Showing posts with label Garage. Show all posts
Showing posts with label Garage. Show all posts

Friday, August 07, 2026

Loose Lips - "Beehive"


Still riding the momentum of their excellent debut album Last Laugh, Melbourne's power poppin' punk rock and rollers extraordinaire Loose Lips are back with a hot new single off a new EP that will release next month. You always know what you're going to get from Josh, Nadine, and Ethan, and "Beehive" is very much in that lane. It's a fun, high-energy rocker with an unbeatable hook. It takes just a little over two minutes to get the job done, and then you're ready for another go-around. While the full EP doesn't come out until September 4th, you can pre-order it now and check out another track, "Remember We Love You." With 2026 being one of the hottest years for new music in recent memory, I'm pumped to have Loose Lips be part of it! 

Thursday, August 06, 2026

The Lemon Drop Gang - Wreckless Eyeballs


The Gang is back, and you have been properly warned! Wreckless Eyeballs is the sixth in a string of singles released by desert-pop superheroes The Lemon Drop Gang between 2023 and today. Like most of the installments in the series, it arrived without prior notice. One day, I wasn't even thinking about new music from The Lemon Drop Gang; the next, new songs were stampeding out of my headphones and making plans for permanent residency in my head. 

Me calling The LDG the best band on the Rum Bar Records roster is no hot take. And every new release adds to the growing mountain of evidence. On a surface level, this is a band that almost anyone who reads this blog can enjoy. Garage pop with a punk rock urgency is a vital part of all our musical diets. But at a deeper level, you've never heard a band quite like this one. The way this band can milk such a pleasurable listening experience out of the darkest and strangest subject matter never ceases to amaze me. Even their most bitter pills hit the tongue like hard candy. Every song is a window into the brilliant and utterly unique mind of Steph O'Halloran. Even on record, her presence is commanding and enthralling. Her songwriting partnership with husband Johnny produces an enticing sonic stew with a rare depth of flavor. 

The title track of the new EP was something I never could have anticipated: a haunting, five-minute Western epic that breaks completely from the band's usual two-minute minimalism. Steph sounds like she's purging poison from her soul, and the musical performances (hey there, D. Walker and Matt Rendon!) are so flawless that an instrumental remix on track 2 was fully warranted. You could be a skeptic and call a second version of "Wreckless Eyeballs" superfluous, but there's something fascinating about hearing the same desert dirge repeated with J. Clay Koweek's pedal steel essentially doing the "singing." It's like they're both the same song but also not the same song. Who knew we needed ten minutes of "Wreckless Eyeballs"? I will always admire a band that's willing to take chances on an idea that not everyone will get. 

The final track "Comin' To Get Him" was originally done by Steph's old band Tulip Sweet and Her Trail of Tears. Here it receives a proper Lemon Drop Gang makeover — finding the band back in the fuzzy garage punk/pop lane with a hint of spy flick soundtrack. Steph's vocal is fierce, and those lyrics are totally bonkers in the very best way. Johnny kills it on guitar, and that rhythm section locks in tightly. That hook is worth its weight in gold. If ever a song needed to be revived for the world of 2026, this was it! 

With 13 new tracks released since its first album came out, The Lemon Drop Gang more or less has a whole second LP already in virtual existence. They could comp these tracks now and instantly have one of the best albums of the year. Whether that project is imminent or a little further down the road remains to be seen. But if you're not keeping up with all this stuff, you're missing out on one of the most extraordinary indie bands of the moment. Head on up to the bar and let Lou hook you up with this triple shot of spiked punch!

Tuesday, July 07, 2026

Tiger Bomb - 15 Super Hits


You have to love an album with the name 15 Super Hits. Right off, you know to expect nothing more and nothing less than fun and timeless rock 'n' roll. There will be no robot voices or seven-minute songs about dragons. You know that when you put that record on, you'll soon be dancing and singing along and generally having a great time. Tiger Bomb, a band co-fronted by Chris Horne from garage rock legends The Brood and Lynda Mandolyn from Fabulous Disaster, has been at it for nearly a decade now. I am more than a little chagrined that I've never previously reviewed this band that was practically tailor-mode for this blog. But the great thing about being a fan of music is that it's never too late to get hip (pun intended) to all kinds of good stuff. With a lineup rounded out by Amanda Ayotte (Legendary Unknowns) on bass and Jessica Smith (The Resistance) on drums, the Portland, Maine–based Tiger Bomb plays upbeat & infectious garage rock influenced by girl groups, punk rock, power pop, and classic pop and rock 'n' roll. Yeah, I know: that sounds like something I would be into! Out on the legendary Get Hip Recordings, the aptly named 15 Super Hits features 15 original songs that could easily pass for covers of forgotten '60s classics.  

