Saturday, January 31, 2026
Ricky Rochelle - "Can't Erase"
On his new single "Can't Erase," our friend Ricky Rochelle isn't holding back. He's weighing in with full fury on this dark chapter of history we're living through right now. "Bad news swirls all around, " he sings in the first line of the song. "Not in my conscience to avoid it." And so he tears into this real-life dystopian nightmare and all that it encompasses: disinformation spreading like wildfire, the normalization of hate speech, a pointless culture war tearing the people apart, a free society devolving into a police state, and blood spilling as a result of all of it. This isn't just a song — it's a call to resistance! In collaboration with Billy Pfister, Ricky Rochelle has crafted perhaps his most modern-sounding track to date. This is leaps and bounds past his Ramones-inspired sound of old and heavily reminiscent of 2000s/2010s pop-punk with even a little touch of metal. The hard-crunching sheen of this track definitely amplifies the intensity of the lyrics. Ricky is singing his heart out because he means every word. This is certainly the most mosh pit–friendly track he has ever released, and it's also his most urgent anthem so far. The whole point is to crank up the volume, pump your fist in the air, and get inspired to take action. Last year with Second Layer, we heard all sorts of new sides to Ricky Rochelle. Clearly that progression is still very much on-going.
The Stripp - Life Imitates Art
At least 51% of music-related press releases are utterly cringeworthy. But this inspired spiel from Spaghetty Town Records on the new album from The Stripp was absolutely speaking my language: "Life Imitates Art sounds like the Aussie missing link between AC/DC, Cosmic Psychos, Radio Birdman and The Onyas." Well that sold me! On its second long player, the Melbourne-based foursome steps up from the straight-forward (albeit blistering) action rock of its debut and turns loose a powerhouse rock 'n' roll record with hooks for days. A co-release with Ghost Highway Recordings (Spain) and Beluga Records (Sweden), Life Imitates Art would be absolutely massive if they still played real rock 'n' roll on the radio.
https://thestripp.bandcamp.com/album/life-imitates-art
https://ghosthighwayrecordings.bandcamp.com/album/life-imitates-art
https://belugarecords.bandcamp.com/album/life-imitates-art
https://open.spotify.com/album/6WOaP30mi5FXjWiDLjz5zy
https://www.instagram.com/the_stripp/
https://www.facebook.com/TheStrippOfficial/
https://spaghettytownrecords.bigcartel.com/product/the-stripp-life-imitates-art-lp-or-cd
https://www.instagram.com/spaghettytownrecords
https://www.facebook.com/SpaghettyTown/
Wednesday, January 28, 2026
Disket - "Running"
When it comes to the type of music I like, Disket could not be much more on the money. The New York–based band has just released its first single on General Speech, and it's the perfect mashup of old school punk and late '70s-style power pop. The band, featuring Dani Tute on vocals backed by Mary and Claudia from Baby Shakes, Myke from Mala Vista, and Roberto from Vaxine, more than lives up to its star power promise on this red-hot double A-sider. "Running" barely exceeds the 90-second mark and will quickly have you in vigorous head-bobbing, toe-tapping mode. On the flip, the snappy "Vamos a ganar" eases off the gas pedal just a little but still packs one hell of a punch. This, my friends, is how you do it. The songwriting is aces, and both of these songs are equally parts catchy and rockin'. If you're left wanting more, be sure to check out Disket's demos from last summer. Hit up General Speech to pre-order the new single on black or green vinyl. This thing is going to be on everyone's top ten list at year's end!
Monday, January 26, 2026
1996 Revisited (Again!)
One thing I want to emphasize is that in 1996, I was listening to punk rock and very little else. I was buying LPs, CDs, and 7-inches like crazy and going to punk shows whenever I could. If I listened to the radio at all, it was the oldies station. I more or less completely disconnected myself from anything that was new on the radio or MTV. Certainly I've become aware over the years of other music that came out in '96. But for this list, I'm keeping it almost entirely to punk rock. That isn't to say that I bought all these records in '96, but I did buy most of them. So I listened back to all this stuff and decided to rank these albums and 7" records based on how much I like them now. There are items on this list that I didn't properly appreciate until years later, and there are a few things I loved in '96 that I'm pretty "Meh!" about today. But I've found that most of what I liked thirty years ago is stuff I still really, really like. Perhaps that means that I've had zero growth in my musical tastes over the last three decades (not surprising, ha ha!).
1996 was a pivotal year for me. I had been a big pop-punk guy in the years prior to that, but in '96, I moved into a lot of the bands that had influenced '90s pop-punk, which ultimately led me to the newer '77-style punk bands and then garage punk. This was really the year that I fully settled on what my favorite kind of music was, and I've been in that lane ever since. Every title on this list still holds up for me. Perhaps you'll discover something here that's new to you or re-discover something you haven't thought about it in years. On to it!
My Ten Favorite Albums of 1996
10. The Lillingtons - Shit out of Luck (Clearview Records)
While The Lillingtons at this point had not yet cultivated the sci-fi/horror/conspiracy themes that would ultimately define them, they arrived fully formed in terms of being a perfect three-chord pop-punk band with darkly funny lyrics and a unique singer. No shade to their later releases, but if I'm going to listen to The Lillingtons, I'm most likely reaching for their early stuff. To me, Shit out of Luck is a classic of '90s pop-punk.
