Saturday, September 27, 2025

The Remote Controls - Too Tough


Out on Mom's Basement Records and Fail Harmonic Records, the latest album from Indianapolis's The Remote Controls brings back fond memories of when I was first getting into punk rock back in the '90s. From the moment I pushed play, I was ready to jump in the pit. Too Tough powers through 14 songs in 25 minutes in a high-speed punk rock style that's truly exhilarating. Not quite pop-punk and not quite snotty hardcore punk, The Remote Controls fall somewhere perfectly in between. This album totally could have come out on Dr. Strange Records thirty years ago! These guys have played shows with Sloppy Seconds, The Queers, Descendents, and Screeching Weasel. Suffice it to say that if you like those bands, you'll love The Remote Controls! This album is relentless in dishing out fast, melodic punk tunes that are plenty tough and catchy as hell. You just don't hear that many bands occupying this lane these days, and these guys do it very well. Excellent stuff from the American Midwest! 

Friday, September 26, 2025

Vista Blue - "Sister Golden Hair"


As someone who loves pop-punk and is secretly obsessed with '70s soft rock, I am part of the target audience for Vista Blue's latest single. I may, in fact, be the entire target audience. Both these songs are covers of AM gold standards. "Sister Golden Hair" was a chart-topper for America in 1975 (and is on my Mt. Rushmore of soft rock songs). "For All We Know" was a #3 smash for The Carpenters in 1971 and prior to that a Grammy-winning track on the Lovers and Other Strangers movie soundtrack. The band has gone very minimalist with the liner notes, so I have no idea what exactly inspired this project. But what's not to love here? These are classic silky-smooth pop songs treated in vintage Vista Blue style. Mark did a terrific job with the arrangements, and Mike adds his undeniable vocal charm. Those backing vocals are like butter! If you understand that all great pop-punk songs must fundamentally be great pop songs, you'll get why this single is such a treat. This being Vista Blue's first release in nearly six months might not seem like a big deal. But by this band's standards, it kind of is. Even with the punchier delivery, these songs exude a warm, autumnal breeze. This is definitely a single for me to listen to while I, clad in a light sweatshirt, saunter through the leaf-covered streets pondering a weekend full of pecan ale, ginger snap cookies, chili in the slow cooker, and college football on TV. A fall without new Vista Blue music would have been a nightmarish scenario worthy of a Rankin/Bass production, but now we no longer have to consider such a fate. And yes, they totally nailed the slide guitar part on "Sister Golden Hair"!

Thursday, September 25, 2025

The Oxys - Casting Pearls Before Swine


The Oxys from Austin, Texas have unleashed a monster of an album on Casting Pearls Before Swine — their third full-length release. As the biblical title suggests, this is not a collection of songs for the faint-hearted. With a stated intention of "wrangling fans out of their world weary despondency," the band is pretty damn clear about its mission on this LP. These songs will grab you by the throat! 

The Oxys were formed out of a songwriting partnership between guitarist Ginchy (Dead Boys, Sylvain Sylvain) and vocalist Phil D. I'm always stoked to hear new bands playing real deal '77-style punk rock 'n' roll, but The Oxys are far more than just your standard old school punk revivalists. This band combines the grit and danger of early American gutter punk with the darkly melodic sensibility and catchy lead guitar work of early '80s SoCal punk. And lyrically, this band has its finger on the pulse of contemporary life and all that ails it. Casting Pearls Before Swine takes a good, hard look at the modern psyche — exploring themes ranging from lust to obsession to toxic relationships to betrayal to the survival instinct to cold-hearted killers and our sometimes disturbing fascination with them. That's some dark stuff, but this album is not a difficult listen. This is fierce, furious music that ought to be cranked loudly while you shout along and pump your fist in the air. Those lead guitars are absolute fire, and Phil sings with full conviction about "the universal tension between human acts that harm, and yet stimulate us." Not content to just go a million miles an hour all the time, The Oxys show they know how to pace themselves on the menacing slow-burner "Eaten Alive (the ballad of Joe Ball)" and the macabre closer "Drop of Blood." 

While not exactly a "horror punk" record, Casting Pearls Before Swine does seem a fitting release for this time of the year when we love to embrace our strange attraction to all things horrifying. For months I've been trying to explain why I'm always creeped out when the ice cream truck comes through my development, and now "Mr. Softee" makes it all so clear. If you dig nasty, in-your-face punk rock that has something meaningful to say about the human experience, this is the album for you. Get it from Cleopatra Records!

Saturday, September 20, 2025

Teenage Bottlerocket - Ready To Roll


I received a request to review Teenage Bottlerocket's new album, so I thought, "Why not check it out?" I have not really kept up with this band's output over the past decade, and now I'm suspecting that I've been seriously missing out. Shame on me! Ready To Roll (out on Pirates Press Records) is the band's 10th album. How much could a pop-punk band have left to give us after ten albums? In the case of Teenage Bottlerocket, the answer is quite a lot! Ready To Roll is one of the best pop-punk albums I've heard in recent years. Listening to this record, you can tell how much fun the band had while making it. The energy and enthusiasm are palpable. And fortunately, that translates into an album that's super-fun to listen to as well. These guys really brought some great tunes to the table. And even though this is a Teenage Bottlerocket album through and through, it also finds the band trying some new things. 

