Sunday, November 09, 2025

Mala Vista - Snub Nose .38


Back with its first release since March 2024's criminally overlooked Fun Time LP, New York's Mala Vista brings the heat on the electrifying four-songer Snub Nose .38. The EP, released in Europe by Ghost Highway Recordings and here in the States by the illustrious Spaghetty Town Records, finds Myke, Manny, Erik, and Ben leaning more than ever into their love of class of 1977 punk rock. While Fun Time showed a more melodic side of Mala Vista in many spots, Snub Nose .38 is a more focused attack of fast-paced, down and dirty, punch-you-in-the-mouth street rock 'n' roll. '77-style punk has always been my thing, but you just don't hear enough bands doing it right anymore. Mala Vista pulls off the tricky task of making contemporary old school punk sound timeless rather than retro. Influence-wise, you can hear everything from Teenage Head to The Boys to The Vibrators to Eater to Slaughter and the Dogs to the Dead Boys. But again, there's often a fine line between inspiration and imitation, and Mala Vista doesn't cross it. This kind of music is part of the DNA of New York, and Mala Vista does the city proud. Snub Nose .38 is a kick-ass EP from perhaps the best '77-style punk band out there. Don't miss out!

Saturday, November 08, 2025

The Sideshows - "Brand New"/"The Start"


It's no secret that Rich Ragany is one of my favorite songwriters. I've had the pleasure of reviewing his music on ten occasions and interviewing him a couple times. He has made seven appearances on my top ten albums lists over the years (I'm pretty sure that's a record). A year without ole Rags in the F & L universe never feels quite right. And now we have something new and special on that front: the debut release from The Sideshows! This is a band comprised of Rags, his longtime drummer Simon Maxwell (Yo Yos, The Loyalties, Role Models), and the legendary Sami Yaffa (Hanoi Rocks, Michael Monroe, Jetboy, Jerusalem Slim, Demolition 23, New York Dolls, Joan Jett & The Blackhearts, etc.). Now that, my friends, is a power trio! 

It all started with Yaffa inviting Rags to come to his home studio in Mallorca, Spain and record a couple of new tunes he'd been working on. And sure enough, Rags, Maxwell, and Yaffa caught lightning in a bottle. This wasn't just a Rich Ragany solo project — it was a new band! And so here we have "Brand New"/"The Start", released on European Phonographic. By now you ought to know what to expect: powerful, anthemic rock 'n' roll that's full of heart and soul. The lead track is a full-on Rags-style glam/punk/rock 'n' roll sing-along anthem. He's been writing songs like this for years, and it never stops being exciting. And how amazing is it to have Sami freaking Yaffa playing on a song like this? I've got chills! B-side "The Start" is another Rags specialty: a song that starts off sounding gentle and restrained, and then suddenly that chorus hits like a ton of bricks! These are both great songs, and the recording sounds amazing. I can't help visualizing these three guys rocking out in the Spanish countryside with the windows and doors wide open, bringing these songs to life in a way that Rags could never have foreseen. That sounds like the stuff of a future legend! This is likely not the last we'll hear from The Sideshows. For now, crank this debut loud and enjoy!


Goin' Places - Imperfect


Back with their first new album in four-and-a-half years, Staten Island's finest have delivered the absolutely terrific Imperfect. With their first two albums, Girl Songwriting 101 and Relationship Sneakers, Goin' Places helped define the post-millennial era of underground pop-punk. Then on 2021's Save the World, Richie, Victor, and Frank demonstrated how pop-punk band can grow up but still sound like pop-punk. Out on the home of the hits, Mom's Basement Records, Imperfect finds the trio continuing to live by the motto of "give them what they want, but keep them guessing." 

I can't imagine any Goin' Places fan being disappointed in Imperfect. The album finds the band still leaning on its love of harmonies, songs about girls, and '90s pop-punk by way of early rock 'n' roll. Songs like "Let's Go to the Beach," "Laundry Girl," "The Girl with the Eyes," and "TV Girl" bring a sound that will be familiar and comforting to anyone who has enjoyed the band's previous releases. But at least half this record finds the trio thinking outside the pop-punk box. The melancholy, dramatic pop of "Never Again" is a clean break from punk rock. "The Next Wake" is a genuine ballad and a good one at that. And even some of the songs that still sound fundamentally like Goin' Places find the band taking a surprisingly deep lyrical direction. "In My Mind" is a reflection on mental health struggles and the difficulties of just making it through each day. "The Times" is literally about the utterly messed-up times we live in. "Beautiful" and "Imperfect" are linked songs. One ponders the superficiality of infatuation, while the other examines how real adult love thrives when two people embrace each other's imperfections. "Home Depot Daze" seems like it's going to be a silly song but ends up being a meditation on the never-ending pressures of adulting. 

