Saturday, January 31, 2026

Ricky Rochelle - "Can't Erase"


On his new single "Can't Erase," our friend Ricky Rochelle isn't holding back. He's weighing in with full fury on this dark chapter of history we're living through right now. "Bad news swirls all around, " he sings in the first line of the song. "Not in my conscience to avoid it." And so he tears into this real-life dystopian nightmare and all that it encompasses: disinformation spreading like wildfire, the normalization of hate speech, a pointless culture war tearing the people apart, a free society devolving into a police state, and blood spilling as a result of all of it. This isn't just a song —  it's a call to resistance! In collaboration with Billy Pfister, Ricky Rochelle has crafted perhaps his most modern-sounding track to date. This is leaps and bounds past his Ramones-inspired sound of old and heavily reminiscent of 2000s/2010s pop-punk with even a little touch of metal. The hard-crunching sheen of this track definitely amplifies the intensity of the lyrics. Ricky is singing his heart out because he means every word. This is certainly the most mosh pit–friendly track he has ever released, and it's also his most urgent anthem so far. The whole point is to crank up the volume, pump your fist in the air, and get inspired to take action. Last year with Second Layer, we heard all sorts of new sides to Ricky Rochelle. Clearly that progression is still very much on-going.

The Stripp - Life Imitates Art


At least 51% of music-related press releases are utterly cringeworthy. But this inspired spiel from Spaghetty Town Records on the new album from The Stripp was absolutely speaking my language: "Life Imitates Art sounds like the Aussie missing link between AC/DC, Cosmic Psychos, Radio Birdman and The Onyas." Well that sold me! On its second long player, the Melbourne-based foursome steps up from the straight-forward (albeit blistering) action rock of its debut and turns loose a powerhouse rock 'n' roll record with hooks for days. A co-release with Ghost Highway Recordings (Spain) and Beluga Records (Sweden), Life Imitates Art would be absolutely massive if they still played real rock 'n' roll on the radio. 

Fundamentally, The Stripp hasn't veered much at all from its steamrolling, high-energy approach to music. If you're looking for scorching lead guitar and a killer groove, you will be not be disappointed. But while this album brings just as much rock, it delivers a lot more roll. Certainly tracks like "Gotta Go," "Gone," and "MF from Hell" will have the action rock crowd thrashing in firm approval. Yet other songs find the band building off of the fast and furious punk rock 'n' roll blueprint in very satisfying ways. "If You Want Me To" and "Turn Back Time" would not sound out of place on your Joan Jett Pandora channel. "So Long" is kick-ass garage rock of the highest caliber. "Good for Me" is a great modern-sounding rocker with a chorus that will be stuck in your head all week. Album-closer "The End" is measured and haunting and totally unlike anything this band has done before. Bek Taylor has got insane pipes and undeniable star power, and I can absolutely see this album elevating The Stripp to a whole new level of recognition. Not an ounce of energy has been sacrificed, but the more polished production and progression in songwriting really works for this band. I don't have to say "I bet these songs would sound great live" because they also sound great on record! I can't wait to hear what Ted thinks of this album!

Wednesday, January 28, 2026

Disket - "Running"


When it comes to the type of music I like, Disket could not be much more on the money. The New York–based band has just released its first single on General Speech, and it's the perfect mashup of old school punk and late '70s-style power pop. The band, featuring Dani Tute on vocals backed by Mary and Claudia from Baby Shakes, Myke from Mala Vista, and Roberto from Vaxine, more than lives up to its star power promise on this red-hot double A-sider. "Running" barely exceeds the 90-second mark and will quickly have you in vigorous head-bobbing, toe-tapping mode. On the flip, the snappy "Vamos a ganar" eases off the gas pedal just a little but still packs one hell of a punch. This, my friends, is how you do it. The songwriting is aces, and both of these songs are equally parts catchy and rockin'. If you're left wanting more, be sure to check out Disket's demos from last summer. Hit up General Speech to pre-order the new single on black or green vinyl. This thing is going to be on everyone's top ten list at year's end!

Monday, January 26, 2026

1996 Revisited (Again!)

When I recently realized that all the records that I bought new in 1996 would be turning thirty years old this year, I got an idea. A bunch of years ago, I did a post called "1996 Revisited." What if I did a sequel to "1996 Revisited" but re-ranked these releases based on how I feel about them today? I told my friend Jay Castro about this idea, and he pitched the idea of us both writing about our favorite releases of 1996 and then tandem-posting on our blogs. And that's exactly what we have done! You can read Jay's list over at his site Shock Treatment

One thing I want to emphasize is that in 1996, I was listening to punk rock and very little else. I was buying LPs, CDs, and 7-inches like crazy and going to punk shows whenever I could. If I listened to the radio at all, it was the oldies station. I more or less completely disconnected myself from anything that was new on the radio or MTV. Certainly I've become aware over the years of other music that came out in '96. But for this list, I'm keeping it almost entirely to punk rock. That isn't to say that I bought all these records in '96, but I did buy most of them. So I listened back to all this stuff and decided to rank these albums and 7" records based on how much I like them now. There are items on this list that I didn't properly appreciate until years later, and there are a few things I loved in '96 that I'm pretty "Meh!" about today. But I've found that most of what I liked thirty years ago is stuff I still really, really like. Perhaps that means that I've had zero growth in my musical tastes over the last three decades (not surprising, ha ha!). 

1996 was a pivotal year for me. I had been a big pop-punk guy in the years prior to that, but in '96, I moved into a lot of the bands that had influenced '90s pop-punk, which ultimately led me to the newer '77-style punk bands and then garage punk. This was really the year that I fully settled on what my favorite kind of music was, and I've been in that lane ever since. Every title on this list still holds up for me. Perhaps you'll discover something here that's new to you or re-discover something you haven't thought about it in years. On to it! 

My Ten Favorite Albums of 1996 

10. The Lillingtons - Shit out of Luck (Clearview Records) 

While The Lillingtons at this point had not yet cultivated the sci-fi/horror/conspiracy themes that would ultimately define them, they arrived fully formed in terms of being a perfect three-chord pop-punk band with darkly funny lyrics and a unique singer. No shade to their later releases, but if I'm going to listen to The Lillingtons, I'm most likely reaching for their early stuff. To me, Shit out of Luck is a classic of '90s pop-punk. 

9. The Showcase Showdown - Appetite of Kings (Elevator Music)

Back in the '90s, we just called this "pogo punk." What do you call it now? I don't know, but it's awesome. 16 tracks of hyper-fast snotty punk rock with tongue-in-cheek lyrics that kind of brings to mind Johnny Rotten fronting The Toy Dolls. A stone cold gem from Boston. 

8. D Generation - No Lunch (Columbia Records)

I sometimes forget what an absolute ball of fire this record is. D Generation put out a debut album on Chrysalis Records in 1994 that was heavily hyped but probably mis-produced for a glam-punk record. After getting dropped by Chrysalis, the band found itself on Columbia Records and working with producer Ric Ocasek, who totally "got" what this band was all about. No Lunch is a perfect blend of grimy '70s punk and glam/hard rock with pop hooks a plenty. Shoulda been huge! 

7. Swingin' Utters - A Juvenile Product of the Working Class (Fat Wreck Chords)

I remember being so surprised that the Utters moved to Fat Wreck Chords for their second album. That's kind of funny now considering they've remained on the label ever since! In my mind, I always remembered there being a slight drop-off from Streets of San Francisco to A Juvenile Product of the Working Class. Listening back today, I have to say I was wrong. The level of songwriting here is beyond impressive. The Utters were never done any favors by people pigeonholing them in the "street punk" scene. This is just a great melodic old school punk rock record with the heart and soul of folk music.  

6. The Automatics (U.S.A.) - self-titled (Mutant Pop Records)

I played the hell out of this CD all through '96, and I am pleased to discover that I still love it. To me, The Automatics were far and away the most underrated pop-punk band of the '90s. Their sound was unique too: mixing hilariously snotty punk rock with bubblegum melodies and harmonies, lo-fi garage punk production, and a frantic speed & energy that just about left you breathless. If the two-minute punk song is the model of efficiency, one-and-a-half minutes is even better! 