9. The Showcase Showdown - Appetite of Kings (Elevator Music)
Back in the '90s, we just called this "pogo punk." What do you call it now? I don't know, but it's awesome. 16 tracks of hyper-fast snotty punk rock with tongue-in-cheek lyrics that kind of brings to mind Johnny Rotten fronting The Toy Dolls. A stone cold gem from Boston.
8. D Generation - No Lunch (Columbia Records)
I sometimes forget what an absolute ball of fire this record is. D Generation put out a debut album on Chrysalis Records in 1994 that was heavily hyped but probably mis-produced for a glam-punk record. After getting dropped by Chrysalis, the band found itself on Columbia Records and working with producer Ric Ocasek, who totally "got" what this band was all about. No Lunch is a perfect blend of grimy '70s punk and glam/hard rock with pop hooks a plenty. Shoulda been huge!
7. Swingin' Utters - A Juvenile Product of the Working Class (Fat Wreck Chords)
I remember being so surprised that the Utters moved to Fat Wreck Chords for their second album. That's kind of funny now considering they've remained on the label ever since! In my mind, I always remembered there being a slight drop-off from Streets of San Francisco to A Juvenile Product of the Working Class. Listening back today, I have to say I was wrong. The level of songwriting here is beyond impressive. The Utters were never done any favors by people pigeonholing them in the "street punk" scene. This is just a great melodic old school punk rock record with the heart and soul of folk music.
6. The Automatics (U.S.A.) - self-titled (Mutant Pop Records)
I played the hell out of this CD all through '96, and I am pleased to discover that I still love it. To me, The Automatics were far and away the most underrated pop-punk band of the '90s. Their sound was unique too: mixing hilariously snotty punk rock with bubblegum melodies and harmonies, lo-fi garage punk production, and a frantic speed & energy that just about left you breathless. If the two-minute punk song is the model of efficiency, one-and-a-half minutes is even better!
5. The Queers - Don't Back Down (Lookout! Records)
I can't think of a whole lot of bands that have had a run of albums as good as what The Queers put out between 1993 and '96. If Love Songs for the Retarded was the band's masterpiece, Don't Back Down rates a solid #2. I love the way this album alternates between vintage Queers punk snot-rockets and pure pop songs with bubblegum and surf influences. This was The Queers' peak moment, and it still holds up three decades later.
4. Registrators - Terminal Boredom (Rip Off Records)
At a time when Teengenerate defined why trashy, stripped-to-its-core, budget garage punk was awesome, The Registrators were like their little brothers who somehow sounded catchier and even more recklessly enthusiastic. This album was a game-changer for garage punk in the '90s, and it's still the only Registrators record I need to listen to.
3. Mr. T. Experience - Love Is Dead (Lookout! Records)
This is the pop-punk band that even a lot of people who don't like pop-punk will admit to liking. Basically anything that MTX released in the '90s was top-notch, but this album was Dr. Frank's magnum opus. In retrospect, I now realize that MTX's charm was that they were a pop-punk for people who liked power pop (or was it the other way around?). With its smart & funny lyrics, undeniable hooks, and simple punchy guitar sound, Love Is Dead stands as one of the greatest pop-punk records of the '90s or any other decade.
2. Beat Angels - Unhappy Hour (Epiphany)
I was a latecomer to this band, having been swayed by Charles Matthews' steadfast evangelism. I found their first two albums in the bargain bin and played both constantly throughout the late '90s and early 2000s. There was no other band like the Beat Angels, and perhaps that was the problem. No one knew what to make of them. Were they punks, glam rockers, barroom poets, or pop stars for misfits? Perhaps it was all of the above. Unhappy Hour is truly a flawless album full of perfect pop made for people who love the Ramones, Clash, and New York Dolls.
1. The Humpers - Live Forever or Die Trying (Epitaph Records)
I was not yet hip to this album in '96, but today I would call it one of the greatest punk rock albums ever released. Anyone who thought that signing to Epitaph Records would lead to the neutering of The Humpers was dead wrong. The power and ferocity of Live Forever or Die Trying still knock me on my ass. This album and its predecessor Positively Sick on 4th Street practically invented that sub-genre of music that mixed snotty 1977 punk rock with Chuck Berry and Little Richard and then doused the whole thing in rocket fuel. Add in a pinch of SoCal punk swagger, and you've got an untouchable band. Songs like "Wake Up and Lose," "Fast, Fucked & Furious," "Beyond Belief," "Loser's Club," and "Anarchy Juice" smash just as hard today as they did thirty years ago. Imitators abounded in subsequent years, but the genuine article could never be topped.
Honorable Mentions
The Strike - A Conscience Left to Struggle with Pockets Full of Rust
The No-Talents - self titled
U.S. Bombs - Garibaldi Guard
Chixdiggit - self titled
The Slobs - Down the Tubes
My Ten Favorite 7" Records of 1996
10. The Wongs - "Get Away!" (Rerun Records)
An often overlooked gem of later '90s lo-fi garage punk trash. When I sometimes feel like the angry old man running kids off my lawn, I'll ask why bands don't write good, old-fashioned songs like "Jerkin' It To The Trashwomen" anymore.
