Sleeping in a Dress is the fourth full-length album from long-running Baltimore-based band PLRLS. And while I'm loathe to reach into my bag of cliches in just the second sentence of a review, I believe the phrase "breath of fresh air" sums up this record nicely. The world needs more music like this. This band combines creativity, quirkiness, a spirit of fun, and infectious hooks in a way that's classically new wave-ish yet genuinely contemporary. I hear elements of post-punk, power pop, punk rock, and indie rock all coming together as if the music gods had deemed it. The challenge of being inspired by later '70s/early '80s new wave yet creating music that sounds like 2026 is a formidable one, yet PLRLS pull off that very thing in impressive fashion. Each of the ten songs on Sleeping in a Dress is completely different from the others, yet there's clearly a vibe that ties it all together. If you like earworm pop songs that are kind of weird but also super endearing and sure to make you want to dance like a maniac, this album and band are for you. These folks sound like they had so much fun in both writing and recording this material. And the quality of the songs is maintained all the way to the final track. Very often, the term "post-punk" brings to mind dreary, emotionally-detached music. Well, PLRLS are the opposite of that. The moment I knew this album was special was when I tried to play it in the background while I was working and quickly found myself too distracted to work. Some music just refuses to live in the background. New wave is alive and well!
Sunday, August 02, 2026
Saturday, May 09, 2026
Drakulas - Midnight City
On their extraordinary third LP, Austin, Texas–based Drakulas take the concept they've been honing for years to new heights. Out on Wild Honey Records in Europe and Dirtnap Records in North America, Midnight City is not only the best Drakulas album to date but also the best new wave record I've heard in a couple years. From start to finish, it's all hits and no shit.
Savage Lord Mic, Sam Francisco, and Pink Rick continue to build this wonderfully immersive world of an eternal turn-of-the '80s late night excursion into the dangerous and dimly neon-lit corners of some seedy metropolis. While not quite a rock opera, Midnight City is an album with a novel or film's ambition — it songs full of unsettling tales and colorful characters. Yet the concept never reeks of pretension or bogs down the record. If you weren't paying super-close attention, you might not even notice the connections between the songs. While the atmosphere is striking, the quality of the tunes is never an afterthought. As I listen to this record, I don't hear a band in 2026 trying to sound like a band in 1980. I hear a band that sounds like it teleported here from 1980.
The style remains a perfect blend of the punk and new wave sounds that were both changing the game in the late '70s and early '80s — but this time, the hooks are bigger, sharper, and positively addictive. I love the way this album bobs and weaves between danceable post-punk ("Singin' with My Tongue Cut Out," "Sex," "Head in the Clods"), punky new wave ("F.A.F.O."), new wavey punk ("Is It Enough," "Garbage Strike"), haunting synth-pop ("Wheelhouse"), and punky power pop ("White Off Your Nose," "Guys Like Me, Girls Like You"). On this record, Drakulas come off a little like Autogramm's evil twins, and that's a vibe I can dig all day long. Their use of synthesizers is masterful and very old school — as if they live in a universe where modern synth-punk hasn't been invented yet. In my old age, I've become far less enthralled with darker post-punk, but this album is dark in a way that is captivating, a little sexy, and oddly intoxicating.
While early '80s retro-futurism often comes off kitschy, Midnight City feels less like goofy nostalgia and more like a vivid dream about a time and place you can never go back to but can never forget about, either. It creates an analog world I want to live in or at least visit often. None of these songs would have sounded out of place emanating from the speakers of a delinquent hangout arcade as you dominated on Galaxian back in the day. Although I can hear the influence of so many cornerstones of my record collection, I by no means find these songs lacking in creativity or originality. And as tunesmiths, these guys take a back seat to no one. As good as Drakulas' previous releases were, this one is at another level. Whether you approach it as a piece of art or just a killer slab of punk/new wave, this is a brilliant album in any year.