The singing and songwriting partnership between Horne and Mandolyn is one of the things that really makes Tiger Bomb special. The former's songs are mostly high-energy garage rock shakers, while the latter's lean more towards power pop. But Horne's songs still have killer hooks, and Mandolyn's songs still pack plenty of punch. And all these songs go together splendidly. It never feels like you're listening to two different bands. Both of these women could carry (and have carried) a band as the lead songwriter, but they sure are dynamite together. I can't think of one song I would want to subtract from the track list, and even a healthy collection of 15 songs leaves me wanting more. 

Given the individuals involved, it's hardly a surprise that Tiger Bomb is such a fantastic band. But this group is more than just the sum of its parts. These four women get rock 'n' roll, and as a unit, they are an absolute ball of fire. They are masters of their craft, yet they play with the energy and enthusiasm of teenagers in the garage. Many of you are reading this and thinking, "What took you so long, dude?" The rest of you will be wondering how quickly you can acquire Tiger Bomb's full discography. Happy shopping!

Saturday, June 27, 2026

Adult Learners - self-titled EP


A few months since they released a super-promising demo online, Boston's Adult Learners have a 7" record out on Saccharine Tryst Records. Just in case you wondered if having properly released music would cause this wicked awesome foursome to sell out and record in a pricey studio with some overbearing slick producer, I can assure you that the band's lo-fi, low-budget charm remains fully and enthusiastically in tact. There's really only one word that rightfully sums up this EP, and that's fun! Adult Learners may be a very hard band to Google, but they're a joy to listen to with their high-energy, organ-driven mashup of garage rock, punk, and power pop. No songs cross the two-minute mark, and they don't need to. Each track gets to the hook as fast as possible, and that leaves room for more songs on the record. That's genius! This band keeps it simple and catchy, and these tunes will make you wanna get up and dance around the house (or whatever other physical space you happen to be inhabiting as you blast these tunes — you could do a lot of damage in a drug store or dentist's waiting room). There's definitely a ton of Boston garage rock DNA in Adult Learners' music, and at times I'm picking up early Blondie vibes as well. What's not to love? Push play and bop 'til you drop!

Friday, June 26, 2026

Taxi Girls - Static


On New Year's Eve of 2024, I wrote, "If we finally get a Taxi Girls full-length next year, it may very well be my album of the year for 2025!" Well, I was a year off in my estimation, but my prediction is surely looking spot-on. In what has been the best first six months of a year for new music in recent memory, Taxi Girls have my absolute favorite release of the half-year with their fantastic debut long player Static (out today on Stomp Records in North America and the great Wild Honey Records in Europe). 

Jamie Radu, Vera Bozickovic, Lynn Poulin, and Gabrielle Noël Bégin were smart to take their time and make their debut album something special. As good as the debut EP Coming Up Roses and follow-up single "Rainy" were, Static blows those releases away. It's that rarest of things: an album that carries the appeal and influence of late '70s/early '80s punk rock yet sounds genuinely current in the contemporary punk/garage/rock 'n' roll universe. Influences run the gamut from classic punk and new wave to power pop to '90s feminist punk and alternative rock to modern-day garage rock. Yet Taxi Girls aren't trying to be anyone but themselves. Jamie Radu, in fact, described the album to me as "us on a plate." And that's what I love about this record. The influences are all over the place, but these songs are uniquely and undeniably Taxi Girls. These four women are not just extraordinarily talented; they also have a chemistry and kinship with each other that is immediately palpable. You're getting different musical influences from everyone in the band, and it all coalesces into something that only these four individuals working together could have created. I've never heard a record that sounds quite like this. 

