Showing posts with label Punk Rock n' Roll. Show all posts
Showing posts with label Punk Rock n' Roll. Show all posts

Sunday, July 26, 2026

Badzy - ...To The Bone


You've surely seen some of the rave reviews for ...To The Bone, the debut album from New Orleans-based Badzy. I sure don't disagree with anything I've read about this record. Three years in the making, ...To The Bone is pure energy and catchiness from start to finish. It hits that sweet spot where power pop, glammy punk rock 'n' roll, and big, hooky arena rock all crash into each other at full speed. There's no pretension to what these guys are doing. They are throwbacks to a time when rock 'n' roll was loud and fun but never afraid to be radio friendly. This is a great record to throw on when you're having a good time or want to be having a good time. The band's sound is the epitome of powerful pop, and it's plenty gritty enough to fit nicely within the underground punk rock 'n' roll bubble. But you can also tell that there's some Def Leppard, KISS, and Cheap Trick in its spiritual DNA. Sometimes the key with rock 'n' roll is not taking yourself too seriously but being damn serious about the craft of songwriting. Tracks like "Say That You Will," "Say You're Ready," and "Ain't That Enuff" would be radio hits in some alternative timeline where they still play real rock 'n' roll on commercial radio. "Shadows" is full-on classic power pop. "Ripped Outta Time" and "Bad Til I Die" venture into heavy metal territory without a trace of irony and kick all kinds of ass. This is an absolutely killer album. I can't help but be reminded of the early 2010s when the likes of The Mandates, Barreracudas, and WYLDLIFE were just coming on the scene. This year in music continues to please!

Friday, June 26, 2026

Taxi Girls - Static


On New Year's Eve of 2024, I wrote, "If we finally get a Taxi Girls full-length next year, it may very well be my album of the year for 2025!" Well, I was a year off in my estimation, but my prediction is surely looking spot-on. In what has been the best first six months of a year for new music in recent memory, Taxi Girls have my absolute favorite release of the half-year with their fantastic debut long player Static (out today on Stomp Records in North America and the great Wild Honey Records in Europe). 

Jamie Radu, Vera Bozickovic, Lynn Poulin, and Gabrielle Noël Bégin were smart to take their time and make their debut album something special. As good as the debut EP Coming Up Roses and follow-up single "Rainy" were, Static blows those releases away. It's that rarest of things: an album that carries the appeal and influence of late '70s/early '80s punk rock yet sounds genuinely current in the contemporary punk/garage/rock 'n' roll universe. Influences run the gamut from classic punk and new wave to power pop to '90s feminist punk and alternative rock to modern-day garage rock. Yet Taxi Girls aren't trying to be anyone but themselves. Jamie Radu, in fact, described the album to me as "us on a plate." And that's what I love about this record. The influences are all over the place, but these songs are uniquely and undeniably Taxi Girls. These four women are not just extraordinarily talented; they also have a chemistry and kinship with each other that is immediately palpable. You're getting different musical influences from everyone in the band, and it all coalesces into something that only these four individuals working together could have created. I've never heard a record that sounds quite like this. 

Whichever corner of the punk and punk-adjacent underground you gravitate to — whether that's old-style punk, power pop and pop-punk, garage rock, or the more rock 'n' roll side of punk — you are sure to find much to love about Static. It's full of superb songwriting with killer hooks. It rocks hard. It's got punk rock attitude all day long. The lyrics are meaningful and relatable. The production is incredible. And Vera and Jamie, as co-lead singers, have an amazing hot sauce & honey dynamic going on. Their styles are contrasting yet also beautifully complementary. Both individually and in harmony, they make a formidable tandem. I can't think of many bands with two lead singers/songwriters where I don't like one a little (or a lot) more than the other. But with these two, it's a dead heat. Add in a lead guitarist who totally shreds and one of the best drummers in punk rock, and you've got yourself a band that ought to be huge. 

