Friday, June 28, 2024
Unicorn Dogs - Age Typical Junk Behavior
Back in March, I predicted that Unicorn Dogs' debut full-length Age Typical Junk Behavior would join the growing list of "A+ pop-punk albums" released this year. For once, I turned out to be right about something! To recap, two-thirds of Baltimore-based Unicorn Dogs used to be two-thirds of Charlie Brown Gets a Valentine. But while there's some similarity between the two bands, Unicorn Dogs are miles beyond what CBGaV was. There's nothing particularly novel or complicated about what Unicorn Dogs do, but perhaps that's the whole point. They play gritty, straight-forward pop-punk, and they put tremendous heart & soul into it. Their songs are simple in terms of both structure and the approach to recording. Yet you won't find a band with catchier, more memorable pop-punk tunes. I appreciate that there are two songwriter/vocalists, and I like them equally. That's a little reminiscent of Husker Du for me, and I would guess that Husker Du is somewhat of an influence on Unicorn Dogs. You can feel the passion and energy that went into these songs, and the lyrics are thoughtful and super-relatable. This, my friends, is pop-punk for grown-ups —and it's freaking amazing. Was I practically in tears the first time I heard "You Would Have Known Better"? Of course I was! Surely I can relate to "Screwed Together" way more deeply than I can relate to any pop-punk song I liked 25 years ago. Age Typical Junk Behavior is an absolutely perfect pop-punk album. Only one song exceeds two minutes, and every track makes me want to pump my fist and shout along like my life depended on it. Over the course of this album, the band reflects on topics such as revenge, parenthood, work, marriage, overcoming adversity, the shortcomings of humanity, alienation, and the inevitability of death. To reverse-paraphrase Morrissey, the music Unicorn Dogs play says a lot to me about my life.
Loose Lips - self titled
First The Prize and The Unknowns hooked up for a split 7". Now we've got members of both bands literally joining forces to form a new project with a Chubby and the Gang member in tow. Yes, please! The band is called Loose Lips, and its debut release is a four-song cassette EP that's sure to melt your face off. Suffice it to say that if you're a fan of The Prize and The Unknowns, you're gonna lose your shit for Loose Lips. The sound is punky power pop meets '70s pub rock 'n' roll, and it's executed to perfection. These cats aren't fooling around: they tear through four tracks of toe-tapping, booty-shaking, sing-along goodness with hooks a plenty and a raw, quintessentially Australian edge. What's not to love? Get in on this action now!
Thursday, June 27, 2024
Brad Marino - Hot Rod Rampage
Anything Brad Marino does is gold in my book, but he's really hitting a sweet spot for me with his new EP Hot Rod Rampage. This release is an homage to one of the most iconic styles of American rock 'n' roll: early '60s hot rod & surf. Since I wasn't born until the '70s, I've often imagined what it would have been like to have been a teenager circa 1963-64 — spending your summers driving around in a hot rod, hitting the beach, and listening to rock 'n' roll on the radio. Marino describes that era of surf rock as "Chuck Berry with some sweet harmonies," and that particular influence has always been palpable in his songwriting. It was what first drew me to The Connection, one of the bands that most influenced my evolving musical tastes in the 2010s. So it's no surprise that Marino has been wanting to do a hot rod record for 15 years. He just never got around to it: until now! The lineup for this release is incredible. Craig Sala is on drums and saxophone. Dave Strong and Bobby Davis play guitar. Kris Rodgers plays piano on one track. You won't find a better hot rod rock 'n' roll band! The track list includes covers of three classics along with Marino's original instrumental "Tripwire." Effectively, this is also a mini-tribute to songwriters Gary Usher & Roger Christian. The songs covered are "D-Gas Chevy" from The Super Stocks' 1964 album Thunder Road, "Wax, Board and Woodie" from The Surfaris' Hit City 64, and "Shut Down" from the Beach Boys' 1963 release Surfin' U.S.A. These are all great versions. Marino, Strong, and Davis all shine on lead guitar, and Marino's work layering all those harmonies is masterful. There's nothing in the world that goes together better than driving, summer weather, and rock 'n' roll; so you know the timing of this release was no accident. Download these tunes and hit the road!
