Showing posts with label Moms Basement Records. Show all posts
Showing posts with label Moms Basement Records. Show all posts

Saturday, July 25, 2026

Unicorn Dogs - Closer To Death


Two years ago, Unicorn Dogs released Age Typical Junk Behavior, one of the best pop-punk debut albums of whatever you want to call this nightmare of an era we're currently attempting to survive. It was a debut that was going to be almost impossible to top. I say almost because here we are on the 25th of July in the year 2026, and Closer To Death (brought into the world by those twin institutions of musical excellence, Jolly Ronnie Records and Mom's Basement Records) has indeed topped its mighty predecessor. If Age Typical Junk Behavior was the album that solidified modern-day pop-punk as the soundtrack to everyone's midlife crisis, Closer To Death takes things to the logical next level. It's an album about how much it sucks to get old — especially in a bizarro world where the robots are taking over and 2 + 2 can equal 5 depending on whom you vote for. If you're looking for a record that will make you optimistic about the world or offer lighthearted escapist entertainment, this is most certainly not it. But if you want to pump your fist in the air and shout along at the top of your lungs to impassioned, anthemic pop-punk songs that will feed the fire of righteous indignation raging inside you, this record is not to be missed. 

What makes great pop-punk great pop-punk? There are a lot of ways to answer that question, but there's something about simple, two-minute-ish songs with punchy guitars and earworm hooks that I never, ever tire of. I could live to be a thousand years old and hear records in a thousand different genres, and I'd still steadfastly maintain that the Ramones were every bit as important as Beethoven. Of course the caveat is that the style has to be done well, and that's the main thing Lucas and Jon bring to the table. They're not trying to be original or innovative. But they're just so freaking good at writing simple pop-punk songs. They play a tried-and-true style of music, but they make it current and fresh by writing about things that matter to them. If you could measure the passion and urgency that goes into music, these guys would be a ten out of ten every time. 

And so here we have Closer To Death, and as usual, the songs rip hard and really have something to say. If you're going to write songs about living out your miserable decline in a word where everything sucks, you better have a sense of humor about it. And that's the magic of Unicorn Dogs. They can be (and often are) quite serious a lot of the time, but they also know how to make an art form out of self-deprecating humor. A lyric like "More than half my life is over with/Not sure I made the most of it/I don't have a bucket list/Just a lot of things I wanna quit" makes me laugh so hard precisely because it speaks a truth I can relate to. These guys aren't playing the brand of pop-punk where middle-aged men pretend they're still teenagers. They're playing the brand of pop-punk where middle-aged men begin reckoning with the sneakily rapid of encroachment of Father Time. If you relate to that description, this record has got plenty for you to chew on. Here we have anthems for people who have managed to get older without getting wiser and who feel like time has made them worse versions of themselves. This band writes profoundly about failure, regret, and just being plain tired of being beaten down by life. That's really heavy stuff, but it's also honest and real. The social commentary side of Unicorn Dogs ("Hallucination Free," "One Disaster Away," "Replaceable") is perhaps an even more bitter pill to swallow, but again, it's not like these guys are wrong about anything. There's even a hint of optimism in "Fix Your Heart Or Die" ("We don't fight because we'll win/We fight because there are things worth fighting for/And we gotta try"). The song is a reminder of why protest music (and protest in general) are so vital in this moment. And at a time when simply being a kind, empathetic human is an act of rebellion, Unicorn Dogs are here to show us the way. 

In spite of its title, Closer To Death is by no means a bummer of a record. Lucas and Jon (joined by Jon's son Oliver, who kills it on drums) might write from the perspective of disillusioned, over-the-hill folk who feel like life has passed them by. But the truth is that as musicians and songwriters, they've never been better than they are right now. You don't get the backing of two of the best pop-punk record labels ever by accident. Closer To Death is the best record they've ever made. It's packed with smart, super-catchy punk songs that mix their candidly dark musings with an undeniably upbeat energy. If these lyrics were about dominating in pickleball, cooking the perfect lentil soup, and the thrill of stargazing, this would still be quality pop-punk. But it wouldn't quite hit the same, would it? If you take these songs too seriously, it's like spending 27 minutes with Debbie Downer. But I don't listen to these songs and hear complete resignation. Amidst all that frustration, disappointment, and self-effacing humor, I hear a fighting spirit that won't stop pushing. I still don't feel my age, but the cold, hard math of me being as close to 70 as I am far from 40 really fucks me up sometimes. A little more urgency in my life would not be a bad idea. We're all getting a little closer to death every day. But that leads to an obvious question: What are we gonna do about it?

