Showing posts with label Pelado Records. Show all posts
Showing posts with label Pelado Records. Show all posts

Sunday, March 22, 2026

The Beatings - 1997-2007

Since late '90s/early 2000s punk rock is my jam, I am thrilled about Baltimore's glam-punk heroes The Beatings finally getting the full retrospective treatment. If you've been on this ride with me from the beginning, you may recall me flipping my shit for The Beatings' Kiss on the Cheek EP circa 25 years ago. And while my prognostications of The Beatings becoming the next huge band in American punk rock never came true, Adam T. is still going strong with one of the best bands out there, the mighty New Brutarians. So whether you think of The Beatings as part of Adam T.'s origin story, one of the best and most overlooked of the later '90s old school punk revivalists, or a mainstay of the Baltimore punk scene back in the day, the new digital collection 1997-2007 is well worth your time and attention. As the title suggests, this album compiles material that was recorded and released from the late '90s through the early-to-mid 2000s. It includes the songs from all three of the band's 7" releases: "The Ballad Of Jimmy & Jenny" (WAX/Telegraph Records), Kiss on the Cheek (Pelado Records), and the Solid Gold picture disc (Glass Manacle Records). It also includes The Beatings' cover of The Boys' "First Time," which was originally released on Pelado's cult classic Three Minute Heroes compilation. Also included are "Pretty Face (Born Too Late)" and "Like a Broken Shoe" from the band's 1997 demo tape, a live recording of "Party In Berlin" from New Year's Eve 1998, and some demos from Adam's bands Heavy Metal Kitchen and Treasure Island. At 23 tracks in one hour, this is a massive collection for longtime fans or anyone interested in the music Adam made prior to The New Brutarians. 

I was hardly the only reviewer giving The Beatings their flowers in the early 2000s. Some noteworthy lines of praise included "If Duran Duran wanted to be Motörhead and not Roxy Music", "The Bay City Rollers meets the Dwarves", "Better than a boot to the ear hole" and "The NY Dolls on Crack!" The magic of The Beatings was that there wasn't really another band out there quite like them. They were playing sleazy, glammy '70s-style punk with an unlikely mix of bubblegum, new wave, and hard rock influences. It had been a long time since I had listened to The Beatings, so the release of 1997-2007 has been an occasion for me to revisit these songs and decide if my younger self had any idea what he was talking about. By the time I got through "Kiss on the Cheek" and "Ghetto Blaster," I was able to assert that, at least in the case of The Beatings, I wasn't totally full of shit back then! These tracks really hold up — as do "Rollercoaster Girl," "The Ballad Of Jimmy & Jenny," and "Medicine." I don't recall ever owning or hearing the Solid Gold 7", but "New Wave Love" is a stone cold ripper. 

The beauty of the digital music revolution is that old records don't have to be lost to the dustbin of history. And we don't have to play the "You had to be there!" game. Even if you had never heard of The Beatings before, if you like trashy punk rock with a heavy glam influence, it's likely you'll be really into this compilation. I know there's so much music out there to listen to, but I truly believe that there's a significant audience for this album in 2026. It will warm my heart if a few of my influential friends play some of these tracks on their radio shows or if a couple of you end up discovering The Beatings for the first time and genuinely liking what you hear. I remember getting into punk in the '90s and thinking that all those old punk records from 20 years prior were ancient. Now we are three decades removed from the new bands I was into then! Will there be a '90s punk revival? Let's make it happen while there's still time!

Saturday, August 01, 2020

The Prostitutes - Complete Recordings 1995​-​1998

Here's today's public service announcement: the complete recordings of the original Prostitutes lineup have been remastered and reissued for your listening pleasure. And this digital collection is a name-your-price download from Bandcamp! I've written about these recordings so many times that there isn't much more that I can say. If you asked me to name the greatest American punk rock band of this particular era (1995-98), The Prostitutes would be at least in the conversation if not my #1 answer.

Amazingly, Kevin McGovern has revived The Prostitutes numerous times in numerous locations with numerous lineups. But there will always be something special about the original incarnation based out of nearby (to me) Harrisburg, Pennsylvania. This lineup featuring McGovern on lead vocals, Dave Cohen on bass, Justin Haley on guitar, Brian Shuey on guitar, and Jeff Peterson on drums released three incredible singles and a classic LP in a period of just a couple of years. And then just like that, the band broke up (much to my disappointment at the time). As the title suggests, Complete Recordings includes everything The Prostitutes released in the '90s: the "Get Me Sick" debut 7" on Pelado Records, the "Twenty-Two" 7", on Philly label Black Hole Records, the "Living Wreck" 7" on the legendary American Punk Records, two tracks from the Pelado CD compilation This Is It... Punk Rock That's Real, and the entirety of  the band's 1997 LP Can't Teach Kids Responsibility. I once likened The Prostitutes to a combination of The Pagans, Jabbers, Stitches, and Humpers. That's a description I'll still stand behind (maybe I would throw The Germs in there as well). As I listen now, I'm struck by how well these songs hold up. Among these 25 tracks, there are so many songs that are classics in my book. This is the authentic sound of bored, drug-addled youth railing against Central Pennsylvanian conservatism in the later '90s. These wild, angry, and darkly humorous songs were part of the soundtrack to my 20s. They sound just as good today to my middle-aged ears. Now you too can enjoy timeless punk anthems like "Twenty-Two", "Get Me Sick", and "No Good" in all their degenerate glory. It's almost criminal that you can download this anthology for free!