5. The Queers - Don't Back Down (Lookout! Records)

I can't think of a whole lot of bands that have had a run of albums as good as what The Queers put out between 1993 and '96. If Love Songs for the Retarded was the band's masterpiece, Don't Back Down rates a solid #2. I love the way this album alternates between vintage Queers punk snot-rockets and pure pop songs with bubblegum and surf influences. This was The Queers' peak moment, and it still holds up three decades later. 

4. Registrators - Terminal Boredom (Rip Off Records)

At a time when Teengenerate defined why trashy, stripped-to-its-core, budget garage punk was awesome, The Registrators were like their little brothers who somehow sounded catchier and even more recklessly enthusiastic. This album was a game-changer for garage punk in the '90s, and it's still the only Registrators record I need to listen to. 

3. Mr. T. Experience - Love Is Dead (Lookout! Records)

This is the pop-punk band that even a lot of people who don't like pop-punk will admit to liking. Basically anything that MTX released in the '90s was top-notch, but this album was Dr. Frank's magnum opus. In retrospect, I now realize that MTX's charm was that they were a pop-punk for people who liked power pop (or was it the other way around?). With its smart & funny lyrics, undeniable hooks, and simple punchy guitar sound, Love Is Dead stands as one of the greatest pop-punk records of the '90s or any other decade. 

2. Beat Angels - Unhappy Hour (Epiphany) 

I was a latecomer to this band, having been swayed by Charles Matthews' steadfast evangelism. I found their first two albums in the bargain bin and played both constantly throughout the late '90s and early 2000s. There was no other band like the Beat Angels, and perhaps that was the problem. No one knew what to make of them. Were they punks, glam rockers, barroom poets, or pop stars for misfits? Perhaps it was all of the above. Unhappy Hour is truly a flawless album full of perfect pop made for people who love the Ramones, Clash, and New York Dolls.  

1. The HumpersLive Forever or Die Trying (Epitaph Records)

I was not yet hip to this album in '96, but today I would call it one of the greatest punk rock albums ever released. Anyone who thought that signing to Epitaph Records would lead to the neutering of The Humpers was dead wrong. The power and ferocity of Live Forever or Die Trying still knock me on my ass. This album and its predecessor Positively Sick on 4th Street practically invented that sub-genre of music that mixed snotty 1977 punk rock with Chuck Berry and Little Richard and then doused the whole thing in rocket fuel. Add in a pinch of SoCal punk swagger, and you've got an untouchable band. Songs like "Wake Up and Lose," "Fast, Fucked & Furious," "Beyond Belief," "Loser's Club," and "Anarchy Juice" smash just as hard today as they did thirty years ago. Imitators abounded in subsequent years, but the genuine article could never be topped. 

Honorable Mentions

The Strike - A Conscience Left to Struggle with Pockets Full of Rust

The No-Talents - self titled 

U.S. Bombs - Garibaldi Guard 

Chixdiggit - self titled 

The Slobs - Down the Tubes


My Ten Favorite 7" Records of 1996 

10. The Wongs - "Get Away!" (Rerun Records)

An often overlooked gem of later '90s lo-fi garage punk trash. When I sometimes feel like the angry old man running kids off my lawn, I'll ask why bands don't write good, old-fashioned songs like "Jerkin' It To The Trashwomen" anymore. 

9. The Queers - Bubblegum Dreams (Lookout! Records)

Even though the first song was an album cut, the exclusive tracks are essential in their own right. "Never Ever" is one of the band's finest pop songs, and that Muffs cover is pure gold. 

8. Parasites - "(Our Love Is) Top Secret" (Rocco Records)

This was right around the time when the Parasites were my favorite band on the planet, and I certainly was not disappointed in this single. 

7. Moral Crux - "Victim of Hype" (Mutant Pop Records)

We can argue all day if it's really accurate to call Moral Crux a "pop-punk" band. I might call them a '77-style pop-punk band, a pop-punk band for revolutionaries, or just a punk band. You can just call them one of the best bands of the '90s, period. 

6. The Spastics - "Cherry Pop" (Rip Off Records)

I know you can get in trouble when you start talking about the best records that ever came out on Rip Off Records. But this is definitely one of the best records that ever came out on Rip Off Records. If they had stuck around longer, they would have been one of the biggest bands in punk rock. 

5. The Prostitutes - "Get Me Sick!" (Pelado Records)

On their classic debut single, Harrisburg, Pennsylvania's finest sounded wildly ferocious and genuinely dangerous. This was my introduction to both The Prostitutes and Pelado Records — two names that always come to mind when I reflect on why later '90s punk rock ruled. 

4. Loli and the Chones - "Makeout Party" (Rip Off Records)

The next year, this band would release perhaps the greatest punk rock album of the decade. This precursor wasn't too shabby either. 

3. Dimestore Haloes - "Hate My Generation" (Junk Records)

The debut single from the band that would quickly become my favorite of the '90s. The A-side is an anthem of its time. 

2. The Beltones - "My Old Man" (Just Add Water)

The Beltones were one of the best punk bands of the later '90s and never really got proper credit for it. This single was the band's greatest moment: two stone-cold punk rock bangers featuring the raspy pipes and raw, honest lyrical brilliance of Mr. Bill McFadden.  

1. The Bobbyteens - "Firecracker" (Super*Teem!) 

I've often called this my favorite single of all-time, and I'll still stand by that. The epitome of low budget garage punk rock 'n' roll greatness. Can somebody please get this band's entire discography up on digital platforms?  

Honorable Mentions 

The Decibels - "Radio" 

Apocalypse Babys - "I Don't Wanna Be A Nazi"

Webster - "1000 Letters" and "Static"

Jakkpot - "You Ain't Shit"

Automatics - Ten Golden Greats and "Makin' Out" 

The Muffs - "I'm a Dick"

The Lillingtons - "I Lost My Marbles" 


Man! What a year! 

-L.R.

Sunday, January 25, 2026

Vista Blue - Still Curlin'


Eight years ago, Vista Blue released what I believed to be the first-ever pop record dedicated to the wonderful sport of curling — a split 7" with The Zambonis. And with the 2026 Winter Olympics drawing near, the time was right for a sequel. So Vista Blue is back with a second curling-themed release titled Still Curlin' (kudos to Nolan and Conor for the brilliant Beach Boys rip-off cover art!). 

You may recall that the energy created by Vista Blue's last curling record resulted in Olympic gold for Team U.S.A. In 2022, without a Vista Blue curling release, Team Shuster came up short in the bronze medal game. And while Team Shuster has been displaced by Team Casper, optimism abounds this year. In typical VB fashion, "We're Still Curling" is an upbeat punky pop anthem about the power of persistence and dedication. I also like how this song perpetuates a mystique that the members of Vista Blue are not just fans of curling but also competitive curlers themselves. That's a very Beach Boys angle to take, and I choose to believe that it's true: like all these guys, when they're not making music, are out there on the sheet perfecting their curling skills. There are, in fact, more than enough members in Vista Blue to form a curling team. Could they take The Vapids in a match? On the digital B-side, "Where's Team Shuster?" rips at a hardcore pace and asks a question that millions of people will be asking when they tune in to the Olympics this year. Perhaps Team Shuster will be back at the French Alps in 2030, but for now, it's all about Team Casper. Here's a crazy fact: When Vista Blue released that last curling record, Daniel Casper was only 16 years old! Can he get his squad to come up big against the vaunted teams from Great Britain and Canada? We shall see! But in the meantime, I've got my soundtrack ready.