https://dirtnaprecords.bandcamp.com/album/midnight-city
https://drakulas.bandcamp.com/album/midnight-city
https://open.spotify.com/album/7hS4kiiv2CpJfxbj7xVUE7
https://www.instagram.com/drakulastx/
https://www.facebook.com/drakulastx/
https://www.facebook.com/wildhoneyrecords/
https://www.instagram.com/wildhoneyrecords___/
https://www.dirtnaprecs.com/website/
Saturday, December 13, 2025
Perfect Buzz - Happy Trails
From Portland, Oregon — one of the greatest music scenes in the universe — we are now introduced to the aptly named Perfect Buzz. Perfect Buzz are Petey, Luke, and Wes. Petey was in Pure Country Gold and the Suicide Notes, so the pedigree is undeniable. With Perfect Buzz, he has crafted a unique sound that fits nicely into the Pacific Midwest garage rock lane but also incorporates elements of first wave punk, power pop, post-punk, and the louder side of '90s alt-rock. Happy Trails, the trio's new EP, ought to appeal to readers of this publication without necessarily sounding like other bands I review. These tunes definitely put the rock in indie rock with heavy guitars, slamming drums, and aggressive but melodic vocals. Whatever's in the air in the Pacific Northwest is deeply embedded in this band's musical DNA. "Mess Around" and "You're Wrong" open this record with a formidable 1-2 punch of sonic thunder. "Here Come the Cowgirls" is excellent tuneful garage rock. The post-punk influence is more apparent on "Gonna Make You Sweat," but the song still rocks hard enough to peel the paint off the walls. In a good way, my reaction to hearing any of these songs would be, "Did this come out in 1993?" This is super-cool stuff that's well worth a listen. A physical release on 10-inch vinyl is coming early in the new year!
Saturday, May 31, 2025
CIVIC - Chrome Dipped
CIVIC, arguably one of the two or three greatest punk rock bands of this decade, has now staked its claim as one of the best bands out there, period. Following the blistering brilliance of 2021's Future Forecast and 2023's Taken By Force, CIVIC's new album Chrome Dipped finds the band turning away from its signature '70s Aussie punk style and forging a bold new sound. Of course there were hints of a musical progression on those previous albums. But as the title implies, Chrome Dipped finds CIVIC completely breaking the mold. Call it post-punk, modern rock, modern punk, or whatever you like. This band and this album cannot be tied to any specific genre.
A lot of folks may find the musical growth between Taken By Force and Chrome Dipped almost shocking. But certainly CIVIC is far from the first punk band to evolve into something very different. Whether or not that transition is successful is almost always dependent on the talent and artistic vision of the band. In the case of CIVIC, it's clear that these guys have what it takes to be something far more than a sonic bulldozer. The songwriting and playing on Chrome Dipped are formidable. While still holding on to the spirit of punk rock, the band really pushes itself on this record to sound not only like it has never sounded before but also like no other band has sounded before. And even though '80s post-punk is a clear point of reference, few specific influences are palpable. If this is a "post-punk" record, it's the 21st century version of such. By turns, this album is hard & soft, beautiful & gloomy, and fierce & elegant. It was always the nuances of its songwriting that set CIVIC apart from all the other Saints/Birdman disciples. So while Chrome Dipped is indeed a giant step forward, it's not an illogical progression. Even with a drastically modernized sound, CIVIC is still an incredible band. Will this album alienate a small percentage of fans? Perhaps. Will it garner the band a whole lot of new fans? Of course! Chrome Dipped will not be for everyone, and of course it's closer to say, The Damned, than it is to The Saints. But it's a monster of a record that will really sink its hooks into you after a few spins.