-L.R.

https://theprostitutes1.bandcamp.com/album/complete-recordings-1995-1998-remastered
https://www.facebook.com/tutespunk
https://www.instagram.com/tutespunk/

Wednesday, August 13, 2014

The F & L Hall of Fame: Bladder Bladder Bladder

The mid-to-late '90s revival of '70s style punk will always hold a special place in my memory. And while I fondly recall so many great bands and recordings from that time period, at the core was a trio of bands that all happened to be on the same label - Pelado Records. Since this blog began, I've written a number of times about the Dimestore Haloes and Prostitutes. But before today I had not posted on the third arm of the triumvirate - the mighty Bladder Bladder Bladder. 

Bladder Bladder Bladder were real English punks residing in Hollywood. That sounds a little bit like a movie premise, but it's the god's honest truth. They actually predated most of the '77 revivalist bands of the day - releasing their first single in 1991. The band was originally formed in England by Mick Bladder (vocals) and Alex Van Der Chaos (bass). After undergoing a number of lineup changes, the Bladder boys relocated to Los Angeles - "their cynical outlook sitting uneasily beside the swimming pools and palm trees." In L.A., they met up with London expat guitar slinger Sterling Paramour - and the classic American Bladder Bladder Bladder lineup was born. Given that English punk circa 1977-79 is my favorite music ever, it was no surprise that I immediately took to Bladder Bladder Bladder. Or more likely it was partially because of this band that I became such a geek for '77 U.K. punk. From the moment I heard Bladder's split 7" with the Dimestore Haloes, I was hooked. These guys were like nothing else that I was hearing in the punk world of 1996. They had swagger, style, and a sense of humor above all else. Their lyrics explored such topics as the glories of heavy drinking and the high strangeness of American life from a Brit's perspective. And their sound was steeped in the timeless traditions of The Clash, Sex Pistols, and Generation X. In 1997, the Pelado compilation Punk Rock That's Real gave us perhaps the two most defining songs of the band's career in the anthems "Crime Pays" and "Living A Lie". I eagerly awaited a full EP, which arrived a year later and did not disappoint. A brilliant and sadly overlooked full-length album - On The Job - followed in 2000. And just like that, the band was done - bowing out that same year with the "No Control"/"Slots Of Fun" 7" on 77 RPM Records. 

It always disappointed me that the punk world at large never fully embraced Bladder Bladder Bladder. For sure, they had a decent local following in L.A. and played shows with many of the big So-Cal punk bands of the day. And their records garnered some solid reviews in the major punk rags. But it never seemed like American punks fully "got" this band. Perhaps they were "too English" or too over the top in their mission to swankify the western world. These guys, the self-proclaimed "international ambassadors of the Britannic punk rock", may not have garnered a following like the Stitches, U.S. Bombs, etc. But if you followed that whole scene, you probably have fond memories of the compilations listed below and might have owned a single or two from Bladder Bladder Bladder. And looking at the great number of English punk bands playing in the classic style today, Bladder Bladder Bladder (along with like-minded outfits such as Apocalypse Babys) deserve much credit for keeping the fire burning back in the '90s. Check out the clips below if you're not yet familiar with this great, much-missed band. And the original records, if you can find them, are well worth owning.

Bladder Bladder Bladder Discography

Band releases
"Down Town"/"Passport To Women" 7" (Blart Records, 1991)
Bladder Bladder Bladder/Dimestore Haloes split 7" (Pelado Records, 1996)
No-Go Girl 7" EP (Pelado Records, 1998)
On The Job CD (Pelado Records, 2000)
"No Control"/"Slots Of Fun" 7" (77 RPM Records, 2000)

Compilation appearances
"Designated Drinking Driver" - on Battle For The Airwaves, Volume 1 7" EP (Radio Records, 1996)
"Crime Pays" and "Living a Lie"- on Punk Rock That's Real CD (Pelado Records, 1997)
"U.S. Dole Queue", "White American National Killer", "No Control", "Crime Pays", "Living A Lie", "Demand The Impossible" - on The British Punk Invasion Volume 5 CD (High Society International Records, 1998)
"U.S. Dole Queue" - on Scene Killer Volume 1 CD (Outsider Records, 1998)
"On The Wagon" - on Three Minute Heroes CD (Pelado Records, 2002)

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-L.R.

