Showing posts with label Seattle. Show all posts
Showing posts with label Seattle. Show all posts

Wednesday, July 01, 2026

Songs From The Film* - "She Don't Mind"/"Waiting For the World to Explode"


I didn't have much time to cry in my beer over the sudden split of The Cheap Cassettes. Charles Matthews has already launched his new solo project Songs From The Film* (who doesn't love a good Tommy Keene reference every once in a while?). A debut single (and video!) have been unleashed on this very blessed day. Are you ready? Are you excited? 

The beauty of recording solo material is that it doesn't necessarily have to fit in with any particular band or even any particular genre of music. You can just write the songs that are in your heart. Whatever comes out is whatever comes out! My history with writing about Charles's music now dates back 30 years. We were both young men then. Now, we're somehow still young men since 55 is the new 30. The first thing I'll say about this single is that it sounds like Charles. This is him on a plate that you'll absolutely want to eat up. This isn't specifically a punk rock project or a power pop project, but you can hear elements of both — along with all that bubblegum glam rock and big hair new wave pop we all grew up on. Anyone who loved the Dimestore Haloes and Cheap Cassettes will recognize Charles's signature style and voice. It's not like this is his Metal Machine Music. He's still in the familiar territory of hooky three-chord rock 'n' roll with punchy guitars. But at the same time, this is something a little different. You can hear Charles experimenting a little with his guitar tone, vocals, and the overall vibe. The guitar riffs on "She Don't Mind" are by themselves worth the price of admission. 

Upbeat and rockin,' "She Don't Mind" is a more conventional loud pop love song and certified smash. I literally laughed out loud at the entire first verse — not just because of the cleverness of it all but also because I recognized my own experience in those lines. If you can find your person who can put up with all your weirdness and return it with their own wonderful weirdness, that's a priceless, beautiful thing. A line like "And the day we met, I knew I'd be your singin', dancin' clown" hits me so hard that it gives me chills. If that's a little too much feelgood for your tastes, the mid-tempo rocker "Waiting For the World to Explode" ought to be very much to your liking. Who can't relate to a song about being so disenchanted with living in this dystopian timeline that you start thinking that the complete obliteration of the world might be a best-case scenario? Tailgating the apocalypse with a six-pack of Corona would be half-hearted; a 12-pack, though, is a full commitment. I love social commentary, sarcasm, and dark humor. Put them all together, and you've got pure gold. 

Recording by yourself has to be way harder than it seems. You are responsible for getting every detail right, and you're likely to be far more critical of yourself than you'd be of bandmates. When it comes to all those hours spent rehearsing and recording in solitude, you better damn well hope you like the company. It takes a special temperament and skill set to excel as a solo artist. For every George Michael, there are ten Stings. Thankfully, Charles Matthews is the antithesis of Sting. When I first heard "She Don't Mind," I knew that he had freaking nailed it with this new project. It was an immediate "Holy shit! This is good!" reaction. And before I could consider that maybe I was just a weirdo with funny taste in music, bona fide movers and shakers like Malibu Lou and Ryan Meyers had joined the fan club too. I'll gladly throw my lot in with those guys. Songs From The Film* has come out firing like a rocket. Digital is available now from the mighty Rum Bar Records. Vinyl is coming soon from Sioux Records. And how cool is that music video? Add the title of "filmmaker" to Charles's resume!

Sunday, April 26, 2026

Radio Weekend - Circles


In recent months, I've written about a couple of singles from Seattle, Washington's Radio Weekend. This foursome is my kind of band. They're right there in that punk-adjacent power pop lane that has always been a sweet spot for me, but they don't really sound like any other band out there. They've carved themselves a nice little niche of their own. They cite some classic influences (The Cars, Cheap Trick, Ramones) but never really sound like they're trying to imitate those bands. There are a couple homages here and there (see if you can spot them!), but Radio Weekend's sound is more of a general vibe. As I listen to new EP Circles, my mind keeps jumping to '90s punk-pop and alt-rock — but by way of the late '70s and early '80s. Essentially, this is the band for all of us who were drawn to pop-punk and power pop because we were new wave kids.

