Top 30 Albums of 2025
More heart-pounding greatness from Scott "Deluxe" Drake and his mighty band of Portland punk rock 'n' roll superstars. This album should have gotten way more attention than it did.
An absolutely delightful throwback to 1990s college radio and melodic punk that somehow sounds current in 2025.
From Hamilton, Ontario, Golden Shitters deliver a true album for our times — full of delightfully catchy punk rock songs about this world going straight down the toilet.
A decade later, we finally get a third Radioactivity album, and of course it's a masterpiece.
From my own review: "Many bands would be exhibiting palpable maturation by the time they got to their third album, but thankfully Blowers are doubling (or perhaps tripling) down on the thumping, rambunctious, and wonderfully stupid approach to rock 'n' roll that made them such sensations in the first place."
Having grown into something far more than just a Ramones-loving pop-punk guy, Ricky Rochelle takes a huge step forward on his latest solo album, writing frankly about mental health struggles, trauma, and his complicated relationship with his late father. Appropriately, Second Layer also adds musical layers to Ricky's repertoire, incorporating more modern and varied influences while still broadly appealing to fans of pop-punk. An absolute gem of an album from one of the best dudes in this scene.
Lùlù's debut album, sung entirely in French and Italian, demonstrates that joyful & anthemic power pop rock 'n' roll is a universal language of its own.
Aussie rock veterans James Roden and Pete Lusty, who were high school mates in Canberra and friends for over 35 years, formed Snakeheads in 2016 so they could hang out and play the kind of music they loved when they were kids. After Lusty died of very aggressive lymphoma in 2020, Roden decided a fitting tribute would be to finish the album they had started together. If you too grew up on The Clash, The Jam, and '80s Aussie garage and power pop, Belconnen Highs will set your soul on fire.
The Roxies manage to do so much of what I like (combine old school punk with power pop influences) while also being remarkably original and modern in their approach. Keep You Up At Night is full of moody, thoughtful songs but does not fail to satisfy at a more visceral level. If you slept on this one, it's worth your renewed attention!
More new wave meets punk rock meets dork rock brilliance from Green Bay's most distinguished gentlemen.
Somehow after six albums, the loudest power pop band on Earth is still going strong without having to change much about its musical approach. If anything, this band is actually getting better!
TJ Cabot, Jeffrey Thunders, and friends are back with the most significant cooperation between New England and Atlantic Canada since the Webster–Ashburton Treaty. A straight-up killer garage punk album that marries the best of snotty punk, hardcore, and '70s punk influences.
A typically outstanding effort from my favorite one-man-band. All the best of garage rock, power pop, pop-punk, and '60s pop rock 'n' roll combined into one perfect long player. J. Waylon remains the king of clever song titles.
Still seamlessly combining pop-punk with doo-wop and early rock 'n' roll influences, the great Trevor Blendour takes things a little deeper this time with very honest lyrics about his personal struggles with health and love (or the lack thereof). This is one of the most underrated songwriting talents in our corner of the music scene, and he has never been better.
It would be easy to overlook this "side project" band given that The Prize and The Unknowns also released albums this year. But if you like great power pop with feet planted in garage and punk, Last Laugh is not to be missed!
Hormones were one of my favorite new bands of 2025, and their debut album is an absolute delight. In a musical style that brings to mind the Ramones with a pinch of the Buzzcocks, these 14 tracks manage to be fun and infectious while also tackling a serious concept: what it's like to navigate love and life as a recently-transitioned trans woman. I fell in love with Hormones from the very first note, and I hope there's more in store from the world's hottest band!
I always knew a full-length album from these Melbourne-based sensations would be something special. And here we have it: 11 tracks of powerfully poppy, punk-influenced kick-ass rock 'n' roll that would be all over rock radio if rock radio were still a thing. Ted says it's the best album of the decade, and that's not an unreasonable take.
We need more bands in the world like Civil Rats, who come crawling out of the streets of Philadelphia with simple, thumping garage punk songs that are super-fun to sing along with. If you like catchy three-chord punk music with relatable lyrics about getting older, putting up with annoying people, and navigating the difficulties of life, Civil Rats are a band you need to know and love.
An album from Vista Blue based on the first season of the acclaimed television series based on the popular motion picture based on the iconic Buzz Bissinger book Friday Night Lights was absolutely something I wanted and needed in my life. But Clear Eyes, Full Hearts is far more than just a silly concept album. It's a great pop-punk album, period, and I listened to it this year as much as I listened to anything. Now I find myself wishing I could catch the Crucifictorious show, hang out Alamo Freeze, earn a coveted spot on Grady Hunt's list, and go to State.
