If you thought Real Sickies' last album Love Is For Lovers was a significant progression from their previous records, wait until you hear their new one! Under a Plastic Bag, the band's fifth album and first in nearly four years, is out now on Stomp Records. Engineered and produced by Joshua Wells (Autogramm, Lightning Dust), this album finds Real Sickies completely transcending their signature punk-pop sound. Ben and the gang really went for it on this release — incorporating influences ranging from late '70s/early '80s new wave & post-punk, '80s college radio, '90s alternative rock, and modern indie rock without straying too far from their classic punk and power pop roots. If the intention was to move things in a weirder, moodier direction, then clearly Wells was a perfect choice for a producer. Not surprisingly, Under a Plastic Bag is a genuine triumph. The band's flair for well-crafted hooks and anthemic choruses remains fully in tact, but this album offers way more variety and sophistication in songwriting than you'd ever expect from a Real Sickies record. If the band's earlier recordings tended to instantly grab you by the throat, this one pulls you in more gently and deliberately. You can't just listen to a song or two and predict what the rest of the album is going to be. A couple tunes like "Over Thought About It" and "Paralyzed" (the best song Teenage Head never wrote!) recall the Real Sickies of old. But for the most part, this album really breaks the mold. On songs such as "Wild Imagination" and "Destinations," you can really hear the more modern vibe the band was going for on this album. "Summer," perhaps my favorite track on the album, is pure pop that's redolent of the early '80s. "Never Going Back" hits that sweet spot where power pop meets '80s alt-rock. "Lost By a Landslide" sounds like something you might have heard on modern rock radio in the early 2000s. The band also does a wonderfully fresh & original interpretation of MOTO's classic "Choking on Your Insides."
Faster and Louder
Punk and rock n' roll reviews from Lord Rutledge and friends
Saturday, March 22, 2025
Real Sickies - Under a Plastic Bag
If you thought Real Sickies' last album Love Is For Lovers was a significant progression from their previous records, wait until you hear their new one! Under a Plastic Bag, the band's fifth album and first in nearly four years, is out now on Stomp Records. Engineered and produced by Joshua Wells (Autogramm, Lightning Dust), this album finds Real Sickies completely transcending their signature punk-pop sound. Ben and the gang really went for it on this release — incorporating influences ranging from late '70s/early '80s new wave & post-punk, '80s college radio, '90s alternative rock, and modern indie rock without straying too far from their classic punk and power pop roots. If the intention was to move things in a weirder, moodier direction, then clearly Wells was a perfect choice for a producer. Not surprisingly, Under a Plastic Bag is a genuine triumph. The band's flair for well-crafted hooks and anthemic choruses remains fully in tact, but this album offers way more variety and sophistication in songwriting than you'd ever expect from a Real Sickies record. If the band's earlier recordings tended to instantly grab you by the throat, this one pulls you in more gently and deliberately. You can't just listen to a song or two and predict what the rest of the album is going to be. A couple tunes like "Over Thought About It" and "Paralyzed" (the best song Teenage Head never wrote!) recall the Real Sickies of old. But for the most part, this album really breaks the mold. On songs such as "Wild Imagination" and "Destinations," you can really hear the more modern vibe the band was going for on this album. "Summer," perhaps my favorite track on the album, is pure pop that's redolent of the early '80s. "Never Going Back" hits that sweet spot where power pop meets '80s alt-rock. "Lost By a Landslide" sounds like something you might have heard on modern rock radio in the early 2000s. The band also does a wonderfully fresh & original interpretation of MOTO's classic "Choking on Your Insides."
Vista Blue - "Clearing the Benches"
As it traditionally does, Vista Blue has released baseball-themed music to commemorate the beginning of baseball season. This year, that required some early preparation since Major League Baseball chose to start its 2025 regular season nine days before the actual start of the regular season. But Vista Blue was on it, and "Clearing the Benches" is another A+ pop-punk baseball release.
While classifying Vista Blue as a baseball band would be no more accurate than classifying it as a holiday band or a movie band, I must say it never feels right for baseball season to commence without Vista Blue having had the first word. So by the time the Cubs took the field in Japan against the best team money can buy on Tuesday, "Clearing the Benches" had been released into the world, and I was emotionally ready for the first pitch to be thrown. The title track is a tribute to one of baseball's greatest traditions: dramatic, furious brawls in which no one actually fights. A couple of errant pitches cause tempers to flare. The umpire issues a warning. Someone charges the mound. The benches clear. The bullpens eventually do as well. But who's gonna throw a punch when having two working hands is integral to your livelihood? It's far better to just talk a little smack or go have a chuckle with your old college teammate. Vista Blue has accompanied the release of "Clearing the Benches" with an official music video so you can witness some perfectly family-friendly brawl footage as you listen to the song. And of course I love that the chorus is a callback to an iconic Ramones lyric. On the virtual B-side, "See You Later, Billy Ripken Card" is pretty much the ultimate pop-punk baseball song. If you remember the infamous Fleer Billy Ripken error card, then you know exactly which Queers song is being referenced here and why this song is an absolute work of genius. A ode to profanity this wholesome could only have come from the same guys who gave us "I Didn't Say Fudge" b/w "Notafinga" a couple year ago. For those of you who still own that particular card, you could probably fetch $150 for it. That could buy you 16 dozen eggs these days!
It can't be easy to produce top-quality baseball songs every year (especially if you're not a baseball band), but Vista Blue has again delivered in the clutch. I'd be a total f**** face if I kept "Clearing the Benches" off my Opening Day playlist.