https://www.instagram.com/civic___world/
https://www.facebook.com/civicbandaus/
https://www.tiktok.com/@civic___world
Saturday, December 14, 2024
Silent Daze - Invader
On its excellent debut album, Bulgarian synth-pop duo Silent Daze conceives a sound that's inspired by the '80s yet also quite modern and progressive. Invader is now available digitally from Girlsville, and a physical release on cassette will be out in early 2025. Ketty Marinova and Andrew Anderson (Freak Genes, Proto Idiot) are the formidable talents behind this band. The Cold War vibes and new wave, post-punk, dance-pop, and classic alternative influences are undeniable. But this is no retro trip. Anderson, a favorite of this blog, has long shown a flair for producing music that's original and wonderfully weird but always catchy and hook-laden. He and Marinova are definitely kindred musical spirts, and they have delivered something bold and exceptional with Invader. Yes, this is synth-pop. But it's not trying to sound like any synth-pop band you could name. Instead, there's this vague feeling you'll get from these songs — like you're peering behind The Iron Curtain circa the mid-'80s, but then four decades passed in the blink of an eye, and whatever gloom was in the air intensified to dystopian levels. Invader may take a few listens to fully sink in, but it's well worth your precious time and hard-earned cash.
Monday, November 11, 2024
Night Court - $hit Machine
The mighty Night Court, already on its fourth full-length album, continues to stand out as one of the most unique and exciting groups in contemporary punk music. Out now on the venerable Recess Records, $hit Machine finds Emilor, Jiffy, and Dave-O growing more creative and ambitious than ever without the slightest diminishment in songwriting quality. Depending on which track you landed on, you might peg Night Court as garage punk, indie rock, post-punk, pop-punk, new wave, or hardcore punk. Of course Night Court manage to be all those things and none of them at the same time. They just sound like themselves, and this is a great example of a band where every member is crucial to the group as a whole. Night Court would not be Night Court if it weren't these exact three individuals working in harmony, and it's their collective talent and worldview that sets this band apart.
Sunday, September 01, 2024
The Trouble Seekers - "Hypnotic"/"Rebel Rouser"
I always love it when a band can stay on brand yet totally surprise you. You probably didn't have The Trouble Seekers releasing two instrumentals for their latest single on your bingo card. It almost seems counterintuitive. Why would a unique and extraordinary vocalist like Kevin McGovern put out a release and not sing on it? Yet after hearing "Hypnotic" and "Rebel Rouser," I can't imagine these songs not being instrumentals. "Hypnotic" lives up to its title. It's a post-modern take on the surf rock instrumental. It still transports you to a beach, but this is a beach that has been decimated by climate change and placed under the control of AI robots with nefarious intentions. "Rebel Rouser," of course, is the iconic Duane Eddy instrumental given a modern makeover with dark wave keyboards and synthesized effects. Clocking in at a total of two minutes, 37 seconds, this latest entry to The Trouble Seekers catalog is a triumph of musical economy. You don't need a whole lot of time to create a mood and a feel. While not nearly as raging as the band's other releases, "Hypnotic"/"Rebel Rouser" lives in the same retro-futuristic universe.
Sunday, April 28, 2024
Silicone Values - How to survive when people don't like you and you don't like them
Out on Paris-based label SDZ Records, How to survive when people don't like you and you don't like them is a proper LP compilation of digital singles from Bristol's Silicone Values, who play original, fiercely intelligent music that brings to mind the more adventurous & experimental side of first wave UK punk. Mick Fletcher maintains that this band has not received the attention it deserves, and I wholeheartedly agree (while admitting I've been one of the guilty parties). These singles go back to 2020, and I have no explanation whatsoever for how I missed the boat on all of them. Can I blame COVID brain fog? This album title is absolute genius, and the songs more than live up to it. Across 15 tracks, the band opines on the sad state of the world with candor, insight, and dark humor. And the tunes are brilliant all the way through. Behold your soundtrack to the apocalypse! If the Wire/Fall/Swell Maps wing of first generation punk gets your heart racing, Silicone Values are your next favorite band. But you knew that already, didn't you?
Saturday, January 06, 2024
The Trouble Seekers - "Not Like U"
If the impending dissolution of Hall & Oates has left you questioning whether life is still worth living, perhaps you just need another duo to believe in. The Trouble Seekers, Kevin McGovern and Hillary Burton, return with what is already their ninth single. In the duo's patented style, "Not Like U" mixes together elements of dark new wave, experimental synth-punk, and jagged-edged pop to create a retro-futuristic concoction that sounds like nothing else that's out there. As always, both artists succeed in merging their singing voices and creative visions. "Not Like U" sounds like something you might have heard in a 1980s dark waver dance club if you had stepped through a portal into the future. I love the atmosphere this song creates in just a little over three minutes. It builds an air of gloom and anxiety, yet it also delivers plenty of punch and high-quality hooks. And how amazing is that artwork? If you're seeking some dark wave/post-punk that's a cut above, I urge you to track down "Not Like U" and the entire Trouble Seekers discography.