I've previously commented on "Rather Be Lonely" and "By My Side." Circles includes those two songs plus four more. If crunchy, punchy power poppy goodness is your jam, you will find much to like here. If you were out and about and heard any of these songs pop up on a random playlist, you'd be like, "Wow! Who is this?" These guys aren't trying to break new ground, but there sure is a place in 2026 for three-minute love songs that sound like they could have been radio hits 30 or 40 years ago.  These guys sure know how to write a catchy tune with some oomph to it. "Back to Yesterday" and The Last Ones' cover "Number One Again" are on the punkier end of the spectrum, while "Can't Slow Down" is solid mid-tempo power pop. The title track, which tops the four-minute mark, achieves the perfect balance of punch and melancholy. And man, that hook is massive! You totally could have danced to this one with your junior high crush at the 8th grade formal. Is "Rather Be Lonely" still "the hit"? Probably. But this is a darn solid EP all the way through, and I love how the cassette packaging throws it back to the era in culture that inspired these songs. Kudos to Michael Springer and Scott Von Rocket (a supporter of mine for 30 years!) for mixing and mastering these tracks into radio-ready shape.

Friday, January 16, 2026

Radio Weekend - "By My Side"


Back with its second single from its forthcoming debut EP, Seattle power pop outfit Radio Weekend punches up the volume on the crunching mid-tempo rocker "By My Side." This song is giving me early '90s Pacific Northwest alternative power pop feels by way of '80s AOR, and I am here for it! I have to love a song that radiates mellow vibes but still rocks your face off. These guys are walking the line between power pop and full-on FM radio rock, and they pull that off splendidly. You get hooks a plenty but also riffs for days and even some epic guitar soloing. Another excellent single that pushes all the retro buttons in all the right ways!

Wednesday, December 24, 2025

Radio Weekend - "Rather Be Lonely"


We're getting close to the end of the year, but the hits just keep on coming. Arriving in advance of an EP coming next year, "Rather Be Lonely" is the official debut release from Seattle-based foursome Radio Weekend (the band also put out a demo a couple years ago). With a band name like Radio Weekend, you'd expect a certain kind of sound. And that's pretty much what you get: think early '80s radio hit power pop with just enough punch to entice the punk rockers. The band cites all the right influences (The Cars, Cheap Trick, Ramones), but what I particularly like about "Rather Be Lonely" is how "big" it sounds. Sometimes the missing piece for power pop bands is that they just don't quite rock enough. Well, this tune rocks plenty. I can totally imagine hearing this song coming out of my transistor radio when I was 10. Or maybe your older sibling would have semi slow-danced to it at the prom in 1981. Kudos to our pal Scott Von Rocket for mastering the hell out of this track! If you like big hooks, catchy choruses, and lots of melodic lead guitar, Radio Weekend is a band you need to be watching closely in the months ahead.

Friday, December 27, 2024

The Heats - self-titled


We'll close out my 2024 reviews with a piece on a new record from an old band. Seattle's The Heats are legends in the power pop universe. In my book, their 1980 debut album Have An Idea is a classic of the genre and remains largely underrated outside the community of power pop super-fans. Last year, original members Steve Pearson (guitar, vocals), Keith Lilly (bass guitar) and Ken Deans (drums) got the band back together, enlisting Jon Memolo on guitar and vocals to round out the lineup. Their goal was to make a new record, and they did just that. Simply titled The Heats, this is the band's first new studio material in 43 years. And you know what? It's really good! The band mostly sticks to a straight-forward style of power pop rooted in no-nonsense rock 'n' roll. You can tell they set out to make a record that would still sound like The Heats. Obviously after forty plus years, the band isn't going to sound exactly the same. But The Heats is sure to be a fan-pleaser with its simple approach and rock-solid execution. These guys still know how to write a punchy pop song with a killer hook. I would say this album is very comparable to the excellent Paul Collins LP from earlier this year. "I Hope You're Wrong" and "Heartbroken Past" are top-quality hooky rockers. "She Belongs To Me," "As If," and "Let's Pretend" are power pop by the book. Tracks like "For You" and "Where's Your Love Now" blur the lines between power pop and '70s/'80s AOR. If you're a longtime fan of The Heats, this very long awaited sophomore LP will not disappoint you. When you think about that whole generation of bands that defined power pop in the late '70s and early '80s, you realize that we'll never have the opportunity to hear from many of them ever again. To be able to hear The Heats sounding this good in 2024 is a gift. Hit up The Heats' website to order the album!

Friday, October 11, 2024

The Cheap Cassettes - They'll Never Forgive You For Pop


They'll Never Forgive You For Pop
is a pretty funny name for an album that's far less pop than anybody would have ever expected. The Cheap Cassettes, who released a textbook rockin' power pop album in 2022's Ever Since Ever Since, have gone in a somewhat different direction on their brilliant third LP, a Rum Bar Records/Cassettes On Record Records joint release. While They'll Never Forgive You For Pop still fits the big tent definition of power pop I like to subscribe to, it doesn't tie itself to any single genre — unless "psychedelic garage-glam-alternative pop" counts as a single genre. The Cheap Cassettes have basically made their own (The Damned) The Black Album, and I am all about that! 