"She's the Shit" is an A+ pop-punk song. 24-year-old me would have loved it, and 54-year-old me digs it just as much. Plus I relate to it on a personal level. "Post Mortem Depression" finds Kody Templeman stirring up some early Lillingtons style magic, and I couldn't be happier. Songs like "I Want To Die on My Birthday," "All About It," and "Home To You" will satisfy anyone (like me) who can never get enough of '90s-style pop-punk. Elsewhere, the band dishes out a party rock anthem with "Ready To Roll," pushes it fast and furiously on the punk ripper "High-Speed Yoga," delivers horror punk thrills on "Giant Bug from Planet Q13," and brings to mind the heyday of The Cure and Psychedelic Furs on the new wave inspired tracks "True To You" and "I Figured Out That I'm Stupid." I'm also a huge fan of the Miguel Chen–penned "Taquero," which is sing-along old school punk done to perfection. "Afraid of the Dark" closes the album in truly anthemic fashion, and them I'm ready to listen to the whole thing all over again! 

Teenage Bottlerocket has been in the game for a quarter century now, yet Ready To Roll sounds like the work of a band that has never felt more excited and inspired to make music. These guys have pumped new life into a tried-and-true style of music. This album doesn't abandon the band's core approach, but it expands it in ways that totally make sense. And from start to finish, these songs are freaking awesome (both musically and lyrically). Somehow TBR has come through with an album that's on the poppier side of pop-punk yet still rocks your face off. That, my friends, is the secret sauce. Great recommendation, Mark!

Friday, September 19, 2025

The Prize - In The Red


It has been three years since Melbourne's The Prize first burst on the scene and had the entire power pop world going crazy. I waited with bated breath for a debut album in 2023 and 2024 to no avail. But good things come to those who wait, and In The Red (out on Anti Fade Records in Australia and Goner Records in the USA) is finally here and easily living up to all those expectations. The band (Nadine Muller on lead vocals & drums, Carey Paterson on lead vocals & guitar, Joseph Imfeld on guitar, Austin Haire on guitar, and Ethan Stahl on bass) has found the perfect mix of power pop, '70s hard rock, and old school punk on this crackling long player. What results is an album that doesn't sound like every other power pop album — or any other power album, for that matter. All that promise from those early singles has been fulfilled. Combining triple guitar firepower with ridiculously good songwriting and electrifying energy, this is the kind of album we point to when we rant and rave about rock 'n' roll being far from dead. Whether you're a power pop geek or just someone who loves kick-ass rock 'n' roll, In The Red will give you plenty to get excited about. You have to respect that when it came down to making a debut album, this band took the time to do it right. There's no filler on this record. And even with the album being recorded in piecemeal fashion, it sounds great. The Prize has delivered all the power and all the pop, and all that's left for you to do is to crank up the volume and enjoy the hell out of this record!

Monday, September 15, 2025

Eytan Mirsky - All Over the Map


Yesterday I recommended looking into the catalog of the New York–based singer/songwriter Eytan Mirsky. If you're looking for a good place to start, his brand-new album would be a solid choice. All Over the Map is his ninth album in a discography that dates back to 1996. He's perhaps best known as the king of indie film soundtracks, but he is also highly admired in power pop & indie pop circles for his clever lyrics and splendidly crafted melodies. His staying power as an artist is a reminder that even in a world of music that's constantly changing, great songs never go out of style. 

As its title suggests, All Over the Map doesn't adhere to any particular genre of music. After three decades as a solo artist, Mirsky has definitely cultivated a signature musical identity. All Over the Map touches every point from country to R & B to ballads to easygoing pop songs, but it all sounds unmistakably like Eytan Mirsky. As a lyricist, he's in absolute peak form. The wonderfully charming "Did What I Came To Do" finds him downplaying his contributions to humanity but acknowledging that our life achievements are not nearly as important as our personal relationships. In contrast to the optimism of this song, there are some classic tales of love gone bad. "Two Piece Puzzle" employs an extended metaphor to ponder why a relationship just can't seem to click. "Fooling Exactly Nobody" features what we might refer to as an "unreliable narrator," and the irony is that he is actually the one not fooling anyone. "Apologize in Advance" puts a wonderfully clever twist on the love-gone-bad motif. "If You're So Smart" hilariously weaves a tale of being romantically involved with someone who constantly treats you like an idiot. How can I not laugh out loud at lyrics like these?

