Showing posts with label Michigan. Show all posts
Showing posts with label Michigan. Show all posts

Saturday, June 13, 2026

Domenic Marcantonio - Earthbound Spaceman


After recording eight albums with Beach Patrol over the past two decades, Domenic Marcantonio has finally released a proper solo album. His foray into the solo realm has long seemed inevitable given Beach Patrol's slow and steady progression beyond its roots in straight-forward power pop. In particular, 2020's Making Waves and 2022's Festivus really highlighted Domenic's widening array of influences, growing comfort with lo-fi home recording, and fully developed artistic voice. He's too gifted to limit himself to writing only a certain kind of song. Although my Beach Patrol fandom dates back to 2006, those last two albums are the ones I go back to the most. So for me, the folk/roots/blues/acoustic direction of Earthbound Spaceman is not a departure that's tough to swallow. The album title is a little bit of a vibe clue. If Domenic Marcantonio really is an Earthbound spaceman, that suggests an alienation from the contemporary world that a lot of us have been feeling to varying degrees. Who wants to be normal in 2026? 

So no, this is not a Beach Patrol album, and it doesn't try to be. This is just a talented artist writing the songs he was inspired to write, and none of this needs to conform to any clear-cut musical genre. Domenic's flair for melody and hooks remains very much in tact, and his distinctive style of guitar playing is no less appealing in this looser, more laidback sonic space. From the opening strains of "Two Signs," you immediately know who you're listening to. Even as it meanders along without the tight economy of a three-minute pop song, "Better Luck Next Time!" is certainly as catchy and memorable as any song Domenic has ever written. "Strange Transformation" is nothing short of a masterpiece —  a song that's practically a guide to spiritual contentment in these ugly, divisive times. "Clear As a Bell," one of two tracks in which Domenic duets with his wife Mirra Laes, brings a warm '70s soft rock energy, and it's absolutely beautiful. "Dominic Kinnicinnick," a peppy, country-fied adaptation of The Singing Nun's 1963 hit "Dominique," is pure joy without pretension. "Tabula Rasa" would not have sounded out of place of any recent Beach Patrol album. 

I'm certainly not the most objective reviewer since writing about Domenic Marcantonio at this point feels like writing about my brother. So I was thrilled to see a writer I immensely respect, Dennis from Add To Wantlist, beautifully articulate the appeal of this record. As Dennis points out, the album feels unassuming at first but has a way of gradually pulling you into a state of intoxication. Sometimes the phrase "rewards repeated listens" is reviewer-speak for "There are no hooks." But in this case, it means the hooks are more subtle and sophisticated. Given that it has been more than four years since Festivus came out, it's a great pleasure to again encounter new music from one of my favorite songwriters. Songs like "Battlestar Galactica," "Don't Panic," and "Thanks Coach" have profoundly impacted me in recent years, and now "Strange Transformation" and "Clear As a Bell" are sure to follow in their footsteps. There is no doubt in my mind that any fan of Beach Patrol will be delighted with Earthbound Spaceman.

Tuesday, May 26, 2026

Hayley and the Crushers - "Cringeworthy"


Did I really get out of bed at 5:00 am just so I could listen to the new Hayley and the Crushers' single and perhaps write a little something about it before heading off to work? That's the level of geekery I have reached! I did not know that "Cringeworthy" was coming out until yesterday afternoon, so I approached this song with zero idea of what to expect beyond knowing it would be super-awesome because, well, it's Hayley and the freaking Crushers! So you're getting my fresh, off-the-cuff take with no time for polishing or overthinking. Bathing and breakfasting await, so I have to hurry. 

On that note, I must say "Cringeworthy" is, as I presumed, super-awesome! In fact, it might extra-super-awesome. It's honestly one of my favorite songs this band has ever done, and the vibe reminds me of those great singles the band put out when it first signed to Kitten Robot Records. I love that this song lives in the world of pure pop goodness with punk and new wave influences — always a sweet spot in the Crusherverse. This song is classic Crushers without necessarily trying to be classic Crushers. It's got a serious, somewhat heavy theme, but it's still wonderfully intoxicating in a way all great pop ought to be. The music video is an absolute hoot. Overall, this song and video seem to be going the opposite direction from the popular sentiment that all those millions of people out there doing their thing online are so very cringeworthy. Perhaps, you know, we ought not to be so quick to judge people for what they're putting into the universe — especially if they're doing what they love. How does all that judging and shaming serve us? Perhaps my interpretation is self-serving since what I do is certainly cringeworthy in the eyes of many, but I'm taking something very positive from this song. My first few spins with "Cringeworthy" were more than worth the lost sleep. I can't wait for the album!

