Meet The Hitchhikers!

"The Hitchhikers are a glued together tumbleweed of spit, beer, sweat and grease. This Punk band is comprised of x-members from The Humpers, The Bleeders, The Neurotones and He's Dead Jim, and is a mashed together greasy-meatball of pure gut-rot fun, and the chef's name is Chuck Berry. Well guess what my fans of filth...this is exactly what you're gettin, straight from the syringe and into your thick-head, a shot of brainwash that'll make ya forget you're mom slept with the mailman." 

Seriously - what else needs to be said?! Click play and turn it up loud! The bomb has been dropped. More Hitchhikers coverage coming soon!





-L.R.  

http://www.facebook.com/pages/The-Hitchhikers/179374405426741 
http://www.thehitchhikers.com 

Sugar Stems? More like sugar rush!

I’ve given up profanity for Lent, so I’ll just say holy fudge triple cream cupcakes! The new Sugar Stems single is so mega-crazy super-duper good! Good gravy, this is the stuff! Kids, do you like the POP? The Sugar Stems have got something special for you! Betsy, Drew, and the gang are set to start work on a new album, but in the meantime a brand new single on Certified PR Records drops next week. A-side cut “Greatest Pretender” is another bright, upbeat sugar-bomb from a band that specializes in exactly that. Very Shivvers-esque! I just played it seven times in a row, and I am still craving a repeat. The reason to release singles is because you can write songs this good! Perfection. On the flip, “Did You Ever” is a bouncy, feel-good number that rocks just a little too hard to be called “twee”. Love it! The band that made Milwaukee famous is at it again. You can still download their incredibly awesome LP at their bandcamp site, and by all means check out certifiedprrecords.com for the skinny on how to score yourself ten copies or more of “Greatest Pretender”! 

Listen up!


-L.R.

http://www.facebook.com/sugarstems

Buzzcocks or The Dickies?

Here’s a band battle that should get you thinking. Sure: Boys vs. Buzzcocks or Undertones vs. Buzzcocks might have been the more “obvious” way to go. But that might have been too easy. And what fun would that have been? We’re going from to coast to coast, and across the pond, and complicating the question. Outside of The Ramones, these might be the two greatest pop-punk bands of all-time. These days we’re hearing lots of bands that worship at the altar of both. But the two are so different that it makes it harder to choose. “Where Did His Eye Go?” or “Orgasm Addict”? “Waterslide” or “Promises”? One mastered the punk rock love song. The other was non-stop laughs. Both were beyond great. If you’re looking at consistency and complete body of work, it seems the Buzzcocks may have the slight edge. But for a 1-2 punch of classic albums, I don’t know if The Incredible Shrinking Dickies and Dawn of the Dickies can be topped. I’m tempted to give it to the Buzzcocks for writing the greatest lyric in the history of time: “You even made it with the lady who puts the little plastic bobbins on the Christmas cakes”. But then I want to give it to The Dickies for writing a song about a talking penis. Both bands played crucial roles in my punk rock education, and neither’s worth has been diminished by the passing of time. At the end of the day, though, it really comes down to who I listen to more often. It’s really, really close. By the smallest of margins, I cast the opening vote for The Dickies. Now it’s in your hands! 

-L.R.

Marvelous, Darling!

What’s this, another Canadian band?! Damn straight! And I’m just gettin’ started! The Canadian Takeover cannot be stopped at this point. There is too much momentum, too many reinforcements in tow. By the end of this calendar year, your children will be playing hockey. We’ll all be drinking Moosehead and eating poutine. Tim Hortons will buy out Starbucks. And that is okay by me! In my three-and-a-half year absence from music reviewing, I missed an awful lot of great singles by Toronto’s Marvelous Darlings. Single Life compiles them all onto one super-awesome 21-track collection. The sales pitch on the Marvelous Darlings is that they do “some of the best ‘77 punk meets power pop since the Exploding Hearts”. High praise indeed, but I agree totally! And where the Marvelous Darlings really differentiate themselves from a lot of the other nouveau punk/powerpoppers out there is that they inject a heavy dose of rock n’ roll into the Undertones/Buzzcocks blueprint. I hear a lot of Cheap Trick in this band, and even some early Replacements in songs like “The Swords, The Streets” and “Careerist”. These dudes can flat-out rip it! The guitar playing is especially hot. Ultimately, though, it’s the songs that are the real treat here. And these guys know how to craft infectious melodies and catchy choruses that’ll stick in your head from now until the end of time. “I Don’t Want To Go To The Party” is high speed pop/punk that’s teeming with energy and jammed with hooks that could snag a shark. “I’ll Stand By Her” might be even better. But when they slow things down a little and full-on embrace their pop side, they truly demonstrate what they’re made of. “Teenage Targets” is sooooooo good. It’s what every love song should be - passionate, touching, tells a great story. I love the melody, I love the harmonies. It sounds like it should have been a radio hit 30 years ago! I am powerless to resist it. And “Lagoons” is in the same class. It comes on all tender and pretty, then intensifies into a rousing anthem of love and longing. I’m obsessed! Single Life compiles 16 tracks plus five demos, and it’s all gold. You doubting me? Stream it and listen for yourself. See what I’m talking about. Prepare yourself for Canadian dominance. There will be more invaders. 