Gene Champagne - "I Can't Pretend"


You know I always love a good cover song, so I'm more than happy to welcome Gene Champagne's new single on Rum Bar Records. It's a splendidly executed rendition of The Barracudas' 1981 classic "I Can't Pretend," a song which certainly rates as one of the greatest pure pop songs ever written. While Gene Champagne is well know as an ace drummer (The Killjoys, Teenage Head, Brad Marino, etc.), he has also shown a great knack for power pop/punk songwriting and singing with The Un-Teens and as a solo artist. And here puts his signature on an iconic tune. There is a really great history of covers of "I Can't Pretend." Teenage Head did a great version in the mid-'80s. Most people my age remember The Riverdales' cover from 1995. Then The Yum Yums recorded it in 1998. That's quite a formidable list of bands, and Gene Champagne fits right in. He takes on this song fully solo — producing, singing, and playing all the instruments. Like all the others that covered the song before him, he has the good sense to not mess around much with a perfect song. Anytime anyone covers this song, it inevitably compels a few people to seek out the album Drop Out with The Barracudas. Surely that's going to happen again, and so we thank Mr. Champagne for being the latest to spread the gospel. If you're a fan of his and are wondering if you might hear some more original songs from him this year, the Magic 8 Ball says, "Signs points to yes!"

Rob Moss - "And The Lies Go Round"


Following a series of tremendous split singles from Rob Moss and Skin-Tight Skin, Moss has released a track that's 100% solo. Moss wrote, recorded, mixed, and played everything on "And The Lies Go Round." This is his first new original song since 2024, and it's a killer tune. We've come to expect everything from proto-punk to glam rock to post-punk from Moss. On this track, he's hitting a sweet spot for me: mid-tempo old school punk with a driving anthemic riff and a sing-along chorus. While Moss is often known for sarcasm in his lyrics, this particular song's message is more straight-forwardly serious. The song is about how people today are so quick to spread very damaging lies when they literally have no idea what they're talking about — and how this sort of thing can have very dire consequences. The lyric "And they believe/Everything that they've heard/Just like sheep/Standing in a big herd" could not be more spot-on. Since returning to the world of music back in 2020, Moss has developed a very distinctive style and sound as a lead artist. Fans of his excellent albums with Skin-Tight Skin ought to find this song very much to their liking.

Friday, January 23, 2026

The ETTERS - self-titled 7"


My biggest fail in 2025, by a wide margin, was missing the boat on the greatest garage punk album in years — the debut long player from Dutch destroyers The ETTERS. When I finally heard that record, maken je hartstikke DOOD!, it practically scorched my ears clean off my head. If you too have been waiting forever for the best album that Rip Off Records never released, you're probably already an ETTERS super-fan. If not, well, now you've got two new releases to check out! Out on France's Fish & Cheap Records, The ETTERS' new self-titled 7" delivers three furious tracks of ultra-snotty lo-fi trash in three glorious minutes. Even if you don't know a single word of Dutch, you can tell how gleefully foul-mouthed and hilariously scathing these lyrics are. And this is how you play punk rock: with reckless thumping fury and a middle finger flying in the face of entire world. On top of that, these tunes are catchier than chlamydia on a college campus. With song titles that roughly translate to "There's Nothing About You That I Don't Hate" and "Eat My Snot," you know they're not singing about sunshine and roses. Had I been hip to the full-length while we are still living in 2025, it would have easily made my top three on my year-end albums list. But hey! At least I didn't make the same mistake twice! My friends in Europe will want to grab the 7" ASAP since it's extremely limited. Here in the states, import prices are probably prohibitive. But you can certainly stream the shit out of maken je hartstikke DOOD! while you guzzle cheap beer, pogo like a maniac, and plot the ruin of everyone who has ever wronged you. Cheers to Jerry, Luna, and Kate for breathing so much life into punk rock that I feel like I'm hearing it for the first time again!

Sugar - "Long Live Love"


Hearing Sugar back in the game literally gives me chills. This was the one band that was the biggest game-changer for me as a young adult discovering music that existed outside the mainstream. I was a heavy metal and classic rock kid in the '80s and was never really hip to much of anything beyond the FM dial. There were certainly some other bands that helped to open the gateway for me to indie/alternative rock, but Sugar was the band that busted it wide open and got me asking, "Where has this music been all my life?" I can still remember traipsing to the record store to buy Beaster and File Under: Easy Listening the day they came out. Copper Blue remains an all-time top ten '90s album for me, and of course Sugar sent me down the rabbit hole to Husker Du and then to all the melodic/poppy punk rock that has been the love of my musical life. When Sugar suddenly re-appeared on the scene last year with its first new song in 30 years, it was like reuniting with an old friend. And as good as "House of Dead Memories" was, new single "Long Live Love" is even better. I always enjoy Bob Mould the most when he's embracing the fine art of writing great pop songs. And "Long Live Love," which he actually wrote in 2007, is the very definition of a great pop song. It conjures all those '90s alt-rock feels without sounding like an exercise in nostalgia. It immediately sounds like Sugar, and that can only be a good thing. How unmistakable are those guitars and drums? Both new singles will be released as a 7" record later this year, and you can pre-order it here! Sugar is back, and the world is better for it!

Sunday, January 18, 2026

honeychain - "Let's Get Pretty"


What an awesome year this has been for new music already, and now we're getting a new single from from the almighty honeychain? The music gods have been kind to us! "Let's Get Pretty" is the first music I've reviewed from Hillary Burton and company since the summer of 2020. Lots of stuff has happened since then, and of course I've mentioned Burton's name a few times since she's one-half of The Trouble Seekers. "Let's Get Pretty" picks up where "Pocket Full Of Good Luck" left off, rocking quite a bit harder than honeychain's earlier releases yet still recalling the slice of '90s alternative rock that took its cues from power pop and punk. Co-produced, engineered, mixed and mastered by Michael Eisenstein from Letters to Cleo, this track manages to sound classic and modern at the same time. This is a little bit of a darker sound for honeychain, and it has a very contemporary garage rock edge to it. If The Go-Go's had formed 40 years later, they might have sounded something like this. "Let's Get Pretty" is a promising return from one of the best bands out there, and I sure hope there's more on the way!

Throttle Back Sparky - Throttle Back, Sparky (20th Anniversary Limited Edition Vinyl)


One of my favorite things about being a music fan is constantly discovering new bands and also new-to-me bands. On the occasion of its 20th anniversary, the first and only album by mid-2000s Los Angeles rock band Throttle Back Sparky has received a (very) limited vinyl release. I'm wondering where the heck I was when this album came out. Thirtysomething me would have flipped out over this thing! It's a remarkable album, and the story behind it is perhaps even more remarkable. How did a bunch of actors from a theater company, all with completely unlike musical tastes, become sensations of the LA power pop scene and release one of the best albums you never heard? Robbie Rist, who played drums on the album and produced most of the tracks, famously described Throttle Back Sparky as "seven people, each with different records in their record collections, vibrating at different frequencies, held together by rubber bands." How could you read a quote like that and not be intrigued? 

Throttle Back, Sparky, which was self-released on compact disc in 2005, is now available as a vinyl record that comes with a 32-page history of the band penned by lead singer Allen Lulu, who many of you know as an actor, music writer, and passionate rock historian. And what can I say about the album itself? In an entirely good way, it's unlike any record I've ever heard. It broadly falls under the umbrella of power pop, but any attempt to neatly place it into any defined genre of music would fail woefully. It's over-the-top theatrical yet also spectacularly hook-laden and audaciously rocking. Imagine if Meat Loaf had tried to make a hair metal record but only listened to the bands that secretly wanted to be The Raspberries or Cheap Trick, and he'd hired musicians who were into everything from punk to jazz, yet somehow it all worked through some kind of happy cosmic accident. If "Another Hoop" sounds like it could be the opening number from a rock opera, at least it's one you'd totally want to see. "Devil Got Shot" pushes itself oh-so-close to the line where a little campy might devolve into parody, but it never crosses it (largely because its hooks are undeniable, and it genuinely & convincingly rocks). "Beatrice" is the closest the album comes to power pop by the book, and it's glorious. Whatever your definition of an "epic" rock song is, "Trusted" will stretch it. Covers of The Sweet's "Hellraiser" and Cyndi Lauper's "She Bop" (which have been excluded from the Bandcamp digital version) present a fuller picture of what Throttle Back Sparky was all about, both musically and spiritually. 