9. The Queers - Bubblegum Dreams (Lookout! Records)
Even though the first song was an album cut, the exclusive tracks are essential in their own right. "Never Ever" is one of the band's finest pop songs, and that Muffs cover is pure gold.
8. Parasites - "(Our Love Is) Top Secret" (Rocco Records)
This was right around the time when the Parasites were my favorite band on the planet, and I certainly was not disappointed in this single.
7. Moral Crux - "Victim of Hype" (Mutant Pop Records)
We can argue all day if it's really accurate to call Moral Crux a "pop-punk" band. I might call them a '77-style pop-punk band, a pop-punk band for revolutionaries, or just a punk band. You can just call them one of the best bands of the '90s, period.
6. The Spastics - "Cherry Pop" (Rip Off Records)
I know you can get in trouble when you start talking about the best records that ever came out on Rip Off Records. But this is definitely one of the best records that ever came out on Rip Off Records. If they had stuck around longer, they would have been one of the biggest bands in punk rock.
5. The Prostitutes - "Get Me Sick!" (Pelado Records)
On their classic debut single, Harrisburg, Pennsylvania's finest sounded wildly ferocious and genuinely dangerous. This was my introduction to both The Prostitutes and Pelado Records — two names that always come to mind when I reflect on why later '90s punk rock ruled.
4. Loli and the Chones - "Makeout Party" (Rip Off Records)
The next year, this band would release perhaps the greatest punk rock album of the decade. This precursor wasn't too shabby either.
3. Dimestore Haloes - "Hate My Generation" (Junk Records)
The debut single from the band that would quickly become my favorite of the '90s. The A-side is an anthem of its time.
2. The Beltones - "My Old Man" (Just Add Water)
The Beltones were one of the best punk bands of the later '90s and never really got proper credit for it. This single was the band's greatest moment: two stone-cold punk rock bangers featuring the raspy pipes and raw, honest lyrical brilliance of Mr. Bill McFadden.
1. The Bobbyteens - "Firecracker" (Super*Teem!)
I've often called this my favorite single of all-time, and I'll still stand by that. The epitome of low budget garage punk rock 'n' roll greatness. Can somebody please get this band's entire discography up on digital platforms?
Honorable Mentions
The Decibels - "Radio"
Apocalypse Babys - "I Don't Wanna Be A Nazi"
Webster - "1000 Letters" and "Static"
Jakkpot - "You Ain't Shit"
Automatics - Ten Golden Greats and "Makin' Out"
The Muffs - "I'm a Dick"
The Lillingtons - "I Lost My Marbles"
Man! What a year!
Sunday, January 25, 2026
Vista Blue - Still Curlin'
Eight years ago, Vista Blue released what I believed to be the first-ever pop record dedicated to the wonderful sport of curling — a split 7" with The Zambonis. And with the 2026 Winter Olympics drawing near, the time was right for a sequel. So Vista Blue is back with a second curling-themed release titled Still Curlin' (kudos to Nolan and Conor for the brilliant Beach Boys rip-off cover art!).
You may recall that the energy created by Vista Blue's last curling record resulted in Olympic gold for Team U.S.A. In 2022, without a Vista Blue curling release, Team Shuster came up short in the bronze medal game. And while Team Shuster has been displaced by Team Casper, optimism abounds this year. In typical VB fashion, "We're Still Curling" is an upbeat punky pop anthem about the power of persistence and dedication. I also like how this song perpetuates a mystique that the members of Vista Blue are not just fans of curling but also competitive curlers themselves. That's a very Beach Boys angle to take, and I choose to believe that it's true: like all these guys, when they're not making music, are out there on the sheet perfecting their curling skills. There are, in fact, more than enough members in Vista Blue to form a curling team. Could they take The Vapids in a match? On the digital B-side, "Where's Team Shuster?" rips at a hardcore pace and asks a question that millions of people will be asking when they tune in to the Olympics this year. Perhaps Team Shuster will be back at the French Alps in 2030, but for now, it's all about Team Casper. Here's a crazy fact: When Vista Blue released that last curling record, Daniel Casper was only 16 years old! Can he get his squad to come up big against the vaunted teams from Great Britain and Canada? We shall see! But in the meantime, I've got my soundtrack ready.
Gene Champagne - "I Can't Pretend"
You know I always love a good cover song, so I'm more than happy to welcome Gene Champagne's new single on Rum Bar Records. It's a splendidly executed rendition of The Barracudas' 1981 classic "I Can't Pretend," a song which certainly rates as one of the greatest pure pop songs ever written. While Gene Champagne is well know as an ace drummer (The Killjoys, Teenage Head, Brad Marino, etc.), he has also shown a great knack for power pop/punk songwriting and singing with The Un-Teens and as a solo artist. And here puts his signature on an iconic tune. There is a really great history of covers of "I Can't Pretend." Teenage Head did a great version in the mid-'80s. Most people my age remember The Riverdales' cover from 1995. Then The Yum Yums recorded it in 1998. That's quite a formidable list of bands, and Gene Champagne fits right in. He takes on this song fully solo — producing, singing, and playing all the instruments. Like all the others that covered the song before him, he has the good sense to not mess around much with a perfect song. Anytime anyone covers this song, it inevitably compels a few people to seek out the album Drop Out with The Barracudas. Surely that's going to happen again, and so we thank Mr. Champagne for being the latest to spread the gospel. If you're a fan of his and are wondering if you might hear some more original songs from him this year, the Magic 8 Ball says, "Signs points to yes!"