Whichever corner of the punk and punk-adjacent underground you gravitate to — whether that's old-style punk, power pop and pop-punk, garage rock, or the more rock 'n' roll side of punk — you are sure to find much to love about Static. It's full of superb songwriting with killer hooks. It rocks hard. It's got punk rock attitude all day long. The lyrics are meaningful and relatable. The production is incredible. And Vera and Jamie, as co-lead singers, have an amazing hot sauce & honey dynamic going on. Their styles are contrasting yet also beautifully complementary. Both individually and in harmony, they make a formidable tandem. I can't think of many bands with two lead singers/songwriters where I don't like one a little (or a lot) more than the other. But with these two, it's a dead heat. Add in a lead guitarist who totally shreds and one of the best drummers in punk rock, and you've got yourself a band that ought to be huge. 

Taxi Girls certainly chose well with the three singles it has released off the album. But I'm hard-pressed to find any song on here that wouldn't have been a fine choice for a single. The sequencing of this record is flawless. It comes roaring out of the gates with a great mix of powerhouse rockers ("Say It!" and "Red Flag Crush") and energetic, super-catchy punk tunes ("Try Harder" and "Auto-Hysterics") before taking a surprising turn with the sweet, sentimental power pop of "So Quaint" and the delightful, effortlessly cool new wave throwback "Midnight Mixtape." And from there, the ride remains a great time but never gets predictable. By the time I got through the four-song run which includes the furious punk scorcher "Kill Your Darlings," the poppy punk earworm "Secret Handshake," the punk rock 'n' roll fireball "It Makes Me Think," and the genius New Order/Go-Go's mashup "Highs//Lows," I started to wonder if this band has secretly been together for 15 years and is just compiling greatest hits! And one thing that is always a deal-clincher for me is when an album offers an extraordinary pair of bookends. I always love an album that starts off with a song that makes you want to listen to the whole record and closes with a song that makes you want to immediately play it again. "Say It!" opens the record with a proverbial bang, and album closer "Other Heart" is this simple, unassuming little ballad that just tears your heart out. It's beautiful, tender, and instantly memorable — a perfect punctuation mark on the best album I've heard in a long, long time. 

So is Static everything I thought it would be? Yes and then some! I have been known to sometimes overstate things a little bit (ha ha). But it's not hyperbole to suggest that this album puts Taxi Girls right in the thick of the "best band out there" conversation. For people my age, this is one of those records that reaffirms that it's a healthy thing to keep up with new bands and not assume that music stopped being good 30 years ago. If you have young daughters, granddaughters, nieces, etc., this is the kind of album that could very well inspire them to start their own bands and grow up to be total bad-asses like Jamie, Vera, Lynn, and Gabrielle. Honestly, I have a hard time imagining any regular reader of this blog not being into this record. It's just so freaking good! I have a different favorite song every day. You hear a record like this, and you believe in rock 'n' roll again. You'll want a tattoo —or at least a t-shirt! When I see the critical and fan acclaim Taxi Girls are receiving, it makes me happy because it shows that even in these times when algorithms are king, talent and hard work still matter in music. There are still some huge albums due out later this year, but it's going to take something truly out of this world to top Static.

Saturday, June 20, 2026

SMARM - self titled


Cincinnati has been an underrated hotbed of punk rock for pretty much as long as I've been following punk rock. The latest sensations from The Queen City are called SMARM, and their debut EP is totally ripping and super-promising. While SMARM is a very new band, members Drew Decker, Liam Dolan, Sam Richardson, and Eric Stein are veteran players who really know what they're doing. Taking inspiration from classic American punk and garage rock, SMARM dishes out an attack that's a tad heavier than your typical garage punk. These songs are muscular and riff-driven while still giving a whole lot of Midwestern grit and attitude. I love that this band doesn't sound like every other garage band out there but will still appeal to anyone who digs tough and bruising punk rock 'n' roll. DMZ, Consumers, Radio Birdman, Union Carbide Productions, and Rubber City Rebels are some stated influences, and that's a nice mix to be working from. For a new-ish band, the songwriting is remarkably well-developed. SMARM has hit the ground running, and surely we will be hearing many more good things from this band!