If you're going to go to the trouble of releasing a largely unsung album on vinyl twenty years after its original release, above all else you have to believe in its staying power. Certainly the cult of power pop is better organized now than it was two decades ago — if not considerably larger. So there's clearly an audience for Throttle Back, Sparky beyond longtime fans who will be excited to upgrade to vinyl. More importantly, this is an album that has clearly stood the test of time. This is not a case of "You had to be there." At a time when literally thousands of new releases get launched into the ether every single day, this album is something that stands out, something highly worthy of being heard and discovered by a whole new generation of fans. With only 100 total copies of the vinyl available, there is certainly some urgency required if you want in on the action. But I also think this album will be thoroughly enjoyed by a whole lots of folks who prefer to listen to their music digitally. If you love power pop but not necessarily the "same old, same old" type stuff, Throttle Back, Sparky ought to bring a jolt of sonic excitement into your new year.

Friday, January 16, 2026

The Melmacs - "Run for Your Life"


There are quite a few albums releasing in 2026 that I'm super-excited about. #1 on the list is EUPHANCHOLIA, the sophomore long player from Dresden and Leipzig's mighty The Melmacs. The album will be out April 10th on Bakraufarfita Records and Wanda Records in Germany and Spaghetty Town Records in the USA. It has been nearly three years since I last had the privilege of writing about The Melmacs, so it's delight to today review "Run for Your Life," the first single from EUPHANCHOLIA. This song is vintage Melmacs. Musically it blends all the best parts of power pop, new wave, old school punk, and straight-forward rock 'n' roll. And in typical Melmacs fashion, the song manages to sound upbeat and infectious even though the lyrics are thoughtful and a little dark. This is really becoming this band's signature — crafting deeply serious songs yet having great fun doing it and exuding a contagious joy. This is a band you can always turn to when you're having a bad day or going through a rough patch. A little Melmacs does a lot for the soul! "Run for Your Life" has quickly emerged as my first favorite song of the year, and I can't for the world to hear the whole album!

KÜKEN - Palermo


Look who's back! Out on the forever legendary Alien Snatch Records, Palermo is the first new music from the mighty KÜKEN since KÜKEN III was released back in December of 2023. I've had the honor of touting the musical creations of Chris and Philipp for more than 26 years. And here they are in the year 2026 still smashing it up like their life depended on it. Palermo is vintage KÜKEN: four tracks of raw, thumping, and undeniably catchy punk rock that mercilessly clubs you over the head yet leaves you begging for more. These guys keep it simple as always, cranking the attitude and energy levels to ten and making sure to not cross the threshold of the two-minute song. And these tracks sound amazing, delivering exactly the sort of unbridled sonic ferocity that you would expect to emerge from a St. Pauli bunker. All four of these songs are grade-A rippers! As long as the wonder twins keep on making music, you can count on me to keep on writing about it. Daniel's remark in the liner notes about this EP being the first entry in everyone's best-of-2026 list is no joke. Maybe it's time for me to start my first draft! 

Pat Todd & the Rankoutsiders - After The Dolls


Pat Todd & the Rankoutsiders are one of the surest things in rock 'n' roll. Anything they release is guaranteed to be top-notch. And that goes for their cover songs as well. The band's new 10" EP, After The Dolls (out on Heavy Medication Records), was a passion project for Pat Todd. As one of the world's biggest fans of the New York Dolls, Todd has a deep love for the band's catalog that extends into the music the members later released as solo artists. The concept of After The Dolls was to pay tribute to some of the amazing songs that Johnny Thunders and David Johansen wrote when they were supposedly "past their peak." And when you give a great songwriter like Pat Todd the leeway to put his own twist on some old classics and deep cuts, you know you're going to get something special. 

Sometimes tribute albums fall flat, but After the Dolls feels different. All six of these tracks are inspired takes on incredible songs. The love for the original versions is palpable, but you can tell that you're listening to Pat Todd & the Rankoutsiders. Any Dolls/Thunders fan will be intimately acquainted with the material on the "Thunders side" of the record. Todd & the Rankoutsiders push the tempo on "Dead or Alive" to the point where it practically sounds like a Heartbreakers song. You can feel every ounce of heart and soul in the classic ballad "Disappointed in You." "Short Lives," from Thunders' 1985 release Que Sera, Sera, is re-worked into the roaring '70s punk classic it could have been. On the "Johansen side" of the record, the band pulls some deeper cuts. "Melody" and "Wreckless Crazy" are both from Johansen's oft-overlooked second solo album, In Style. "The Rope," one of Johansen's rawest and punkiest solo tracks, was the B-side to the 1978 single "Funky But Chic." "Wreckless Crazy," as Ted pointed out, comes out sounding like it could have been a Rankoutsiders original. It's a scorching update on the original. The band drags the disco-era blue-eyed soul of "Melody" into modern times without losing the spirit of Johansen's version. "The Rope" sounds like vintage '90s by way of the '70s punk rock 'n' roll — reiterating Johansen's profound influence on Todd and so many of his contemporaries. 

If you're going to take your shot at covering Johnny freaking Thunders and Mr. David Johansen, you can't afford to miss. With After The Dolls, Pat Todd & the Rankoutsiders show the world what a tribute album ought to be. You can tell that this project was on Todd's mind for many years. The song selection could not have been more perfect, and all six of these tracks absolutely smoke. While the band succeeds at making these songs its own, it does so with tremendous affection for the original versions. This EP will make you want to go listen to your Johnny Thunders records and perhaps seek out some David Johansen records. And that, my friends, is surely the point.

Radio Weekend - "By My Side"


Back with its second single from its forthcoming debut EP, Seattle power pop outfit Radio Weekend punches up the volume on the crunching mid-tempo rocker "By My Side." This song is giving me early '90s Pacific Northwest alternative power pop feels by way of '80s AOR, and I am here for it! I have to love a song that radiates mellow vibes but still rocks your face off. These guys are walking the line between power pop and full-on FM radio rock, and they pull that off splendidly. You get hooks a plenty but also riffs for days and even some epic guitar soloing. Another excellent single that pushes all the retro buttons in all the right ways!

Sunday, January 11, 2026

Kurt Baker - "Undertow Afterglow"


The man is back! This is my 28th time reviewing Mr. Kurt Baker as a lead artist, and I always delight in hearing new music from him. Out on Wicked Cool Records, Baker's new 7" "Undertow Afterglow" veers a little from the pop-punk influence of his more recent singles. Here we hear Baker working in his familiar lane of power pop and classic guitar pop. "Undertow Afterglow," which Baker co-wrote with Dan Miraldi, reflects a challenging year in Baker's life both personally and creatively. In one respect, it's a love song. In another, as Baker says, it "exemplifies the ups and downs of life." Sometimes when you're pulled in by the undertow, you have to hold on for dear life and trust that there's light at the end of the tunnel. This a splendidly bittersweet number full of intoxicating melodies, and a lot of people will relate to this tale of relationship upheaval. On the B-side, "My Brave Face" is a splendid cover of a song co-written by two of Baker's musical heroes: Elvis Costello and Paul McCartney. If anyone was going to be up to the task of putting his own spin on this song, it was certainly Kurt Baker! And I love how the song complements the A-side both musically and thematically. This world is always a better place with Kurt Baker's music in it, and I can't wait to hear how this next phase of his creative journey turns out! Physical copies of "Undertow Afterglow" are available on mellow yellow vinyl while supplies last!

The New Brutarians - "Tonight's Your Night (Tonight)"


The New Brutarians are back with another stone cold banger of a single! Last year's summer of singles was just the beginning! Adam T. and Robbie Rist are in full glam fury on this glitzy rocker that practically explodes out of your speakers. I'm talking scorching guitars, smashing drums, a whiff of whiskey and hairspray, and enough attitude in the vocals to raise Stiv Bators from the dead. If you dig Hanoi Rocks, the New York Dolls, early KISS, and Adam's old band The Beatings, then The New Brutarians are speaking your language! Vinyl release coming from Sioux Records later this year!