Rob Moss - "And The Lies Go Round"
Following a series of tremendous split singles from Rob Moss and Skin-Tight Skin, Moss has released a track that's 100% solo. Moss wrote, recorded, mixed, and played everything on "And The Lies Go Round." This is his first new original song since 2024, and it's a killer tune. We've come to expect everything from proto-punk to glam rock to post-punk from Moss. On this track, he's hitting a sweet spot for me: mid-tempo old school punk with a driving anthemic riff and a sing-along chorus. While Moss is often known for sarcasm in his lyrics, this particular song's message is more straight-forwardly serious. The song is about how people today are so quick to spread very damaging lies when they literally have no idea what they're talking about — and how this sort of thing can have very dire consequences. The lyric "And they believe/Everything that they've heard/Just like sheep/Standing in a big herd" could not be more spot-on. Since returning to the world of music back in 2020, Moss has developed a very distinctive style and sound as a lead artist. Fans of his excellent albums with Skin-Tight Skin ought to find this song very much to their liking.
Friday, January 23, 2026
The ETTERS - self-titled 7"
My biggest fail in 2025, by a wide margin, was missing the boat on the greatest garage punk album in years — the debut long player from Dutch destroyers The ETTERS. When I finally heard that record, maken je hartstikke DOOD!, it practically scorched my ears clean off my head. If you too have been waiting forever for the best album that Rip Off Records never released, you're probably already an ETTERS super-fan. If not, well, now you've got two new releases to check out! Out on France's Fish & Cheap Records, The ETTERS' new self-titled 7" delivers three furious tracks of ultra-snotty lo-fi trash in three glorious minutes. Even if you don't know a single word of Dutch, you can tell how gleefully foul-mouthed and hilariously scathing these lyrics are. And this is how you play punk rock: with reckless thumping fury and a middle finger flying in the face of entire world. On top of that, these tunes are catchier than chlamydia on a college campus. With song titles that roughly translate to "There's Nothing About You That I Don't Hate" and "Eat My Snot," you know they're not singing about sunshine and roses. Had I been hip to the full-length while we are still living in 2025, it would have easily made my top three on my year-end albums list. But hey! At least I didn't make the same mistake twice! My friends in Europe will want to grab the 7" ASAP since it's extremely limited. Here in the states, import prices are probably prohibitive. But you can certainly stream the shit out of maken je hartstikke DOOD! while you guzzle cheap beer, pogo like a maniac, and plot the ruin of everyone who has ever wronged you. Cheers to Jerry, Luna, and Kate for breathing so much life into punk rock that I feel like I'm hearing it for the first time again!
Sugar - "Long Live Love"
Hearing Sugar back in the game literally gives me chills. This was the one band that was the biggest game-changer for me as a young adult discovering music that existed outside the mainstream. I was a heavy metal and classic rock kid in the '80s and was never really hip to much of anything beyond the FM dial. There were certainly some other bands that helped to open the gateway for me to indie/alternative rock, but Sugar was the band that busted it wide open and got me asking, "Where has this music been all my life?" I can still remember traipsing to the record store to buy Beaster and File Under: Easy Listening the day they came out. Copper Blue remains an all-time top ten '90s album for me, and of course Sugar sent me down the rabbit hole to Husker Du and then to all the melodic/poppy punk rock that has been the love of my musical life. When Sugar suddenly re-appeared on the scene last year with its first new song in 30 years, it was like reuniting with an old friend. And as good as "House of Dead Memories" was, new single "Long Live Love" is even better. I always enjoy Bob Mould the most when he's embracing the fine art of writing great pop songs. And "Long Live Love," which he actually wrote in 2007, is the very definition of a great pop song. It conjures all those '90s alt-rock feels without sounding like an exercise in nostalgia. It immediately sounds like Sugar, and that can only be a good thing. How unmistakable are those guitars and drums? Both new singles will be released as a 7" record later this year, and you can pre-order it here! Sugar is back, and the world is better for it!
Sunday, January 18, 2026
honeychain - "Let's Get Pretty"
What an awesome year this has been for new music already, and now we're getting a new single from from the almighty honeychain? The music gods have been kind to us! "Let's Get Pretty" is the first music I've reviewed from Hillary Burton and company since the summer of 2020. Lots of stuff has happened since then, and of course I've mentioned Burton's name a few times since she's one-half of The Trouble Seekers. "Let's Get Pretty" picks up where "Pocket Full Of Good Luck" left off, rocking quite a bit harder than honeychain's earlier releases yet still recalling the slice of '90s alternative rock that took its cues from power pop and punk. Co-produced, engineered, mixed and mastered by Michael Eisenstein from Letters to Cleo, this track manages to sound classic and modern at the same time. This is a little bit of a darker sound for honeychain, and it has a very contemporary garage rock edge to it. If The Go-Go's had formed 40 years later, they might have sounded something like this. "Let's Get Pretty" is a promising return from one of the best bands out there, and I sure hope there's more on the way!