Tuesday, April 14, 2026

Hayley and the Crushers - "Jewel Case"


Now this is what I'm talking about! Hayley and the Crushers have been one of my favorite bands for quite a few years now. Today, I have the pleasure of writing about them for the first time since September of 2024. It was really exciting finding out that a new Crushers single was on its way and slated for release today. I didn't have any advance knowledge of its existence. I didn't have to sit on this track for weeks wishing I could tell people about it. This was a true surprise treat! 

The brand-new single "Jewel Case" is well-known to longtime fans. The song was one of the first that the Crushers wrote. It has been the band's set-closing number for a decade, and now it has finally received a proper recording. It's a song about that too-wild side that everyone has (or once had) — and that moment where you realize you've crossed a line you never, ever want to cross again. It arrives in advance of a new album that I am super-pumped about. The video for the song is meant to capture the band's raw, set-closing intensity — when the night has reached its end and there's nothing left to do but go for it like there's no tomorrow. In this clip, you can see (and hear!) the band bringing it with full gusto. It really tickles me that even as they lean more into their power pop side, the Crushers are embracing punk rock more deeply than ever. This scorching tune early is serving old school California punk vibes —like X on an energy drink bender. Ya gotta love it! Whether you like to party hearty and party hardly, "Jewel Case" is a song that begs to be cranked loudly while you run around like a maniac and wreak all sorts of havoc wherever you might happen to be. Yeah dude! Hayley and the Crushers are back!

Sunday, March 08, 2026

N*rc*s y Horchata - Lake Ave Traffic EP


While I still can't spell the whole band name without getting reprimanded by Google's censor bots, N*rc*s y Horchata is absolutely one of my favorite bands. This is, in my estimation, the best American punk group going. With the band having a long-running love affair with the city of Minneapolis, it has decided to do something in the wake of what has been going on there in recent months. The Lake Ave Traffic EP is a benefit release on Bandcamp. All proceeds are going to the NE Neighbors Mutual Aid Fund in Minneapolis, which is providing direct relief to families affected by the current administration's brutal occupation of the city. The title track is one of my favorite songs of off NYH's most recent long player, precious little album. If you don' yet own it, "Lake Ave Traffic" will surely encourage you to rectify that situation. The other two songs on the EP are previously unreleased. "Boone's Farm Amongst Möet" is vintage NYH: no-nonsense Midwestern melodic punk with heart, grit, and clever, self-effacing lyrics. I can't help hearing lyrics like "I leave the poetry to the poets/'Cuz there's a good chance that I'll blow it/I'm sinking fast, boy, don't I know it" and thinking of a certain band from Minneapolis. This easily could have been on the album, but it's kind of neat that the band had some spare songs sitting around that they could put on this EP. Staying in that Midwestern vein, "Walk in Cold" is a Naked Raygun classic, and it's NYH's first recorded cover. Anyone who has heard precious little album can understand why this band covering Naked Raygun makes sense. NYH plays the cover fairly straight but still puts its signature on the song. Any fan of the band will want to own this release. The price is set at $4 but the band is asking you to consider to pay more since every penny of its take is going to NENMAF.

Saturday, March 07, 2026

Ryan Allen - They're Coming For Us


One of the benefits of this modern age of music is that an artist can opine on current events in real time. If you released a protest song back in the day, by the time the thing got recorded, the records were pressed, and the label was ready to put it out, you might have been singing about something that had happened a year or more earlier. But these days, modern technology has greatly reduced (and in some cases, virtually eliminated) the turnaround time between writing and releasing a song. And if you're a protest singer in 2026, that's ideal. Ryan Allen is not always a protest singer, but he certainly doesn't shy away from using his art and his platform to weigh in on what's happening in America. He is passionate about social justice and (to put it mildly) deeply concerned about the political climate of the moment. "Shit is fucked" is his technical assessment of the situation, and he's not wrong. 

If you had told me even a decade ago that we'd soon be living in times where white supremacy would be rebranded as a perfectly respectable political choice, anti-fascism would become a partisan stance, an outgoing president could incite an insurrection and subsequently get re-elected in an electoral landslide, and half the nation would bend over backwards to justify masked government agents executing protestors in the streets, I would have considered that a fiction too absurd to be published. But here we are. A wise man once asked the musical question "What are we gonna to do now?", and what Ryan Allen has done is written some songs that he hopes will inspire resistance and raise some money for the cause. They're Coming For Us, his brand-new EP, is his effort to use his talents "as a weapon against hate, oppression, and the doomscroll world that we're all living in." All proceeds from this release will be donated to Democracy Forward

Musically, this EP delivers a little bit of everything that I enjoy about Ryan Allen. The title track finds him going back to his roots in punk rock, and the message is not subtle. If you're willing to embrace authoritarianism in America because they're going after "those people," don't act shocked when they eventually come for you. "This Ugly" is vintage Ryan Allen indie power pop and confronts the distressing realization that we can no longer assume that most people are decent, kind-hearted humans who reject hate. The EP concludes with "Hurry Up and Wait," which finds Allen adopting the classic guitar-and-voice only approach to protest singing. The song ponders a question that has been on my mind as well: When will this lunacy end — if it does at all? 