Much of the difference between this album and the last one for The Cheap Cassettes is the addition of Seattle music legend Scott Sutherland (Chemistry Set, The Model Rockets, Llama) to the band. Sutherland joins Charles Matthews on guitar and lead vocals, and he contributes five of the album's 11 songs. I'm having a hard time thinking of a precedent for a situation like this — where a great band that had existed for a decade-plus with one vocalist/songwriter brought in a second vocalist/songwriter and became even greater as a result! Not only is Sutherland a fantastic songwriter, but he also infuses an oddball 1980s/early '90s left of the dial flavor into The Cheap Cassettes' rootsy pop rock 'n' roll sound. As songwriters, Matthews and Sutherland have styles that are contrasting yet complementary. And that, my friends, is the secret sauce. Not surprisingly, the level of songwriting on They'll Never Forgive You For Pop is top tier. 

I've been touting Charles Matthews as a great songwriter for more than a quarter century, and this is the best set of songs I've ever heard him bring to a record. On opening track "New Gun In Town" and lead single "Bad Xerox," he's still demonstrating that power pop is one of the purest forms of rock 'n' roll. Dude knows how to write a catchy tune with killer lyrics! In some far cooler alternate universe, these songs are all over the radio. If the rocker "Creeping Thyme" were any catchier, it would be the subject of conspiracy theories. And a la Paul Westerberg, Matthews turns out deeper cuts which are just as good if not better than the obvious hits. "Don't You Want To Know" brings to mind the later '60s heyday of psychedelic pop yet still sounds like vintage Charles Matthews. The melodious, heartfelt ballad "Hung The Moon" just might be the best song Matthews has ever written. "Fade To Nothin'" is a tearjerker love song which epitomizes pop music with soul. 

Sutherland, in his Cheap Cassettes debut, delivers some remarkable material in his own right. "Everyone But You" is perfect guitar pop with a quirky touch. "If You Know, You Know" is haunting cosmic glam with hints of '60s psych-pop. "The Strangest Friends" is sure to be stuck in your head for the rest of the month if not the year. And then there's "Down to Mexico," which in my book is the centerpiece of the album. Sutherland wrote the song with his friend Jim Honeycutt when they 13 years old. It's unlike anything else on the album or anything else The Cheap Cassettes have ever done. Hearing it for the first time, you might find yourself asking out loud, "What band is this?" Yet it's a brilliant six-and-a-half-minute epic of a rock song — a genius mix of garage, punk, heavy rock, and indie skronk that succeeds on the strength of inspired vocal and musical performances. Every time I listen to the album, I get a little giddy when it's time for this track. It took balls to stick a song like this in the middle of the album, and these guys 100% pulled it off! 

I have conflicting feelings about "power pop" as a musical label. I can use it as a general way to describe a lot of the music I like. But I would never use the term to limit what kinds of songs I would want a band to write. The Cheap Cassettes are still all about big hooks and big guitars, but I kind of love that they've gone out and made a record that could very well alienate a lot of the power pop purists and gatekeepers. Coming off a sophomore album which was essentially produced in pandemic isolation, these guys had to be stoked to get together in the studio and just have fun making a rock 'n' roll record. They'll Never Forgive You For Pop captures a confident band firing on all cylinders and basking in the thrill of trying new things. I remember Matthews telling me he thought this record might garner The Cheap Cassettes their first bad review from me. But perhaps the opposite is true: this is such a superb record that now I'm thinking their previous two pale in comparison! And it's not just the songwriting. The band sounds amazing, and Kurt Bloch's production is perfect. There are some obvious "hits" on this release, but it's the deep cuts that elevate it to something special. There's not a single track out of 11 that isn't essential to the album as a whole. 

Damn it, guys! There I was coasting along for months, thinking my 2024 album of the year pick was going to be an easy decision. Now there will have to be much pondering and reflecting and sleeplessness between now and year's end. I will likely have to break out the charts & graphs and consult my life coach, astrologist, and shrink. The Cheap Cassettes have made a freakin' masterpiece. In the words of Malibu Lou: "Holy crap sticks, Chaz man!"