Taxi Girls certainly chose well with the three singles it has released off the album. But I'm hard-pressed to find any song on here that wouldn't have been a fine choice for a single. The sequencing of this record is flawless. It comes roaring out of the gates with a great mix of powerhouse rockers ("Say It!" and "Red Flag Crush") and energetic, super-catchy punk tunes ("Try Harder" and "Auto-Hysterics") before taking a surprising turn with the sweet, sentimental power pop of "So Quaint" and the delightful, effortlessly cool new wave throwback "Midnight Mixtape." And from there, the ride remains a great time but never gets predictable. By the time I got through the four-song run which includes the furious punk scorcher "Kill Your Darlings," the poppy punk earworm "Secret Handshake," the punk rock 'n' roll fireball "It Makes Me Think," and the genius New Order/Go-Go's mashup "Highs//Lows," I started to wonder if this band has secretly been together for 15 years and is just compiling greatest hits! And one thing that is always a deal-clincher for me is when an album offers an extraordinary pair of bookends. I always love an album that starts off with a song that makes you want to listen to the whole record and closes with a song that makes you want to immediately play it again. "Say It!" opens the record with a proverbial bang, and album closer "Other Heart" is this simple, unassuming little ballad that just tears your heart out. It's beautiful, tender, and instantly memorable — a perfect punctuation mark on the best album I've heard in a long, long time. 

So is Static everything I thought it would be? Yes and then some! I have been known to sometimes overstate things a little bit (ha ha). But it's not hyperbole to suggest that this album puts Taxi Girls right in the thick of the "best band out there" conversation. For people my age, this is one of those records that reaffirms that it's a healthy thing to keep up with new bands and not assume that music stopped being good 30 years ago. If you have young daughters, granddaughters, nieces, etc., this is the kind of album that could very well inspire them to start their own bands and grow up to be total bad-asses like Jamie, Vera, Lynn, and Gabrielle. Honestly, I have a hard time imagining any regular reader of this blog not being into this record. It's just so freaking good! I have a different favorite song every day. You hear a record like this, and you believe in rock 'n' roll again. You'll want a tattoo —or at least a t-shirt! When I see the critical and fan acclaim Taxi Girls are receiving, it makes me happy because it shows that even in these times when algorithms are king, talent and hard work still matter in music. There are still some huge albums due out later this year, but it's going to take something truly out of this world to top Static.

Saturday, May 16, 2026

Sourpunch - Shake Them Bones


Back with its first new release in a few years, Sourpunch lets it rip on the excellent new EP Shake Them Bones. This Rhode Island–based foursome fronted by Jenn Lombari (also of the excellent melodic punk duo Stubborn Hearts, which also includes drummer Doug Metivier) plays awesome high energy punk/pop/rock 'n roll music that will get your heart pounding and your toes tapping. "Lipstick and Black" and "Gin Buzz" are in rockin' pop-punk territory, while "Rebound n Down" is full of '50s OG rock 'n' roll spirit. The theme song "Sourpunch Stomp" is a party-starter with a touch of Devil Dogs swagger. "Dead Friends" is fast and frenzied and poignant is hell. "Going up the Country" is a rocked-up cover of the Canned Heat classic. With Jenn Lombari, you're always going to get passion and feeling in the vocals. So even though this is a fun record to put on and shake them bones to, there's an emotional depth and soul to a lot of these songs that is sometimes missing in punk rock 'n' roll world. If you like no-nonsense rock 'n' roll that kicks a whole lot of ass but can also make you laugh and cry, this EP is for you!

Sunday, April 19, 2026

The Keefs - "Fleshbomb"


Hey! There's a new Keefs single out in the world! The Keefs, the Delaware/Philly-based band that released some of the most essential punk rock 'n' roll cuts of the early 2010s, have brought back "Fleshbomb," an oldie but goodie from their live set. This track features a lineup of Dave, Kenn, Vince, and Andy along with one of America's most preeminent rock keyboardists, Mr. Kris Rodgers. If you like The Keefs, well this is vintage Keefs. It's a straight-forward rocker with gritty vocals, melodic guitars, a hooky chorus, and a powerful sound. It was recorded by Arik Victor at Creep Recording Studio in Philly, and it sounds absolutely crackling. The Keefs were literally featured on Day One of this blog (June 9, 2011), so it's always a pleasure when new music from these guys shows up online. "Fleshbomb" is a total scorcher and a must for your spring/summer "turn it up loud!" playlist!