Every pop-punk band that makes it past an album or two has to figure out a plan for longevity. Do you just keep on doing the same thing and hope that no one gets tired of it? Do you break new ground and hope your fans come along for the ride? That's an even taller order when you've been in the game for a quarter-century. But Goin' Places seem to have found the secret sauce. The band is serving musical comfort food without letting the recipes get stale, mixing in its more serious side without taking away all the fun. Covers of Chuck Berry and Beethoven (see what they did there?) are icing on the cake. While most people think of Goin' Places as "that girl song band," the real heart and soul of its music are those timeless melodies and harmonies which draw from the last 70 years of rock 'n' roll. Save the World left me wanting more from this band, and Imperfect absolutely does the same. Hit up Mom's Basement Records to order an LP or CD! 

Friday, November 07, 2025

N.E. Vains - Running Down Pylons


Since we're getting to that time of the year where I have to start working on my end-of-the-year best-of lists, first drafts are already underway. I took a leap of faith and saved a spot in my top LPs list for N.E. Vains, trusting that they wouldn't throw me a curveball and make this new record sound like Sugar Ray. I can breathe a sigh of relief: the band's debut long player Running Down Pylons (out on Big Neck Records) is a certified banger and precisely what you would expect from a meeting of the minds involving TJ Cabot, Jeffrey Thunders, and friends. 

The last time I checked, these guys were called The Vains. But because they are decent and reasonable humans, they added the "N.E." to avoid confusion with The Vains from Cincinnati. There may be some mystery as to what the "N.E." stands for. "New England" and "North Eastern" seem like obvious answers, but I haven't ruled out "Nominally Egregious," "Naturally Effervescent," "Notable Errors," "New Earmuffs," "Naval Excellence," and "Not Evil" as additional possibilities. New Haven meeting Moncton sounds like an American Hockey League match-up from 40 years ago, but in the case of N.E. Vains, it's a creative partnership between two of the coolest dudes in punk rock which began a few years ago on the Facebook Budget Rock group (possibly the only music group on Facebook not overridden with obnoxiously pretentious gatekeeping a-holes). Shandy Lawson (lead guitar), Bill Bates (bass) and Elvis Belushi (drums) were enlisted to round out the lineup, and the rest is history. Tragically, Bates passed in 2023. Scott Fitch, a notable New Haven musician and engineer, has ably filled in on the band's subsequent recording sessions. 

Running Down Pylons is, as expected, a fun punk rock record that you should not be legally allowed to play under a volume that would likely annoy anyone within earshot. We can loosely call this "garage punk," but to me, it's just great punk. I'm hearing lots of '70s punk and early '80s hardcore influences, but the overall sound is really unique. This is not just another band trying to be Teengenerate. Whatever quarantine-fueled madness inspired these songs was something akin to genius. 10 of 11 songs clock in at under two minutes, and every single track totally cranks. The thing about a TJ Cabot–fronted record is that you're not just getting run-of-the-mill punk rock lyrics. Instead you can expect lots of amusing, wild, and presumably true stories from the life and mind of this Atlantic Canadian luminary. Favorite tracks for me include the pissed-off opener "Kicked off the VPN," the ferocious title track, the blistering "Pinched Nerve," and the mid-tempo stomper "Six for Thirty Six." But honestly, the whole album kicks ass. 

So here's where I get to the predictable part of my review and say that there aren't enough records like this anymore. But I say it because it's true. This is killer punk rock, plain and simple. If you don't like this, there's something wrong with you. I would say that I would gladly listen to TJ Cabot sing the phone book, but he might be the one person to actually take me up on that. Running Down Pylons is limited to 300 copies, so move fast if you want to be able to say you owned it when pandemic nostalgia is all the rage in five years.

Sunday, November 02, 2025

Radioactivity - Time Won't Bring Me Down


Well, this is kind of a big deal: Radioactivity, one of the most acclaimed and influential garage/punk/pop bands of a generation, has released its first new album in a decade. Man, did Silent Kill really come out ten years ago? Time flies when you're having fun! Just for context, some of the other big albums of 2015 were The Connection's Labor of Love, Night Birds' Mutiny at Muscle Beach, and Kurt Baker's Play It Cool. How long ago was 2015? It was so long ago that being against fascism was still common sense, not a partisan position. 