Sunday, September 08, 2024

Cheap Cassettes - "Bad Xerox"


It has been two years and eight months since I last had the pleasure of writing about The Cheap Cassettes. I have missed them. January 2022 seems like a lifetime ago. Imagine a world where The Bear, "Good Luck, Babe!", and ChatGPT did not yet exist. Imagine a moment when the idea that a human could eat 83 hot dogs in ten minutes was still just a dream. Imagine a time when I could read the nutritional information on a can of prebiotic soda without putting on glasses. Human progress marches on, as do The Cheap Cassettes. Charles, Kevin, and Mike, now joined by the legendary Scott Sutherland, are about a month off from releasing a new album that's gonna make your head explode. It's called They'll Never Forgive You For Pop, and it's a freaking masterpiece that breaks the mold of what a guitar pop album is supposed to be. Out now on Rum Bar Records is the album's first single, "Bad Xerox." I can't quite say it's not indicative of the album since the album does have its more conventional power pop moments. But that's the beauty of The Cheap Cassettes. They can churn out a catchy power pop rocker like this that will have you tearing up the dance floor and feeling like the lyrics were written just for you. But they don't need to write a whole album of songs that sound just like it. "Bad Xerox" is 142 seconds of perfect pop and a fine choice for a single that will hook you onto an extraordinary album. This song is a hit on any continent, and all you kids are sure to dig it. Perhaps they'll never forgive you for pop, but they'll be still be singing along and dancing in their underwear when they think no one's watching. Alright alright! 

Thursday, August 22, 2024

Fastbacks - For WHAT Reason!


Reviewing the Fastbacks would be like reviewing oxygen, freedom, cats, or sunshine. No one needs to be told what any of these things are. You simply thank the universe that they exist and ponder the dreariness or impossibility of life without them. For WHAT Reason! is the first Fastbacks album in 25 years. My intention is not to review it but rather to celebrate its existence. If you're a regular reader of this blog, it's likely that the Fastbacks are one of your favorite bands of all-time. And it's guaranteed that this band has directly or indirectly influenced almost all your current favorite bands. For WHAT Reason! sounds like a Fastbacks record, and that's truly a beautiful thing. As the world changes rapidly and radically, and so many of the things that used to bring us happiness have disappeared from the face of the Earth, what a joy it is to hear the Fastbacks still in vintage form, still making us feel thrilled to be alive. Kim, Lulu, Kurt, and Muzz poured their hearts into this album. Here we have true OGs of pop-punk or punk-pop or whatever you wanna call it, and they're once again showing us how it ought to be done. Push play, crank up the volume, and bask in the greatness. For WHAT Reason! is one of the best albums of the year, but of course you knew that already.

Tuesday, July 16, 2024

Fastbacks - "Come On"


There's not much I can say about this one besides "Holy crap!" The mighty Fastbacks, one of the greatest bands to ever exist, are in vintage form on their new single "Come On." This song arrives in advance of the band's forthcoming album For WHAT Reason! — due out next month on No Threes Records. That's right, folks. We're getting a new Fastbacks studio album for the first time in a quarter century! And if "Come On" is a fair taste of what to expect from the full album, you all ought to be VERY excited. This is literally one of the bands that invented the whole punk-pop thing, and they're still showing everyone how it ought to be done. As long as the Fastbacks are around, there is joy in this world. More videos are forthcoming, so stay tuned!

Saturday, March 04, 2023

The Fastbacks - "A Quiet Night"


Well, this is kind of a big deal. The mighty, legendary Fastbacks have released a new single — the band's first new recordings in over 20 years! "A Quiet Night" is a brand-new song and "vintage Fastbacks" in every respect. "Outer Space" is a gorgeous and altogether extraordinary cover of The Muffs' late '90s pop gem. What else needs to be said? This is the triumphant and unexpected return of one of the greatest bands to ever put music to tape. They've given us a long-awaited new tune and paid a truly beautiful tribute to Kim Shattuck. Buy and rejoice!

Wednesday, December 21, 2022

Tuff Talk - Into the Night


I first wrote about Tuff Talk last year when the Seattle trio released an impressive debut single featuring two tracks of high quality power pop/punk. So I was pleased to recently discover that the band had a new EP in the works. Released last week, Into the Night is quite a progression from last year's single. While Tuff Talk hasn't exactly abandoned power pop ("Nite Burn," reworked from the band's demo, will delight anyone who went crazy over "Shelly" and "Never Say Die"), Into the Night finds the trio spreading its wings in a major way. The production (the EP was recorded by Johnny Sangster and mastered by Rachel Field) is absolutely massive. This is no humble DIY recording — it's a big hooky rock record! The guitars are loud and crunchy, the drums hit super-hard, and the bass lines totally pop. Yet the band's knack for well-crafted melodic tunes remains very much in tact. "Rollin'" brings to mind the early '90s glory days of alternative rock leaning power pop (or vice versa). "Into the Night" has the feel of an '80s band walking a line between arena rock and new wave. "Yesterday" was the real surprise for me: a deliberately-paced "classic alternative" track showing a moodier and more sophisticated side of Tuff Talk. "TV Eyes" finds the band back in power pop territory, but with a twist. I'm hearing a little dark jangle a la The Barracudas. Power pop fans will find plenty to like on Into the Night, and Tuff Talk's songwriting chops continue to shine. But I think a lot of people will hear this EP and be quite surprised. Bring on the full-length!