Throttle Back Sparky - Throttle Back, Sparky (20th Anniversary Limited Edition Vinyl)
One of my favorite things about being a music fan is constantly discovering new bands and also new-to-me bands. On the occasion of its 20th anniversary, the first and only album by mid-2000s Los Angeles rock band Throttle Back Sparky has received a (very) limited vinyl release. I'm wondering where the heck I was when this album came out. Thirtysomething me would have flipped out over this thing! It's a remarkable album, and the story behind it is perhaps even more remarkable. How did a bunch of actors from a theater company, all with completely unlike musical tastes, become sensations of the LA power pop scene and release one of the best albums you never heard? Robbie Rist, who played drums on the album and produced most of the tracks, famously described Throttle Back Sparky as "seven people, each with different records in their record collections, vibrating at different frequencies, held together by rubber bands." How could you read a quote like that and not be intrigued?
Throttle Back, Sparky, which was self-released on compact disc in 2005, is now available as a vinyl record that comes with a 32-page history of the band penned by lead singer Allen Lulu, who many of you know as an actor, music writer, and passionate rock historian. And what can I say about the album itself? In an entirely good way, it's unlike any record I've ever heard. It broadly falls under the umbrella of power pop, but any attempt to neatly place it into any defined genre of music would fail woefully. It's over-the-top theatrical yet also spectacularly hook-laden and audaciously rocking. Imagine if Meat Loaf had tried to make a hair metal record but only listened to the bands that secretly wanted to be The Raspberries or Cheap Trick, and he'd hired musicians who were into everything from punk to jazz, yet somehow it all worked through some kind of happy cosmic accident. If "Another Hoop" sounds like it could be the opening number from a rock opera, at least it's one you'd totally want to see. "Devil Got Shot" pushes itself oh-so-close to the line where a little campy might devolve into parody, but it never crosses it (largely because its hooks are undeniable, and it genuinely & convincingly rocks). "Beatrice" is the closest the album comes to power pop by the book, and it's glorious. Whatever your definition of an "epic" rock song is, "Trusted" will stretch it. Covers of The Sweet's "Hellraiser" and Cyndi Lauper's "She Bop" (which have been excluded from the Bandcamp digital version) present a fuller picture of what Throttle Back Sparky was all about, both musically and spiritually.
If you're going to go to the trouble of releasing a largely unsung album on vinyl twenty years after its original release, above all else you have to believe in its staying power. Certainly the cult of power pop is better organized now than it was two decades ago — if not considerably larger. So there's clearly an audience for Throttle Back, Sparky beyond longtime fans who will be excited to upgrade to vinyl. More importantly, this is an album that has clearly stood the test of time. This is not a case of "You had to be there." At a time when literally thousands of new releases get launched into the ether every single day, this album is something that stands out, something highly worthy of being heard and discovered by a whole new generation of fans. With only 100 total copies of the vinyl available, there is certainly some urgency required if you want in on the action. But I also think this album will be thoroughly enjoyed by a whole lots of folks who prefer to listen to their music digitally. If you love power pop but not necessarily the "same old, same old" type stuff, Throttle Back, Sparky ought to bring a jolt of sonic excitement into your new year.
Friday, January 16, 2026
The Melmacs - "Run for Your Life"
There are quite a few albums releasing in 2026 that I'm super-excited about. #1 on the list is EUPHANCHOLIA, the sophomore long player from Dresden and Leipzig's mighty The Melmacs. The album will be out April 10th on Bakraufarfita Records and Wanda Records in Germany and Spaghetty Town Records in the USA. It has been nearly three years since I last had the privilege of writing about The Melmacs, so it's delight to today review "Run for Your Life," the first single from EUPHANCHOLIA. This song is vintage Melmacs. Musically it blends all the best parts of power pop, new wave, old school punk, and straight-forward rock 'n' roll. And in typical Melmacs fashion, the song manages to sound upbeat and infectious even though the lyrics are thoughtful and a little dark. This is really becoming this band's signature — crafting deeply serious songs yet having great fun doing it and exuding a contagious joy. This is a band you can always turn to when you're having a bad day or going through a rough patch. A little Melmacs does a lot for the soul! "Run for Your Life" has quickly emerged as my first favorite song of the year, and I can't for the world to hear the whole album!