Monday, May 22, 2023
The Trouble Seekers - "Crazy"
Back with their sixth single and third of this year, The Trouble Seekers have unleashed their most "pop" song yet. Of course I'm not talking about power pop or pop-punk or Taylor Swift (not that I don't enjoy all those things). But I could be talking about early '80s California punk/new wave or the soundtracks to Pretty In Pink and Some Kind of Wonderful. You know: that kind of pop. When I first heard this song, the words "John Hughes movie soundtrack" started running through my head. Kevin has confirmed that that was indeed an influence. I can practically smell the hairspray. With this single, Kevin and Hillary continue to hone their vision for a genuinely new sound influenced by old sounds. With its moody feel and controlled pace, "Crazy" manages to rage without going a million miles an hour. This is a definitive slow-burner. Some may be surprised to hear Kevin properly singing on the early verses — although by song's end, he works himself up to his usual state of fury. Hillary's chorus is an absolute earworm. Long after the song stops playing, that lyric "Every time you talk/You turn me off" will be running through your head. As always, the way Kevin and Hillary play off of each other vocally takes the song to another level. This is brilliant stuff from a truly dynamic duo. If you dig moody pop with an edge, you will be well-served to seek out The Trouble Seekers.
Saturday, May 06, 2023
MONONEGATIVES - Crossing Visual Field
Having already proclaimed MONONEGATIVES the very best of the newest wave of post-punk/synth-punk, I did not imagine this London (Ontario)–based outfit had left itself room to make a second album twice as good as its first. Knowing that Crossing Visual Field was coming out, I figured I'd like it a lot, write a quick paragraph of effusive praise, and have the rest of my day to drink beer. But then I put the record on, and within moments found myself genuinely blown away. Not content to rest on their laurels, Rob Brake and company have upped their game on Crossing Visual Field. I heard the first song and was like, "Holy shit, how can they top this?" Then the same thing happened with the second song and every song until the end. I realized I was taking in an extraordinary work of art.
Friday, April 07, 2023
Telegenic Pleasure - Concentric Grave
Holy fucking hell! I usually try to keep this blog PG-rated, but those were the three words that latched on to me when it was time to start writing this piece. Telegenic Pleasure is a band I reviewed quite favorably back in 2019 (I was shocked to discover it was actually that long ago!). But on its second LP, the London (England and Canada!) based duo has gone mega next level on us. Out now on No Front Teeth and Feral Kid Records, Concentric Grave is the work of two titans of our community: Rob Brake from Mononegatives, Isolation Party, etc. and No Front Teeth head honcho Marco Palumbo-Rodrigues (I'll refrain from mentioning all his bands since you don't have all day to read this review). The album was written and recorded back in the dreadful summer of 2020. Brake created the music in Canada. Across the pond, Palumbo-Rodrigues added the vocals. I almost can't believe this album was produced in such a manner. It sounds like the work of a single (and very brilliant) brain. All I can say is that these two men's artistic visions are remarkably in synch. So either these guys were separated at birth or they had the means to communicate telepathically across an ocean.