Monday, June 01, 2026

Hoaxxers - Hard Luck


While most people would consider it an EP, Hard Luck by Austin-based pop-punk standouts Hoaxxers could easily qualify as an album. Out on Mom's Basement Records, it backs six new songs with the three tracks the band previously released as singles and comes on nifty 12" vinyl. Call it what you want, but I'm just going to call it first class pop-punk. 

It blows my mind when I note that my history of writing about Charlie, Kye, and Tron as a musical trio dates back more than 20 years to the first Joe Jitsu EP. Yes, that was before YouTube and smartphones existed. Only the most cutting edge of folks had ventured into this new thing called social media. Now it's 2026, and these guys are still doing their thing — and unlike me, they've only improved with age. Hard Luck delivers six (or nine) tracks of tight, melody-driven pop-punk that perfectly balances smooth vocals with punchy guitars. Hoaxxers are part of this whole wave of Xennial pop-punk bands (and most of them are on the Mom's Basement roster!) that have managed to transform the genre into proper music for grown-ups. The songs on this record are largely reflections on living life and navigating the complicated world we live in. The cited influences (Dan Vapid, Smoking Popes, Green Day, Big In Japan) certainly give you an idea where Hoaxxers are coming from. But after all these years, Charlie has carved himself his own niche as a vocalist and a songwriter. You pretty much know what to expect, but all these guys are older and wiser now. They haven't reinvented the formula; however, they've certainly refined and perfected it. 

Hard Luck is noteworthy because it includes a couple of very political songs. "Straight Down the Shitter" and "Make Your Bed" both explore similar themes about how to cope with day-to-day life when the world is burning, and they both opine on the folly of being apathetic or in denial that anything is wrong. "Sidetracked" is officially/unofficially the first "slow song" Hoaxxers have done, and it's quite a successful change of pace (literally). "Against the Odds" is the first Hoaxxers song to feature Tron on lead vocals, and it really fits his vocal tone and style. 

There are countless bands out there emulating the "snottier" side of '90s pop-punk, so it's nice to have bands like Hoaxxers working in very different territory. Produced by Matt Morris with some assistance from Steven Jolly, Deedle Lacour, and Zephyr Huffman and mixed and mastered by Davi Pacote, this is an incredible-sounding recording that really accentuates the quality of the songwriting, vocals, and musicianship. This is pop-punk of the highest quality, and little else needs to be said. For decades, I've pushed back on the notion that pop-punk as a musical genre has to live in a world of eternal adolescence. And bands like Hoaxxers are either proving me right or serving as exceptions to the rule. For me, listening to Hard Luck is like reconnecting with old friends and appreciating that they haven't turned into assholes. Get your copy on colored vinyl while supplies last!

Saturday, December 20, 2025

Regal Beagle - Take it Back


Out now on the always fabulous Mom's Basement Records, we have the first album in over 18 years from Los Angeles–based pop-punk veterans Regal Beagle. The band is best known for its 2007 Joe King–produced LP A Little Tide Up, but it has been around for more than 30 years now. Also produced by Joe King, Take it Back legitimately finds Regal Beagle sounding the best it ever has. With this being a Regal Beagle album on Mom's Basement Records, you ought to know what to expect. This is first-rate pop-punk in the vintage Lookout! Records by way of the Ramones mold. And a la label mates Goin' Places and The Young Hasselhoffs, Regal Beagle smashes the myth of pop-punk being strictly a young person's genre. Proper adult life provides all kinds of inspiration for songwriting. And while a few of these songs might follow the ever-reliable "dumb in a good way" recipe, many are quite thoughtful and profound. With its just-right blend of silly and serious lyrics, Take it Back really hits the sweet spot for what grown-up pop-punk ought to be. From start to finish, these songs are sure to get you singing along and vigorously bobbing your head. Good pop-punk is never really about originality. It's about enthusiasm and execution, and this album earns high marks in both departments. This is a fun album to listen to, and you can tell these guys had fun making it. It's hard to go wrong when you start from there. And yes, the producer's influence on this record is undeniable. If you thought that was a bad thing, you would not have read this far. 

One thing I appreciate about Mom's Basement Records is that this is a label that knows its pop-punk history and respects great tunes above all else. This is a label that will not only go out and find some of the best new talent in the pop-punk world but also put its weight behind veteran talents that deserve to be heard. It can be fun to seek out the hot new thing, but sometimes you have to give the masters their due. In a world that sometimes fails to value quality over quantity, Regal Beagle offers up a model worthy of emulation: put out two albums in 30 years and have them both be totally killer. If you love pop-punk, Take It Back is not to be missed!