Sunday, May 03, 2026

Muck and the Mires - Ghost of Roky Erickson


That ever-dependable institution of Boston garage rock is back with another slab of toe-tapping, hip-shaking goodness! I speak, of course, of Muck and the Mires, a foursome as consistent and notorious as death and taxes combined. Out on Madrid's stellar Ghost Highway Recordings, the new EP Ghost of Roky Erickson follows the typical Muck recipe. You get two wild, garage-rocking smashers and two power pop gems that sound like they could have been plucked straight from the British Invasion (one of them actually was!). The ripping title track is one of the rockers. The song title is no red herring. The song really does describe an encounter with the ghost of Roky Erickson (on the 13th floor of an elevator, of course!). If you're going to come face-to-face with a ghost, wouldn't this be the one you'd want to meet? I always love a tune that tells a story! This song proves to be as inspired as its subject matter — just the latest in a long line of bangers from the Muck hit factory. "Hey Sunshine" is firmly in 1963 Beatles territory, and "It's Gonna Be Alright" is a killer cover of the Gerry & The Pacemakers classic. Bringing it on home is "Dead To Me," a stomping kiss-off that combines some good, old-fashioned spurned lover bitterness with deliciously dark humor. And that's that: four tunes in a little over nine minutes, and it's all perfect rock 'n' roll just as the music gods intended. You always know what you're getting from Muck and the Mires, and it never stops being thrilling. My friends here in the states can pick this one up from the Rum Bar Records Bandcamp page!

Friday, April 24, 2026

Inflatable Idols - GET STIFF!


Look out, kids: we've got a live one here! GET STIFF! is the ripper of a debut album from Los Angeles, California's Inflatable Idols. It's such a flaming hot slab of wax that it took three of the heaviest hitters in the game — Take the City Records, Ghost Highway Recordings, and your home of the hits, Rum Bar Records — to properly release it into the wild. Jim Perrault (The Legendary Swagger) is on lead vocals and bass, and he is joined by a murderers' row of Southern California punk rock royalty. Joe Jennings (JJ and the Real Jerks), Frank Agnew (Adolescents, T.S.O.L., Legal Weapon, Social Distortion), Brian Coakley (Cadillac Tramps), Greg Kuehn (T.S.O.L., Exploding Fuck Dolls, The Joneses), Derek O'Brien (Adolescents, Legal Weapon, T.S.O.L.), and Geoff Yeaton (Streetwalkin' Cheetahs) are all on board. They're joined by Tavis Werts (The Cineramas, Reel Big Fish) on trumpet and two of the finest vocal talents in L.A. in Belle Johnson and Mika Lett on backing vocals. To call this a "wow" lineup would be a massive understatement, and the music absolutely lives up to all that pedigree. 

On GET STIFF!, Inflatable Idols power through 12 tracks of gritty, high-energy rock 'n' roll that pulls from classic SoCal punk, garage rock, soul, dirty glam, and proto-punk. Style-wise, the band varies its attack, but the attitude and energy levels are relentless from open to close. Tracks like "Oxygen Thief," "Make Some Noise (Quiet As It's Kept)," and "Narcissistic Twist" are more on the flamethrower punk rock 'n' roll side of things — not too far from The Humpers in their prime. Elsewhere, "Get Up & Get Out" and "Hero to Zero" go the maximum R & B route. "Drunk On Nostalgia" is full fury garage rock cranked to ten. "Imaginary Monster" brings an old school Detroit rock energy that could just about wake the dead. "That's Mr. Motherfucker To You" manages to live up to its title, and that's saying something! 

It can be hard to pull of a record like this that's a wall-to-wall smash-it-up party. But Inflatable Idols do just that. There are no ballads, mood pieces, or departures from the mission to ignite your loins and soul with unadulterated rock 'n' roll. Get Stiff! never comes up for air, and who would want it to? The band is tight, but the spirit is loose. These folks bring it hard and unleash an absolute wall of sound with the horns, keyboards, and backing vocals hitting exactly the way they ought to. And on vocals, Perrault can holler with the best of 'em. Even though this is a studio record, I envision it as a live performance as I listen to it. It has all the sweat, swagger, and electricity of a must-see gig, and so I'm reaching for my dancing shoes and my stockpile of adult beverages. When you have this many super-talented people in a band, it's either going to be super-disappointing or just about the best thing ever. And you know where Inflatable Idols land. The way things are going, Rum Bar is soon going to need an office in L.A.!

Sunday, April 05, 2026

Palmyra Delran & The Doppel Gang - "Hold Tight!"