Saturday, March 15, 2025
Golden Shitters - Brutal Planet
Do you think this whole world is going down the toilet? Do you hate your miserable life and most of the people in it? Have you observed that everything sucks these days? If so, Golden Shitters' new album Brutal Planet is for you. This Hamilton-based band comprised of Matt Ellis, Dave Tyson, and Kyle Fisher has delivered an instant classic of thumping, Ramones-inspired punk rock with lyrics reflecting the zeitgeist of these bleak times. Musically, Golden Shitters strip everything down to the essence of three-chord punk rock, and they do so to perfection. The majority of the 12 songs on Brutal Planet clock in under a minute-and-a-half, and the longest barely eclipses two minutes. The band puts on a clinic on how to be Ramones-inspired without necessarily being "Ramonescore." And I'm definitely hearing some early 2000s Dirtnap Records vibes as well. What this band does is so simple. Yet as I've said numerous times before, simple is hard to do well in music. These guys totally nail this style with fast-paced, catchy tunes and lyrics that are way deeper than it seems on the surface. Basically, anything that Matt Ellis is ever involved with is gold. In this case, it's Golden Shitters. Brutal Planet is a truly perfect punk rock album that will kick you in the teeth leave you wanting more. Push play, crank up the volume, and let your rage flow!
Monday, March 10, 2025
The Roxies - Keep You Up At Night
It has been more than three years since Berlin's The Roxies last released an album. Don't Wanna Dance Because I'm Told To, their debut full-length, came out in January of 2022. It remains one of the most underrated and best albums of this decade's punk rock/power pop scene. Matthew, Bruno, Imke, and Tim have almost certainly topped themselves with the follow-up, Keep You Up At Night, out now on Flight 13 Records in Germany and Dirt Cult Records in the U.S. What I like about this album is that it's a logical progression from its predecessor. Again, the influence of late '70s/early '80s punk rock and power pop is palpable, but the band's sound is more modern and unique this time through. While still keeping to the efficiency and leanness of classic punk rock (only one song exceeds three-and-a-half minutes), the band embraces less hurried tempos and a greater sophistication in its songwriting. This is exactly what you'd hope for from a band that is now three years more seasoned and whose members have three more years of personal growth to draw from. The Roxies have an even deeper understanding of who they are, and the things that made them great in the first place have only been magnified.
Saturday, March 08, 2025
Autogramm - "Randy"
"Randy" (available on vinyl from Dirt Cult Records in the U.S. and Goodwill Records in Germany) has been released in conjunction with Autogramm's upcoming tour of Spain. The tour kicks off March 22nd in Cox and will continue with dates in Granada, Seville, Córdoba, Valladolid, Alcala de Henares, and Madrid. Check out the band's social media for more information, and be sure to grab a copy of "Randy" while you still can!
Ryan Allen - "I Should (But I Don't Really Wanna)"
It was just a little less than ten years ago when I first got hip to Ryan Allen — who by then was already a two-decade veteran of the underground music scene. If I ever did a list of favorite albums I've reviewed for this blog, Heart String Soul would be on it. Within the first 74 seconds of "Should Be Me," I knew I was going to love the album. And Allen was instantly one of my favorite artists. Since then, I've had the great privilege of chronicling his career, and I highly recommend anything he has ever written or played on. But there's something in particular about his home-recorded stuff that really hits the spot for me. And as I listen to his new single, "I Should (But I Don't Really Wanna) b/w "Anxious All the Time," I'm reminded so much of the first time I heard his music. These songs are giving those same vibes. Not every songwriter is cut out for solo work, but Allen seems to be made for it. There's something about having complete creative control that really allows him to shine as a songwriter. Both songs on this new single are taken from his forthcoming album Livin' On A Prayer On The Edge, which he describes as "the most ME record I've ever made." So first of all, that title is brilliant. And second of all, I am beyond excited for another album where Ryan Allen essentially tells the world, "Hey! This is who I am!" He certainly chose well with these two single tracks — which will give you all the feels if you have a soft spot for crunchy, vaguely melancholy early '90s indie power pop a la Teenage Fanclub and Lemonheads. But I'm also looking forward to hearing where Allen goes with the rest of the record. Livin' On A Prayer On The Edge promises to be a culmination of all the musical influences that have shaped him as an artist over the past 30+ years.
Friday, March 07, 2025
Vista Blue - "She Doesn't Wanna Be Your Rally Girl"
A new album from Vista Blue based on the first season of the acclaimed television series based on the popular motion picture based on the iconic Buzz Bissinger book Friday Night Lights is absolutely something I want and need in my life. Clear Eyes, Full Hearts will release on April 5th — the tenth anniversary of Vista Blue's very first release, Good Eye. There's something wonderfully poetic about a group that is often dismissed as a "baseball band" commemorating a decade of its existence with a full album of football-themed songs. In advance of the album, the band has made the track "She Doesn't Wanna Be Your Rally Girl" available for you listening pleasure. In typical Vista Blue fashion, this track is such an exhilarating and infectious slice of pop-punk that it absolutely won't matter if you've never seen Friday Night Lights. While I have no problem liking dozens of pop-punk bands who essentially write the same song over and over for years and years, I must admit that Vista Blue's lyrical originality completely delights me. Who else in this universe would think of making this album? It's just a super-fun idea. Vista Blue, well-known to turn to sports or popular culture for musical inspiration, will be drawing from both on this album. Given how inclined I am to geek out over a great number of things, it's no surprise that Vista Blue is one of my favorite bands. I get it if you wish these guys wrote more love songs. But if you write about what you love, isn't every song a love song? Now when are we getting a song about Abita AndyGator?