They're Coming For Us was produced, mixed, and mastered by Robby Miller. It sounds fantastic, and the songs are as inspired musically as they are lyrically. The EP is a $5 download from Bandcamp. 100% of Allen's cut will go towards the defense of democracy. Again, not that many years ago, the mere notion that we'd ever have to worry about preserving democracy in America might have seemed ludicrous. But I'll be honest: I'm pretty damn worried.

Monday, March 02, 2026

Mod Lang - Borrowed Time


There has already been considerable acclaim for the the debut album from Detroit's Mod Lang, and every bit of it is richly deserved. Every now and then, a truly great new pop band comes on the scene and treats our lucky ears to something genuinely special. Mod Lang is one of those bands, and the attention it's getting makes me really happy. Released on the ever-dependable Just Add Water Records, Borrowed Time has been out for only ten days and has already sold out an entire vinyl pressing and amassed over 130 supporters on Bandcamp. That's an immense response, and it shows you that something truly remarkable is cooking in the American power pop/pop-rock underground. 

My first reaction to this record was that it sounds like the '60s — but in a way that comes off more timeless than retro. Vocalists/guitarists Antonio Keka and Alex Belfie have crafted ten songs that combine pop-rock classicism with a legit freshness that is all too often missing from music that draws from the '60s and early '70s. This is exciting new music, not cosplay karaoke. The influence of everyone from The Beatles to The Raspberries to The Everly Brothers to (obviously) Big Star is worn on this band's sleeve. And yet you get the sense that this band is looking forward, not backward. So much of that comes down to the superb material. If you're going to write melody-driven rock songs, you ought to write melodies like these that are absolutely intoxicating and twice as memorable. The lead vocals and harmonies hit the spot, and you won't hear a band better equipped to pull off the ringing guitars and punchy bottom end that make music like this so hard to resist. But ultimately what comes through the most is that these four individuals are having fun. They're playing rock 'n' roll, and they're doing it joyfully. This is that rare band that will go over well with just about any music lover aged 9 to 90. Trends come and go, but great songs never go out of style. If you aren't a believer in pop music, Mod Lang will make you one. Hit up Just Add Water and order yourself one of those newfangled compact discs! 

Saturday, February 28, 2026

Nick Piunti - Solo...ish


When it comes to take-it-to-the-bank certainties in this rarely predictable world, a new Nick Piunti album being guaranteed to be great is right up there with death and taxes. The man is on some kind of roll. Solo...ish (out now on JEM Records) is his eighth album in less than 12 years, and per usual, he does not disappoint. 

The title speaks for itself. After three albums with his band The Complicated Men, Piunti was looking for a different vibe to suit the more personal songs he was writing. So he sent some bare-bones demos to his pal Andy Reed (The Legal Matters, An American Underdog), who proceeded to build the songs from there. The album was recorded in Bay City, Michigan with drummer Donny Brown (The Verve Pipe) filling out the trio. Joe Daksiewicz from The Complicated Men also added guitar on three tracks and co-wrote a couple of songs. By now, you know what to expect from Nick Piunti. He has a signature style when it comes to his singing and songwriting. In the world of melodic guitar pop, he is the definition of class. And collaborating with a couple of the most distinguished players in the Midwest indie pop scene has truly brought out the best in him. 

Is it hyperbole to call Solo...ish Piunti's best album yet? The quality of the songwriting is exceptional from start to finish. This is Piunti doing what he does best: crafting tuneful, hook-laden gems with exceptionally clever lyrics that balance fascinating storytelling with honest and deeply personal reflections. Songs like "Big in Madrid," "Break Even," and "Handshake Deal" are vintage Piunti numbers and certain crowd-pleasers. "Better Songs," a clever play on the idea that some of an artist's greatest inspirations come in their sleep, is, co-incidentally, one of Piunti's best songs. "One Dimensional" is classic Piunti: a song so self-deprecating that it's ultimately self-affirming. Elsewhere, songs like "Darken My Days," "Bruises and Bandages," and the stunning ballad "Tragic Tragedy" find Piunti breaking from his typical power pop style and absolutely shining. The man is not just a great pop songwriter — he's a great songwriter, period. 

Solo...ish hits a perfect sweet spot between a full band rock record and a one-man singer/songwriter experience. Me telling you that Piunti has managed to outdo himself after all these records would be a little bit like saying the the best pizzeria in New Jersey has just now made its best pizza. What was left to improve upon? But somehow Piunti and Reed (who does a masterful job of producing) have found the secret sauce with this release. The thing is truly flawless, and it leaves me crossing my fingers that we'll have many more years of Nick Piunti making records just like this one.