Friday, January 14, 2022

The Cheap Cassettes - Ever Since Ever Since

I'm starting to suspect that The Cheap Cassettes have been ingesting performance-enhancing substances in recent years. The Seattle power pop trio (with Boston roots) is currently over a decade into its existence and making by far its best music to date. The run of greatness that began with the "Kiss The Ass of My Heart" and "See Her In Action" singles continues today with the release of the brilliant new album Ever Since Ever Since on Rum Bar Records. I liked the band's debut album All Anxious, All The Time so much that I reviewed it twice. But Ever Since Ever Since makes All Anxious, All The Time sound like a demo tape!

The first thing that struck me about Ever Since Ever Since is that it's a true album. All of the songs would be great in isolation, but clearly they were meant to be heard together in the band's chosen sequence. The flow of this album brings to mind mid-period Replacements, and that can never be a bad thing! The songs (mixed and mastered by Kurt Bloch) pack a serious punch but still leave themselves plenty of room to breathe (six of the 11 tracks run longer than four minutes). The album certainly has its share of should-be radio hits ("She Ain't Nothing Like You" is an actual radio hit, now in rotation on Little Steven's Coolest Songs In The World!). But complementing the more instantly-catchy pop songs are some absolutely fantastic deep cuts. This album highlights Charles's maturity as a songwriter without veering from what The Cheap Cassettes do best: great American rock and roll with big hooks. In my book, the tearjerker rocker "Red Line Blue" is one of the best songs that Charles has ever written. "Endless Summer Ends" just keeps growing on me and growing on me with no end in sight to my amazement. "Cold Sunday" is like Charles's own "Here Comes A Regular".

I'm pretty sure you could ask 11 Cheap Cassettes fans to name their favorite song off of Ever Since Ever Since and receive 11 different responses. I'm struggling to identify a single lackluster track. I might peg "She Ain't Nothing Like You", "Malnutrition", and "How I Got What I Wanted" as the obvious "hits". But there are gems to be found all the way through the album. "Your I's Are Too Close Together" is a better-than-the-original cover of The Elevators' 1980 cult classic single. Kevin's "Wishing The Sun Away" instantly transports me to the early '90s heyday of Pacific Northwest alternative power pop. The jangly "There Goes That Girl" could almost be a Smithereens song. Ever Since Ever Since is one of the finest examples I've heard of what "mature" power pop ought to be. Hooky choruses and memorable melodies abound, but there's a soulfulness and emotional depth to these songs that is quite rare for this genre of music. Decades ago, Charles told me that he aspired to have a band comparable to The Plimsouls. Well, my friend, I'd say you've done it! 

Clearly it's too early to start making album of the year proclamations (especially considering that Malibu Lou will be dropping another bomb in two weeks!). But Ever Since Ever Since sure does set a high bar for the rest of 2022. CD and digital release today. Vinyl is coming later this year!

Sunday, January 09, 2022

The Drolls - The Puget Sound


The honor of my first 2022 album review goes to The Drolls, a Seattle-based trio with quite the pedigree. This band is comprised of Denny and Josh from the late, great Sicko and Julie from Chinchilla and Drip Tank. Holy '90s, Batman! You would expect a band featuring two-thirds of Sicko to be awesome, and The Drolls do not disappoint! The Puget Sound, the band's debut album, is a delightful long player that walks a fine line between pop-punk and later '80s/early '90s college radio. It's certainly an oversimplification to say this album sounds like a Sicko record with only Denny's songs. But if you loved Denny's Sicko songs, you are guaranteed to love The Puget Sound. The album features 12 tracks of catchy, clever, and charmingly geeky pop songs that will put a smile on your face. Tunes like "Getting Old", "Nobody Move", and "Worse Things" summon the same magic that made Sicko one of the greatest pop-punk bands of the '90s. Even the more "indie rock-ish" tracks ("Sad Little King", "Alternate Timeline") are super fun and chock full of hooks. If "Mythology" suggests that the members of this band have worn out multiple copies of The Lemonheads' It's a Shame About Ray, about 99% of us will fully relate! And you have to love the humor of The Drolls re-doing Sicko's  "Rehashed" and calling it "Rehashed Rehashed"! 