The mighty TA-80 pull off something rather spectacular: play anthemic & mega-hooky poppy punk rock with the shredding zeal of an '80s hard rock band. So many bands would fail at this, but TA-80 makes it sound like the best thing ever. Open Late is full of killer tunes that ought to be cranked loud and thoroughly enjoyed. This is perhaps the one band on Earth I'd most like to drink cheap beers with at the roller rink.
The Dogmatics releasing their first album in 40 years (!) could have been a recipe for disappointment. But Nowheresville is everything I hoped it would be and then some. The Dogmatics still sound like The Dogmatics without resorting to self-imitation. They're still the quintessential Boston garage/punk band, but they've also got some new tricks in the playbook. Successful second acts in rock 'n' roll are rare, but Nowheresville could legitimately be called The Dogmatics' best album.
Yes, I had to censor the name because Blogger always deletes my posts when I write about this band. And I didn't want this post stuck in limbo for a whole day. But you know which band I'm talking about! Making a big jump from album #1 to album #2, Detroit's finest builds off its signature melodic street punk rock 'n' roll style by embracing more post-punk and '80s Midwest punk influences. The songs are insanely good from start to finish, and the band has never sounded better. To me, Amado is one of the most underrated songwriters in the game. He has found a way to push himself creatively while still crafting songs that thrill and excite. And the entire band is on fire from start to finish. Behold an instant classic of modern-day punk rock!
I have loved this band from the very first email Andy sent me, and every release has been better than the one that came before it. On Don't Let Go, The Airport 77s show how you can still be broadly a power pop band yet build a diverse sound off of that. Digging deeper into its new wave and '80s college radio influences but also venturing into moody post-punk on the title track and near–yacht rock on the moving empty nester ballad "Satellite," The Airport 77s really spread their wings on their third album (and second on JEM Records). While this release does have its comical moments (check out the outlaw road ballad "Make 'Em Pay [Don't Make It Easy]"), it shows a much more serious and reflective side of The Airport 77s. And yet none of this comes at the expense of memorable choruses or earworm hooks. Hearing this album was like showing up at high school graduation and discovering that the class clown from sophomore year is now valedictorian.
My goodness, what year is it? I can't tell you how many times I've listened to The Vapors' New Clear Days over the years. It's quite possibly my favorite album of all-time, and for many years, I surmised that we'd never hear from The Vapors again, and that even if we did, it wouldn't be the same. Then came the improbable reunion and the excellent comeback album Together back in 2020. This year brought us the even better Wasp in a Jar, an album that proved to be classic Vapors in every sense. You can hear the age in David Fenton's voice. But that's a strength, not a weakness. Wasp in a Jar finds Fenton flourishing as a master of his craft and elder statesman of the independent music world. Musically, these songs marry punk, new wave, and power pop influences in vintage Vapors fashion. And as a lyricist, Fenton has never been sharper —whether he's writing about the current political climate, his battle with Parkinson's Disease, parenthood, or the band itself. Without trying to turn back the clock, Wasp In A Jar recalls New Clear Days. It's a similar yet quite different album — and dare I say nearly as good? I had this penciled in as my top album of the year from the start, and nothing came close to knocking it out of the top spot. Vinyl still available from Red Chuck Records!
Honorable Mentions:
Frankie Delmane & The Deviations - After All Of This We Must Fall In Love
Strange Neighbors - People Pleasers Pleasing People
Feedbacks - Bring Back the Light
WYLDLIFE - sorted.
Wisconsin Anger Team - Beyond The Everest Crater III
Beebe Gallini - Begged, Borrowed & Stealed
Goin' Places - Imperfect
Top 20 EPs of 2025
20. Handsome Dick Manitoba - Back on Broadway
Some of you might have heard of this guy.
19. Matthew Julian - The Wayside (songs that fell)
Imagine being so talented that you can release stuff this good as leftovers. The next Speedways album is written and now being rehearsed.
Six classic covers from this amazing SoCal punk band. Be sure not to miss Rum Bar's deluxe CD reissue of this band's first two LPs!
World class lo-fi trash from Berlin!
They say sequels are made to be disappointing, but Chadd Derkins doesn't play by those rules.
Saturday Night Karaoke main-man Prabu Pramayougha goes solo and takes things in more of a power pop direction.
If you think pop-punk by way of '77 punk (or perhaps vice versa) sounds like my cup of tea, you would be right.
Portland, Maine pop-punk veterans write the manual on how to make this sort of music for grown-ups.
Very excellent power pop from this new-ish band out of Denver, Colorado.
"Bubbling with bright riffs and bittersweet vibes, Soda Pops bring a sugar-coated chaos with their garage pop tunes with distorted guitars, tongue-in-cheek lyrics about serious issues like substance abuse & mental health problems, sing-along hooks, and enough sweet nothings to keep your heart warm while it breaks."
In my book, this is the best '77-style punk band out there right now. One of my most loyal readers likened the title track to the best of Radio Birdman, and who am I to argue?