Saturday, December 06, 2025

Beatnik Termites/The Putz - split 12"


A limited-edition split 12" involving Midwestern powerhouses the Beatnik Termites and The Putz certainly grabbed my attention in a very big way. The Putz is one of my favorite current-day pop-punk bands. The Beatnik Termites are legends in their own right and certainly one of the biggest influences on the "oldies-core" sub-genre of pop-punk that I am quite fond of. This split, out on Mom's Basement Records and the Italian label I Buy Records, is, in fact, an oldies-core fan's dream. The two bands team up to cover some of their favorite songs from the golden age of rock 'n' roll — mostly from that post-'50s, pre–Beatlemania period of the early 1960s. This record goes for a very particular vibe. Think soda shops, drive-ins, jukeboxes, hot rods, leather jackets, and pretty girls in poodle skirts. And musically, this is a great tribute to the harmony-laden radio hits that were so foundational for pop-punk music. 

On this record, the Beatnik Termites and The Putz transport you back to the time of Brill Building pop, teen idols, surf rock, Motown, and the early British Invasion. The Beatnik Termites tackle Neil Sedaka's classic "Next Door to an Angel" (1962), The Who's "I Can't Explain" (1964), and the Beach Boys' "Surfer Girl" (1963). The Putz covers The Contours' "Do You Love Me?" (1962), Manfred Mann's "Do Wah Diddy" (1964), and Buddy Holly's "Rave On" (oddly enough, the only song on this '50s-themed record that came out in the '50s!). You pretty much know what this record is going to be. Both bands give these songs a little bit of a pop-punk twist, but they don't stray too far from the original versions. Both bands play to their strengths. The Beatnik Termites are all about the harmonies and the perfect execution of timeless rock 'n' roll. The Putz put a little bit more attitude and oomph into their tracks while still keeping that golden oldies appeal. For anyone who misses what oldies stations used to be (before they tarnished the format with songs from the '80s, ha ha!), this album will hit all the right retro notes. It's a super-inspired throwback to a glorious time in music and culture. You'd have to be in your 80s to have actually lived through these times as a teen. But I defy anyone of any age to listen to The Putz's version of "Do You Love Me?" or "Rave On" and not immediately start to dance like a maniac. Grab this record, fix yourself a malted milkshake, and have yourself a party by the turntable. The Fonz would absolutely give this split a resounding "Ayyyy!"

Friday, November 21, 2025

The Young Hasselhoffs - 7"


I'm usually spreading the word on new music you can buy. Well here's a write-up on something you can't buy! In celebration of Mom's Basement Records' tenth anniversary, The Young Hasselhoffs have put out a new limited 7" record featuring a couple of songs that will appear on their next album. This single will not be released in digital form, but it can be ordered free of charge (while supplies last) if you buy something from Mom's Basement Records' webstore. The band wanted to go for a '90s Lookout! Records vibe with this single, and Andrew Berlin at The Blasting Room was enlisted to mix the tracks for that very effect. If you've been holding off on buying, say, the new Goin' Places album or that Bacarrudas Halloween record, now would be a great time to make your move! And of course, today, Mom's Basement is releasing Boris the Sprinkler's Gets a Clue EP on vinyl. You know you're gonna want that! 

There are not many bands who are 27 years into their existence and can rightfully be described as being at the top of their game. That's doubly true for pop-punk bands. But here are The Young Hasselhoffs at the peak of their craft, coming off their two best albums, Life Got In The Way and Dear Departed. The new single is a sneak peak of what's to come in the third installment of this trilogy. The upbeat, punchy "Adeline" brings a touch of an old Green Day feel but is very much in keeping with the Hoffs' recent musical direction. This is pop-punk for grown-ups, crafted and executed to near-perfection by three guys who truly understand what great pop music is all about. "Come Back Marie" is kind of giving a Weezer energy, which is something a little different for this band. Both of these songs are A-side worthy, so it makes sense that the 7" is self-titled. If you weren't already jazzed for the new album, you will be now! 

The decision to keep these songs off the streaming sites was meant as a way to honor the hard work and dedication that John and Tricia put into keeping Mom's Basement Records going strong. Sometimes as music fans, we take for granted how much you have to bust your ass to keep an independent record label going. The Young Hasselhoffs wanted to give a little something back. Giving away 200 copies of a 7" record might seem like an insane idea. But this is the ten-year anniversary of the world's greatest pop-punk record label. Go big or go home! 

Not wanting to leave their fans in the U.K., E.U., and Japan out in the cold, The Young Hasselhoffs have also created a CD version of this single (with a bonus track!) that will be given away with orders from Brassneck Records, Stardumb Records, and Waterslide Records. So please check in with those labels to find out how you can get your hands on this special gift. If you're ordering from Mom's Basement, please make sure you follow the instructions!