The Puget Sound is available now from Snappy Little Numbers Quality Audio Recordings -- who are graciously selling the digital version (with a bonus cover of Big Country's "In a Big Country"!) for the bargain price of free. Or if you prefer, you can purchase the Puget Sound blue galaxy vinyl while supplies last. The Puget Sound is a truly brilliant album title, and thankfully the music is just as good!

Tuesday, November 16, 2021

The Cheap Cassettes - "She Ain't Nothin' Like You"


Now this was a really wonderful surprise! Seemingly out of nowhere, The Cheap Cassettes have dropped another sneak peak of their soon-to-be-released second album Ever Since Ever Since! Back in September, the band released the brilliant track "Endless Summer Ends". Now they've followed with the digital single "She Ain't Nothin' Like You". The "A-side" is the lead track off of the new album (due out January 14th on Rum Bar Records). It sure sounds like a hit to me! This is the vintage Cheap Cassettes sound: classic power pop steeped in great American rock and roll. The song comes on with a cool driving guitar riff, a super-catchy chorus, and marvelously bitter lyrics. And of course you can expect a damn fine guitar solo! If you dig the Twilley/Groovies/Big Star strain of power pop, you should be all over this track. But wait! There's more! "Cold Sundays" is something quite different for The Cheap Cassettes. It's a melancholy acoustic number that seems perfect for this time of the year. We've all been waiting for Charles to unleash his inner Paul Westerberg on record, and this is the moment. I'd like to play this song while I'm drinking a beer on the porch and reflecting on my life. I actually don't have a porch, but this song would be ideal for contemplative solitary walks in the autumn breeze. That Charles Matthews can sure write a song that tears your heart out! 

The "She Ain't Nothin' Like You" single is available now from The Cheap Cassettes' Bandcamp. The preorder for the CD/digital release of Ever Since Ever Since is up now as well. A vinyl release on Cassettes On Records Records is expected for the spring. Mixed and mastered by Kurt Bloch, Ever Since Ever Since has me pumped for 2022 to get here!

Tuesday, September 21, 2021

The Cheap Cassettes - "Endless Summer Ends"


Well here we are on the last day of summer 2021. Just thinking of that gives me a tinge of melancholy. I feel as if another summer has slipped by without me making the most of it. Being the clever cats that they are, The Cheap Cassettes timed the release of their new single & music video "Endless Summer Ends" to coincide with this very occasion. "Endless Summer Ends", the Seattle trio's first new song in nearly two years, is a teaser for the band's forthcoming album Ever Since Ever Since. Suitably, "Endless Summer Ends" captures the wistful vibes of end of summer reflections. It's a thoughtful, mellow pop song that saunters past the four-minute mark without wearing out its welcome. As you would expect from The Cheap Cassettes, this is a quintessential power pop tune. That hook just might stay stuck in my head until next summer rolls around! The Cheap Cassettes are part of my holy trinity of favorite bands, and I would surely give them a glowing review even if they covered "Achy Breaky Heart" with kazoos. But I've got to say that they've really delivered something truly special with "Endless Summer Ends". This is music with heart, grounded in timeless melody. And the video, filmed & edited by Anna Parkhurst, is absolutely fantastic. Look for Ever Since Ever Since releasing on Rum Bar Records this December!

Monday, September 06, 2021

Tuff Talk - "Shelly"​/​"Never Say Die"


Tuff Talk has launched a debut single that lands dead center in the sweet spot for this blog. The digital two-fer "Shelly"& "Never Say Die" follows a demo from 2019, and both tracks are textbook shots of powerpop/punk. I can't even decide which song is the "hit" -- as they're both A-side worthy. Late '70s/early '80s power pop seems to be the biggest influence, but there are hints of modern-day punk-pop as well. The guitars pack a serious punch, and the production is first rate. Especially considering the price (free), these tunes are well worth checking out. I'm stoked to hear more! 

Friday, February 05, 2021

The Cheap Cassettes - "See Her In Action!"


