my lot in with those guys. Songs From The Film* has come out firing like a rocket. Digital is available now from the mighty Rum Bar Records. Vinyl is coming soon from Sioux Records. And how cool is that music video? Add the title of "filmmaker" to Charles's resume!

Sugar - "Keep Looping"


"Swipe and scroll.
Drop and roll.
Heads on fire." 

It still blows my mind when I realize Sugar is really back — as if I merely daydreamed this reunion and will soon wake up to discover that I imagined the whole thing. If anything, it seems like people are not talking enough about Sugar being revived and sounding very much like, uh, Sugar! "Keep Looping" is the band's third new track since last October, and the thing is blistering. On this song, Bob Mould is raging against AI and screen addiction, and that certainly could not be more topical in 2026. Sometimes I live in denial that we're living in a nightmare dystopia, but good ole' Bob is confronting the madness head-on. This is the punkiest and most ferocious the band has sounded since reuniting. Listen to those guitars! Listen to that rhythm section! The song would not have sounded out of place on Cooper Blue or Beaster. Man, this was no half-assed comeback. Sugar is ripping it like a band in its prime, and "Keep Looping" is truly a song for these times. Keep 'em coming, fellas!

Get The Net - Til House Lights


Sometimes I'll hear a band, and instantly, it's all the feels. New Jersey's Get The Net was a King Ralph recommendation, and I'm extremely thankful to have been made hip to the trio's full-band debut album. Starting out as Ryan Raichilson's solo project back in his college days, Get The Net has been reborn and revamped into a proper band — and a very promising one at that. 

Having come up in the world of '90s pop-punk, I can never get enough of a certain sound and style that Get The Net executes to perfection. That style is the less snotty, more melodic variant of pop-punk. You know what I'm talking about: punchy guitars, heartfelt lyrics, hummable melodies, and a singer who can actually sing. Music like this was practically the air that I breathed when I was a skinny pop-punk kid thirty-some years ago, and it still hits a sweet spot today. On Til House Lights, Get The Net powers through 12 tracks that take me back to pop-punk's heyday without necessarily sounding like any other bands in particular. When it comes to pop-punk, this is how it ought to be done. The songwriting and lyrics are top-notch, and the playing is tight and crisp. The production is just right — applying an appropriate amount of polish that allows those melodies to shine without dulling the power of the guitars and drums. This is a rock-solid, well-crafted album from start to finish and truly a breath of fresh air in the pop-punk universe. I will now pass Ralph's recommendation forward. If you like good pop-punk, this is a record you really ought to check out. The Garden State does it again!