I suppose waiting a decade between LPs is a great way to solve the problem of the "difficult third album"! Granted, Time Won't Bring Me Down was recorded over a long period of time. So it's not like Jeff Burke waited ten years to write a new batch of songs. But still, the considerable space between Silent Kill and Time Won't Bring Me Down has allowed for a natural progression in Radioactivity's sound. There are still quite a few songs here that "sound like Radioactivity." The title track, "Watch Me Bleed," "Why," and "One Day" all find Burke (along with bandmates Daniel Fried, Gregory Rutherford, and Mark Ryan) putting on a clinic on how fast, hook-laden punk-pop ought to sound. Burke's musical style has been frequently imitated, and it's nice to be reminded that he's still the master. But at least half of this album is a significant progression from Silent Kill. Songs like "This Time" and "Ignorance Is Bliss" sound like classic Radioactivity but with more pace and breathing room — perhaps less punk-pop and more pure pop. "Analog Ways" and "I Thought" find the band firmly and comfortably in indie pop territory. "Shell," which approaches five minutes in running time, is such an ambitiously intense track that you might find yourself asking what band you're listening to. Album closer "Pain" is a moody, masterfully-crafted slow-burner. 

The appropriately-titled Time Won't Bring Me Down is here to assert that Radioactivity is back with a vengeance and poised to remain a vital force in the contemporary music scene. Far from merely rehashing his past glories, Jeff Burke is still growing and evolving as a songwriter — while still holding on to enough of his signature style to keep everyone happy. This album sets in place a seamless transition from what Radioactivity once was to what Radioactivity will be in the future. This is a genuinely modern punk rock record and a truly masterful effort. For fans of Jeff Burke and Radioactivity, this was absolutely worth the wait.

Friday, October 31, 2025

The Hellflowers - Teenage Radio


One of my favorite things in music is when bands I like do all-covers releases. To me, going into the studio and laying down a bunch of covers sounds like a super-fun thing to do. And it's a great way to honor important influences or simply celebrate songs you love. Having just become hip to The Hellflowers this year after the release of the band's Deluxe compilation on Rum Bar Records, I had the pleasure of discovering a wealth of new-to-me material all at once. But I must admit I was already craving more, and so the band's new EP Teenage Radio (out on Rum Bar and Missing Fink Records) really hits the spot. The selection of songs here makes it pretty clear why I felt an immediate connection to this band. Any band that covers The Clash, Cock Sparrer, and Ramones on the same record is guaranteed to be up my alley. Remember when you first got into punk rock and couldn't get enough of those bands' records? And of course, decades later, nothing has changed. That, my friends, is what we call timeless music. I love the choice of "Spanish Bombs," one of The Clash's finest pop songs. "Riot Squad" is a great opener for the EP, and "Merry Christmas (I Don't Wanna Fight Tonight)" can be the first Christmas track you listen to in 2025. Elsewhere, the Zero Boys' "Civilization's Dying" is perhaps the definitive example of what hardcore was when it still sounded like rock 'n' roll. Elastica's "Stutter" takes me back to the heyday of the new wave of new wave. "Slippin' And Slidin'" honors the true king of rock 'n' roll, Mr. Little Richard.

These are wonderful, inspired versions of truly classic songs. Christina, Matt, and company give these songs that distinct Hellflowers touch, but they don't really mess around trying to perfect what's already perfect. You know and love these songs, and so do The Hellflowers. Teenage Radio might bring to mind your own teenage radio moments. For me, this is like re-living the awesome mixed tapes of my 20s. If you're already a Hellflowers fan, you'll love this EP. And if you're just now meeting this band, go check out Deluxe as soon as possible!

-L.R.   

The Prozacs - No Way Out


Still going strong after a quarter century, The Prozacs return today with the four-song EP No Way Out, their first new music in more than two years. While Jay, through countless iterations of this band, has played a vital role in keeping the pop-punk flame burning throughout this century, No Way Out takes a slightly different direction. These songs find Jay (along with Jimmy Craig, Greg Russian, and Matthew Gorr) tearing into some straight-up fast-and-furious kick-ass punk rock. If you like old school '80s/'90s West Coast melodic punk and skate-punk, these tunes ought to hit you just the way you like it. The liner notes promise "energy, sarcasm and angst," and that is definitely truth in advertising. Jay would probably be the first person to tell you that he's twice the lyricist he was 20 years ago, and that really comes through here. He has some serious things to say about life and the world, and the energy he and the whole band put into these tunes is something you are sure to feel the instant you push play. My thought when first hearing this EP was that there just isn't enough music like this anymore. The sound is melodic without necessarily being "pop," and I can't listen to these songs without imagining a bunch of folks going nuts in the pit. Punk music always excites me the most when I can feel a band putting all its heart, soul, and guts into every note, and that's the sort of urgency I'm getting here. The Prozacs aren't getting older — they're getting better.