Sunday, January 04, 2026

TOAD-EATER - demo


One thing I enjoy about music in the digital age is that a lot of bands release demos into the streaming wild. It reminds me of listening to actual demo tapes back in the '90s when I was coming up in the punk-reviewing world. Sometimes these demos are not so great, but sometimes they're super-promising. I'm really enjoying the new demo from Lansing, Michigan's TOAD-EATER. This five-piece, fronted by Ben Ackley, plays a brand of music I don't hear as often as I used to: high energy punk rock that's catchy and tuneful but not necessarily "pop-punk." Ackley is definitely a genuine original in the vocal department. His lyrics are absolutely fantastic, and thankfully they're included on the Bandcamp stream. If you're into melodic but also endearingly weird punk rock, this demo ought to be to your liking. Honestly, this is almost too good to be a demo. I have a feeling that TOAD-EATER is going to make a pretty big splash in the punk world in 2026.

Sunday, October 12, 2025

Ryan Allen - One Week Off

Ryan Allen has given us his own version of one of those "How I spent my summer vacation" essays. One Week Off, his second album of 2025, is the the fruit of an August staycation. In that one week, he literally made a record all by himself. He sat down with some songs he'd demoed in the past, found a whole bunch of them that worked as a single album, and created this gem of a power pop record. These songs are mostly from 2021-22. A few are from 2024, and one is brand new. But One Week Off doesn't come off like a collection of leftovers. This is genuinely one of Allen's best albums, and it's definitely the hardest he has ever rocked as a solo artist. 

What kind of talent do you have to have the luxury to write songs this good and then put them on the shelf? But it's not just about talent — it's also about work ethic. Ryan Allen writes a lot of songs. And when you're that prolific, you're bound to have some gems that you can save for a rainy day (or a week off from work). He intended this to be an "upbeat, no-frills, punch-you-in-the-face rock record," and that's precisely what it is. His last album, Livin’ On The Prayer On The Edge, was all over the place by design. One Week Off is a little more focused on that power pop by way of '90s indie rock with a touch melodic punk style that is Allen's forte. If you enjoyed his 2016 album Basement Punk, you're gonna be into this one as well. Allen played everything on this record and produced it at home on a Digital Audio Workstation. Then he had Paul Miner work his mixing and mastering magic and make it sound like a million bucks. It's crazy to think that songs like "Bloody Gums" and "Simple Pleasures" went unrecorded and unreleased for so long. If "Sick of Content," "Do It All Again," and "When Is Everybody Gonna Step?" aren't anthems for these times, I don't know what is. 

When I hear about an artist putting out two albums in a year, that means one of two things to me. Either you're contracted to a soulless major label in the late '70s, or you're making music for the sheer love of it. In the case of One Week Off, we know which one it is. Be sure not to miss Allen's recent contribution to the Is It Power Pop?! series over at Remember the Lightning

Friday, September 05, 2025

Norcos Y Horchata - precious little album


It's hard to believe that it has been more than three years since Norcos Y Horchata released Forever Disheveled, its debut album. I recently proclaimed Forever Disheveled my 8th-favorite album of the half-decade. Needless to say, I had considerable expectations for NYH's long-awaited sophomore LP. 

Out today on Take The City Records, Eccentric Pop Records, and Rust On The Blade, precious little album does not disappoint. But nor is it quite the album that anyone would have expected it to be. Just when you thought you has this band pigeonholed, Amado and the gang have gone out and reinvented themselves (somewhat). This record is the perfect combination of surprising and satisfying. A few tracks ("BYOBV," "Previous Ones," "Live, Laugh, Toaster Bath") find NYH in its familiar lane of tough melodic punk rock with a Midwestern soul. And they are all certified bangers! But elsewhere, the band finds itself trying new things and incorporating different influences in a way that feels like more than just a natural progression. Right off the bat with "The Artist + The Art," you can hear more of an early UK post-punk and '77 art-punk influence in the songwriting and musicianship. It still sounds like Norcos Y Horchata, but it's not the same Norcos Y Horchata. The song chugs along with speed and power, but it has so many layers that even its layers have layers. Elsewhere, "Lake Ave Traffic" finds the band soaring to new heights of anthemic grandeur. "Hack Away" is pure hardcore punk and positively thrilling. "I Deal In Three Chord Currency" is rumbling rock 'n' roll stripped to its bare bones and then twisted into something you've genuinely never heard before. The sweet-natured duet "Tuckered Out" is unlike anything this band has done before: a song that's hauntingly beautiful yet still a snappy good time. "Carbondale" finds the album concluding back in anthem territory and giving major new wave energy. 