Saturday, January 10, 2026

Vista Blue - Yesterday


I love it when songwriters cover themselves! Yesterday, Vista Blue's new EP, finds Mike, Mark, and Donna tackling seven songs Mike wrote for The Robinsons between 1999 and 2009. As a huge fan of Mike Patton's singing and songwriting, I'm thrilled to hear him revisiting songs that he mostly wrote when he was in his 20s. I sometimes lose my mind when I realize how long ago the 2000s were. The math tells me that even the newest songs on this album would be old enough to drive a car, and the oldest ones would be eligible to run for Congress. At any point that these songs were being written, Donovan McNabb was my favorite football team's quarterback. 

It must have been fascinating for Mike to reacquaint himself with songs he wrote when he was young and interpret them from his present-day perspective. Are any of us really the same person we were 20 years ago? So often, we look at the things our younger selves left behind and cringe. But Mike has found at least seven Robinsons songs he liked enough to put back into the universe. And I'm so glad he did. Any Vista Blue fan who's not already a Robinsons fan will be as soon as they hear this EP! You get all the buoyant charm that you've come to expect from Vista Blue but with perhaps a little more of a pure pop-punk style. And it's clear from the jump that Mike's flair for endearingly clever lyrics is not something he only recently acquired. This all makes me very disappointed in myself for not being hip to The Robinsons back in the day. Had I known back in the early 2000s that there was a band in Chalmette, Louisiana channeling The Mr. T. Experience by way of The Blue Album, I would have been all over that! 

If you're in the "Why doesn't Mike write more love songs?" contingent, you'll be delighted by "Chalmette Romance," "You're Just a Cover," "The Lucky One," and "If Bill Gates Was My Dad." "I Love You (But the Game Is On)" has me cracking up because it reminds me of my own marriage and all the useless Philadelphia sports knowledge that my wife has had no choice but to absorb as a consequence of living with me (and yes, countless times, I've urged her to hang on because there were only two minutes left in the game). "I Hate Sonic Records" is perhaps the first love song I've ever heard that primarily exists to make fun of an overpriced record store. Mike wrote "Bedtime" before turning 33 as a response to Pulp's "Dishes," making it a perfect transitional song between his twentysomething compositions and the stuff he writes now. Because I so quickly forget that 2004 wasn't five years ago, I always relate to songs about navigating full-fledged adulthood and embracing being uncool. And when it comes to that particular kind of song, "Bedtime" is about as perfect as it gets. If this isn't the single best song in the entire Mike Patton songbook, it's at least in the top five.  

I've always found the question of quantity vs. quality to be a false dilemma fallacy. It's absolutely possible to have quantity and quality. Vista Blue is nearing 80 releases at this point, and nothing the band has ever put out has felt sub-par or phoned-in. I shouldn't be surprised that I love a new release from what is probably my favorite band, but I do have to admit that Yesterday has turned out to be far more than what I expected it to be. This is not just a band re-doing a bunch of old songs "just because." Clearly the song selections were carefully considered. These are tunes that need to be heard if this kind of music is your cup of tea. This release works as a personal reflection for Mike, but just as importantly, it's an absolutely brilliant pop-punk EP. If you like these songs and are still unfamiliar with The Robinsons, I would recommend looking into some of the band's titles on Bandcamp like 2001's Cool Down! Got It? and the compilation album Still No Apostrophes. More new stuff from Vista Blue is coming soon! 

Brad Marino - "Murder and Violence"


I've been writing about Brad Marino's solo music for eight years now. You'd think that after that long, I wouldn't be so consistently amazed by the songs he puts into the universe. Yet my reaction to his new single "Murder and Violence" is the same reaction I had to "C'Mon C'Mon C'Mon" way back when: Holy cow, that's freaking great! I wanted to go running out into the street and start raving about what an awesome tune this is! When you expect a lot from a recording artist yet always feel like you got even more than you were hoping for, that tells you that you're dealing with an extraordinary talent. 

What I love about "Murder and Violence" is that it tweaks Marino's signature pop rock 'n' roll style just a little by adding a touch of The Jesus and Mary Chain influence. It also has a slower tempo than Marino tunes typically do. Perhaps most notably, the lyrics cut really deep. I've always thought that Marino was really underrated as a lyricist, but this is one of the few times I've heard him venture into true social commentary. The title alone tells you that he's writing about serious stuff. More specifically, he's talking about how compliantly we witness violence and all sorts of other horrible things on our screens and how easily we're swayed by the politicians and media personalities who spin these tragedies for their own benefit. In the wake of this weeks' events, the message is chillingly relevant. As Marino points out, no amount of wishing or praying will "make things all right."  

"Murder and Violence" is the second single from Marino's forthcoming LP, Agent of Chaos. Gene Champagne, Bobby Davis, Ron Mullens, Caity Marino, and Dave Strong back him on this track and do amazing work. Man, 2026 sure looks like it's gonna be another amazing year for music!

F & L Best of 2025 (Skinny Version)


It has come to my attention that some of you were unable to see my New Year's Eve post. Most likely, all those embedded tracks made the post so massive that it caused some browsers to crash. So I've created a stripped-down version of the post minus all the embeds and links that I hope will be friendly to all browsers. Thank you, Roar, for the heads-up! 

Here we are on the final day of yet another year, and you're now looking at my 15th annual best-of-the-year post. How crazy is it that we're now 60% of the way through the 2020s? I'm still getting used to being in the 2020s! When I started Faster and Louder, I didn't envision it lasting five years — much less 15! But how can I stop when the music is this good? Limiting a best-of-the-year post to 30 albums, 25 singles, and 20 EPs was a daunting task. On the album list in particular, many difficult cuts had to be made. But isn't too much good music the best problem to have if you're doing a music blog? There's just so much great stuff out there in that punk/garage/power pop/etc. universe that I aim to document in this space. Thanks to all of you who make this amazing music that I'm so compelled to write about. And thanks to all of you who spend some of your precious time here reading (and listening). On to the list! 

Top 30 Albums of 2025

30. Guerrilla Teens - Monkey's Paw
More heart-pounding greatness from Scott "Deluxe" Drake and his mighty band of Portland punk rock 'n' roll superstars. This album should have gotten way more attention than it did. 

29. Melvic Centre - Trawler
An absolutely delightful throwback to 1990s college radio and melodic punk that somehow sounds current in 2025.

28. Golden Shitters - Brutal Planet
From Hamilton, Ontario, Golden Shitters deliver a true album for our times — full of delightfully catchy punk rock songs about this world going straight down the toilet.

27. Radioactivity - Time Won't Bring Me Down
A decade later, we finally get a third Radioactivity album, and of course it's a masterpiece.

26. Blowers - Blowmania
From my own review: "Many bands would be exhibiting palpable maturation by the time they got to their third album, but thankfully Blowers are doubling (or perhaps tripling) down on the thumping, rambunctious, and wonderfully stupid approach to rock 'n' roll that made them such sensations in the first place."

25. Ricky Rochelle - Second Layer
Having grown into something far more than just a Ramones-loving pop-punk guy, Ricky Rochelle takes a huge step forward on his latest solo album, writing frankly about mental health struggles, trauma, and his complicated relationship with his late father. Appropriately, Second Layer also adds musical layers to Ricky's repertoire, incorporating more modern and varied influences while still broadly appealing to fans of pop-punk. An absolute gem of an album from one of the best dudes in this scene. 

24. Ryan Allen - One Week Off
Ryan Allen ends up somewhere on my top albums list just about every year, and here he is again. He literally used a week off from work to make an album, and this is the kind of record he always excels at: home-recorded tunes with indie rock charm and power pop hooks. If you loved his album Basement Punk, this almost feels like a sequel. 

23. Lùlù - self-titled
Lùlù's debut album, sung entirely in French and Italian, demonstrates that joyful & anthemic power pop rock 'n' roll is a universal language of its own. 

22. Snakeheads - Belconnen Highs
Aussie rock veterans James Roden and Pete Lusty, who were high school mates in Canberra and friends for over 35 years, formed Snakeheads in 2016 so they could hang out and play the kind of music they loved when they were kids. After Lusty died of very aggressive lymphoma in 2020, Roden decided a fitting tribute would be to finish the album they had started together. If you too grew up on The Clash, The Jam, and '80s Aussie garage and power pop, Belconnen Highs will set your soul on fire.  