Today I'm reviewing The Cheap Cassettes for the tenth time. This puts the band in very exclusive company. They will now receive merit pins and keys to the F & L secret lodge - where they can drink frosty beverages and receive spa treatments alongside The Connection, Vista Blue, and Kurt Baker. It has been 15 months since I last wrote about The Cheap Cassettes. Honestly, it feels like it's been much longer than that given all that has gone down in the world since my favorite power trio released a digital EP called See Her In Action! in November of 2019. I think we all aged five years in 2020 - except for Charles, who somehow looks younger every year. Appropriately enough in the week of Groundhog Day, Charles, Kevin, and Izzy present their brand-new release....See Her In Action! Out today on compact disc on Rum Bar Records, this maxi-single finally gives the three songs from the original EP a proper physical release. As a bonus for longtime fans, this CD issue of See Her In Action! tacks on a pair of live tracks. Having already reviewed this EP when it was originally released, I probably don't need to get too deep into the individual tracks. Let's just say if you like power pop rooted in good old rock and roll, this is a must-own disc. Last time I implied that the title track was the best song Charles has written yet for The Cheap Cassettes. The only thing that makes me reconsider that stance is that "Lil' Bit Everyday" might be even better! I originally described it as the "greatest love song to alcohol that anyone has written in years". And perhaps given our collective hardships over the past year, this song has taken on an even more powerful meaning in 2021. So yes, I'm going to change my mind and proclaim "Lil' Bit Everyday" the "hit" of this EP. The band would probably not disagree- considering that they have released an absolutely amazing music video for the song that was co-created by Todd Michael Johnson & Michael O'Rourke. I encourage you to click play now, since this song and video are far more profound than anything I could say myself.  

The re-launch of See Her In Action! is exciting to me for multiple reasons. For one thing, now I can jam out to these songs in my car! In addition to that, this finally puts this EP in play for all of you who don't do the downloading/streaming thing. And this is the best set of songs that Charles Matthews has ever put his name to. The live tracks are a nice treat as well. "Red Line Blue" is a preview of a song that will hopefully turn up on the next Cheap Cassettes album. "Valentine", of course, is a Replacements cover - and one of my very favorite Replacements songs (I'm talking top three territory). If you know The Cheap Cassettes and know "Valentine", you'd probably agree that this is a cover that was meant to be ("In the spirit of The Replacements, we kind of learned this song"). While 2020 was mostly a year of disappointments for The Cheap Cassettes (e.g. a canceled gig with The Figgs, a scrapped album recording session), the arrival of See Her In Action! on CD sparks high hopes for this band in 2021. No Hedy Lamarr on the cover this time, but it seems the band had no trouble finding an equally classy successor! 

Wednesday, November 13, 2019

The Cheap Cassettes - See Her In Action!

God, I love these crazy far-out digital times! You can wake up to what you think will be an another uneventful Tuesday, and suddenly a quick foray onto social media has you discovering that one of your three favorite bands on the planet has released a new EP that you didn't even know was coming out! Considering that most bands tease their new stuff weeks or even months in advance, that sort of surprise is a real treat! See Her In Action! is The Cheap Cassettes' third EP and first to be released exclusively in the digital format (at least for now). I know you'd probably expect me to say that this is the best thing this band has ever done. And of course I'm going to say it, but only because it's true! These tracks were recorded in June by drummer Kevin Parkhurst and subsequently mixed and mastered by living legend Kurt Bloch. And so here we are!

While generally typecast as a "power pop" band, The Cheap Cassettes could just as easily be filed under catchy punk or rootsy rock and roll. I think what strikes me the most about these songs is how they reflect Chaz's recognizable style as a songwriter far more than any sort of conformance to a genre. In these songs, I'm picking up on many of the same qualities that first made me a fan of Chaz's 23 years ago. He's older (although some of us have our suspicions about that), wiser, and more seasoned in his craft. Yet this is classic Chaz, and it doesn't hurt to have amazing players like Kevin and Izzy bringing out the best in him. This record is full of his signatures. There are the lyrics that just knock me out ("Disco dancing with the alpha males/No, not this one/She's got a necklace made from the teeth/Of all the boys who called her cheap"). There are the references to old Hollywood and classic literature. There's that grand romance that practically bleeds from his poetry ("We were mini brutes in our punk rock boots/Throwing shapes up to the gods"). "See Her In Action" is melodic guitar pop in all of its punchy glory, propelled by a simple but perfect hook and the instantly classic line "even your god is a she". "Only Lovers Left Alive" sure feels like a throwback to the Dimestore Haloes days, right down to those red-hot rock and roll guitars and lyrics romanticizing the resilience of punk rock lifers. Given that the majority of this blog's readership is probably comprised of forty-something and fifty-something musicians, I imagine the line "If we got old, we are the last to know" will strike a chord with a lot of you. And speaking of songs that might say a lot to me about my life, "Lil' Bit Everyday" is the greatest love song to alcohol that anyone has written in years.

See Her In Action! made me think of a recent interview with Ken Burns. He was asked about why so many of his films resemble each other. His response was, "What you're referring to is style, and mine works because it's authentic to me." That quote seems to perfectly sum up The Cheap Cassettes to me. They've been perfecting their own style for the last eight years, and consequently the records just keep getting better. This EP is everything I love about pop and punk and rock and roll all in one shot. It doesn't sound like any other power pop band out there, but it sure sounds like The Cheap Cassettes. I wondered if Chaz would ever be able to top "Kiss The Ass of My Heart", but I'd say he's definitely done it with "See Her In Action". And yes, that "cover model" is Hedy Lamarr - legendary Hollywood beauty and the inventor of frequency hopping. Now go give The Cheap Cassettes three bucks!