Friday, March 24, 2023
The Trouble Seekers - NERVOUS/SCREAM
The Trouble Seekers — Kevin McGovern and Hillary Burton — are back with a new single called NERVOUS/SCREAM. This is already their fifth single and seventh release overall. This strikes me as a bit of a conceptual release since the title evokes a particular sensation while also referring to two distinct songs. As always, Kevin and Hillary bring you the punk/new wave sound of the '80s — the 2080s! I usually find myself kicking and screaming in resistance to any attempts to push the punk genre into the future, but I can't help but love what these two are doing. While almost every other post-punk band is playing checkers, The Trouble Seekers are playing chess and controlling the pieces with their minds. Both of these tunes put the punk back into synth-punk. If you love the way these two create their own unique vision using synthesizers, drum machines, deadly sharp guitars, and awesome dual vocals, these two songs will not disappoint. King Ralph has rightfully appointed "SCREAM" the band's best song yet. I love the way this song musically resembles its lyrics. This is the sound of going nowhere fast towards inevitable combustion. "I lost my mind/It feels alright" is truly a mantra for the new age. What a crackling pairing of songs this is! Digital tracks are available for download now. Preorders are also open for a special cassette version (available only in the United States) which tacks on the entirety of the band's 14 track debut LP along with an alternate mix of its single "Mistake." Supplies are limited to 100 copies; smash that "Buy Cassette" button sooner rather than later!
Friday, February 03, 2023
The Prostitutes - Alternates: 2017-2021
I'm always grateful to have an excuse to write about The Prostitutes. This is one of my favorite bands of all-time and to me one of the greatest American punk groups of the modern era. I feared that my previous review of The Last Two would be my final statement on this musical entity that has been a fixture of the punk rock scene since 1996. But an odds-and-ends collection titled Alternates: 2017-2021 has turned up out of nowhere, and I will jump at the chance to add another chapter to my book on The Prostitutes. Kevin McGovern, who for all intents and purposes is The Prostitutes, put together this collection largely to give these songs a second life. What results is the closest thing we've gotten to a Prostitutes full-length album in 14 years. Recorded between 2017 and 2021, all these tracks are alternate takes of songs released as singles over the last four years. Most of these songs were originally released in the peak pandemic years, and they may have been overlooked (as digital singles sometimes are these days). As an album, they fit together remarkably well. With the release of the track "Shake Rattle Die" in April 2020, The Prostitutes' turn to a more modern, experimental sound became apparent. Six of the remaining eight tracks on Alternates were originally released from 2020 to 2022, making this album the perfect bridge between "classic" Prostitutes and McGovern's current band The Trouble Seekers. If you missed these songs when they were singles, now you can conveniently own them in the form of one last excellent Prostitutes album (probably).
Saturday, November 26, 2022
Sino Hearts - Lightening the Darkness
One thing that frustrates me about doing this blog is that there's so much great music coming out that I just don't have the time to properly keep up with. For example, I've been sleeping for months on the latest album from Sino Hearts, which is by far the band's best release yet. So in the way of taking care of some unfinished business on this holiday weekend, I must offer a few words on Lightening the Darkness. I suppose you could call this Sino Hearts' "COVID" album. It was recorded during lockdowns in Beijing from 2020-21. And while the songs aren't necessarily about the pandemic, you can sense the darker feel in the lyrics and even some of the music. Like all of us, songwriter/lead singer Zhong lived through this time when isolation, fear, and an overwhelming sense of restriction took hold. Consequently, Lightening the Darkness is reflective of the times in which it was created. It cuts deeper than previous releases without losing the catchy hooks.
https://thesinohearts.bandcamp.com/album/lightening-the-darkness
https://open.spotify.com/album/7huFWquIntDTv9LEy8Dhl9
https://www.facebook.com/sinohearts
https://www.instagram.com/sinohearts/
https://www.soundflat.de/punkrock/punkrock-lp/sino-hearts-lightening-the-darkness-lp
https://otitismediarecords.com/products/omr-072-the-sino-hearts-lightening-the-dark-lp?fbclid=IwAR2BMiA_VCh9rN-jsxGqRIg9MmdLGUq3aBjVG-h8lOM6XftKirsbhZtT-K0
https://www.youtube.com/channel/UCbXX61QLISB3ndH57rzywHQ
Monday, September 05, 2022
The Trouble Seekers - self titled
Well that sure didn't take very long! Back in March, I mentioned that The Trouble Seekers were hoping to connect with a like-minded record label and do a full-length album release. Ruined Records ended up being that label, and the band's self-titled full-length release is now on the street! This duo made up of Kevin McGovern (The Prostitutes) and Hillary Burton (honeychain, The Pandoras) continues to prove there's plenty of room for originality and innovation in punk rock. Seriously: there's nothing out there in the world of music that sounds quite like this band's blend of synth-punk, dark new wave, dystopian soundtrack, and post-modern rock and roll.