So for this review and this review only, we can pretend it's 1996 again and you have to order something I reviewed without being able to listen to it first and make sure I'm not full of shit. Then again, you can certainly listen to whatever else you're ordering in advance. This was my 2024 label of the year for a reason. If it comes from Mom's Basement, you know it doesn't suck! 

Saturday, November 15, 2025

The Rip Taylors - Negativity Bias


It seems I'm on quite the Mom's Basement Records kick right now, and why shouldn't I be? My roots in this whole underground punk rock universe are in pop-punk, and I just keep going back to this stuff. It's feeling like 1995 up in here! The Rip Taylors have one of the greatest band names of all-time, and their music is pretty dang good to boot. This Nashville-based trio plays snotty, ballsy pop-punk that isn't afraid to wear its love for Screeching Weasel and The Queers on its sleeve. I'm also reminded quite a bit of the heyday of Mutant Pop Records, and that's surely a positive checkmark in my book. Mikey Livid is on vocals and guitar, and he's backed by just about the most star-studded rhythm section you could imagine: Ryan Sweeney from Sweet Time Records is on drums, and the mighty Classic Pat is on bass. Lyrically, this is traditional pop-punk fare pulled off with a wink and a nod. Song titles like "I'm Not Stupid," "I Don't Know How to Be a Decent Person," "I Gotta Bad Attitude," and "I Don't Wanna Be Alone With You" make it clear that The Rip Taylors are not attempting rocket science. Every song title on the album begins with the pronoun "I," so it's not wrong to call this a concept album. And as Niek wrote, the sheer catchiness of these songs is at an A+ level. It takes some real smarts to make songs this dumb so utterly irresistible. 

When it comes to pop-punk, it's not the style that makes or breaks a band. It's the execution. And The Rip Taylors execute this style with energy, enthusiasm, and earworm hooks for days. Why let negativity get you down when you can harness it in such a satisfying way?

Dropped Out - Always Trust Your Dog


Back with its second long player, the long-running Austin, Texas–based trio Dropped Out really hits the mark on Always Trust Your Dog. Out on Mom's Basement Records, this album takes me back to the '90s heyday of pop-punk and melodic punk without coming off as dated or overly derivative. You can always count on Dropped Out to deliver strong melodies, smooth vocals, and snappy, relatable tunes about love and life. Truly, I'd say this is one of the most under-appreciated bands in the modern-day pop-punk scene. If pop-punk leaning to the pop side is your cup of tea (as it is mine), you'll find lots to like on Always Trust Your Dog. As a fan of self-deprecating humor and self-deprecation in general, I really get a kick out of the lyrics on this record. 2022's Get Lost! was a really good album, but Always Trust Your Dog is even better. There's not a single dud track to be found. How can you not appreciate a band that can write a song called "A Nail in My Anus" and have it be one of the most likeable tunes you'll hear all year? 

The thing about Dropped Out is that it doesn't try to re-invent the wheel. This band executes the pop-punk style brilliantly and writes damn good songs. Those are things that never go out of style. And how many rave reviews of records that Tron Carter played on have I written over the years? That can't be a coincidence. Jennie Cotterill's cover art alone justifies the purchase of Always Trust Your Dog, but the music will keep you coming back! 

Saturday, November 08, 2025

Goin' Places - Imperfect


Back with their first new album in four-and-a-half years, Staten Island's finest have delivered the absolutely terrific Imperfect. With their first two albums, Girl Songwriting 101 and Relationship Sneakers, Goin' Places helped define the post-millennial era of underground pop-punk. Then on 2021's Save the World, Richie, Victor, and Frank demonstrated how pop-punk band can grow up but still sound like pop-punk. Out on the home of the hits, Mom's Basement Records, Imperfect finds the trio continuing to live by the motto of "give them what they want, but keep them guessing." 

I can't imagine any Goin' Places fan being disappointed in Imperfect. The album finds the band still leaning on its love of harmonies, songs about girls, and '90s pop-punk by way of early rock 'n' roll. Songs like "Let's Go to the Beach," "Laundry Girl," "The Girl with the Eyes," and "TV Girl" bring a sound that will be familiar and comforting to anyone who has enjoyed the band's previous releases. But at least half this record finds the trio thinking outside the pop-punk box. The melancholy, dramatic pop of "Never Again" is a clean break from punk rock. "The Next Wake" is a genuine ballad and a good one at that. And even some of the songs that still sound fundamentally like Goin' Places find the band taking a surprisingly deep lyrical direction. "In My Mind" is a reflection on mental health struggles and the difficulties of just making it through each day. "The Times" is literally about the utterly messed-up times we live in. "Beautiful" and "Imperfect" are linked songs. One ponders the superficiality of infatuation, while the other examines how real adult love thrives when two people embrace each other's imperfections. "Home Depot Daze" seems like it's going to be a silly song but ends up being a meditation on the never-ending pressures of adulting. 