Different people might take away different things from precious little album. You might hear Naked Raygun, and maybe I'm hearing the bands that influenced Naked Raygun. There are plenty of nods to classic Midwestern American punk rock, but it never feels like Norcos Y Horchata is copying any particular band. If I tried to jot down all the influences I thought I heard, I'd end up with writer's cramp. Impressively, this album ambitiously expands NYH's signature sound without straying too far from all the qualities that made this band so great to begin with. The thing about these songs is that they were obviously written to be performed live. So even as the band pushes itself creatively, its primary mission is still to deliver songs that will make you wanna jump around like a maniac, sing along at the top of your lungs, and thank the music gods for blessing this doomed planet with the life-sustaining gift of rock 'n' roll. Amado's lyrics, which range from philosophical to hilarious to pissed-off to introspective to inspiring, are really amazing and a massively underrated part of his skill set. It's mind-blowing to think about how something that started as Amado's pandemic solo home-recording project has grown into this — undoubtedly one of the greatest American punk rock bands going right now. 

It's always a tall order to follow up a great debut punk rock LP, but precious little album surpasses its predecessor by leaps and bounds. From start to finish, these are just great fucking songs. And all the players involved do incredible work on this record. This is one of those albums that will remind you why you fell in love with punk rock in the first place. Vinyl is available now via Bandcamp, and I'd recommend you snag a copy ASAP. Also, Norcos Y Horchata fall tour dates have just been announced, so head on over to the band's social media pages for more info!

Friday, August 29, 2025

Tin Foil - "Sadonka" (Video Premiere)


Detroit's Tin Foil has a new album out today on Almost Ready Records and Sweet Time Records along with a brand-new music video for the track "Sadonka." The album is called Chicken Sandwich, and it's the band's third full-length. The album title was inspired by what the band members ate for lunch every day when they were recording it! This record was literally powered by Nashville hot chicken sandwiches! As you may have surmised, simply Googling "Tin Foil Chicken Sandwich" is not likely to lead you to much information pertaining to this record. Thankfully, the music speaks for itself. I am delighted to premiere the "Sadonka" music video. When I first heard this track, I couldn't quite put into words what I was hearing. But I knew I liked it! This song brings to mind old school Midwestern proto-punk but with a more modern, slacker-ish edge to it. It's weird in a way that's genuinely endearing and noisy in a way that's pleasing to the ear. In all the best ways, Tin Foil sounds like a band from Detroit ought to. If you dig this song, you will certainly want to check out the whole album (which totally rules).  You know Sweet Time never puts out a bad record!

Sunday, August 24, 2025

Norcos Y Horchata - "Carbondale"

With a lot of bands that have an album coming up, I might wait for the album to actually come out before I write anything. But come on: we're talking about freaking Norcos Y Horchata, one of my favorite bands. If they released the soundboard recording from a live performance in an Arby's parking lot or a cover of the Vernors ginger ale radio jingle, you know I'd be reviewing it. It's actually a poorly-kept secret that you can go listen to precious little album on Bandcamp already. But the official release date is September 5th, and that's when I'll review it. Today I want to talk about "Carbondale," the closing track on the album and the second single in advance of its release. It's a love note to Carbondale, Illinois and more specifically The Lost Cross House — the oldest punk house venue in America. The band had a memorable gig in that "dark and sweaty basement" a couple tours back, and it has been immortalized in this song. I love that the song celebrates not only one particular show but also the lifestyle choice of being in a band and going on tours. Why does anyone do this? It's not to make money. It's not to become famous. It's about going out there, meeting like-minded people, and experiencing something magical and intoxicating when crowds connect to your music. Like a lot of songs on the new album, "Carbondale" finds Norcos Y Horchata building and expanding their sound yet holding on to the anthemic punk rock style they're so known for. Pre-orders for precious little album are now open. Take The City Records, Eccentric Pop Records, and Rust On The Blade will be joining forces on this release, which I can assure you will be one of the year's best!

Sunday, August 03, 2025

Big Life - The Cost Of Progress


On its new album, Detroit-based Big Life has hit the nail on the head when it comes to the present state of things. Songs about a techno-fascist ruling class turning the masses against each other and profiting from a dumbed-down, bitterly divided populace would have sounded like the stuff of dystopian fiction a few decades ago. Now it's just our everyday reality — to the point where it almost feels like the great dystopian novels undersold their warnings. On The Cost Of Progress, Big Life rages against the nightmare of contemporary life and the forces that sow dissension. Musically, this band channels the mid-to-late '80s hardcore of SST and Dischord Records, but everything about these songs screams now. This is an angry record — but totally in a good way. Rather than just fuming over how fucked up things have become, the band comes across defiant and determined — pairing its rage with some genuine hope that things could get better if only we admitted there was a problem and collectively tackled it. There's a freshness to these songs that is sometimes missing from modern takes on '80s hardcore. This is not just a bunch of guys listening to their old Husker Du and Dag Nasty records and trying to revive a sound. This is a furious, fiercely intelligent, and genuinely inspired set of songs that you can truly feel deep in your soul. Our good friend Ryan Allen plays guitar in this band, and let's just say that this is very different from the music he typically releases. But it's every bit as good. Crank up the volume, sing along at the top of your lungs, and let the anger flow!