Saturday, March 28, 2026

Sick Shooters - Super Sonic Rock Saga


Holy 2005, Batman! On their debut long player, Utrecht, Netherlands–based Sick Shooters take me back to the heyday of garage punk/power pop mash-ups. The perfectly tiled Super Sonic Rock Saga blasts through 11 tracks of blistering punk rock 'n' roll with relentless power pop hooks in 28 thrilling minutes. This is an all-killer, no-filler affair from start to finish. Think first generation punk-pop (Buzzcocks, Undertones, Boys) if you gave it a '90s garage punk kick in the pants and and then injected it with a modern-day youthful exuberance. If I made a playlist of the stuff I was listening to two decades ago (Kidnappers, Manikins, The Heartattacks, Marked Men, etc.), any of these songs would fit right in. Yet the sound of this record is totally fresh and exciting  — proving the timelessness of this type of music when it's done right. There aren't really many new bands like this these days — especially not ones made up of folks in their early 20s. 

What a breath of fresh air this album is! It delivers a perfect mix of scorching punk rock 'n' roll tracks ("Evacuation," "Gambling Girl," "Never Comin Home"), more power pop leaning numbers ("Daisy," "Sweet Telephone," "Holding On"), and a few that split the difference ("Heartbreaker Soulshaker," "Supersonic Lovin," "In Between"). A couple of my influential friends have already weighed in with ringing endorsements, and I will happily add my voice to the chorus of acclaim. 2026 is stacking up to be perhaps the most loaded year for new music in decades, but Super Sonic Rock Saga will absolutely have a spot near the top of my year-end albums list. When it comes to just about everything I love in music, this record hits the target dead-center. Get it from Wap Shoo Wap Records in Amsterdam. Is it just me, or is The Netherlands turning into the epicenter for everything that's awesome? 

Friday, January 16, 2026

Pat Todd & the Rankoutsiders - After The Dolls


Pat Todd & the Rankoutsiders are one of the surest things in rock 'n' roll. Anything they release is guaranteed to be top-notch. And that goes for their cover songs as well. The band's new 10" EP, After The Dolls (out on Heavy Medication Records), was a passion project for Pat Todd. As one of the world's biggest fans of the New York Dolls, Todd has a deep love for the band's catalog that extends into the music the members later released as solo artists. The concept of After The Dolls was to pay tribute to some of the amazing songs that Johnny Thunders and David Johansen wrote when they were supposedly "past their peak." And when you give a great songwriter like Pat Todd the leeway to put his own twist on some old classics and deep cuts, you know you're going to get something special. 

Sometimes tribute albums fall flat, but After the Dolls feels different. All six of these tracks are inspired takes on incredible songs. The love for the original versions is palpable, but you can tell that you're listening to Pat Todd & the Rankoutsiders. Any Dolls/Thunders fan will be intimately acquainted with the material on the "Thunders side" of the record. Todd & the Rankoutsiders push the tempo on "Dead or Alive" to the point where it practically sounds like a Heartbreakers song. You can feel every ounce of heart and soul in the classic ballad "Disappointed in You." "Short Lives," from Thunders' 1985 release Que Sera, Sera, is re-worked into the roaring '70s punk classic it could have been. On the "Johansen side" of the record, the band pulls some deeper cuts. "Melody" and "Wreckless Crazy" are both from Johansen's oft-overlooked second solo album, In Style. "The Rope," one of Johansen's rawest and punkiest solo tracks, was the B-side to the 1978 single "Funky But Chic." "Wreckless Crazy," as Ted pointed out, comes out sounding like it could have been a Rankoutsiders original. It's a scorching update on the original. The band drags the disco-era blue-eyed soul of "Melody" into modern times without losing the spirit of Johansen's version. "The Rope" sounds like vintage '90s by way of the '70s punk rock 'n' roll — reiterating Johansen's profound influence on Todd and so many of his contemporaries. 

If you're going to take your shot at covering Johnny freaking Thunders and Mr. David Johansen, you can't afford to miss. With After The Dolls, Pat Todd & the Rankoutsiders show the world what a tribute album ought to be. You can tell that this project was on Todd's mind for many years. The song selection could not have been more perfect, and all six of these tracks absolutely smoke. While the band succeeds at making these songs its own, it does so with tremendous affection for the original versions. This EP will make you want to go listen to your Johnny Thunders records and perhaps seek out some David Johansen records. And that, my friends, is surely the point.