Wednesday, June 26, 2024
The Wynotts - Way Back Now
On the very first day of this year, I reported on the reformation of The Wynotts — a Boston-based band that originally formed in 2007 and broke up in 2009. The group disbanded with a lot of recorded material in the can, and those tracks now see the light of day a decade and a half after they were recorded. A few songs were released digitally late last year, but now the full album Way Back Now is available on compact disc with distribution from the mighty Rum Bar Records. There's an old joke about how most bands in Boston qualify as "super-groups." But it's hard to not call The Wynotts a super-group! Bob Cenci (Jerry's Kids, Hellcats From Outer Space), Michele Kish (The Killer Abs), Peter DeVincent (Underball), and Ivahna Rock (The Downhauls, Petty Morals) are all mainstays of the Boston-area garage/punk scene. Cenci and Kish are the primary songwriters, but all four band members contribute material. Each songwriter has their own style, yet it all comes together in a cohesive and complementary way. It ought to be illegal to have this much talent in one band! Simply put, The Wynotts sound like a classic Boston punk rock band. They write great pop songs and deliver them in a hard-driving three-chord rock 'n' roll style. If you dig old school powerpop/punk, this is definitely the album for you. The songs are fantastic all the way through, and even after 11 tracks, I'm left wanting more. I'm amazed that these songs went unreleased for 15–16 years, but the I suppose the good thing about that is that the band members had plenty of time to realize they had an album that the world really needed to hear. And heck, if this album had come out in 2009, I would have missed it since I was not writing about music at the time! Ultimately, this is a great album in any year and hands down one of the best long players of 2024 so far. The Wynotts working with Malibu Lou is truly a match made in heaven!
https://rumbarrecords.bandcamp.com/album/way-back-now
https://thewynotts.bandcamp.com/album/way-back-now
https://open.spotify.com/album/60qGl6jlJzoRwWcab1G4Do
https://www.instagram.com/thewynotts/
https://www.facebook.com/thewynotts
https://www.facebook.com/RumBarRecords
https://www.instagram.com/rumbarrecords/
Angry Adults - Lust for Punk
The Helsinki-based trio Angry Adults is back with another 7" record that brings to mind the heyday of Mutant Pop Records. The front cover of Lust for Punk is a clear homage to the original version of Moral Crux's Victim of Hype EP. Musically, the most obvious Mutant Pop comparison is The Automatics. With their raw, snotty, and stripped-down approach to pop-punk, Angry Adults bring back an aesthetic that just screams later '90s DIY. With cheap gear and zero regard for proper production values, they blast through four buzzsaw punk tunes in less than six minutes. If you've generally dismissed pop-punk as too wimpy or polished for your tastes, let Angry Adults turn you to the dark side.
Sunday, June 23, 2024
Hoverborg - The Good Stuff
This is one of the few times in my life when I've found it worthwhile to completely re-write a post. The bombshell that no human beings sing or play music on Hoverborg's The Good Stuff necessitated some further reflections. First things first: I won't retract my general assessment of the music. The Good Stuff remains a fantastic alt rock/power pop album that evokes a special time in popular music. I have no objections in principle to fictional bands and even referenced Josie and the Pussycats in my original review. These songs, while apparently performed by robots, were written by an actual human with considerable talent. The humor and humanity in these songs is very real. If part of this experiment was to discover if people would not be able to detect that it was an AI creation and would in fact love the album, then it's hard to deny that it was a successful endeavor. It was immediately well-received by me and several other people whose musical tastes I trust. I'll be totally honest: if I had known this album was an AI project, I would never have listened to it. Knowing what I know now, my reaction is not entirely negative. It's a mixture of being creeped out by the capabilities of this technology and surprised that the music came across so genuinely human. I mentioned how the joy that went into these songs was palpable. How hilarious is that observation now? In retrospect, so many things make sense now. We can understand why this band seemed to come out of nowhere, why those harmonies are so flawless, and how effortlessly Hoverborg managed to channel the sound of that dog., Letters to Cleo, Veruca Salt, etc. Has this made me less judgmental about bands/artists making some use of AI in the studio? Absolutely. But when it comes to being open-minded about AI bands, I'm still not there yet. What's for certain is that this technology is not going away, and it's going to have some place in music in the future.
Junior Varsity - "Back To Reno"
Mighty Joe Vincent (The Prissteens, The Swingin' Neckbreakers, The Devil Dogs) needs no introduction on these virtual pages. He's an absolute legend and without a doubt one of the greatest drummers the garage/punk/rock 'n' roll world has ever known. And now he's back with a new band that all the cool cats are talking about. Mighty Joe has recruited a whole slew of super-talented friends (Paul Bertolino, Mike Dudolevitch, Mike Fornatale, Dave Lieb, Alec Morton, and Tom Lucas) to bring some of his new songs to life. The band is named Junior Varsity, and its first single is called "Back To Reno." It's out on Rum Bar Records as a free download. "Back To Reno" is something a little different from Mighty Joe's past projects — it's got a '70s classic rock feel a la the Stones, Faces, Humble Pie, etc. This tune features an arena-sized vocal from Bertolino, totally smoking guitars, and (of course!) an irresistible beat. And how could you not love a line like "No matter how much I lose, it ain't never enough"? Vincent's songwriting chops have been well-established. But with Junior Varsity, he's showing a new side of himself. He co-wrote and produced this track, which was recorded by Lucas and then mastered by Kurt Bloch. And it sounds like a million bucks! Clearly this was a case of a songwriter finding exactly the right musicians to bring his vision to life. This, my friends, is rock n' roll! There's more to come from Junior Varsity, so stay tuned. In the meantime, step up to the bar and get "Back To Reno"!
Subscribe to:
Posts (Atom)