21. The Peppermint Kicks - Pop Rocks in My Chewing Gum
When Danny Kopko and Sal Baglio join forces, you can always expect fireworks. The second album from The Peppermint Kicks is a parade of glam/bubblegum/power pop smash hits straight out of 1974! 

20. The Roxies - Keep You Up at Night
The Roxies manage to do so much of what I like (combine old school punk with power pop influences) while also being remarkably original and modern in their approach. Keep You Up At Night is full of moody, thoughtful songs but does not fail to satisfy at a more visceral level. If you slept on this one, it's worth your renewed attention! 

19. The Smart Shoppers - Shop Among Us
More new wave meets punk rock meets dork rock brilliance from Green Bay's most distinguished gentlemen. 

18. Los Pepes - Out of the Void
Somehow after six albums, the loudest power pop band on Earth is still going strong without having to change much about its musical approach. If anything, this band is actually getting better! 

17. N.E. Vains - Running Down Pylons
TJ Cabot, Jeffrey Thunders, and friends are back with the most significant cooperation between New England and Atlantic Canada since the Webster–Ashburton Treaty. A straight-up killer garage punk album that marries the best of snotty punk, hardcore, and '70s punk influences. 

16. Friends of Cesar Romero - Spider Dreamer Sweet Tooth
A typically outstanding effort from my favorite one-man-band. All the best of garage rock, power pop, pop-punk, and '60s pop rock 'n' roll combined into one perfect long player. J. Waylon remains the king of clever song titles. 

15. Trevor Blendour - Breaking Up
Still seamlessly combining pop-punk with doo-wop and early rock 'n' roll influences, the great Trevor Blendour takes things a little deeper this time with very honest lyrics about his personal struggles with health and love (or the lack thereof). This is one of the most underrated songwriting talents in our corner of the music scene, and he has never been better. 

14. Miss Georgia Peach - Class out the Ass
Georgia and Travis, two of my favorite humans, reunite with their pals in Nashville Pussy & Nine Pound Hammer and again remind us what rocking old school country music is all about.  

13. Loose Lips - Last Laugh
It would be easy to overlook this "side project" band given that The Prize and The Unknowns also released albums this year. But if you like great power pop with feet planted in garage and punk, Last Laugh is not to be missed! 

12. Hormones - Hot for Hormones
Hormones were one of my favorite new bands of 2025, and their debut album is an absolute delight. In a musical style that brings to mind the Ramones with a pinch of the Buzzcocks, these 14 tracks manage to be fun and infectious while also tackling a serious concept: what it's like to navigate love and life as a recently-transitioned trans woman. I fell in love with Hormones from the very first note, and I hope there's more in store from the world's hottest band! 

11. The Prize - In the Red
I always knew a full-length album from these Melbourne-based sensations would be something special. And here we have it: 11 tracks of powerfully poppy, punk-influenced kick-ass rock 'n' roll that would be all over rock radio if rock radio were still a thing. Ted says it's the best album of the decade, and that's not an unreasonable take. 

10. Civil Rats - Get Outta Here!
We need more bands in the world like Civil Rats, who come crawling out of the streets of Philadelphia with simple, thumping garage punk songs that are super-fun to sing along with. If you like catchy three-chord punk music with relatable lyrics about getting older, putting up with annoying people, and navigating the difficulties of life, Civil Rats are a band you need to know and love.  

9. The Control Freaks - TV Generation
Greg Lowery and company return with album #4, and it's exactly what you would have hoped for: 12 tracks of fast, catchy, stupid punk rock done to perfection.

8. The High Frequencies - self-titled
Fronted by the queen of power pop, Lisa Mychols, and featuring three-fourths of The Waking Hours, The High Frequencies have delivered a debut album on JEM Records that will delight almost any fan of punky power pop that rocks. 

7. Vista Blue - Clear Eyes, Full Hearts
An album from Vista Blue based on the first season of the acclaimed television series based on the popular motion picture based on the iconic Buzz Bissinger book Friday Night Lights was absolutely something I wanted and needed in my life. But Clear Eyes, Full Hearts is far more than just a silly concept album. It's a great pop-punk album, period, and I listened to it this year as much as I listened to anything. Now I find myself wishing I could catch the Crucifictorious show, hang out Alamo Freeze, earn a coveted spot on Grady Hunt's list, and go to State.   

6. The Unknowns - Looking from the Outside
The boys from Brisbane are back doing what they do best: cranking out old style catchy punk rock with energy to burn and hooks for days. 

5. TA-80 - Open Late
The mighty TA-80 pull off something rather spectacular: play anthemic & mega-hooky poppy punk rock with the shredding zeal of an '80s hard rock band. So many bands would fail at this, but TA-80 makes it sound like the best thing ever. Open Late is full of killer tunes that ought to be cranked loud and thoroughly enjoyed. This is perhaps the one band on Earth I'd most like to drink cheap beers with at the roller rink. 

4. The Dogmatics - Nowheresville
The Dogmatics releasing their first album in 40 years (!) could have been a recipe for disappointment. But Nowheresville is everything I hoped it would be and then some. The Dogmatics still sound like The Dogmatics without resorting to self-imitation. They're still the quintessential Boston garage/punk band, but they've also got some new tricks in the playbook. Successful second acts in rock 'n' roll are rare, but Nowheresville could legitimately be called The Dogmatics' best album. 

3. N*rc*s y Horchata - precious little album 
Yes, I had to censor the name because Blogger always deletes my posts when I write about this band. And I didn't want this post stuck in limbo for a whole day. But you know which band I'm talking about! Making a big jump from album #1 to album #2, Detroit's finest builds off its signature melodic street punk rock 'n' roll style by embracing more post-punk and '80s Midwest punk influences. The songs are insanely good from start to finish, and the band has never sounded better. To me, Amado is one of the most underrated songwriters in the game. He has found a way to push himself creatively while still crafting songs that thrill and excite. And the entire band is on fire from start to finish. Behold an instant classic of modern-day punk rock! 

2. The Airport 77s - Don't Let Go
I have loved this band from the very first email Andy sent me, and every release has been better than the one that came before it. On Don't Let Go, The Airport 77s show how you can still be broadly a power pop band yet build a diverse sound off of that. Digging deeper into its new wave and '80s college radio influences but also venturing into moody post-punk on the title track and near–yacht rock on the moving empty nester ballad "Satellite," The Airport 77s really spread their wings on their third album (and second on JEM Records). While this release does have its comical moments (check out the outlaw road ballad "Make 'Em Pay [Don't Make It Easy]"), it shows a much more serious and reflective side of The Airport 77s. And yet none of this comes at the expense of memorable choruses or earworm hooks. Hearing this album was like showing up at high school graduation and discovering that the class clown from sophomore year is now valedictorian. 

1. The Vapors - Wasp in a Jar
My goodness, what year is it? I can't tell you how many times I've listened to The Vapors' New Clear Days over the years. It's quite possibly my favorite album of all-time, and for many years, I surmised that we'd never hear from The Vapors again, and that even if we did, it wouldn't be the same. Then came the improbable reunion and the excellent comeback album Together back in 2020. This year brought us the even better Wasp in a Jar, an album that proved to be classic Vapors in every sense. You can hear the age in David Fenton's voice. But that's a strength, not a weakness. Wasp in a Jar finds Fenton flourishing as a master of his craft and elder statesman of the independent music world. Musically, these songs marry punk, new wave, and power pop influences in vintage Vapors fashion. And as a lyricist, Fenton has never been sharper —whether he's writing about the current political climate, his battle with Parkinson's Disease, parenthood, or the band itself. Without trying to turn back the clock, Wasp In A Jar recalls New Clear Days. It's a similar yet quite different album — and dare I say nearly as good? I had this penciled in as my top album of the year from the start, and nothing came close to knocking it out of the top spot. Vinyl still available from Red Chuck Records! 