Palmyra Delran, the queen of trash pop and America's most beloved radio personality, is back with a new single with her band The Doppel Gang. Out on Wicked Cool Records, "Hold Tight!" is a cover of a 1966 single by UK swingers Dave Dee, Dozy, Beaky, Mick & Tich. This track finds Delran (The Friggs, Pink Slip Daddy, The Coolies) in vintage form. She and her bandmates put their own twist on this oldie-but-goodie. Expect nothing more and nothing less than thumping and exuberant garage rock that will have you bouncing around like a maniac and singing that chorus all day long. What a fun, crackling cut! You may recall that Beebe Gallini did a killer version of this same song on its LP Begged, Borrowed and Stealed, and I am thrilled to live in a world where we can have dueling covers of Dave Dee, Dozy, Beaky, Mick & Tich. Isn't rock 'n' roll the best?

The Sleeveens - "I Was Born On A Saturday Night"


We are getting closer and closer to the arrival of the second album from The Sleeveens, and I can't deny I'm getting super-pumped. My god, this band is everything! With National Anthem slated to release May 1st on Goner Records, we have been treated to a second advance single. And this thing is coming in hot! "If I Was a Casual" was the rousing punk anthem we expected from The Sleeveens, and now "I Was Born On A Saturday Night" is the fiery and furious rocker that perfectly follows it — both as a single and on the album tracklist as well. Here Stef and the gang lay the pedal to the medal and just rip it hard and fast. This is blistering garage rock 'n' roll with a righteous indignation that's palpable in the lyrics, vocals, and music itself.  Do you want to hear a band playing music like it means it? Well The Sleevens mean it with every fiber of their being. This is the way you start an album! As for the rest of it, our wait will soon be over. Get your pre-order in while the vinyl is still available!


Friday, April 03, 2026

Brad Marino - Agent of Chaos


Well look what we have here: the long-awaited fifth studio album from the man himself, Mr. Brad Marino! Out today on Spaghetty Town Records, Ghost Highway Recordings, and Beluga Records, Agent of Chaos will disappoint absolutely no one. If you're looking for a Brad Marino album that sounds like a Brad Marino album, this will hit the mark and then some. There's really nobody better at doing this sort of driving rock 'n' roll with a punk influence and pop hooks. Marino, backed by Gene Champagne, Bobby Davis, Zack Sprague, Ron Mullens, Dave Strong, James Cap Nunn, and Caity Marino, has delivered an album that may very well be his best yet. As always, his choruses are catchy, his guitar licks are tasty, and his lyrics are sneaky clever. Agent of Chaos comes through with a little something for everyone. From the classic '60s pop of "Dissin' and Dismissin'" to the straight Ramones energy of "Sick of You" to the country vibes of "Devil May Care" to the timeless rock 'n' roll of "I Don't Want You Anymore" to the Jesus and Mary Chain inspired dark-pop of "Murder and Violence" to the straight-forward power pop of "Voodoo" to the butt-kicking fury of "Calling Your Bluff" to the pure pop majesty of "Lost Without You" and "Make This Last," Marino hits all the sweet spots. The man sure can write a song, and he can always be counted on to sing and perform it with gusto. 

Given that it has been nearly two-and-half years since Grin and Bear It came out, fans have certainly been waiting a while for a new Brad Marino LP. And Agent of Chaos has turned out to be every bit worth the wait. It's hard to find a sub-par or even less-than-stellar track in the bunch. A Brad Marino LP is always a lock to be way up there on my end-of-the-year top albums list. Even in a year that's as insanely stacked as this one promises to be, Agent of Chaos will certainly end up near the top of the heap when I publish my final rankings. As consistent as Marino has been as a recording artist, it would be easy to overlook what a great run he's been on over the last several years. But that kind of dependability ought to be appreciated and enjoyed. Flavors of the month come and go, but tried-and-true, high-quality rock 'n' roll never goes out of style. Agent of Chaos is a monster of a record, and I can name three premier record labels that are literally vouching for that!

Wednesday, April 01, 2026

The Peppermint Kicks - "Shaking Underground"


When I first heard that The Peppermint Kicks were releasing a new single on April Fool's Day, I got a little suspicious. Anything having to do with April 1st always has me on high alert. Who in the heck releases new music on a Wednesday? Was this going to be an elaborate prank? Would April 1st come and there'd be no single but maybe a triple album with all lyrics in Russian? Would it be branded as Peppermint Kicks but actually be some sort of Metal Machine Music type project? Would the new single just be a video recording announcing that the band is retiring from music to prepare for a mission to Mars? Well here we are, and it all seems legit. 