Tuesday, May 27, 2014

Can't Teach Kids Responsibility

I have on a number of occasions touted Can't Teach Kids Responsibility by The Prostitutes as one of the greatest punk rock albums of the '90s. It's top ten for sure - if not top five. Now you can decide for yourself whether or not I'm full of it. This somewhat forgotten classic is now available as a free download over at The Prostitutes' Bandcamp page. So without any further ado, here it is! From  Harrisburg, Pennsylvania - the legendary Prostitutes!



-L.R.

https://www.facebook.com/tutespunk
http://theprostitutes1.bandcamp.com/

Sunday, February 02, 2014

Dimestore Haloes go digital!

There are things I really hate about this futuristic modern world of ours, but there are also things I totally love. If you wanted to hear a certain band back in the day, you had to buy their record. And once it was sold out, you were shit out of luck. Once I nearly broke another man's finger in a spirited scuffle over a rare Nipple Erectors single. Nowadays, you can hear those songs on YouTube for free. Such technology would have blown my mind in 1997. And how awesome is it that every album from my #1 favorite band of the '90s is now available for download on Bandcamp?! Who needs flying cars? The future has hooked us up!

Yes, that's right! The almighty Dimestore Haloes are no longer lost to the obscurity of long out of print vinyl and CDs. Chaz Matthews, now of the amazing Cheap Cassettes, has endeavored to digitalize the complete recordings of his late, great Boston band. So if you no longer own the releases or are too young to have been around during the band's time, you can now download all four of the band's albums plus some extremely hard to find 7" tracks. It's all here: the debut (and my personal favorite) Thrill City Crime Control, Revolt Into Style, Long Ride To Nowhere, the band's masterpiece finale Ghosts of Saturday Night, and Chaz's superb solo demos collection Amazing Graceless. The prices are super low - ranging from $5 to $7 per release, which sure beats what you'd pay on iTunes or Amazon. Having spent all of the late '90s and early 2000s raving about this band, I'm so pleased by how well its music has held up over the years. And now you can hear all (or at least most) of it for yourself! There are even songs here that I've never heard before - like "Crazy"!

One really cool aspect of this digital collection is that it allows you to trace the evolution of the Haloes. The early stuff is like The Clash meets Johnny Thunders meets Chuck Berry, whereas subsequent releases move in a glammier direction and gradually embrace the hard pop tendencies now explored by Cheap Cassettes. I loved this band in the beginning because it reminded me of so many classic bands I loved. But ultimately, the Haloes also influenced my tastes in music instead of merely reflecting them (It was Chaz who made me my first Replacements and Hanoi Rocks compilation tapes). And while so much of what was written about the Haloes over the years referenced fashion and style, what ultimately defined the band was genuine talent. If you, like me, are a fan, you won't dispute my contention that Chaz was (and still is) one of the finest songwriters of his time. And it's likely that the Haloes had some influence on the newer generations of glam-punk - which still thrives all over the world. So listen and enjoy - and buy something if the music moves you!

-L.R. 

http://thedimestorehaloes.bandcamp.com/
https://www.facebook.com/pages/The-Dimestore-Haloes/138848529536778

Wednesday, August 01, 2012

Pelado Records: The Ten Greatest Singles


This is the second in a series I'm doing on label retrospectives. Earlier this year I listed the ten greatest Dirtnap Records albums. Now we turn to the late, great Pelado Records. The importance of Pelado Records in my personal music history cannot be emphasized enough. This was my #1 favorite record label in the "prime" of my zine days (later '90s to early 2000s). More so than any other label of the time, Pelado appealed to my taste in music and probably influenced it as well. Most of my favorite bands of that era were either on the Pelado roster (Dimestore Haloes, Prostitutes, Bladder Bladder Bladder) or associated with the label through compilation appearances (Moral Crux, Dead End Cruisers, Trash Brats). It was an incredible time to be a fan of punk music, and all these years later I really feel like the music holds up. And when you look at the thriving state of current labels like No Front Teeth Records, it's clear to see that the torch has been passed. Pelado Records may be gone, but its influence is still felt.

While Pelado released a number of great albums, I decided to focus on the label's 7" output for this particular list. In the early days of the label especially, the singles were what I looked forward to the most. When I sat down to brainstorm titles, it was kind of overwhelming at first. There were so many great singles on Pelado, and by limiting it to ten I had to leave out a lot of worthy contenders. But as always, that's half the fun of this kind of project! Here we go!