Shockingly, this is the first 12" vinyl that McGovern has released since The Prostitutes' Can't Teach Kids Responsibility came out 25 years ago. He shared with me that The Trouble Seekers, in some warped way, feels like the proper follow-up to Can't Teach Kids Responsibility. Way back in 1998, he was envisioning a new direction for The Prostitutes that would have involved the addition of synthesizer, female vocals, and moody tempos. Lacking the right collaborators to make this happen, he put this vision on hold and never really got it back until last year when he and his friend Burton decided to make music together. And once these two got together, everything clicked. McGovern and Burton work perfectly together — not just as co-vocalists but also as complementary creative forces. The Trouble Seekers' 15-track debut album retains the snarl, sharp edge, and pure intensity of The Prostitutes' recordings. But it moves that energy in new and exciting directions. The Trouble Seekers are moodier, stranger, and far more experimental than even the later Prostitutes were. Yet this isn't just experimentation for experimentation's sake. This is creativity without restriction in fulfillment of a vision. These are your most troubling nightmares set to music you can dance to on the apocalyptic ruins.
So here we have the record that Kevin McGovern wanted to make 24 years ago. Would the world have been ready for this in 1998? Would he have been ready for this? I'm usually lukewarm on the whole idea of synth-punk, and perhaps that's because it rarely comes out this good. These tunes, while definitely "out there," are exceptionally well-crafted and sneakily tuneful. And I like that I'm hearing two familiar voices coming together to create something that's even more than the sum of its parts. Sometimes leaning more punk rock ("Beautiful Doom," "Falling in a Dream," "Cruel Summer"), other times leaning more new wave ("Out of Order," "Endless City"), and other times adhering to no conventions whatsoever, this album manages to be informed by new wave era reference points even as it drags them kicking and screaming into the 21st Century. A case in point are the album's two cover songs: hyper-imaginative re-workings of Cheap Trick's "He's a Whore" and Madonna's "Borderline" that will just about blow your mind. Priced right at just 15 bucks plus postage, this face-melting debut from The Trouble Seekers can be yours if you hit up the Ruined Records web site!
https://thetroubleseekers.bandcamp.com/album/the-trouble-seekers
https://www.instagram.com/thetroubleseekers/
https://www.facebook.com/TheTroubleSeekers/
https://www.ruinedrecords.com/
https://www.instagram.com/ruined_records/
https://linktr.ee/thetroubleseekersband
https://ruinedrecords.bandcamp.com/album/s-t
Monday, July 11, 2022
MONONEGATIVES - Counterclockwise Interjection
The last time I checked in on MONONEGATIVES, these London, Ontario based synth-punk sensations had just released their incredible album Apparatus Division. Somehow I slept on three additional singles last year and was determined not to miss another one. Well, I kind of did: MONONEGATIVES' new single on Dowd Records, Counterclockwise Interjection, sold out in the 7" and 3" vinyl formats almost immediately upon its release. However, this single is very much still available in digital form and features two of the best tracks MONONEGATIVES have ever done! One of these songs, "Consumer Trust," was meant to be vinyl-only. But after the incredible response to the vinyl release, the band decided to have Tremendo Garaje premiere the song digitally on its YouTube channel. Lead man/creative genius/architect of the madness Rob has declared "Consumer Trust" his legit favorite MONONEGATIVES track ever. With that in mind, Tremendo Garaje took the liberty of reversing the order of the tracks on YouTube. "Consumer Trust" truly is a remarkable track. I love the way this song uses the synthesizer not just as background but as a true artistic tool to create a tone and mood. If you want to hear a full realization of what the genre of synth-punk ought to be, both of these tracks are highly recommended. The strange future is now the present, and MONONEGATIVES have provided the soundtrack!
