Sunday, April 29, 2012
Welcome back, Gentleman Jesse!
The good news is that Jesse isn’t really leaving Atlanta. Oh, he may have considered it. But nothing can keep a good man down. Brilliant leadoff track “Eat Me Alive” purges the demons that inspired this album, turning tragedy to triumph. “This city’s trying to eat me alive,” sings Jesse. “But it’s as good a place as any to try to survive. So if you keep your head down, you push on through, you just might make it to the other side.” Words to live by for sure! You hear that frantic guitar jangle, that fierce desperation in the vocals, and you realize this could have been a dark album. But our man did make it to the other side, and this inspiring tune sets a tone for a genuinely upbeat, totally poptastic album. Like last year’s great Missing Monuments LP (King Louie in fact guests on harmonica on “Eat Me Alive”), Leaving Atlanta marries the sounds of classic power pop to the punchy grit of bar band rock n’ roll. “I’m Only Lonely” comes off like The Beat jamming with The E Street Band circa 1980, while “Take It Easy On Me” and “Covered Up My Tracks” blend soulful rock n’ roll with ‘60s girl group dramatics a la The Reigning Sound. And as much as I like by-the-book perfect power pop numbers such as “I’m a Mess” (in my opinion, the best song on the album), what really elevates Leaving Atlanta is that it never quite settles down. Nervy pub-rock corkers like “You Give Me Shivers” provide kicks in the pants at just the right spots, and it’s just freakin’ cool that Jesse gets possessed by Little Richard for a minute-and-a-half of unadulterated fun on “Rooting for the Underdog”. And at the end of the day, in spite of its dark origins, Leaving Atlanta is mostly a collection of love songs. Some are optimistic (“Kind of Uptight”), and some are agonizing (“Careful What You Wish For”). But they’re all great. From top to bottom, this album is stacked. No longer a mere acolyte to the likes of Paul Collins and Nick Lowe, Gentleman Jesse has joined them in the masters class.