But hey, if you’re so smart what are you doing with me?
I hear they’re looking for professors up at Harvard University.
You seem to know everything there is to know in this world;
You told me so repeatedly

While Mirsky is so good at writing about relationship woes, he also tackles some even more powerful subject matter on All Over the Map. The ballads "Almost Didn't Cry" and "Give Me a Sign" are both beautifully conveyed reflections on grief. The latter is absolutely one of the saddest songs I've ever heard in my life — but not in a way that's meant to be sappy or overly dramatic. It's real, raw, and honest in a way that's deeply relatable. One of our universal sorrows as a species is coping with the death of a loved one. In our grief, we can only hope that somehow, some way, somewhere, we'll be reunited. This is a deeply personal song for Mirsky, but it will hit you hard if you've been through a similar experience. I can attest to that. What a beautiful and deeply moving song! It seems a tad pre-mature to say this is one of Mirsky's best songs when the guy has been writing great songs for decades. But I'll say it: it's one of his best songs. 

Not just a stellar collection of songs, All Over the Map is a first-rate musical production. Sadly, this is Mirsky's final album with his longtime producer Jon Gordon, who passed away earlier this year. In addition to producing the record, Gordon played guitar, bass, and keyboards. Along with the excellent drummer Peter McDade, a whole slew of talented players contribute to this exceptional release. The album also features a couple of delightful songwriting collaborations. Whitney Matheson ("If I Could Only Draw") and Robin Littlefield ("Lost You in the Jet Stream") both contribute lyrics, and both songs are standouts. You have to admire a songwriter who isn't afraid to share the spotlight with other talented writers. "If I Could Only Draw" is just so clever and sweet and guaranteed to make me smile every time I hear it. Sure, the song is a little bit about wishing for the ability to draw. But really it's about wanting to be worthy of someone, and Mirsky delivers it to perfection. And on an album where metaphor looms so large, the eloquent "Lost You in the Jet Stream" is a perfect fit.  

With All Over the Map, Eytan Mirsky proves himself to be as dependable as ever. This is a master class singer/songwriter doing what he does best, and such a thing is a joy to behold. Head on over to Bandcamp and get yourself a compact disc signed by the artist himself! 

Sunday, September 14, 2025

Rob Moss and Skin-Tight Skin and Eytan Mirsky - "Good Hair Day"/"What Happened (to the Rock 'n' Roll)?"

I've been a huge fan of the series of split singles that Rob Moss and Skin-Tight Skin have released with some of their musical friends. Moss (ex Government Issue and Artificial Peace) has had a remarkable second act with his band Skin-Tight Skin since 2020. In addition to his three excellent full-length albums, his split singles with Arthur Alexander, The Amplifier Heads, and Shake Some have been must-hear events. 

The concept is always the same: Moss collaborates with a band or artist he admires, and they each cover one of the other's songs. The results are never disappointing, and no one ever settles for a straight re-make. Part of the appeal is that Moss collaborates with artists who are kindred spirits but not necessarily completely similar in musical style. It's always fascinating to hear Moss's own songs transformed, and it's always interesting to hear him put his signature on other people's songs. 

His latest split is with the brilliant New York City-based singer/songwriter Eytan Mirsky, who has been a mainstay of the indie rock world since the mid-'90s. Of all of Moss's splits, this has been the most intriguing one so far. For this release, Moss is backed by Tom McNally (bass, handclaps) and Steve Naff (drums, percussion) along with special guest star Saul Koll (The Lovesores and The Guerrilla Teens) on lead guitar. Moss and Skin-Tight Skin take on Mirsky's song "Good Hair Day" off his 2016 album Funny Money and reimagine it as a '70s-style punk ripper. Rather than try and compete with the original (which is truly a perfect song), Moss and friends genuinely make it their own. If you listen closely, you can tell it's the same song, but this is worlds apart from Mirsky's version. And that's a good thing. I enjoy these splits so much because they celebrate great songwriting. If you're not yet familiar with Mirsky's catalog, hearing this song will make sure wish that you were! 

Mirsky, backed by Peter Kohl (guitar, bass, percussion, backing vocals), Tommy Mandel (piano, organ), and Peter McDade (drums), offers up a wonderful rendition of "What Happened (to the Rock 'n' Roll)?" off of Moss's 2024 album, RECORDS. While the original was very glam rock, Mirsky's interpretation has more of a '70s pop soul vibe to it — almost to the point that you could be convinced that this is one of his own songs. There's even a slightly different feel to the lyrics based on how Mirsky sings them. The song comes off less cynical and more wistful, yet the spirit of the song remains unchanged. Popular music is not what it used to be, and we've lost something valuable because of it. 

If you've enjoyed Moss's albums with Skin-Tight Skin, these splits are indispensable. And if you have come to discover some new artists along the way, that's the whole point. Rob Moss and Eytan Mirsky are very, very different in their musical approaches. Yet they are both exceptional artists and genuine originals. They've collaborated on a split single that ought to interest any fan of great music.