KÜKEN - Palermo
Look who's back! Out on the forever legendary Alien Snatch Records, Palermo is the first new music from the mighty KÜKEN since KÜKEN III was released back in December of 2023. I've had the honor of touting the musical creations of Chris and Philipp for more than 26 years. And here they are in the year 2026 still smashing it up like their life depended on it. Palermo is vintage KÜKEN: four tracks of raw, thumping, and undeniably catchy punk rock that mercilessly clubs you over the head yet leaves you begging for more. These guys keep it simple as always, cranking the attitude and energy levels to ten and making sure to not cross the threshold of the two-minute song. And these tracks sound amazing, delivering exactly the sort of unbridled sonic ferocity that you would expect to emerge from a St. Pauli bunker. All four of these songs are grade-A rippers! As long as the wonder twins keep on making music, you can count on me to keep on writing about it. Daniel's remark in the liner notes about this EP being the first entry in everyone's best-of-2026 list is no joke. Maybe it's time for me to start my first draft!
Pat Todd & the Rankoutsiders - After The Dolls
Pat Todd & the Rankoutsiders are one of the surest things in rock 'n' roll. Anything they release is guaranteed to be top-notch. And that goes for their cover songs as well. The band's new 10" EP, After The Dolls (out on Heavy Medication Records), was a passion project for Pat Todd. As one of the world's biggest fans of the New York Dolls, Todd has a deep love for the band's catalog that extends into the music the members later released as solo artists. The concept of After The Dolls was to pay tribute to some of the amazing songs that Johnny Thunders and David Johansen wrote when they were supposedly "past their peak." And when you give a great songwriter like Pat Todd the leeway to put his own twist on some old classics and deep cuts, you know you're going to get something special.
Sometimes tribute albums fall flat, but After the Dolls feels different. All six of these tracks are inspired takes on incredible songs. The love for the original versions is palpable, but you can tell that you're listening to Pat Todd & the Rankoutsiders. Any Dolls/Thunders fan will be intimately acquainted with the material on the "Thunders side" of the record. Todd & the Rankoutsiders push the tempo on "Dead or Alive" to the point where it practically sounds like a Heartbreakers song. You can feel every ounce of heart and soul in the classic ballad "Disappointed in You." "Short Lives," from Thunders' 1985 release Que Sera, Sera, is re-worked into the roaring '70s punk classic it could have been. On the "Johansen side" of the record, the band pulls some deeper cuts. "Melody" and "Wreckless Crazy" are both from Johansen's oft-overlooked second solo album, In Style. "The Rope," one of Johansen's rawest and punkiest solo tracks, was the B-side to the 1978 single "Funky But Chic." "Wreckless Crazy," as Ted pointed out, comes out sounding like it could have been a Rankoutsiders original. It's a scorching update on the original. The band drags the disco-era blue-eyed soul of "Melody" into modern times without losing the spirit of Johansen's version. "The Rope" sounds like vintage '90s by way of the '70s punk rock 'n' roll — reiterating Johansen's profound influence on Todd and so many of his contemporaries.
If you're going to take your shot at covering Johnny freaking Thunders and Mr. David Johansen, you can't afford to miss. With After The Dolls, Pat Todd & the Rankoutsiders show the world what a tribute album ought to be. You can tell that this project was on Todd's mind for many years. The song selection could not have been more perfect, and all six of these tracks absolutely smoke. While the band succeeds at making these songs its own, it does so with tremendous affection for the original versions. This EP will make you want to go listen to your Johnny Thunders records and perhaps seek out some David Johansen records. And that, my friends, is surely the point.
https://heavymedicationrecords.bandcamp.com/album/after-the-dolls-e-p
https://www.facebook.com/pattoddrankoutsiders/
https://www.instagram.com/pat_todd_rankoutsider/
https://open.spotify.com/artist/62LLJc4KvbemlGofyWJyRo
https://www.heavymedication.com/
https://www.instagram.com/heavy_medication/
https://www.facebook.com/HeavyMedication
Radio Weekend - "By My Side"
Back with its second single from its forthcoming debut EP, Seattle power pop outfit Radio Weekend punches up the volume on the crunching mid-tempo rocker "By My Side." This song is giving me early '90s Pacific Northwest alternative power pop feels by way of '80s AOR, and I am here for it! I have to love a song that radiates mellow vibes but still rocks your face off. These guys are walking the line between power pop and full-on FM radio rock, and they pull that off splendidly. You get hooks a plenty but also riffs for days and even some epic guitar soloing. Another excellent single that pushes all the retro buttons in all the right ways!
Sunday, January 11, 2026
Kurt Baker - "Undertow Afterglow"
The man is back! This is my 28th time reviewing Mr. Kurt Baker as a lead artist, and I always delight in hearing new music from him. Out on Wicked Cool Records, Baker's new 7" "Undertow Afterglow" veers a little from the pop-punk influence of his more recent singles. Here we hear Baker working in his familiar lane of power pop and classic guitar pop. "Undertow Afterglow," which Baker co-wrote with Dan Miraldi, reflects a challenging year in Baker's life both personally and creatively. In one respect, it's a love song. In another, as Baker says, it "exemplifies the ups and downs of life." Sometimes when you're pulled in by the undertow, you have to hold on for dear life and trust that there's light at the end of the tunnel. This a splendidly bittersweet number full of intoxicating melodies, and a lot of people will relate to this tale of relationship upheaval. On the B-side, "My Brave Face" is a splendid cover of a song co-written by two of Baker's musical heroes: Elvis Costello and Paul McCartney. If anyone was going to be up to the task of putting his own spin on this song, it was certainly Kurt Baker! And I love how the song complements the A-side both musically and thematically. This world is always a better place with Kurt Baker's music in it, and I can't wait to hear how this next phase of his creative journey turns out! Physical copies of "Undertow Afterglow" are available on mellow yellow vinyl while supplies last!