Tuesday, October 07, 2025

Video Premiere: Moron's Morons - "Neon to Rust"


Warsaw's Moron's Morons are back with a brand-new single/video, and it is my pleasure to premiere it! With releases on labels like No Front Teeth, Slovenly, Wanda, Sweet Time, and Big Neck Records, this band has become a fixture in the modern day garage punk rock 'n' roll scene. The new song is called "Neon to Rust," and Tremendo Garaje is hosting the video on its world-famous YouTube channel. In the band's own words, "Neon to Rust" is "a punk anthem that tears into the hollow luxuries of privilege and the gradual deterioration of a risk-free existence." Well I can certainly get into that! You'll notice a new lead singer, but it's the same style of music you've come to expect from Moron's Morons: ferocious & filthy '70s-style punk with a dark, dangerous edge. The video is quite intriguing and seems to fit the music perfectly. Moron's Morons will soon be working on a new album and may have an EP in the works as well. For now, crush that play button and enjoy "Neon to Rust" in all its raging glory!

Thursday, September 25, 2025

The Oxys - Casting Pearls Before Swine


The Oxys from Austin, Texas have unleashed a monster of an album on Casting Pearls Before Swine — their third full-length release. As the biblical title suggests, this is not a collection of songs for the faint-hearted. With a stated intention of "wrangling fans out of their world weary despondency," the band is pretty damn clear about its mission on this LP. These songs will grab you by the throat! 

The Oxys were formed out of a songwriting partnership between guitarist Ginchy (Dead Boys, Sylvain Sylvain) and vocalist Phil D. I'm always stoked to hear new bands playing real deal '77-style punk rock 'n' roll, but The Oxys are far more than just your standard old school punk revivalists. This band combines the grit and danger of early American gutter punk with the darkly melodic sensibility and catchy lead guitar work of early '80s SoCal punk. And lyrically, this band has its finger on the pulse of contemporary life and all that ails it. Casting Pearls Before Swine takes a good, hard look at the modern psyche — exploring themes ranging from lust to obsession to toxic relationships to betrayal to the survival instinct to cold-hearted killers and our sometimes disturbing fascination with them. That's some dark stuff, but this album is not a difficult listen. This is fierce, furious music that ought to be cranked loudly while you shout along and pump your fist in the air. Those lead guitars are absolute fire, and Phil sings with full conviction about "the universal tension between human acts that harm, and yet stimulate us." Not content to just go a million miles an hour all the time, The Oxys show they know how to pace themselves on the menacing slow-burner "Eaten Alive (the ballad of Joe Ball)" and the macabre closer "Drop of Blood." 

While not exactly a "horror punk" record, Casting Pearls Before Swine does seem a fitting release for this time of the year when we love to embrace our strange attraction to all things horrifying. For months I've been trying to explain why I'm always creeped out when the ice cream truck comes through my development, and now "Mr. Softee" makes it all so clear. If you dig nasty, in-your-face punk rock that has something meaningful to say about the human experience, this is the album for you. Get it from Cleopatra Records!

Saturday, September 13, 2025

The Idolizers - Ka-Boom!


From New York, New York, The Idolizers play full fury, real deal punk rock 'n' roll that just straight-up rips. Out on Sioux Records, Ka-Boom! is the band's third release and first since 2022. The title pretty much says it all, doesn't it? With a style rooted in '70s punk that also incorporates garage rock and a little power pop, The Idolizers bring the energy from the get-go. This is old school New York punk just the way it ought to be — with scorching guitars, a blistering rhythm section, and attitude for days. While certainly the band's most musically varied release to date, it finds these guys rocking harder than ever. Call it '77 punk. Call it action rock. Call it garage rock. Call it whatever you want. This is rock 'n' roll music that will set your hair on fire, and it ought to be illegal to not play this record super-loud. Vinyl is limited to 300 copies. You know what to do!

Sunday, September 07, 2025

Perilous - "Glass Of Something"


Perilous has just concluded its summer of singles with another smash! "Glass Of Something" is the fifth installment in what has been a truly flawless series. Every one of these singles has been a total banger, and "Glass Of Something" is no different. When it comes to old school punk with a pop heart and a rock 'n' roll edge, Perilous is about as good as it gets. "Glass Of Something" espouses a philosophy that most people would be well-served to adopt: there's almost nothing that can't be worked out between two people whilst they are sitting down and enjoying some tasty beverages. This is not necessarily intended as a political song, but perhaps that's the whole point. Sometimes we can reach our greatest understandings in all avenues of life over a glass of something. Bob Cat originally wrote this song with Robby Petrella for their band Hurtin' Units, and Perilous decided to bring it back with some additional lyrics by Pauline. The song really works as a Perilous track. It's a great pop song with real deal punk attitude, and it was produced by one of the very best in the business: Mr. Kurt Reil! It's a little sad that this run of summer singles has concluded, but I can assure you that we still have a lot to look forward to from Perilous. The summer of 2025 will be forever remembered as The Summer of Perilous!