Every pop-punk band that makes it past an album or two has to figure out a plan for longevity. Do you just keep on doing the same thing and hope that no one gets tired of it? Do you break new ground and hope your fans come along for the ride? That's an even taller order when you've been in the game for a quarter-century. But Goin' Places seem to have found the secret sauce. The band is serving musical comfort food without letting the recipes get stale, mixing in its more serious side without taking away all the fun. Covers of Chuck Berry and Beethoven (see what they did there?) are icing on the cake. While most people think of Goin' Places as "that girl song band," the real heart and soul of its music are those timeless melodies and harmonies which draw from the last 70 years of rock 'n' roll. Save the World left me wanting more from this band, and Imperfect absolutely does the same. Hit up Mom's Basement Records to order an LP or CD! 

Saturday, September 27, 2025

The Remote Controls - Too Tough


Out on Mom's Basement Records and Fail Harmonic Records, the latest album from Indianapolis's The Remote Controls brings back fond memories of when I was first getting into punk rock back in the '90s. From the moment I pushed play, I was ready to jump in the pit. Too Tough powers through 14 songs in 25 minutes in a high-speed punk rock style that's truly exhilarating. Not quite pop-punk and not quite snotty hardcore punk, The Remote Controls fall somewhere perfectly in between. This album totally could have come out on Dr. Strange Records thirty years ago! These guys have played shows with Sloppy Seconds, The Queers, Descendents, and Screeching Weasel. Suffice it to say that if you like those bands, you'll love The Remote Controls! This album is relentless in dishing out fast, melodic punk tunes that are plenty tough and catchy as hell. You just don't hear that many bands occupying this lane these days, and these guys do it very well. Excellent stuff from the American Midwest! 

Saturday, February 15, 2025

Borderlines - Repair Kit


Maine pop-punk veterans Borderlines follow up their truly excellent long player Keep Pretending with an absolutely aces EP called Repair Kit. Released yesterday (yes, Valentine's Day!) on Mom's Basement Records, this four-songer represents pop-punk music at its finest. While it's amusing that I can look at a group of guys who are way younger than I am and describe them as an "older" pop-punk band, I think you all get the point. Borderlines smash the stereotype that pop-punk is a kid's genre. You can come at this style from a more grown-up perspective and still be as pop and punk as ever. Across these four songs, the hooks are undeniably catchy and positively infectious. But lyrically, there's a lot more sophistication and ambiguity than what is probably typical in pop-punk. I raved about "Okay, Socrates" last month, and the three other songs on the EP are just as good. These are thoughtful, well-crafted, and well-produced songs from a really terrific band. The fine folks at Mom's Basement Records always seem to have their finger on the pulse of the best stuff going in pop-punk, and apparently I was asleep at the wheel when they put out Keep Pretending a couple years ago! But hey, here's to me being a life-long learner and finally arriving to the party! The 7" release for Repair Kit (on pink marble, translucent yellow, and coke bottle vinyl) is extremely limited, so get those orders in while you can!

Friday, January 31, 2025

Borderlines - "Okay, Socrates"


One of my biggest misses in recent years was sleeping on Keep Pretending, a great album released by Borderlines back in 2023. It's an A+ pop-punk record, and 24-year-old me would be chewing out present-day me out for being so late to the party. Luckily I get another crack at Borderlines. On February 14th, this long-running Portland, Maine–based foursome will be releasing a new EP called Repair Kit on Mom's Basement Records. In advance of the EP, the band has a new single/music video out called "Okay, Socrates." That's a brilliant title for a terrific song. I'd say Borderlines are spiritually aligned with label mates The Young Hasselhoffs and Hoaxxers. They lean to the pop side of the pop-punk style with smooth vocals and thoughtful, reflective lyrics. So yes, this is what you'd call pop-punk for grown-ups, and I absolutely love it! "Okay, Socrates" is a song about what it's like to be so stuck in a routine that you're literally trapped. I'm always a sucker for the juxtaposition of dark lyrics and upbeat melodies, and on top of that I'd be lying if I said I didn't relate to the song at least a little. If you like pop-punk, I highly recommend you check out this single and the full EP when it comes out!

Saturday, December 14, 2024

The Lockdowns - Can't Catch a Break


It's probably redundant to say we have another good pop-punk release coming to us from Mom's Basement Records. This label doesn't release anything that isn't good! "The Lockdowns" is such an obvious name for a present-day band that I'm surprised there aren't dozens of other bands out there called that. Perhaps these Lockdowns from Houston won the wrestling tournament or lottery drawing or pie-eating contest or whatever it was that decided which band got to be called The Lockdowns. Can't Catch a Break is their debut full-length, and I only wish I could go back in time and play it for my 25-year-old self. He/I would have been so stoked to discover that music like this would still exist in the distant and terrifying future of 2024. The cover art depicting a black Chuck Taylor sneaker stepping off a wad of bubblegum pretty tells you everything you need to know about this band. 