Six tracks of amazing co-ed pop-punk from Toulouse, France! Malibu Lou says he's reminded of the Teen Idols, and that is some high praise!
After dropping the smash hit "Misery" last year, Daniel James and friends came through with a full EP early this year. If dark and gritty Midwestern punk with irresistible pop hooks sounds like your cup of tea, you need to own this record.
There may literally be over 100,000 new songs getting released every day in this modern musical landscape, but these are the first six in history to make baseball puns out of Smiths song titles. I wish they'd added a song called "There Is a Guy Who Never Strikes Out," but that's a minor complaint.
You can never go wrong with Geoff Palmer. I've been a fan of his since the early days of this blog, and the addition of my favorite guitar player to his band surely didn't hurt!
Installment #47.5 in the Doomed Babe Series is a royal treat for fans of power pop with a side of heartbreak.
Originally released as a monthly series of standalone tracks, Perilous's summer of singles now lives as a proper EP. With its blend of old school punk, perfect pop, and kick-ass rock 'n' roll, Bufalo, New York's Perilous has emerged as one of the best new bands of the decade. In a better world, "Revolution Calling" and "Dear Heart" would be all over the radio.
I never know what to do with a 7-track album. Is that a long EP or a short album? Whatever it is, Gimme Joy was one of the best things to be released this year: a reminder of what loud and exciting rock 'n' roll with infectious pop hooks ought to be. Australia wins as always.
Norway's power pop queen Vibeke Saugestad, now based in New York, is back with a new band (her first in over a decade) and again treating the world to rocking pop music of the highest quality. The Sun Sessions finds her digging back into the '60s for musical inspiration. If the whole point of an EP is that it's supposed to leave you wanting more, then we can call it mission accomplished!
More on this one later.
Top 25 Singles of 2025
You have to love a band that can write one song about how sucky it is to grow old and another about how AI is going to take all our jobs and still have it all come out sounding this rousing and anthemic!
More great power pop from a band that specializes in that very thing.
Old school '77-style punk rock from Spain that sounds like it really could have come out in 1977! B-side is a cover of local legends Kirk and The Jerks.
This was the first installment in the "summer of hits" delivered by Adam T and friends. Glam punk with a power pop heart!
Of course Ricky Rochelle's album Second Layer was a significant achievement in 2025, but he also released some excellent standalone singles. "Imagine Being Eric," with its early '80s new wave pop sound and message of kindness and empathy, was a true breath of fresh air this year.
This is the first of three singles by Friends of Cesar Romero to make this list. This one-man-band remains a true hidden gem of the garage/power pop/punk scene.
Back with her first new release since 2023's Don't Come Crying To Me EP, the Twin Cities rock legend Cindy Lawson is in full punk rock mode on this blistering number about an evil individual who finally gets taken down. "Karma's a bitch, but so am I," sings Lawson, and you can't help feeling gleeful about her triumph. In Lawson's words, this song is "for anyone who's been burned, betrayed, and silenced."
Debuting their first-ever track to be sung exclusively in French, Dany Laj and The Looks send out a message of hope in times that too often seem hopeless. The idea that things will ultimately be okay can be hard to subscribe to, but this song will make you believe it.
How can I not be excited about the return of one of the bands that was most instrumental in leading me into the wonderful world of music that exists outside the mainstream?
Any band that writes a song that's intended to lift the spirits of a pet cat has my heart for sure. If The Cars and Devo had a baby, this would be it. Great Diodes cover on the B-side!
What can we say about this band that hasn't been said before? Real deal Aussie punk rock brings the fire and fury. Both of these songs are anthems for these anxiety-ridden times.
The first new original song from The Chelsea Curve in over two years was a red-hot summertime smash! This mod-influenced power pop banger will have you daydreaming about all the fun things you could be doing with your latest crush.
From the band I've called the best on the Rum Bar Records roster, here are two more shots of sublimely crafted desert garage pop songs that meld unabashedly dark vibes with intoxicating melodies.
My god, this could have come out on Good Vibrations Records in 1979!
The triumphant return of The Dahlmanns is something a little different, with lyrics inspired by the erotic artist Tom of Finland and a sound straight out of late '60s/early '70s Detroit. But being a Dahlmanns song, it's still an infectious, hook-laden delight. And then you get a Prince cover on the flip side! The band's new album, Life in Reverse, will be out early in the new year.
Is the best Lemon Drop Gang single yet? It just might be!
Rich Ragany and his longtime drummer Simon Maxwell traveled to the Spanish countryside to record with the legendary Sami Yaffa in his home studio. Magic happened, and a new band was born.
The first new Speedways track in a couple years was no disappointment. Matt channels Joe Jackson and Squeeze on this metaphor-laced ode to forgiveness. On the B-side, "Now That I Know How" recalls Tom Petty by way of the Beatles, and what's not to love about that?