The New Brutarians - "Tonight's Your Night (Tonight)"
The New Brutarians are back with another stone cold banger of a single! Last year's summer of singles was just the beginning! Adam T. and Robbie Rist are in full glam fury on this glitzy rocker that practically explodes out of your speakers. I'm talking scorching guitars, smashing drums, a whiff of whiskey and hairspray, and enough attitude in the vocals to raise Stiv Bators from the dead. If you dig Hanoi Rocks, the New York Dolls, early KISS, and Adam's old band The Beatings, then The New Brutarians are speaking your language! Vinyl release coming from Sioux Records later this year!
Saturday, January 10, 2026
Vista Blue - Yesterday
I love it when songwriters cover themselves! Yesterday, Vista Blue's new EP, finds Mike, Mark, and Donna tackling seven songs Mike wrote for The Robinsons between 1999 and 2009. As a huge fan of Mike Patton's singing and songwriting, I'm thrilled to hear him revisiting songs that he mostly wrote when he was in his 20s. I sometimes lose my mind when I realize how long ago the 2000s were. The math tells me that even the newest songs on this album would be old enough to drive a car, and the oldest ones would be eligible to run for Congress. At any point that these songs were being written, Donovan McNabb was my favorite football team's quarterback.
It must have been fascinating for Mike to reacquaint himself with songs he wrote when he was young and interpret them from his present-day perspective. Are any of us really the same person we were 20 years ago? So often, we look at the things our younger selves left behind and cringe. But Mike has found at least seven Robinsons songs he liked enough to put back into the universe. And I'm so glad he did. Any Vista Blue fan who's not already a Robinsons fan will be as soon as they hear this EP! You get all the buoyant charm that you've come to expect from Vista Blue but with perhaps a little more of a pure pop-punk style. And it's clear from the jump that Mike's flair for endearingly clever lyrics is not something he only recently acquired. This all makes me very disappointed in myself for not being hip to The Robinsons back in the day. Had I known back in the early 2000s that there was a band in Chalmette, Louisiana channeling The Mr. T. Experience by way of The Blue Album, I would have been all over that!
If you're in the "Why doesn't Mike write more love songs?" contingent, you'll be delighted by "Chalmette Romance," "You're Just a Cover," "The Lucky One," and "If Bill Gates Was My Dad." "I Love You (But the Game Is On)" has me cracking up because it reminds me of my own marriage and all the useless Philadelphia sports knowledge that my wife has had no choice but to absorb as a consequence of living with me (and yes, countless times, I've urged her to hang on because there were only two minutes left in the game). "I Hate Sonic Records" is perhaps the first love song I've ever heard that primarily exists to make fun of an overpriced record store. Mike wrote "Bedtime" before turning 33 as a response to Pulp's "Dishes," making it a perfect transitional song between his twentysomething compositions and the stuff he writes now. Because I so quickly forget that 2004 wasn't five years ago, I always relate to songs about navigating full-fledged adulthood and embracing being uncool. And when it comes to that particular kind of song, "Bedtime" is about as perfect as it gets. If this isn't the single best song in the entire Mike Patton songbook, it's at least in the top five.
I've always found the question of quantity vs. quality to be a false dilemma fallacy. It's absolutely possible to have quantity and quality. Vista Blue is nearing 80 releases at this point, and nothing the band has ever put out has felt sub-par or phoned-in. I shouldn't be surprised that I love a new release from what is probably my favorite band, but I do have to admit that Yesterday has turned out to be far more than what I expected it to be. This is not just a band re-doing a bunch of old songs "just because." Clearly the song selections were carefully considered. These are tunes that need to be heard if this kind of music is your cup of tea. This release works as a personal reflection for Mike, but just as importantly, it's an absolutely brilliant pop-punk EP. If you like these songs and are still unfamiliar with The Robinsons, I would recommend looking into some of the band's titles on Bandcamp like 2001's Cool Down! Got It? and the compilation album Still No Apostrophes. More new stuff from Vista Blue is coming soon!
Brad Marino - "Murder and Violence"
I've been writing about Brad Marino's solo music for eight years now. You'd think that after that long, I wouldn't be so consistently amazed by the songs he puts into the universe. Yet my reaction to his new single "Murder and Violence" is the same reaction I had to "C'Mon C'Mon C'Mon" way back when: Holy cow, that's freaking great! I wanted to go running out into the street and start raving about what an awesome tune this is! When you expect a lot from a recording artist yet always feel like you got even more than you were hoping for, that tells you that you're dealing with an extraordinary talent.
F & L Best of 2025 (Skinny Version)
Top 30 Albums of 2025
More heart-pounding greatness from Scott "Deluxe" Drake and his mighty band of Portland punk rock 'n' roll superstars. This album should have gotten way more attention than it did.