Out on the one-and-only Rum Bar Records, "Shaking Underground" not only sounds like The Peppermint Kicks, but it might also be the biggest smash hit that Dan Kopko and Sal Baglio have ever crafted together in their secret headquarters. Of course it's a power poppin' garage rock 'n' roll stomper, but this is no ordinary radio hit for an alternate universe. This, my friends, is a full-blown ANTHEM and a rousing call to action. It's an unflinching commentary on technology addiction and content oversaturation — and the hapless masses who find themselves manipulated, enslaved, and zombie-fied by all those sinister little devices. The irony that this song is largely being transmitted through devices is probably not lost on the band, but sometimes you've got to wage war with the weapons you've got. "Shaking Underground" is not all gloom and doom. It's a wake-up call, and it proposes a way out of this nightmare. No more fooling around! Joined by dynamo drummer Chuck Ferreira, Kopko and Baglio are in top form on this track. Sometimes it takes an irresistible tune to ensure that the message hits hard, and no doubt "Shaking Underground" will have you shaking and grooving with all you've got. What a freaking tune! Sometimes when all else fails, rock 'n' roll is the answer. There is another way. Let's give 'em hell to pay! 

Saturday, March 21, 2026

Friends of Cesar Romero - Songs the Siren Sing


And now it is done. Songs the Siren Sing is the final installment in Friends of Cesar Romero's Doomed Babe Series, a project that spanned 5,191 days, 24,641 words, 400+ songs, and more than 50 releases. What J. Waylon Porcupine has done with this project is one of the most impressive feats in music that I've ever had the good fortune to experience. And now the mystery surrounding the title has been revealed: the doomed babe is J. Waylon himself. "Babe" was his childhood nickname, and this series has documented his failed relationships and allowed him to exorcise some demons. Just releasing 50+ installments in a series would be an achievement in itself. But what's so remarkable about this one is that the quality never dipped. There were no phoned-in installments. There were never any throwaway tracks. How do you release over 400 songs and never once turn out a dud? But I don't want to sell this last installment short by turning this review into a retrospective. I am happy to say that this album finds the Doomed Babe Series (and most likely Friends of Cesar Romero) going out on top.

A la February's superb Soul Scouts, Songs the Siren Sing is definitely on the more rocking end of FOCR's musical spectrum. It has its share of perfect pop songs (such as "Simple XX's" and "Dying For Dai (A Little More Each Day)"). And it concludes with J. Waylon having his Pet Sounds moment on the beautiful "Plum Cherry," which is quite possibly the best song in the entire series. But all in all, this album wraps up the Doomed Babe odyssey with a proverbial bang. From the opening jolt of "Elko Speedway" to the garage-rocking fury of "My Cultist Angel" and "Starfucker Qualities" to the thumping power pop of "74 Dart" and "The War on Wednesday," this album brings an energy that's thrilling and infectious. This album, like every Doomed Babe installment, is the perfect combination of almost every musical genre I love. Why choose between power pop, punk, and garage rock when you can get it all in shot? 

We all know of certain series in television and literature that were great for so long but couldn't stick the landing. Well J. Waylon has absolutely stuck the landing. Songs the Siren Sing doesn't try too hard to create closure. It just does what you expect any great Friends of Cesar Romero to do: deliver two-to-three minute tales of relationship woes that will tear your heart out yet also have you dancing around the house and humming the melodies all week. If you pay close attention to the lyrics, you understand how personal and intense these songs are. Yet isn't the beauty of rock 'n' roll that you can take these excruciating experiences and channel them into music that's fun to listen to and deeply reassuring to people who have felt similar pain? I'll put it simply: if you love garage rock and power pop, you will love this release. It's a great-sounding record with loud guitars, hooks for days, and genuine soul in the vocals and lyrics. Who would have expected anything different? 

It's not fair or even accurate to say that J. Waylon Porcupine is now quitting. He has finished what he started. The last time I checked, that's the opposite of quitting. I was a latecomer to the Doomed Babe Series and have so much gratitude to J. Waylon for putting this music into the world and to Niek for turning me onto it. Someday, music historians will look back on the Doomed Babe Series with absolute awe. That's where I already am. Songs The Siren Sing is a free download for now, and the entire Friends of Cesar Romero catalog is a deal and a steal at $111.25!