Thursday, August 07, 2025

The Beaten Hearts - 2010 recordings


I love that this blog has been around so long now that I can sometimes review bands I wrote about years ago and people will be like, "Who the hell were they?" If you've never heard The Beaten Hearts, that's okay. You get to hear them now! 

The availability of the 2010 recordings of The Beaten Hearts on Bandcamp ought to be a huge deal for fans of 21st century garage punk and Canadian punk in general. This was Brian LaManna's band in between The Valentine Killers and Phone Jerks. The lineup also included Derek Lounder and Jeremy O'Neill from Fear of Lipstick, former Teenage Hurricane and future Phone Jerk Tyler Boutilier, and the legend himself, Mr. Ray Auffrey. In retrospect, we can all wonder how in the world we ever forgot about a super-group like this! Perhaps it was because they only released two singles. Six of these songs were released on 7" records in 2011 (on Maladroit Records and the venerable Sonic Jett Records). Five have never been officially released until now. In my original review, I dropped all the usual band comparisons (New Bomb Turks, Humpers, Dead Boys, Saints, Teenage Head, Pagans) but also commended the quality of the songwriting. Listening back to these songs now, I'm noticing a melodic, heart-on-sleeve sensibility that reminds me somewhat of Pat Todd. 

While the importance of The Beaten Hearts as a precursor to The Phone Jerks or a hint of what a second Valentine Killers album could have been are cool things in their own right, the music would be worth revisiting even if this had been a band of nobodies. Brian's talents as a songwriter and especially as a lyricist are super-underrated, and there are more than a few gems in this set. When people are releasing fanatic bootleg compilations of 2010s Canadian punk rock a few decades from now, "Red Line Gurls" will certainly be a go-to cut. "Back to the Deadline" brings to mind Iggy Pop fronting The Saints and is a stone cold ripper. "(This Is) How It Ends," which Brian wrote about his mother's death, is the kind of powerful ballad that I wish more punk groups would have the nerve to try. Was there any doubt that Joel Jett, with his impeccable taste, was not going to pass up releasing these songs on his label? "Badlands," the A-side of the band's second 7", is a scorching homage o.g. Cleveland punk rock with lyrics inspired by Terrence Malick's classic film. "Rhonda Lynn" is excellent poppy garage punk rock 'n' roll that will get your toes tapping and your head bobbing. "AM Sound" finds the band again worshipping at the church of The Saints, and who's going to complain? "She's Stimming Outta Control" is the original version of a song that would become one of the best Phone Jerks tunes. This is a hugely personal and significant song for Brian, and the world is a better place for having it in it (twice). 

How crazy is it that these songs were recorded 15 years ago? I am happy to report that they hold up great in the light of 2025. I know we live at a time in which there's so much stuff out there. There are more things to listen to than we have time to listen to. But if you dig soulful garage punk with a '90s feel and a power pop heart, The Beaten Hearts are an essential listen. I'm always talking about how Canada freaking owned punk rock in the early 2010s, and this album ought to be part of that conversation.

-L.R.

https://beatenhearts.bandcamp.com/album/the-beaten-hearts-2010-recordings

Sunday, July 06, 2025

Perilous - "Revolution Calling"


Back with the third installment in its summer of singles, Perilous gets political on the rocker "Revolution Calling." Raging against corruption, lies, and "devil politics making us all sick," this song isn't a piece of commentary so much as it as an urgent call to action. "Are you ready?" asks the band, and you know exactly what they're talking about. I always measure politically-themed songs the same way: Would it be a killer tune even if they were singing about something else? And in the case of "Revolution Calling," that's an affirmative. This is a fiery and exciting shot of old school punk rock. Rather than being secondary to the message, the music powers the message. Somehow I was so busy that I completely slept on Perilous also releasing another track last month —  which turns out to be the band's very own theme song! This is one of the best bands out there playing real deal punk rock 'n' roll. If you're not yet following its summer of singles, now is the time to get on board!