Sunday, July 20, 2025

N*rc*s y Horchata - "BYOBV"

I promised you all a new album from the mighty N*rc*s y Horchata (Yes, I had to censor the band name because Google now says it violates its content standards). Now I am happy to tell you that it will be out September 5th on the fine record labels Eccentric Pop, Take The City, and Rust on the Blade. It's going to be called Precious Little Album, and I am so stoked for it! "BYOBV," the first single off the album, is a relatable little ditty about reaching into your jacket or vest pocket and finding valuable stuff that you didn't even realize you had lost! Fans of NYH's gritty and melodic Midwestern punk rock 'n' roll style will be pleased with this banger. It's catchy, fun, and rocking as fuck. What more could you ask for? It's definitely worth spending the buck-and-a-half to grab a download of "BYOBV." And while you're at it, hit one of those links below and pre-order the album. You know you're gonna want it!

Sunday, June 29, 2025

Norcos Y Horchata - "Pushing Wood"


Life moves so fast that I sometimes miss a new song from one of my favorite bands. The good thing is that I inevitably catch up, and I must say that the latest single from Norcos Y Horchata is an absolute ripper! "Pushing Wood" finds the band in full-on high-speed punk rock mode, and it's still incredibly exciting for me to hear music like this that gets my heart racing and my body moving. The song is a tribute to all of you who still ride your skateboards — as well as those of you who've gotten back on your boards or taken up this way of life in recent years. Amado and Annie wrote the lyrics, which lament the extreme physical toll of skateboarding while also celebrating what it means to skate. If you too have at some point asked yourself, "Why am I still pushing wood?", it's almost guaranteed that whatever answer you came up with more than justifies all the bruises and breaks. "The world says I should sit this out/But that's not what it's all about" is a truly perfect couplet. What fun would life be if we didn't have those things that gave us joy — especially when "grown up things" are very often total bummers? I love that the joy is palpable in "Pushing Wood." This is a blistering, truly exhilarating track and a great reminder of how punk rock reaches a part of the soul that no other music can. Be on the lookout for a new album and tour from Norcos Y Horchata later this year!

Sunday, April 27, 2025

Ryan Allen - Livin' On A Prayer On The Edge


A decade has passed since I first became aware of Ryan Allen's music. That sure was a quick ten years! Today, I review him as a lead artist for the 13th time. His new album, cleverly titled Livin' On A Prayer On The Edge, is almost definitely his magnum opus so far. At the very least, this is the most of himself that he has ever put into one of his releases. The album essentially combines all the musical influences that have ever shaped his songwriting, and yet every track sounds distinctly like him. I have to admit that when it came to Ryan Allen, I loved him from the moment I first heard his voice. And over the past decade, I've had the pleasure of hearing him grow as an artist and embrace a wider array of influences while still rooting his musical approach in timeless melody. 

At one point, there seemed to be two sides to Ryan Allen: the experimental indie rock side and the melodic power pop side. Slowly but sure, those two sides melded into one. Livin' On A Prayer On The Edge is the work of an artist who loves everything from '90s alt-rock to classic power pop to left of the dial indie rock to shoegaze to The Beatles to punk rock and has absorbed all those influences in a way that's fully cohesive and reflective of his unique point of view. I feel like all of us, when we get to a certain age, grow out of particular phases and simply embrace everything we've ever loved. That's where Allen is in his musical journey. And having spent so much time (especially post 2020) working on home recording, Allen has really figured out who he is an artist and how to achieve the sound he's going for. I have a strong attachment to 2015's Heart String Soul for sentimental reasons. But when you compare Livin' On A Prayer On The Edge to Heart String Soul, it's striking how far Allen has come as a songwriter, musician, and producer of his own work. As I listen to this record over and over, I find myself feeling like it goes by too quickly. Yet at nearly a half hour, this is not a particularly short album. It just seems that way because it's so good that I'm ultimately left wanting more. 