Saturday, March 14, 2026

Friends of Cesar Romero - Jolly Joker


Aw man, we are getting close to the end! Jolly Joker is number 49 in Friends of Cesar Romero's Doomed Babe Series — making it the penultimate entry in a series that dates back to December of 2011. This is something a little different for FOCR: a "semi-live album." Basically, this is J. Waylon's very own Peel Session, and I dig the vibe. This set was recorded for a radio segment that never aired, and now we get to enjoy some FOCR blasts from the past in all their unpolished glory. If you're a fan, this is a huge treat. These songs from the 2010s date as far back as 2011's "Skull Carpenters" (off of Return to Zero, the first installment in the Doomed Babe Series). A lot of these tracks are up there with the band's best — such as 2012's "Tammys of Tomorrow," 2016's "Grab Your Heathers and Run," and 2018's "Longing Heart Condition." Kicking off with the stomper "Wolf in Houndstooth," this is a really hard-rocking set. For all of us who will never experience FOCR as anything more than a studio project, it's thrilling to hear the group as a proper live rock 'n' roll band that puts the power in power pop and the rock in garage rock. If you, as I, were a late-comer to the Doomed Babe Series, you might find yourself inspired to go back and check out some of the early installments that feature these songs. I'm notoriously "meh" about live albums in general, and I'm not sure what my policy on semi-live albums is. But I'm enjoying Jolly Joker tremendously and am quite thankful it was released. Now we await installment #50!

Wednesday, February 25, 2026

Private Lives - "Think I'm Coming Around"


So Montreal's Private Lives released a really tremendous sophomore LP last year that somehow evaded my detection. I quite often regret reviews I didn't write, but that particular miss had me feeling like a goalie who lets in an easy one and ignites a deafening chorus of boos. Rarely will you hear a more satisfying cocktail of power pop, new wave, post-punk, garage rock, and punk rock pulled off in such a fresh and contemporary way. How did I miss that boat? On the bright side, I know for sure I won't sleep on the next album! In the meantime, Private Lives' new single on Bachelor Records is a rocket blast of awesomeness headed straight through your ears and into your heart. "Think I'm Coming Around" is very much in the classic punk rock mold. It's driving, energetic, and bursting with hooks. Jackie and Chance play off each other beautifully on this track, and the rhythm section really lays the pedal to the metal. If powerpop/punk is your thing, this song 100% needs to be in your music library. B-side "Television Faces" is giving major punky new wave vibes, and I'm sure not mad about that. The feel is more modern yet still plenty urgent. I love a band that can deliver music with a message and still put the music front and center. Man, this really is a perfect single. My friends in Europe will want to snag a copy of the vinyl. And by all means, if you don't yet own Salt of the Earth, that's an absolute, positive mandatory must-buy!

Saturday, February 07, 2026

Itchy & The Nits - Greetings From...


And they're back! Sydney-based garage punk sensations Itchy & The Nits, authors of my 16th-ranked album of 2024, return with that rare just-as-good-as-its-predecessor sophomore long player. While Itchy & The Nits have graduated from the no-budget minimalist production of their debut EP, they've managed to retain all that charm from that initial release. Out on Anti Fade Records in Australia and Total Punk Records in the U.S., Greetings From... blasts through 12 tracks of quintessential garage punk in less than 22 minutes. Simple, catchy, and fun is a formula that does not need to be messed with, and these three gals pull it off with unbeatable snap, crackle, and pop. Who doesn't love songs about smelly boys, nude beaches, television, and fortune tellers? And what's the only thing better than a rock 'n' roll band with a theme song? A rock 'n' roll band with two theme songs! Even in times as dark as these, an album like Greetings From... is sure to make you smile. It will also have you tapping your toes to a frantic degree and singing along like your life depended on it. Is it possible that the band that gave us classic songs like "Beat It Bozo!" and "Crabs" has gotten even better? My ears tell me the answer is yes!

Saturday, January 10, 2026

Brad Marino - "Murder and Violence"


I've been writing about Brad Marino's solo music for eight years now. You'd think that after that long, I wouldn't be so consistently amazed by the songs he puts into the universe. Yet my reaction to his new single "Murder and Violence" is the same reaction I had to "C'Mon C'Mon C'Mon" way back when: Holy cow, that's freaking great! I wanted to go running out into the street and start raving about what an awesome tune this is! When you expect a lot from a recording artist yet always feel like you got even more than you were hoping for, that tells you that you're dealing with an extraordinary talent. 