Saturday, June 14, 2025

Loose Lips - "Don't Mess Me 'Round"


One of the things I was hoping 2025 would bring us was a debut album from Loose Lips. Well guess what: it's coming! Last Laugh will be out September 1st on Dig! Records, and a debut single has already been unleashed! Loose Lips are Josh Hardy (The Chats and the Unknowns), Ethan Stahl (Chubby and the Gang, the Prize, Street Sweeper), and Nadine Muller (the Prize). They put the super in super-group, and new single "Don't Mess Me 'Round" does not disappoint. This track is a perfect shot of energetic punk rock 'n' roll that's satisfyingly raw but still catchy as hell. There's little doubt that Last Laugh will be one of the top albums of the year, and I'm delighted we've got an early single to whet our collective appetites. Crank this bad boy and keep watching the calendar!

Sunday, May 18, 2025

Split System/Les Lullies - split 7"


So Split System released one of the best punk rock singles of this year, and for whatever reason, I never got around to writing anything about it. So perhaps I should weigh in on the band's split single with France's Les Lullies before I blink and it's suddenly December. There are so many great punk bands in Australia right now, but I wouldn't fight you if you said Split System was the best of them all. This band just kills it time and time again, and its contribution to this split is no throwaway. "Chemicals" is another essential shot of ferocious, hard-hitting punk rock 'n' roll that socks you in the mouth. "A L'Etroit," Les Lullies' contribution to this split, is a ripper in its own right — bringing that catchy '77-style punk rock energy with speed and vigor. If this is your first time hearing Les Lullies, I highly recommended a deeper dive into the band's catalog. This is a nice pairing of bands who have musical styles that are somewhat different but also somewhat similar. They'll be out on the road together in Europe next month, so be sure to check their social media for more info. Their split is available on vinyl from Legless in Australia and Drunken Sailor Records in the UK.!

Saturday, May 17, 2025

Perilous - "Dear Heart"


Since releasing its fantastic album YEAH!!! in December of 2023, Buffalo, New York's Perilous has been busy rocking out live (including appearances last year at Fear City Fun Fest and the International Power Pop Festival). But the now the band is ready to unleash a series of summer singles for 2025! Up first is "Dear Heart," which infuses some serious power pop vibes into the band's high energy garage/punk/rock 'n' roll attack. Produced by the legendary Kurt Reil, this track is a kick-ass rocker with soaring harmonies and a huge, hooky chorus. It really is the perfect summertime radio hit. And even if it isn't quite summertime yet, there's no harm in getting a head start (it's 84 degrees as I type this). Perilous will release a new single on every first Friday of the month all summer long, so get ready for some more killer rock 'n' roll that you can blast in the car with the windows down!

Saturday, April 19, 2025

20th Century Boys - self titled


20th Century Boys from Fullerton, California are a newer band with an old school pedigree. Singer and guitarist Jeff Moses (The Flamethrowers, The Cornfed Project), bassist Mike "Rocko" Occhiato (The Flamethrowers, The Joneses, The Vice Principals), and drummer Jason Hubbard (Penal Colony) are all longtime fixtures of the L.A. rock 'n' roll scene. Unsurprisingly, their debut album (out on Rum Bar Records) reeks of the '70s and early-to-mid '80s in the most wonderful way. These 11 tracks take elements of sleazy glam rock, '70s punk, power pop, and dive bar rock 'n' roll and mash it all into a timeless and irresistible concoction. "Suzy" is a stone cold smash, and it's by no means the only banger in the bunch. There's nothing tricky or grandiose going on here: just good, solid rock 'n' roll with a beat you can dance to and hooks for days. Some tracks live at the intersection of dirty glam and power pop. Others bring to mind Johnny Thunders–inspired punk rock 'n' roll or the Stones at their booziest. I love hearing little nods to the classics (like the "Teenage Kicks" inspired riff on "Tricky Situation" or the "baaaaaby!" refrain on "Rumble at the Dance Hall" that tips its cap to The Dictators' "Stay With Me"). There's even a cool cover of a golden oldie by U.K. glamsters The Gunslingers. I can't imagine any fan of Rum Bar Records not digging this album, and it's exciting to hear music like this still being made and made well. Moses proves himself to be a fine songwriter and one hell of a guitar player. Since the recording of this album, Claude Guecia has taken over bass duties, but 20th Century Boys are going as strong as ever. When I was a young pup coming up in the music-reviewing world, it seemed like there were bands like this everywhere you turned. But now this sort of real-deal, tried-and-true glam-punk rock 'n' roll is not nearly as ubiquitous. Kudos to labels like Rum Bar for endeavoring to keep it alive!