When it comes to pop-punk, there are two main categories of bands I most enjoy. I like groups such as, say, The Young Hasselhoffs who start from a fundamental pop-punk base and then proceed to grow and expand the definition of the genre. And I also like bands that completely eschew originality in favor of strict adherence to the sacred textbook of pop-punk as written by the Ramones and amended by Screeching Weasel. Obviously The Lockdowns are in the latter category. They aren't trying to move the ball forward or learn a fourth chord or turn any hater of pop-punk to the dark side. They make pop-punk music for people who proudly love pop-punk, and they do it well. Can't Catch a Break finds these guys laying the hammer down '90s-style — with some modern-day beard-core vibes in the mix as well. The album delivers a nice mix of heart-on-sleeve love songs, snottier tracks, and straight-up fun tunes. And of course I was thrilled that these guys covered the best Ramones song. If Lookout! (or better yet, Mutant Pop) Records is well-represented in your music collection, Can't Catch a Break will have you dancing in your leather jacket. 

Sunday, November 03, 2024

Boogadas! - Heartbeats and Heartbreaks


2024 has been an excellent year for pop-punk. The hits just keep on coming. That continues with Heartbeats and Heartbreaks, the debut album from Brazilian foursome Boogadas! Agnes, Jennifer, Priscila, and Renata demonstrate what I've long believed about pop-punk: that you don't need to break new ground to excel at this kind of music, and that perhaps, it's better if you don't. Heartbeats and Heartbreaks is pop-punk the way it ought to be, rooted in simple yet undeniably catchy songwriting with strong melodies and heartfelt lyrics. Essentially, this is pop-punk for pop-punk fans. So it's no surprise that one of the biggest pop-punk fans out there, John from Mom's Basement Records, heard this band and quickly signed them to his label. John knows good pop-punk, and he has found us an absolute gem in Boogadas! I mean, come on: How great is "Punching Above Your Weight"? And that's not the only ace song in the bunch. At just eight tracks, Heartbeats and Heartbreaks is filler-free and certain to leave you wanting more if '90s/early 2000s era pop-punk is your jam. Look for a physical release from Mom's Basement in the near future.

Sunday, August 18, 2024

The Putz - Too Little Too Late


Duuuuuuuude! The Putz, who've long been a band I would place in the top tier of present-day pop-punk, have unleashed what could very well be their best album yet! Out now on Mom's Basement Records, Too Little Too Late is their fifth album and first in four years. At first, this may come off as something a little different for The Putz. It leans more to the the snottier, more aggressive side of pop-punk and less to the "pop" side of pop-punk. But when I look back over The Putz's body of work, I realize that this band has always excelled at snarky three-chord punk blasters. The ratio of hate songs to love songs may be a little higher on this release, but essentially this is a vintage Putz effort. When it comes to pulling off a fuck-off attitude yet keeping the songs totally fun, no band can top The Putz. Billy started writing this album during peak lockdown times, so of course his lyrics reflect a great deal of frustration and dissatisfaction. But this is by no means a "dark" album. Billy, Dougie, and Pat are operating at a master class level in the fine art of channeling intense negativity into triumphant songs that will have you bobbing your head, tapping your toes, and shouting along until all your troubles melt away. Songs rage against everything from your asshole boss to douchers named Chad to people who never shut their mouths to haters of punk rock to chowder heads to whiners to pharmaceuticals to your scumbag friends to a refrigerator devoid of beer. Mixed in are some Ramones-based rockers like "Teenage Hand Grenade" (reminding me of superstar label mates the SUCK) and a couple of absolutely perfect pop-punk love songs, including the masterpiece "I Hope You Stick Around" (featuring Leah Putz on lead vocals). Put it all together, and you've got everything you could want from a pop-punk record. You know Mom's Basement Records ain't messing around! 

Of course there are a whole lot of bands out there that worship at the altar of The Queers in their early to mid '90s peak years. Most of them are enjoyable to some degree but come off like obvious copyists. The Putz, on the other hand, remind me of why I loved all those Queers records but don't sound like they're trying to be The Queers. A lot of that has to do with Billy's unique, authentic appeal as a vocalist. With every word that comes out of his mouth, there's no doubt you're buying what he's selling. And of course you won't find three other musicians in the world who are more perfectly suited to playing this kind of music. This band includes my favorite living drummer and a guitarist who recently released the best pop-punk album in a decade. But much love is also warranted for the author of these songs. It takes an incredible amount of smarts to write great songs this dumb, and it's high time that the genius of Billy Putz be acknowledged.