Brad Marino is a staple of my annual best-of lists! "Voodoo" is one of his most straight-forward power pop tunes and an absolute gem of a song. On the B-side, "Between Planets" is a cover of one of the best Jesus and Mary Chain songs!
This is a rare case where a songwriter (Stefan Murphy) essentially covers his own song, and you're not left thinking, "What was the point?" Yes, the original Mighty Stef version of "Downtown" is a classic in its own right. But the song was practically begging for a fiery garage rock 'n' roll kick in the pants from The Sleeveens, and I love how some of the lyrics have become all the more poignant due to the present state of the world (The line "How do they expect us to relate when they fill our heads with lies and then have the cheek to wonder why we grow to hate them?" could have been written yesterday!). The first verse alone is some of the most powerful poetry to ever grace a rock 'n' roll song:
You know, the nine-to-five is eating us alive
Eating us alive
We are not kings, we are foot soldiers
On the road to nowhere
This is not the way it was supposed to be
We promised ourselves a revolution
But we ended up walking out in the cold again
Vista Blue - "Can't Lose"
Yeah, you think of giving in cause the days are too long
Lying on your back, and the sun is in your eyes
When you realize that the other guy was too strong
But each day we're paying our dues
And we say, "Clear eyes, full hearts, can't lose."
I don't know about you, but I'm ready to take on the world! Coach Taylor can take a songwriting co-credit if he wants, but I love how Mike found a way make his message universal. When no one else in the world believes in you, you have to keep believing in yourself. If certain people look at Mike Patton and say, "He's such a talented pop-punk songwriter; why doesn't he write more love songs?", I would answer by saying that if you write about the things you love, all your songs are love songs.
Best Split Release of 2025
Gino and the Goons/Chinese Junk - Talk Trash With
I'm never quite sure what to do with splits. Do I just put them in with regular albums? Can I count them as compilations (probably not)? Are they their own category? Well here we have a split for the ages brought to you by the venerable Big Neck Records. As the liner notes say, "Gino and the Goons hit with their signature recklessness, loose, loud, and dirty rock and roll with stomping rhythms. Chinese Junk come in swinging from the UK with hook laden punk rockers, wrapped in a snotty, scuzzy lo-fi attack." These are two of the best bands from the modern-day garage punk and punk rock 'n' roll universe, both delivering a half-album's worth of primo material. When it comes to trash, only the finest will do.
The Jive - Extended Play
Hands down, The Jive was my favorite new discovery of 2025. This duo from the Philly suburbs has brought back the radio hit power pop of my youth. And when I say these guys write hits, I mean these guys write hits! If you like catchy choruses, earworm hooks, punchy guitars, soaring harmonies, and timeless lyrics about the ups and downs of romantic love, this just might be your next favorite band. Extended Play is presented as an EP, but it plays more like a package of six singles that went #1 on six continents. When these guys sing, "I'm the one who got that melody stuck in your head/I'm the one who gets you dancing around," they might as well be talking to you.
The Beaten Hearts - 2010 Recordings
For the second year in a row, I had to give the nod to Mom's Basement Records. Being someone who has always loved pop-punk, I feel like this label manages to reignite that love every year. And I love how Mom's Basement can turn a new release into a true event. Just look at some of the stuff John and Tricia put into the world this year: that Borderlines EP, a Bacarrudas Halloween record, a surprise Young Hasselhoffs 7", a Beatnik Termites/Putz split 12", first-ever vinyl issues for Boris the Sprinkler's Gets a Clue and The Unicorn Dogs' Age Typical Junk Behavior, and new albums from The Remote Controls, Goin' Places, Dropped Out, The Rip Taylors, and Regal Beagle. And that's not even close to everything that came out this year on MBR! I really need to send these folks a tangible prize: perhaps official F & L varsity jackets, some high-quality glassware, or glow-in-the-dark yo-yos.
Takin' A Ride
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So that's a wrap on 2025. For a fuller picture of what was good in our world this year, be sure check out the reader top tens I posted yesterday. Bring on 2026! There's already quite a bit I'm looking forward to in the new year (such as new albums from Brad Marino, The Melmacs, The Speedways, and The Dahlmanns), and I'm sure there will also be plenty of surprises and new findings. To all of you, I hope the upcoming year is full of happiness and hot tunes. See you next year!
Faster and Louder Best of Archive




3 comments:
Never stop doing what you're doing Josh
Wow! I was already going to thank you for all the shout outs you gave me during The Prize mention and publishing my Top 10, then I read on to find you gave me "best blog of the year"! I guess I should keep it up.
But you are wrong. The "best blog of the year" isn't www.takinaride.com (plug plug, lol), it's Faster & Louder!
Oh! And The Jive! Wow! Another band you turned me on to. I just bought the EP.
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