From my own review: "Many bands would be exhibiting palpable maturation by the time they got to their third album, but thankfully Blowers are doubling (or perhaps tripling) down on the thumping, rambunctious, and wonderfully stupid approach to rock 'n' roll that made them such sensations in the first place."
Lùlù's debut album, sung entirely in French and Italian, demonstrates that joyful & anthemic power pop rock 'n' roll is a universal language of its own.
13. Loose Lips - Last Laugh
Honorable Mentions:
Frankie Delmane & The Deviations - After All Of This We Must Fall In Love
Strange Neighbors - People Pleasers Pleasing People
Feedbacks - Bring Back the Light
WYLDLIFE - sorted.
Wisconsin Anger Team - Beyond The Everest Crater III
Beebe Gallini - Begged, Borrowed & Stealed
Goin' Places - Imperfect
Top 20 EPs of 2025
20. Handsome Dick Manitoba - Back on Broadway
Some of you might have heard of this guy.
19. Matthew Julian - The Wayside (songs that fell)
Imagine being so talented that you can release stuff this good as leftovers. The next Speedways album is written and now being rehearsed.
Six classic covers from this amazing SoCal punk band. Be sure not to miss Rum Bar's deluxe CD reissue of this band's first two LPs!
Saturday Night Karaoke main-man Prabu Pramayougha goes solo and takes things in more of a power pop direction.
"Bubbling with bright riffs and bittersweet vibes, Soda Pops bring a sugar-coated chaos with their garage pop tunes with distorted guitars, tongue-in-cheek lyrics about serious issues like substance abuse & mental health problems, sing-along hooks, and enough sweet nothings to keep your heart warm while it breaks."
Six tracks of amazing co-ed pop-punk from Toulouse, France! Malibu Lou says he's reminded of the Teen Idols, and that is some high praise!
After dropping the smash hit "Misery" last year, Daniel James and friends came through with a full EP early this year. If dark and gritty Midwestern punk with irresistible pop hooks sounds like your cup of tea, you need to own this record.
Debuting their first-ever track to be sung exclusively in French, Dany Laj and The Looks send out a message of hope in times that too often seem hopeless. The idea that things will ultimately be okay can be hard to subscribe to, but this song will make you believe it.
This is a rare case where a songwriter (Stefan Murphy) essentially covers his own song, and you're not left thinking, "What was the point?" Yes, the original Mighty Stef version of "Downtown" is a classic in its own right. But the song was practically begging for a fiery garage rock 'n' roll kick in the pants from The Sleeveens, and I love how some of the lyrics have become all the more poignant due to the present state of the world (The line "How do they expect us to relate when they fill our heads with lies and then have the cheek to wonder why we grow to hate them?" could have been written yesterday!). The first verse alone is some of the most powerful poetry to ever grace a rock 'n' roll song:
You know, the nine-to-five is eating us alive
Eating us alive
We are not kings, we are foot soldiers
On the road to nowhere
This is not the way it was supposed to be
We promised ourselves a revolution
But we ended up walking out in the cold again
Vista Blue - "Can't Lose"
Yeah, you think of giving in cause the days are too long
Lying on your back, and the sun is in your eyes
When you realize that the other guy was too strong
But each day we're paying our dues
And we say, "Clear eyes, full hearts, can't lose."
I don't know about you, but I'm ready to take on the world! Coach Taylor can take a songwriting co-credit if he wants, but I love how Mike found a way make his message universal. When no one else in the world believes in you, you have to keep believing in yourself. If certain people look at Mike Patton and say, "He's such a talented pop-punk songwriter; why doesn't he write more love songs?", I would answer by saying that if you write about the things you love, all your songs are love songs.
Gino and the Goons/Chinese Junk - Talk Trash With
The Jive - Extended Play
The Beaten Hearts - 2010 Recordings
For the second year in a row, I had to give the nod to Mom's Basement Records. Being someone who has always loved pop-punk, I feel like this label manages to reignite that love every year. And I love how Mom's Basement can turn a new release into a true event. Just look at some of the stuff John and Tricia put into the world this year: that Borderlines EP, a Bacarrudas Halloween record, a surprise Young Hasselhoffs 7", a Beatnik Termites/Putz split 12", first-ever vinyl issues for Boris the Sprinkler's Gets a Clue and The Unicorn Dogs' Age Typical Junk Behavior, and new albums from The Remote Controls, Goin' Places, Dropped Out, The Rip Taylors, and Regal Beagle. And that's not even close to everything that came out this year on MBR! I really need to send these folks a tangible prize: perhaps official F & L varsity jackets, some high-quality glassware, or glow-in-the-dark yo-yos.
Takin' A Ride
***
So that's a wrap on 2025. For a fuller picture of what was good in our world this year, be sure check out the reader top tens I posted yesterday. Bring on 2026! There's already quite a bit I'm looking forward to in the new year (such as new albums from Brad Marino, The Melmacs, The Speedways, and The Dahlmanns), and I'm sure there will also be plenty of surprises and new findings. To all of you, I hope the upcoming year is full of happiness and hot tunes. See you next year!
Faster and Louder Best of Archive









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