-L.R.

https://cheapcassettes.bandcamp.com/album/see-her-in-action-ep 
https://www.facebook.com/cheapcassettes/ 

Friday, October 11, 2019

Do You Remember Me? A Tribute To Head

I'm not usually one for tribute albums. But without question I will make an exception for a tribute to the almighty HEAD. If the Ramones are God, then HEAD are Jesus. Everyone else is merely mortal. And while HEAD are eternally revered within Ramonescore and pop-punk circles, they have managed to maintain a certain air of mystery about themselves for over 25 years. The music largely speaks for itself. Do You Remember Me? has been compiled and released by Mom's Basement Records, and I've gotta say that John went all-out to make this thing awesome. Pulling from his own label roster and beyond, he enlisted a veritable who's-who in modern-day Ramonescore and pop-punk music to record their own versions of HEAD classics.

Who's on this comp? The question should actually be who ISN'T on this comp! Amazingly, this release squeezes 24 tracks onto one LP, plus five more digital bonus tracks. Ratcliffs must have won the cage match to determine who got to over "35 Years Older Than You" (the "Stairway To Heaven" of Ramonescore), and predictably they nailed it! All of the songs that just had to be on this release are here. You've got The Putz doing "Don't Go Looking In The Closet", Flamingo Nosebleed tackling "Am I Fresh?", Tough having at "I've Made My Peace With the Hippies", the SUCK taking on "No One Likes A Snitch", and Ratbones absolutely crushing "Do You Remember Me?". Other standouts for me are Neon Bone ("The Sissy"), The Young Rochelles ("Teacher's Pet"), and the legendary Manges ("Senor Itchy"). And somehow how I still haven't mentioned NECK, DeeCracks, Parasites, Geoff Palmer, Black Russians, and many more?! Since all of these bands properly play these songs in the sanctioned HEAD style, this is about as close as you can get to an actual HEAD album without actually being a HEAD album. And hearing all of these tracks in one place serves as a quick reminder of why HEAD is worshiped. You could argue that this collection is mostly for fans, and I would not disagree. But if you've somehow fallen into Ramonescore fandom without any familiarity with HEAD, this album should lead you on the righteous path of beating up whoever you have to in order to secure the original versions of these songs. An amazing comp!



-L.R.

https://momsbasementrecords.bandcamp.com/album/do-you-remember-me-a-tribute-to-head 
https://momsbasementrecords.bigcartel.com/product/preorder-do-you-remember-me-a-tribute-to-head 
https://www.facebook.com/MomsBasementRecords/ 

Friday, September 20, 2019

The Middle Ages - self titled

I'm always excited to hear anything that Dan Wood lends his name to, and that immediately makes the debut album from The Middle Ages essential listening in my book. Wood (The Pets, Razz, Tropical Sleep) recently returned to his native Seattle after many years as a fixture of Bay Area garage and punk. Back in the Pacific Northwest, Wood has assembled a new band that's every bit as formidable as his previous outfits. Also on board are Cris Wood on bass/vocals and Donny Hilstad (The Statics, The Dutchess and the Duke) on drums.

Dan and Cris are true collaborators with this band: co-writing the songs and singing them together. Those interwoven vocals and old school punk style will make X comparisons inevitable. And while I'd say those comparisons would not be off base, there's a lot more to The Middle Ages than that. This band has an approach of taking elements from a number of musical styles/eras and forming a sound that's all its own. The Middle Ages draw equally from punk, garage, pop, and rock and roll - crafting punchy tunes with first-rate hooks and a likeability factor that's off the charts. The songs cover all the bases from revved-up rock and roll ("Whoa Yeah") to big crunching power pop ("Runaway") to infectious sing-along punk rock ("Bad Man"). Fans of Dan's recognizable guitar style will not be disappointed. The riffs on this thing are absolutely filthy! Yet the creative partnership between Cris and Dan gives The Middle Ages a very different feel from, say, The Pets. I can't think of another band out there that sounds quite like this. Lean and mean at just nine tracks, this a filler-free and simply terrific debut from a band I expect we'll be hearing about a lot in the upcoming years. The band released the record on its own label Ripe Records, and you can order it here. There were only 300 copies pressed, so get on it!



-L.R.

https://wearethemiddleages.bandcamp.com/releases
https://www.facebook.com/themiddleagesnw/
https://themiddleages.bigcartel.com/product/ma-lp