Friday, April 04, 2025

Guerrilla Teens - Monkey's Paw


What can I say about Guerrilla Teens that I haven't already said before? Simply put, this is one of the greatest rock 'n' roll bands out there — featuring members of some of the punk world's most illustrious acts of the past three decades. Far from a mere continuation of The Humpers or Lovesores, Guerrilla Teens have their own thing going on — and it's exciting! Featuring the talents of Scott "Deluxe" Drake on vocals, Jeff Fieldhouse on guitar, Saul Koll on guitar, Tim Connolly on drums, Anna Andersen on bass, and Dave Sobel on keyboards, Guerrilla Teens are not looking back at past glories. They're too busy crafting the next generation of classic punk rock 'n' roll songs to rest on any laurels. Their last album Under the Dagger was one of 2023's overlooked gems, but the follow-up Monkey's Paw beats it by miles. The album is out now in digital form, and a vinyl release from the ever-dependable Sioux Records is coming soon. 

You know what to expect from Monkey's Paw: ten tracks of electrifying Drake/Fieldhouse–penned rock 'n' roll haymakers featuring a firestorm of guitars, an unstoppable rhythmic backbone, and typically furious vocals from the ageless force of nature that is Scott Drake. This, in fact, might be the best album Drake has put his name on since the '90s. These are Guerrilla Teens' best songs to date, and the production and playing are perfect for this kind of music. Last year's excellent single "I Cyclops" kicks off the album emphatically. If you like straight-up '70s punk, "Mary's Got the Bomb" and "Johnny on the Mainline" will get your heart racing. If you're more in the mood for some restrained menace, "Sleepwalker" and "Tonight" (which sounds like the best Dead Boys song in decades) ought to hit the spot. "My Hometown" is pure rock 'n' roll and an absolute corker. Elsewhere, "Pride of the Savanna" and the smashing title track kick up the sort of wall-shaking unholy racket that all "garage" bands should aspire to. This is going to be one of the top albums of the year, and you will certainly want to follow Guerrilla Teens and Sioux Records on the socials for updates on when the vinyl is available. If anyone has any doubts about what real rock 'n' roll is, Monkey's Paw will make it all perfectly clear. 

Wednesday, January 01, 2025

Unfinished Business: Guerrilla Teens - "I Cyclops"/"Pride of the Savanna"


As I was closing out the year and looking for review drafts that for some reason never got published, this Guerrilla Teens piece from October caught my eye. How in the world did I forget to finish this thing? Back with their first new release since 2023's fantastic long player Under the Dagger, Guerrilla Teens totally rip it up with a pair of tracks that fit the mood of the spooky season. But in a way, it's nice to listen to this single again with fresh ears. Even with the horror theme, this is by no means a strictly seasonal release. 12 months a year, these tunes will melt your face off. Guerrilla Teens remain one of the finest rock 'n' roll bands going, and "I Cyclops" is as good as anything they've done. Out on Heavy Medication Records, this is an absolute monster of a single (no pun intended). On the A-side, the band gets into the head of a perceived monster. What's it like to be feared and misjudged by a world that won't even try to understand you? Scott "Deluxe" Drake turns in a powerful vocal performance on this track — a fierce and ferocious shot of old school punk rock 'n' roll. On the B-side, "Pride of the Savanna" stays on the horror theme and manages to evoke wild '60s garage rock without coming off overtly retro. The guitar work and rhythm playing are inspired, and Drake delivers his vocals with a chilling conviction. I believe there are still vinyl copies left, so be sure to grab one if real rock 'n' roll is your cup of tea! 

Wednesday, December 25, 2024

The Idolizers - KA​-​BOOM!


Before I've even wrapped up the year, I'm already looking ahead to the next one! New York punk rock 'n' rollers The Idolizers have an album titled KA-BOOM! coming soon on Sioux Records. This will be the band's third release and first on vinyl. In a way of a preview, they have shared four of the tracks via Bandcamp. Of course you can always expect raw, high-energy rock 'n' roll from The Idolizers. But these new songs hint at the variety of sounds that KA-BOOM! will have in store for us. "All Those Things I See" brings fast and furious heat. "Gasoline" is fully in action rock territory and a smasher at that. But on "Gimmie Gimmie Your Love" and "Apocalypse Kids," you can hear the band leaning more into '70s-style poppy punk. If Ryan Meyers is putting it out, you know the album is gonna be crackling! Be ready for a KA​-​BOOM! in 2025!