Livin' On A Prayer On The Edge is an album inspired by memories of being a kid and discovering a whole new world of music that you never knew existed — and of being an adult who never lost that enthusiasm and wonderment. I would imagine that almost anyone reading this now will be able relate to that. You could be listening to any one of millions of podcasts or reading any one of millions of online publications right now, but you're here looking at some small-time music blog because you're still super-passionate and genuinely excited about new music. As he revisits the music that was life-changing in his teenage years, Allen is not afraid to sometimes wear his influences on his sleeve. "I Should (But I Don't Really Wanna)" literally recreates Teenage Fanclub's guitar tone. The hilariously on-point "Conspiracy Theory" would not sound out of place between Swervedriver and My Bloody Valentine on a mixed tape. "After I'm Dead" unabashedly worships at the altar of Big Star. "So What Who Cares" doesn't care if you think it sounds like Stereolab. But for the most part, the influences on this album are more suggested than obvious — the result of them co-mingling in Allen's brain for thirty plus years and ultimately getting filtered through his own personal style. Without sounding like any band in particular, "Lost in a Daze" captures the spirit of fuzzy early '90s college radio power pop. I can't decide if "Devil's Juice" is trying to be action rock or garage punk, but I know that I love it. If Devo, Sonic Youth, and Guided by Voices had been one band, they might have written "The Construction Man." "Company's Eyes" is the sort of classic jangly pop that I hope Allen never stops writing. "In the Next Life," Allen's poignant tribute to a recently passed friend, is beautiful and silky-smooth —  an unironic nod to the soft rock that ruled the airwaves in the '70s and early '80s. 

Of course there's an undeniable '90s nostalgia underpinning Livin' On A Prayer On The Edge. When Allen was a teen discovering much of the music that influenced this record, I was a twenty-something discovering many of those same bands myself. So of course I'm going to have a soft spot for these songs. But those fond memories are just a starting point — not the ultimate destination. This is by no means a "retro" album. It asks you not to turn back the clock a few decades but rather to appreciate the timelessness of the music that inspired it. Allen's lyrics run the gamut from personal reflections to social commentary to deeper ruminations on life in these times. Altogether, this is a record that feels very relatable and very now. Songs about coping with anxiety, enjoying domestic bliss, and wanting to create something meaningful to be remembered by absolutely speak to me, and they likely will to you as well. Far more than just the product of his influences, Ryan Allen is a songwriter of extraordinary talents. I will always think of him when I'm asked why the 2010s were such a rad time for indie pop. But in the 2020s, he has only gotten better. I imagine he's extremely proud with what he has created in Livin' On A Prayer On The Edge. And let me tell you: he should be. 

Saturday, March 08, 2025

Ryan Allen - "I Should (But I Don't Really Wanna)"


It was just a little less than ten years ago when I first got hip to Ryan Allen — who by then was already a two-decade veteran of the underground music scene. If I ever did a list of favorite albums I've reviewed for this blog, Heart String Soul would be on it. Within the first 74 seconds of "Should Be Me," I knew I was going to love the album. And Allen was instantly one of my favorite artists. Since then, I've had the great privilege of chronicling his career, and I highly recommend anything he has ever written or played on. But there's something in particular about his home-recorded stuff that really hits the spot for me. And as I listen to his new single, "I Should (But I Don't Really Wanna) b/w "Anxious All the Time," I'm reminded so much of the first time I heard his music. These songs are giving those same vibes. Not every songwriter is cut out for solo work, but Allen seems to be made for it. There's something about having complete creative control that really allows him to shine as a songwriter. Both songs on this new single are taken from his forthcoming album Livin' On A Prayer On The Edge, which he describes as "the most ME record I've ever made." So first of all, that title is brilliant. And second of all, I am beyond excited for another album where Ryan Allen essentially tells the world, "Hey! This is who I am!" He certainly chose well with these two single tracks — which will give you all the feels if you have a soft spot for crunchy, vaguely melancholy early '90s indie power pop a la Teenage Fanclub and Lemonheads. But I'm also looking forward to hearing where Allen goes with the rest of the record. Livin' On A Prayer On The Edge promises to be a culmination of all the musical influences that have shaped him as an artist over the past 30+ years. 

When I started this blog back in 2011, I was strictly a genre geek. You could argue I'm still genre-driven in what I write about, and that would be fair. But I feel like, over the years, I've become more of a fan of particular artists and bands as opposed to a fan of specific musical genres. That was the way I got into music as a little kid, and I seem to be going back to that in my older age. That's why I don't get tired of writing about certain bands over and over and over. Ryan Allen certainly knows how to write a great pop song. But beyond, I just really like him as singer and songwriter. And unless he starts playing nu metal, I look forward to following his artistic progression for another decade at least. Livin' On A Prayer On The Edge will be out April 25th, and pre-ordering is now open on Bandcamp. I'll have lots more to say next month!