Saturday, July 27, 2024

The Follow Ups - Know Who Your Friends Aren't


This is turning into the summer of pop-punk for me. Perhaps that's because there's so much music being released that just feels like the music that made me fall in love with punk rock in the first place. Know Who Your Friends Aren't is the second album (and first in five years) from Moncton, New Brunswick's The Follow Ups. It's out now on Faster and Louder Records in Canada and Mom's Basement Records in the U.S.A. In a totally good way, this album reminds me of the '90s. The Follow Ups take me back to a time when the lines between pop-punk and straight-up snotty punk rock were blurred. These guys play ballsy three-chord punk rock with snotty vocals and lyrics that are humorous in a wonderfully obnoxious way. Vocally, they give off Vindictives/Sloppy Seconds vibes. Musically, they seamlessly move between that Lookout! Records via the Ramones lane that is such a sweet spot for Mom's Basement and a faster, more aggressive '80s-influenced approach to punk rock. This is a really fun album. These guys never take themselves too seriously, but they are serious about playing high quality pop-punk. Their ability to write consistently good songs in varying styles is rare in this genre. Know Who Your Friends Aren't  is a super-solid record that doesn't try to break any new ground and doesn't need to. You might like this one even if pop-punk isn't always your thing!

Monday, April 01, 2024

The Bacarrudas - "You Can Have My Love If You Want It, OK?"


Wow: The Bacarrudas sure knew how to pick the perfect debut single! Excuse me while I go pick my jaw off the floor. Notice I said The Bacarrudas, not  The Barracudas or Barreracudas. The Bacarrudas are a '60s-style frat rock band from Bucks County, Pennsylvania. As fellow citizens of this commonwealth, they are entitled to free admission to any music fests I will someday arrange along with complementary Faster and Louder varsity jackets. Technically, their debut single was a Christmas release which came out at the end of last year. But for their first proper single, The Bacarrudas treat us to a preview of Pool Party, their forthcoming debut album on Mom's Basement Records. Now this is no ordinary garage rock band. This is a garage rock band featuring the god-like singing and songwriting talents of Mr. Adam Rabuck.  "You Can Have My Love If You Want It, OK?" has more energy than a 1980s exercise video, and it is sure to promote the burning of even more calories. If the song were any catchier, your school nurse would have warned you about it. Push play and get dancing! The full album drops May 3rd!

Saturday, March 09, 2024

Hoaxxers - "Thought That You Should Know"


Here's some more excitement in the Mom's Basement Records department: Hoaxxers are releasing their (sort of) debut 7" on the label very soon. I say "sort of" because Hoaxxers look and sound suspiciously like Charlie, Kye, and Tron from Joe Jitsu, a really terrific pop-punk band from the 2000s. I had to look up when I first reviewed Joe Jitsu, and it was twenty years ago! Man, does time fly! But this is a new band for a new time, with a sound that's maybe a little more, uh, punkier? In advance of the 7", the band has released one of the tracks, "Thought That You Should Know," as a digital single. The punkier sensibility manifests itself mostly in a peppier tempo, but otherwise this is not far removed at all from Joe Jitsu. And that's a good thing. Charlie's voice is as smooth as silk, and the song bursts with energy and melody in that old school '90s style. For not having played together for a while, these three sound tight as heck! "Thought That You Should Know" is a free download from Bandcamp, so be sure to grab it if you're a fan of Joe Jitsu or good pop-punk in general. If Mom's Basement is putting it out, you know it's gotta be good! 

Friday, March 08, 2024

Classic Pat - Won't Back Down


I am not a believer in diminishing the value of art by assigning it a numerical rating. But if I were, I would award Classic Pat's new album Won't Back Down a ten out of ten. If you love pop-punk, you will love this album and should run through a brick wall if necessary to acquire it. That should be the end of this review, but it would be out of character for me to be that succinct.  

Almost anyone who has bothered to read this far will be familiar with Classic Pat and the many great bands he has played in. With Won't Back Down (out today on Mom's Basement Records), he has delivered a royal treat for eternal fans of Lookout! Records inspired pop-punk. This is a particular genre with which I have a very complicated relationship. 70% of the time, I'm pretty "Meh!" about it. But the rest of the time, there's no music in the world I'd rather listen to. Won't Back Down is obviously in the latter category. On the first day of this year, I described "Sadie Hawkins Dance" as "one of the greatest pop-punk songs ever written." You may have suspected that I wrote those words under the influence of recency bias, temporary insanity, or a bad hangover, but now it's nine weeks later, and my opinion hasn't changed. When I reflect on why some pop-punk hits the spot for me and some of it doesn't, I can identify several qualities that tend to win me over:
  • I enjoy a likeable singer and funny, relatable lyrics. 
  • I like to hear the influence of classic pop and rock 'n' roll.
  • I prefer a little variety over the course of an album. 
  • The poppier the better!
  • I'll take catchy songs over new ideas any day of the week.