10. Primitive Rollers/The Bees - split 7"
Admit it: you forgot about this one! I'd heard of neither band before this record came out, and I don't think either band has released anything since. But what a great record! The Bees did the trashy garage punk thing, and the Primitive Rollers were like The Heartbreakers reincarnate.

9. No One's Victim- The Chase
Pat always had a good ear for the melodic/anthemic side of street punk, and No One's Victim turned out to be one of his best finds. These lads from Clovis, California seemed ticketed for a bright future and a multi-album deal on a label like TKO. For whatever reason, it never happened. But I'll put this record up against just about any street punk release of its time.

8. Dead Empty- Tattoed Women
I saw this band a number of times in the early 2000s, and I was convinced that they were going to be huge. They were that good. Had they arrived on the scene a couple years sooner, when street punk was "hot", they probably would have been huge. Either way, this was a phenomenal record. Guitarist Andy Mehos is now in the very excellent Mean Streets.

7. The Beatings- Kiss On The Cheek
Yet another band I thought was poised for world domination that ended up breaking up with little fanfare. Maybe there was a "Pelado curse"! Ha! The late '90s were a golden age of glam-punk, and The Beatings were a big part of it. Baltimore's finest!

6. American Heartbreak- Please Kill Me
You may recall that in the year 2000, American Heartbreak delivered one of the great rock albums of recent memory. What you might not remember is that said album was preceded by a 7" that came out on Pelado. It was kind of an outside-the-box move for Pat to work with a band featuring former members of Jetboy and Exodus, but he clearly was not a guy who'd let scene politics get in the way of releasing a great record. Obviously, this is the "slickest" sounding thing to ever come out on Pelado. But that's not a bad thing. Glammy power pop rock n' roll par excellence!

5. Dimestore Haloes/Bladder Bladder Bladder split 7"
This was the one that started it all for me. I had heard of the Haloes prior to getting this record, but this was my first time actually hearing their music. They were in their early days and still very much a work in progress. But warts and all, I loved 'em from the start. They contributed the songs "Sickness" and "Tombstone Radio". Bladder Bladder Bladder, Californians by way of the U.K., came off like dead ringers for Mick Jones fronted Clash on "U.S. Dole Queue" and "White American National Killer". My life was never the same.

4. Los Pinkos- Girl Krazy
This is one of my all-time favorites! Los Pinkos were from the Detroit area, and had a poppy garage rock n' roll sound. Main guy Mike went on to form the very similar Metros, who had an LP and single on Rip Off Records. Dig this jam:


3. (tie)
Dimestore Haloes- Everybody Loves You When You're Dead
Bladder Bladder Bladder- No Go Girl
I know. I'm cheating. I'm bending the rules of mathematics. My top ten is secretly a top 11. Oh well. Consider it a bonus track. For reasons already made clear, these two kindred spirit bands are inextricably linked in my mind (if only they'd toured together!). Both of these records came out around the same time. It was 1998, I think. It was a good year. Classic releases from both bands!

2. Exploding Hearts- Modern Kicks
Ah, the late great Hearts. This was supposed to be their first 7" but ended up being their second. I have a hard time deciding which one I like better. The one on Vinyl Warning was incredible as well. Let's call it a tie. Everyone knows the classic title track. And B-side "Busy Signals" is one of the band's most beloved non-album songs. Is it any surprise that this record still goes for mucho bucks? In an interesting note of personal trivia, I sent this record to my friend Vinny as a surprise gift a number of years back. He then returned the favor last year by sending me a copy of the first Dimestore Haloes album. It's a big, old circle of Pelado band love!

1. The Prostitutes- Get Me Sick
This was actually the second Pelado release ever (after the Dead End Kids and prior to The Bristles). If there was one record that put Pelado Records on the map, this was it! The year was 1996. The Prostitutes hailed from my neck of the woods - Harrisburg, PA. And boy, did they ever do us central Pennsylvanian punk rockers proud! Get Me Sick was a neutron bomb of depravity and ill will, fired off with a ferocity that put most "snotty" punk rock bands to shame. It was as if G.G. Allin, The Pagans, and The Humpers had gotten together and made a record. All these years later, I consider the title track to be one of the greatest punk rock songs not just of its time but also of all-time. In my humble opinion, this was the best punk rock band of the '90s. And Kevin's still at it today!

That was a pretty formidable list, I must say. What a great label Pelado was! Honorable mentions go out to Kickstarter, the Romeo's Dead/Burdens split, the Upsets/Richmond Sluts split, and Chinese Takeaway. I'm considering doing a follow-up list sometime in the near future where I'll list the ten greatest Pelado albums. In the meantime, check out the Pelado Records page on Facebook if you haven't already!

-L.R.