Honorable Mentions:

Frankie Delmane & The Deviations - After All Of This We Must Fall In Love

Strange Neighbors - People Pleasers Pleasing People

Feedbacks - Bring Back the Light

WYLDLIFE - sorted. 

Wisconsin Anger Team - Beyond The Everest Crater III

Beebe Gallini - Begged, Borrowed & Stealed

Goin' Places - Imperfect 


Top 20 EPs of 2025 

20. Handsome Dick Manitoba - Back on Broadway
Some of you might have heard of this guy.

19. Matthew Julian - The Wayside (songs that fell)
Imagine being so talented that you can release stuff this good as leftovers. The next Speedways album is written and now being rehearsed. 

18. The Hellflowers - Teenage Radio
Six classic covers from this amazing SoCal punk band. Be sure not to miss Rum Bar's deluxe CD reissue of this band's first two LPs! 

17. Shit Missile - self-titled
World class lo-fi trash from Berlin!

16. Whimsyland - Bounty Bay
They say sequels are made to be disappointing, but Chadd Derkins doesn't play by those rules.

15. Barpinson - Population
Saturday Night Karaoke main-man Prabu Pramayougha goes solo and takes things in more of a power pop direction.

14. Linear Television - Sandy Beach
If you think pop-punk by way of '77 punk (or perhaps vice versa) sounds like my cup of tea, you would be right. 

13. Borderlines - Repair Kit
Portland, Maine pop-punk veterans write the manual on how to make this sort of music for grown-ups.

12. Flutter - When You Love Somebody
Very excellent power pop from this new-ish band out of Denver, Colorado. 

11. Soda Pops - Sweet Nothing
"Bubbling with bright riffs and bittersweet vibes, Soda Pops bring a sugar-coated chaos with their garage pop tunes with distorted guitars, tongue-in-cheek lyrics about serious issues like substance abuse & mental health problems, sing-along hooks, and enough sweet nothings to keep your heart warm while it breaks."

10. Mala Vista - Snub Nose .38
In my book, this is the best '77-style punk band out there right now. One of my most loyal readers likened the title track to the best of Radio Birdman, and who am I to argue? 

9. Dimmicks - self-titled
Six tracks of amazing co-ed pop-punk from Toulouse, France! Malibu Lou says he's reminded of the Teen Idols, and that is some high praise! 

8. Daniel James Gang - Darkness Over This Town
After dropping the smash hit "Misery" last year, Daniel James and friends came through with a full EP early this year. If dark and gritty Midwestern punk with irresistible pop hooks sounds like your cup of tea, you need to own this record. 

7. Vista Blue - The Shift Is Dead
There may literally be over 100,000 new songs getting released every day in this modern musical landscape, but these are the first six in history to make baseball puns out of Smiths song titles. I wish they'd added a song called "There Is a Guy Who Never Strikes Out," but that's a minor complaint. 

6. Geoff Palmer - Kodak Flash
You can never go wrong with Geoff Palmer. I've been a fan of his since the early days of this blog, and the addition of my favorite guitar player to his band surely didn't hurt! 

5. Friends of Cesar Romero - Cars, Guitars, Girls
Installment #47.5 in the Doomed Babe Series is a royal treat for fans of power pop with a side of heartbreak.

4. Perilous - SOS
Originally released as a monthly series of standalone tracks, Perilous's summer of singles now lives as a proper EP. With its blend of old school punk, perfect pop, and kick-ass rock 'n' roll, Bufalo, New York's Perilous has emerged as one of the best new bands of the decade. In a better world, "Revolution Calling" and "Dear Heart" would be all over the radio.

3. The States - Gimme Joy
I never know what to do with a 7-track album. Is that a long EP or a short album? Whatever it is, Gimme Joy was one of the best things to be released this year: a reminder of what loud and exciting rock 'n' roll with infectious pop hooks ought to be. Australia wins as always.

2. The Vibeke Saugestad Band - The Sun Sessions
Norway's power pop queen Vibeke Saugestad, now based in New York, is back with a new band (her first in over a decade) and again treating the world to rocking pop music of the highest quality. The Sun Sessions finds her digging back into the '60s for musical inspiration. If the whole point of an EP is that it's supposed to leave you wanting more, then we can call it mission accomplished! 

1. The Jive - Extended Play
More on this one later. 


Top 25 Singles of 2025 

25. Outtacontroller - "Hold It Out"/"At Night"
As always, this band is pure class. 

24. Unicorn Dogs - "Sad Adult"/"Replaceable"
You have to love a band that can write one song about how sucky it is to grow old and another about how AI is going to take all our jobs and still have it all come out sounding this rousing and anthemic!

23. Kurt Baker - "Warm in the Winter"
I bet some of you forgot that Kurt Baker released music this year!

22. Kid Gulliver - "24 Hours"
More great power pop from a band that specializes in that very thing.

21. Automatic Lovers - "Boston Brats"
Old school '77-style punk rock from Spain that sounds like it really could have come out in 1977! B-side is a cover of local legends Kirk and The Jerks.

20. The New Brutarians - "Born Out of This Time"
This was the first installment in the "summer of hits" delivered by Adam T and friends. Glam punk with a power pop heart!

19. Ricky Rochelle - "Imagine Being Eric"
Of course Ricky Rochelle's album Second Layer was a significant achievement in 2025, but he also released some excellent standalone singles. "Imagine Being Eric," with its early '80s new wave pop sound and message of kindness and empathy, was a true breath of fresh air this year.

18. Friends of Cesar Romero - "Empress of the South Pole"
This is the first of three singles by Friends of Cesar Romero to make this list. This one-man-band remains a true hidden gem of the garage/power pop/punk scene.

17. Cindy Lawson - "The Reckoning"
Back with her first new release since 2023's Don't Come Crying To Me EP, the Twin Cities rock legend Cindy Lawson is in full punk rock mode on this blistering number about an evil individual who finally gets taken down. "Karma's a bitch, but so am I," sings Lawson, and you can't help feeling gleeful about her triumph. In Lawson's words, this song is "for anyone who's been burned, betrayed, and silenced."

16. Dany Laj and The Looks - "Ça Va"
Debuting their first-ever track to be sung exclusively in French, Dany Laj and The Looks send out a message of hope in times that too often seem hopeless. The idea that things will ultimately be okay can be hard to subscribe to, but this song will make you believe it.

15. Friends of Cesar Romero - "Can't Get You"

14. Sugar - "House of Dead Memories"
How can I not be excited about the return of one of the bands that was most instrumental in leading me into the wonderful world of music that exists outside the mainstream?

13. Autogramm - "Randy"
Any band that writes a song that's intended to lift the spirits of a pet cat has my heart for sure.  If The Cars and Devo had a baby, this would be it. Great Diodes cover on the B-side!

12. Split System - "On the Edge"/"On the Loose"
What can we say about this band that hasn't been said before? Real deal Aussie punk rock brings the fire and fury. Both of these songs are anthems for these anxiety-ridden times.

11. The Chelsea Curve - "Kindawanna"
The first new original song from The Chelsea Curve in over two years was a red-hot summertime smash! This mod-influenced power pop banger will have you daydreaming about all the fun things you could be doing with your latest crush.

10. The Lemon Drop Gang - "Somethin'"
From the band I've called the best on the Rum Bar Records roster, here are two more shots of sublimely crafted desert garage pop songs that meld unabashedly dark vibes with intoxicating melodies.

9. Friends of Cesar Romero - "Florencia"

8. The Number Ones - "Sorry"
My god, this could have come out on Good Vibrations Records in 1979!

7. The Dahlmanns - "Leatherboys"
The triumphant return of The Dahlmanns is something a little different, with lyrics inspired by the erotic artist Tom of Finland and a sound straight out of late '60s/early '70s Detroit. But being a Dahlmanns song, it's still an infectious, hook-laden delight. And then you get a Prince cover on the flip side! The band's new album, Life in Reverse, will be out early in the new year.