Let me tell you: if that's my rubric, Won't Back Down checks off every single box! Emulating the old school Lookout! sound without coming off like a cheap knockoff is a tricky task, but Classic Pat totally pulls it off. And the secret is that there's really no secret. It's all about writing perfect three-chord punk songs with earworm hooks. If "Seeing Triple" were any catchier, the CDC would be raiding the Mom's Basement headquarters at this very moment. "She Don't Care" is basically the best Screeching Weasel song in decades. "The Next In Line" is bubblegum perfection a la The Queers circa Don't Back Down. "No Telling At All" (featuring Canaan from Barbariettes on lead vocals) hits the pure pop side of the Ramones bang-on. Clearly Pat is transparent about his biggest influences. But rather than making me wish I were listening to the Ramones, Queers, or Screeching Weasel instead, Won't Back Down has reignited my love for pop-punk. And these songs are just so much fun. Over the course of the album, Pat reflects on the strain that responsible adulthood can place on friendships, waxes poetic on girlfriends who are awful and sometimes outright scary, romanticizes the golden age of rock 'n' roll, pays tribute to the cinematic classic Mallrats, and recounts an obviously true story about having to choose between dancing with a pretty girl and making it to the opening night screening of Demolition Man with some best buds. Now that's what I call relatable music! 

With song styles ranging from snotty ("Creeped Out") to super-poppy ("Trend Setter") to oldies-influenced ("Do You Remember," "Goin' Nowhere") to classically pop-punk ("He's a Daddy Now"), Won't Back Down has something for every fan of pop-punk. Sometimes with a really good pop-punk album, I talk about how I would have totally flipped out if I'd heard it when I was 25. But Won't Back Down has me flipping out now. CDs are limited to 100 copies and available now from the Mom's Basement webstore. While you're over there, you can pre-order the vinyl for the new Yum Yums album (which is freaking awesome!) coming out next month on Screaming Apple Records! 


Monday, January 01, 2024

Classic Pat - "Sadie Hawkins Dance"


One cool thing that happened to me in 2023 was that I got really stoked on pop-punk again. Of course I've always liked pop-punk. This was the type of music that got me into punk rock in the first place way back when. But this past year, it just felt like I was into pop-punk way more than I'd been in a long time. And that momentum carries over into 2024. Classic Pat has released a couple teaser singles for his forthcoming solo album on Mom's Basement Records, and I am totally obsessed! I guess this is not surprising since his band The Putz has been a longtime favorite of mine. But man oh man, this latest single "Sadie Hawkins Dance" is what I live for: pop-punk that's super-poppy but also heavily influenced by traditional rock 'n' roll. Plus you have to love a song that tells a story! I imagine John from Mom's Basement laughing like a diabolical cartoon super villain when he heard this — realizing that he had one of the greatest pop-punk songs ever written in his possession. Hit up Classic Pat's YouTube channel to hear "Sadie Hawkins Dance" and "She Don't Care," which sounds like the best Queers song in years. The full album will be out soon! 

-L.R.

https://www.youtube.com/@ClassicPatTV

Saturday, December 30, 2023

Post Ramone - Sounds Like This


And the honor of my final review of 2023 goes to Post Ramone! That's a genius band name, and thankfully it isn't wasted on mediocre music. Out on Mom's Basement Records and Jolly Ronnie Records, Sounds Like This is the debut long player from this Youngstown, Ohio–based outfit made up of members of Spastic Hearts, Jagger Holly, Hollywood Blondes, RADD, etc. On this album, these pop-punk veterans rip through 12 tracks straight out of the textbook. There's something to be said for a pop-punk band that's wise enough to not mess with a winning formula. If originality or innovation are must-haves for you, this is not your next favorite band. But if you enjoy tried-and-true pop-punk executed to perfection, Sounds Like This is sure to satisfy. Post Ramone is here to show you how it's done with killer tunes, quality lead vocals & harmonies, and a musical philosophy that values fun over all else. None of that is surprising given the band members' musical history, and the brisk sales so far indicate that the pop-punk faithful are appreciative. Every year there are two or three pop-punk records that remind me why I got into this type of music in the first place. Sounds Like This is one of those albums for 2023. Would you expect anything less from a Jolly Ronnie/Mom's Basement co-release?