Monday, May 30, 2022
James Domestic - Carrion Repeating
With today being a holiday here in the U.S.A., I am seizing the opportunity to write about an album I've been enjoying for several weeks now. Carrion Repeating, the new full-length recording from James Domestic, is described as "post punk pop music for weirdos." Domestic, well-known for his screaming brilliance in a multitude of teeth-smashing hardcore punk bands, has taken a very different route with this solo endeavor. You could say that Carrion Repeating doesn't quite fit with the music I usually review. But that's because it doesn't quite fit with any other music, period. It's in a category of its own.
https://kibourecords.bandcamp.com/album/carrion-repeating
https://kibourecords.bigcartel.com/product/james-domestic-carrion-repeating-lp-pre-order
https://tnsrecords.bandcamp.com/album/carrion-repeating
https://www.tnsrecords.co.uk/shop/james-domestic-carrion-repeating/
https://www.facebook.com/kibourecords/
https://amokrecords1.bandcamp.com/album/carrion-repeating
https://amokrecords.bigcartel.com/product/james-domestic-carrion-repeating
https://jamesdomestic.com/
https://www.facebook.com/jamesdomesticscott/
Thursday, April 21, 2022
Priors - NEWNEWNEW
Back with their first new music since the superbly blistering My Punishment on Earth was released in late 2020, Montreal's Priors show no signs of letting up on the force and intensity. NEWNEWNEW, the band's new EP, unleashes three tracks of an appropriate tenor for a self-proclaimed "fuck you to the industry." As always, Priors take the best elements of nightmarish synth-punk, pummeling garage punk, and bleak post-punk to create a ferocious sonic concoction that is uniquely theirs. All three of these tracks are truly formidable. "Expelled Virtue" marries angular guitars to a vocal fury rendered almost surreal by Max and Chance's skillful production. The title track is a straight shot of aggressive punk rock that flat-out rips. "Voice of Reason" is synth-punk with just the right balance between the synths and the punk. These tunes will get you fired up for the next Priors album -- which is already recorded and could possibly see the light of day by year's end. Now available as a strictly digital release, NEWNEWNEW is highly recommended listening if your ears yearn for a good clobbering.
Saturday, March 05, 2022
The Trouble Seekers - EP #1
And now here's something that has straight-up blown me away! From the moment I heard that Kevin McGovern (The Prostitutes) & Hillary Burton (honeychain, The Pandoras) had started a band together, I was building crazy expectations in my head. These are two of my favorite musicians of the present-day. I was going to be disappointed if they didn't make something special together. Well their debut EP released yesterday, and it exceeds my expectations by leaps and bounds. Simply titled EP #1, this six-song digital release manages to combine almost all of the musical influences that shaped these two artists as they were growing up in the '70s and '80s. I might generally categorize this band as experimental punk/new wave, but I can't really put a hard label on what The Trouble Seekers are doing. These songs are informed by everything from glam rock to power pop to new wave to post-punk to modern rock to synth-pop. This is powerful and genuinely original music that doesn't sound like anything else out there. All it once, it's dark, melodic, hard-hitting, hooky, retro, and futuristic. It brings an overall energy and a "window into a twisted mind" lyrical sensibility that are quite similar to The Prostitutes. But unlike The Prostitutes, The Trouble Seekers limit themselves to no specific style or genre. If I could create my own soundtrack to a film adaptation of a Bret Easton Ellis novel, The Trouble Seekers would be on it! Not only do Kevin and Hillary sound amazing singing together, but they're also perfectly in synch in a creative sense. Seriously: what other duo on earth is citing The Waitresses and Suburban Lawns as primary influences? Pals of mine with exquisite taste (such as Ralph Rivera and my podcast partner Jay Castro) are losing their shit over this release -- and with good reason! And these guys have been huge Kevin McGovern fans for just as long as I have. So when they say EP #1 is great, you better best believe it's great! EP #1 is now available from The Trouble Seekers' Bandcamp and the Rock N Roll Manifesto Bandcamp. If you dig what you hear, you'll be happy to discover that EP #2 is already in the works. This band is currently on the lookout for like-minded record labels. If that's you, be sure to get in touch!
















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