What I love about "Murder and Violence" is that it tweaks Marino's signature pop rock 'n' roll style just a little by adding a touch of The Jesus and Mary Chain influence. It also has a slower tempo than Marino tunes typically do. Perhaps most notably, the lyrics cut really deep. I've always thought that Marino was really underrated as a lyricist, but this is one of the few times I've heard him venture into true social commentary. The title alone tells you that he's writing about serious stuff. More specifically, he's talking about how compliantly we witness violence and all sorts of other horrible things on our screens and how easily we're swayed by the politicians and media personalities who spin these tragedies for their own benefit. In the wake of this weeks' events, the message is chillingly relevant. As Marino points out, no amount of wishing or praying will "make things all right."  

"Murder and Violence" is the second single from Marino's forthcoming LP, Agent of Chaos. Gene Champagne, Bobby Davis, Ron Mullens, Caity Marino, and Dave Strong back him on this track and do amazing work. Man, 2026 sure looks like it's gonna be another amazing year for music!

Thursday, December 25, 2025

Muck and the Mires - "Tripping Out On Love"


Look who's back! The mighty Muck and the Mires have been one of America's finest garage rock 'n' roll bands for over a quarter century. And they've managed all this longevity without needing to mess with their winning musical recipe. Out on the French label Rogue Records, the new single "Tripping Out On Love" is vintage Muck in every respect. The title track is a high energy garage stomper that will have all the kinds dancing until they drop. On the flip, "Let's Kiss and Make Up Tonight" is perfect pop straight out of the British Invasion. Muck and the Mires make records that could have existed 60 years ago but still sound fresh today. They are nothing short of a national treasure, and they are in classic form on this latest slab of vinyl. Distribution is now available in the States courtesy of Rum Bar Records!

Saturday, December 20, 2025

The Bacarrudas - "Ring-A-Ding-Ding!" b/w "Christmas Struttin'"


A Christmas single from Philadelphia's finest frat rock band has become a proper tradition, so why should 2025 be any different? The Bacarrudas are back with a perfect 1-2 punch of new holiday standards.  "Ring-A-Ding-Ding!" is all about joy and nostalgia. Think jingle bells, sugary treats, bright lights, and kids anticipating the toys they'll find under the tree. This is a straight-up rocker to get everyone up and dancing at the Christmas party. If you snuck this song onto any of those all-Christmas radio formats, people would just assume that it was some lost classic. On the virtual flipside, "Christmas Struttin'" is more of an anti-Christmas song. This one goes out to everyone who is down on their luck at this time of the year or simply not feeling the Christmas spirit. The Bacarrudas are such a great party band, but here they show their ability to move into more poignantly soulful territory. Adam's vocal is quite redolent of Peter Wolf, and that's not a bad thing at all. Whatever your mood might be this holiday season, this single has got something for you. If you're going to bother to write new Christmas songs in 2025, you ought to do it this well!

Saturday, December 13, 2025

Perfect Buzz - Happy Trails


From Portland, Oregon — one of the greatest music scenes in the universe — we are now introduced to the aptly named Perfect Buzz. Perfect Buzz are Petey, Luke, and Wes. Petey was in Pure Country Gold and the Suicide Notes, so the pedigree is undeniable. With Perfect Buzz, he has crafted a unique sound that fits nicely into the Pacific Midwest garage rock lane but also incorporates elements of first wave punk, power pop, post-punk, and the louder side of '90s alt-rock. Happy Trails, the trio's new EP, ought to appeal to readers of this publication without necessarily sounding like other bands I review. These tunes definitely put the rock in indie rock with heavy guitars, slamming drums, and aggressive but melodic vocals. Whatever's in the air in the Pacific Northwest is deeply embedded in this band's musical DNA. "Mess Around" and "You're Wrong" open this record with a formidable 1-2 punch of sonic thunder. "Here Come the Cowgirls" is excellent tuneful garage rock. The post-punk influence is more apparent on "Gonna Make You Sweat," but the song still rocks hard enough to peel the paint off the walls. In a good way, my reaction to hearing any of these songs would be, "Did this come out in 1993?" This is super-cool stuff that's well worth a listen. A physical release on 10-inch vinyl is coming early in the new year!