6. The Lemon Drop Gang - Mind and Wine
Is the best Lemon Drop Gang single yet? It just might be!

5. The Sideshows - "Brand New"/"The Start"
Rich Ragany and his longtime drummer Simon Maxwell traveled to the Spanish countryside to record with the legendary Sami Yaffa in his home studio. Magic happened, and a new band was born.

4. The Speedways - "Visiting Hours"
The first new Speedways track in a couple years was no disappointment. Matt channels Joe Jackson and Squeeze on this metaphor-laced ode to forgiveness. On the B-side,  "Now That I Know How" recalls Tom Petty by way of the Beatles, and what's not to love about that?

3. Brad Marino - "Voodoo"
Brad Marino is a staple of my annual best-of lists! "Voodoo" is one of his most straight-forward power pop tunes and an absolute gem of a song. On the B-side, "Between Planets" is a cover of one of the best Jesus and Mary Chain songs!

2. The Coolies - "Bad, Bad Boy"
Joined on this track by Kathy Valentine and the late Clem Burke, Palmyra Delran and Melanie Vammen summon their dear friend Kim Shattuck's spirit on this absolutely perfect pop song. You'd swear she was in the room with them when the song was recorded. And in a way, she was

1. The Sleeveens - "Downtown"
This is a rare case where a songwriter (Stefan Murphy) essentially covers his own song, and you're not left thinking, "What was the point?" Yes, the original Mighty Stef version of "Downtown" is a classic in its own right. But the song was practically begging for a fiery garage rock 'n' roll kick in the pants from The Sleeveens, and I love how some of the lyrics have become all the more poignant due to the present state of the world (The line "How do they expect us to relate when they fill our heads with lies and then have the cheek to wonder why we grow to hate them?" could have been written yesterday!). The first verse alone is some of the most powerful poetry to ever grace a rock 'n' roll song:

You know, the nine-to-five is eating us alive
Eating us alive
We are not kings, we are foot soldiers
On the road to nowhere
This is not the way it was supposed to be
We promised ourselves a revolution
But we ended up walking out in the cold again

By the time Murphy sings, "We're ok, we can roll with the punches any day because we're made of steel, we're made of stone!" you'll be ready to run through a brick wall! The Sleeveens, who had my #1 single of 2023, are back on top!


2025 Song of the Year 
Vista Blue - "Can't Lose"

This one was an easy choice. "Can't Lose" by Vista Blue was a song that became my personal anthem in 2025. Without getting into anything too specific, I'll just say this was a tough and challenging year in my life. From the first time I heard "Can't Lose," I realized the song was more than it seemed to be. And when adversity started to creep up on me this year, the song became a source of strength. On the surface, this is a simple pop-punk song from an album full of songs about the first season of the television series Friday Night Lights. And while it references a fictional football coach's iconic motivational speech, the song has a deeper meaning than Friday Night Lights or even football. Mike really managed to capture the more universal message of the phrase "Clear Eyes, Full Hearts. Look at how he's writing about football but also not really writing about football: 

When you think you can't win, and you wanna give it up
Yeah, you think of giving in cause the days are too long
Lying on your back, and the sun is in your eyes
When you realize that the other guy was too strong
But each day we're paying our dues
And we say, "Clear eyes, full hearts, can't lose."

I don't know about you, but I'm ready to take on the world! Coach Taylor can take a songwriting co-credit if he wants, but I love how Mike found a way make his message universal. When no one else in the world believes in you, you have to keep believing in yourself. If certain people look at Mike Patton and say, "He's such a talented pop-punk songwriter; why doesn't he write more love songs?", I would answer by saying that if you write about the things you love, all your songs are love songs.

Best Split Release of 2025 
Gino and the Goons/Chinese Junk - Talk Trash With

I'm never quite sure what to do with splits. Do I just put them in with regular albums? Can I count them as compilations (probably not)? Are they their own category? Well here we have a split for the ages brought to you by the venerable Big Neck Records. As the liner notes say, "Gino and the Goons hit with their signature recklessness, loose, loud, and dirty rock and roll with stomping rhythms. Chinese Junk come in swinging from the UK with hook laden punk rockers, wrapped in a snotty, scuzzy lo-fi attack." These are two of the best bands from the modern-day garage punk and punk rock 'n' roll universe, both delivering a half-album's worth of primo material. When it comes to trash, only the finest will do. 

Best Debut Release of 2025 
The Jive - Extended Play

Hands down, The Jive was my favorite new discovery of 2025. This duo from the Philly suburbs has brought back the radio hit power pop of my youth. And when I say these guys write hits, I mean these guys write hits! If you like catchy choruses, earworm hooks, punchy guitars, soaring harmonies, and timeless lyrics about the ups and downs of romantic love, this just might be your next favorite band. Extended Play is presented as an EP, but it plays more like a package of six singles that went #1 on six continents. When these guys sing, "I'm the one who got that melody stuck in your head/I'm the one who gets you dancing around," they might as well be talking to you. 

Best Compilation Album of 2025 
The Beaten Hearts - 2010 Recordings

2025 was an excellent year for compilation albums. Rum Bar Records released an amazing retrospective on The Kowalskis as well as that really hot Brad Marino singles collection. The Bladder Bladder Bladder odds and sods comp on No Front Teeth was something I'd been waiting decades for a label to put out. But the comp that got the most plays in the Rutledge household in 2025 was this 11-track digital album which compiles all of The Beaten Hearts' 2009-2010 studio recordings. This blog is so old that I actually reviewed many of these songs when they first came out! The Beaten Hearts were Brian LaManna's band in between The Valentine Killers and The Phone Jerks. Among others, the lineup included Moncton punk legend Ray Auffrey and future Phone Jerk Tyler Boutilier. Six of these tracks came out on two separate 7" EPs in 2010, and the rest were unreleased until this year. It all comes together as a killer (no pun intended) album — mixing the best elements of '90s garage punk rawk 'n' roll with Pagans/Saints/Dead Boys old school punk fury and LaManna's thoughtful, often deeply personal lyrics. You can think of this album as a hint of what the second Valentine Killers album could have been or as a sign of what The Phone Jerks would later become. Either way, it rules, and it's free! 


2025 Record Label of the Year 
Mom's Basement Records

For the second year in a row, I had to give the nod to Mom's Basement Records. Being someone who has always loved pop-punk, I feel like this label manages to reignite that love every year. And I love how Mom's Basement can turn a new release into a true event. Just look at some of the stuff John and Tricia put into the world this year: that Borderlines EP, a Bacarrudas Halloween record, a surprise Young Hasselhoffs 7", a Beatnik Termites/Putz split 12", first-ever vinyl issues for Boris the Sprinkler's Gets a Clue and The Unicorn Dogs' Age Typical Junk Behavior, and new albums from The Remote Controls, Goin' Places, Dropped Out, The Rip Taylors, and Regal Beagle. And that's not even close to everything that came out this year on MBR! I really need to send these folks a tangible prize: perhaps official F & L varsity jackets, some high-quality glassware, or glow-in-the-dark yo-yos.

2025 Music Site of the Year 
Takin' A Ride

You might know Drunk Ted from Flipside and Scam-O-Rama Records. His site Takin' A Ride is always a must-read of mine because his passion for music is off the charts. His content includes live show reviews, record reviews, (very thorough) band interviews, and more. He travels a lot and sees a ton of bands, and I appreciate the reports from the trenches. I also appreciate that he's an old school punk guy and a '70s/'80s heavy metal guy. Something cool he did this year was to re-mix a whole bunch of soundboard recordings from Van Halen shows and post them on the site. And it must be said: any music site that publishes a six-part interview series with Hector Penalosa is a site you ought to be reading! 

***

So that's a wrap on 2025. For a fuller picture of what was good in our world this year, be sure check out the reader top tens I posted yesterday. Bring on 2026! There's already quite a bit I'm looking forward to in the new year (such as new albums from Brad Marino, The Melmacs, The Speedways, and The Dahlmanns), and I'm sure there will also be plenty of surprises and new findings. To all of you, I hope the upcoming year is full of happiness and hot tunes. See you next year!

-L.R.

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