Saturday, December 07, 2024

Rob Moss and Skin-Tight Skin - Records/Split with Shake Some


Man, do I ever feel like a knucklehead for being late to the party on Rob Moss's third and latest album. I'd been meaning to do a write-up on this release for a while, and quickly the weeks turned in to months. A tendency for procrastination is clearly one of my worst character traits. Thankfully the release of a new split with Shake Some has provided the occasion for me to atone for my goof and bundle a couple of reviews. 

Records is the follow-up to 2022's Now with More Rockets, and it's even better than its predecessor. Moss, who is well-known for being a member of Government Issue and Artificial Peace in the '80s, is now in the midst of an impressive second act fronting his band Skin-Tight Skin. On Records, he again works with drummer Danny Frankel. Tom McNally (bass, backing vocals, Hammond C3 organ) rounds out the band, and a huge cast of guest stars contributes lead guitar and backing vocals. Moss repeats the concept from the last album where each track features a different lead guitar player, and why mess with a winning formula? The only thing better than having an amazing lead guitarist is having eleven amazing lead guitarists! As is sometimes the case with a follow-up album, Records takes everything that was good about Now with More Rockets and makes it even better. As a songwriter and singer, Moss is really settling in to a signature style and point of view. His love for first wave punk and proto punk is palpable, but he's not doing an imitation of past greats. And lyrically, he's really got something to say, and he does so with a mix of truth-telling, self-reflection, and sarcastic humor. If you enjoy old school punk rock with songwriting that's relevant to the present day, you're going to love this album. The rhythm section is a powerhouse, and all the guest lead guitar work is positively scorching. Moss shows an even greater command of his unique voice — sometimes taking a classically "snotty" approach and other times mixing singing and speaking in a very cool way. You can tell this guy has been listening to punk rock music for as long as it has existed. 

What really impresses me about Records is how strong the songs are from start to finish. My initial reaction to "We Just Don't Know" and "Hey You (We're Sick of You)" was "Wow, what a 1-2 punch to start an album!" But I quickly realized that there's zero drop-off from there. "We Just Don't Know" is truly an anthem for our times — a song that blends serious commentary about the secrets kept by the powers-that-be with some of the funniest lyrics I've heard this year. "You and Time" is a very profound reflection on how time is perhaps the most precious thing in life. "So let's all make the best/Of the time we've got/Enjoy the ones we love/And let the haters rot" ought to be everyone's new mantra. "The World (Is a Playground)" is a duet with The Shang Hi Los' Jen D'Angora that also features Danny the K on lead guitar. It has more of a classic new wave feel to it and is definitely one of the highlights of the album. Moss and D'Angora sound great together, and the joyful vibe of this track really appeals to me. "I Got Lots of Problems" is another choice slice of '77-style punk rock 'n' roll that pokes fun at those folks who never take any accountability for the things that go wrong in their lives. "Right Hook" is in a similar vein. We all know some of those people who are completely full of themselves and so certain that they're on top of the world. And then, boom! Life punches you in the face. "The Next Time (I See You)" is a very relatable song about struggling to stand up to that person who knows how to make you feel small. "What Happened (to the Rock 'n' Roll​​​)​​​?" is dedicated to the late, great Jack Lipton. The title says it all, doesn't it? Closing the album with a dub version of the opening track definitely feels like a nod to first wave punk. But here's the thing. I've skipped "Wild Dub" many times when listening to the first Generation X album. But I actually like "We Just Don't Dub." I think it's a very clever and skillful arrangement of the song, and it closes a fantastic album on a really fun note. 

While I'm clearly a lame-O for being two months late on my Records review, I am happy to report that Moss also has a brand-new split single out with Bordeaux, France–based power pop trio Shake Some. This particular concept for a split is a favorite of mine. Each band covers one of the other's songs and puts it own twist on it. So you've got Rob Moss and Skin-Tight Skin (on this track featuring Moss, McNally, Gil Leigh, and Steve Naff) covering Shake Some's 2023 single "Slow Down" while Shake Some does its own version of "I Got Lots of Problems." Any fan of either band will want this single in their collection. If you enjoy this collaboration, you're in luck. Moss has some more splits lined up for 2025!