Friday, October 18, 2024

Nick Piunti and The Complicated Men - Up and Out of It


Nick Piunti's third LP with The Complicated Men continues one of the most remarkable hot streaks in the recent history of power pop music. Up and Out of It, out today on JEM Records, is Piunti's seventh album since 2014. None of these albums have been any less than great, and Up and Out of It is almost certainly the best of the lot. Remarkably, Piunti has managed to maintain this incredible quality of music without significantly changing his approach to songwriting. He writes timelessly melodic pop-rock songs with thoughtful, deeply personal lyrics, and he has never found the need to move off of that. Working with the exceptionally talented Complicated Men (Joe Daksiewicz on guitar, Jeff Hupp on bass, Kevin Darnall on keyboards, and Ron Vensko on drums), he is one of power pop's true master craftsmen. Producer Geoff Michael does his usual bang-up job of highlighting the essence of Piunti and The Complicated Men's music: that everything from the vocals to the guitars to the songs themselves radiate melody in abundance. These songs sound silky smooth and beautifully polished yet still plenty powerful — balancing all of that finesse with the muscularity of a proper rock band. 

Piunti may not have invented the idea of power pop for grown-ups, but no songwriter realizes it more fully. While some artists his age write songs as if the last 40 years never happened, he uses his life experience as subject matter for relatable songs about the human condition. The songs comprising Up and Out of It are largely autobiographical, and it just seems like Piunti's well of inspiration never runs dry. He has plenty to say, and he has hooks all day. The pre-album single "Bottle It" is one of those songs that instantly works its way into your soul. It was first released in May of this year. Yet hearing it on the album now, I feel like this song has been part of my life forever. Opening track "Seasick" is quintessential Nick Piunti and The Complicated Men. It's elegant and easy on the ears yet also full of passion and truth. Something that Piunti is especially great at is building a song towards a chorus where he hits these marvelous high notes in perfect harmony with melodies that just seem to explode from your speakers. He does that again here, and it's true pop bliss. Elsewhere, songs like "Mind Reader" (co-written with Daksiewicz) and "Eyelids" define perfect guitar pop. "Rejection Letter" is power pop straight out of the textbook. "Long Way Down" is a well-crafted, genuinely great ballad. "Above Water" is the sort of quality straight-up rock song that you rarely hear these days.  

Nick Piunti and The Complicated Men may eventually stop turning out brilliant albums with such frequency and consistency. But until they do, I will continue to enjoy this remarkable run they're on. For Piunti, progression doesn't have to mean getting away from what he does so well. Instead it means refining his craft and making guitar pop music of the absolute finest quality. I love, for example, that he has turned the band's guitar solos over to Daksiewicz — not because he can't play them himself but rather because he recognizes that Daksiewicz is a great melodic player. Up and Out of It embodies pure class in pop music. Of course Michael gives these songs the sparkling production they deserve, but none of that is possible without the stellar musicianship, superb singing, and brilliant songwriting that are this band's bread and butter. Up and Out of It is one of the year's best albums, and that was as certain as death & taxes.

Thursday, October 10, 2024

Norcos Y Horchata - "Count Watkins Presents: The Morning After the Monster Mash"


Hey! Halloween is in three weeks! Norcos Y Horchata, one of my favorite bands, has released a special single for the occasion. Here's the catch: it's only available until Halloween! The idea for the single is truly inspired. We've all heard of the Monster Mash. But no one ever talks about the morning after the Monster Mash. When a bunch of monsters throw an epic party, surely things will get out of hand. The next day, you must live with the regret of pranking the Wolf Man & The Mummy and insulting Frankenstein. "The Morning After the Monster Mash" gives us an insider's perspective on that regret. This song's lyrics and vocals have me totally dying. This instantly rates as a new Halloween classic, and there is no possible better way to spend a dollar. Snag this single now before it mysteriously disappears on Halloween night!

Sunday, May 19, 2024

Norcos Y Horchata - "Unkind Sometimes"


Well, this was inevitable: the I-94 Recordings Detroit covers series now includes one of Detroit's best present-day bands, the mighty Norcos Y Horchata! There's nothing cooler than seeing one of your favorite bands working with one of your favorite labels. And this team-up is no letdown. "Unkind Sometimes" is the 11th installment in the series, and it finds NYH tackling "Don't Come Crying To Me" by Detroit '77 punks Cinecyde. The movie theme on the cover art is a tribute to two members of Cinecyde running the legendary Thomas Video in the Detroit area back in the day. On the A-side, "Unkind Sometimes" is something a little different from NYH. The band takes some risks on this song, and they all pay off handsomely. The long introduction, the deliberate, almost tribal drum beat, and the dueling shouted vocals in the chorus all contribute to this song's distinct feel. NYH's tough, anthemic punk rock 'n' roll style remains fully in tact, but this song is unique in the band's catalog and instantly memorable because of that. While this band began as Amado's quarantine solo project, it has grown into a true group. Dougie, Roman, and Annie all make essential contributions to this song. This is a killer track, and of course the Cinecyde cover totally smokes. You know you need this record! There are 13 color variations of the vinyl with old school movie ratings on the sleeves. Happy shopping!