-L.R.

http://soundcloud.com/brooklynvegan/sets/marvelous-darlings-single-life
http://www.myspace.com/marvelousdarlings

Human Toilet is not a lifestyle choice!

Take a shredder style metal guitarist with a secret love for Black Flag and add in a singer who sounds a little like Lee Ving. What do you get? Human Toilet! This Brooklyn trio transforms that early ‘90s metallic post-hardcore sound into something genuinely cool. Plain and simple, these guys rock! And what I really appreciate is how great their new album sounds. It was recorded with analog technology, and you can totally tell! Even listening on a digital format, it sounds like you’re playing a vinyl record. It’s got a warm, heavy sound befitting the band’s crushing power. The drums pound; the guitars roar. This trio is tight! No doubt Human Toilet borrows some of the noisy and atonal aspects of late ‘80s/early ‘90s indie rock. But at heart they’re still a punk band, playing hard and fast and oozing attitude at every turn (with requisite tongue-in-cheek lyrics). On tracks like “Human Toilet”, “Low Life”, and “Giuliani Time”, they fire up the steamroller and flatten everything in sight. Elsewhere, the grinding guitars and aural intensity of “Must Love Dogs” and “The Long Con” have me feeling like it’s 1992 again. Jayson from To Eleven hilariously and astutely describes their vibe as “What if the Rollins Band had not sucked?” That’s perfect! This is what early ‘90s mosh pit rock should have sounded like: bruising and punky and scummy in all the right ways. Think later Black Flag. Think Fear meets Jesus Lizard. Kurt Cobain would have been a fan. 

-L.R.

http://humantoilet.bandcamp.com/
http://www.facebook.com/pages/Human-Toilet/110595442377588?sk=wall

Boo!

Billie Joe sure does write great songs when he's not trying so hard to be "serious". Best song by a family band since "Heartbeat, It's A Lovebeat"! 



-L.R.

The F & L Hall of Fame: Moral Crux

It seems fitting that Moral Crux would be one of the first bands inducted into the F & L Hall of Fame. They along with the Spent Idols were one of two bands who kick-started my love affair with the ‘77 punk sound, which has spanned 17 years and counting. It was 1995, and I mail-ordered a copy of I Was A Teenage Teenager by Moral Crux after seeing it advertised in Maximum RocknRoll. It’s kind of a cliché thing to say, but my life would never be the same. It’s not quite accurate to call Moral Crux part of the ‘77 punk revival, as they’d actually been around since 1983. But getting into Moral Crux, Spent Idols, etc. really got me started on the path that would lead me to so many of the bands I’d later become associated with as a reviewer. Before there was the Dimestore Haloes or Stitches or Stiletto Boys or Dead End Cruisers, there was Moral Crux.

What I loved back then (and still do now) is that Moral Crux combined the best of two worlds. Musically they were classic ‘77 punk/pop driven by catchy melodies and actual singing. But lyrically, they had a political message and social conscience. It was as if Generation X and the Canadian Subhumans had a head-on collision at The Ramones’ practice pad. Being a typical recent college grad across-the-board liberal, I ate that stuff up. But today, as a middle-aged non-partisan, I appreciate Moral Crux even more. As it was with The Clash, the themes of Moral Crux’s music transcend youthful rebellion. One never gets “too old” to distrust institutions of power, stand up for the little guy, and question the so-called “truths” that comprise mainstream thinking. Sure: 90 percent of the time, “political” punk rock is lame. But when it’s done well, there’s nothing better. Moral Crux is one of the finest political punk bands there’s ever been, and pushing 30 years of existence the group is still going strong. Singer James T. Farris has been the band’s constant from the beginning, and along side longtime collaborator Jeff Jenkins on guitar he’s kept Moral Crux a vital force in underground punk. The band has done six full-length albums, and they’re all equally great, from the lo-fi, hardcore-flavored 1987 debut and ‘89’s The Side Effects of Thinking to the more polished pop-punk of Panic Button/Lookout issues Something More Dangerous and Pop Culture Assassins. This is a band that has never “reinvented” itself. This is a band that’s remained in its small town Washington state base for three decades, never relocating to the “big city”.

Moral Crux played a huge part in my zine writings over many years. An early print issue of Now Wave Magazine featured a full-page write-up on Something More Dangerous. I did a lengthy interview with James that appeared in Pat Grindstaff’s Rock N’ Roll Outbreak. Pop Culture Assassins was reviewed multiple times on the Now Wave web-zine in 2003. It’s a pleasure to write about Moral Crux again, and something tells me this won’t be the last time. The common thread with all great protest music, whether it’s Woody Guthrie, Stiff Little Fingers, or Midnight Oil, is that the message only resonates because the songs are great. The same is true about Moral Crux. Track down all their albums. You won’t be disappointed.






-L.R.

http://www.reverbnation.com/moralcruxofficial