Sunday, July 28, 2024

Dangereens - Chic


After 25 years, Alien Snatch Records is going stronger than ever and continuing to show why it's one of the most important independent labels in the rock 'n' roll universe. I might even argue that the last few years of Alien Snatch have been its very best. Montreal's Dangereens have been a huge part of that. Their new album, Chic, arrives four years after their debut, Tough Luck. I was blown away by Tough Luck. It didn't really sound like anything else on Alien Snatch or anything else in modern music, for that matter. But from my very first listen, I knew it was something special. Chic follows it up in an impressive manner. It sounds like the best '70s rock 'n' roll record that never was — absorbing country, R &B, and  early rock 'n' roll influences into a warm-sounding mix of '70s glam, arena rock, and AM radio pop that somehow sounds current in 2024. On the album's press release, Daniel suggests that Dangereens are to rock 'n' roll what The Exbats are to pop, and that's really on the money. Somehow this band has developed a sound that's both classic and totally original, and its songwriting talents are absolutely extraordinary. Over the course of 13 tracks, Chic delivers a non-stop succession of radio-ready hooks, mighty guitar heroics, and irresistible rhythms. It's hard to put a finger on what separates great rock 'n' roll from not-so-great rock 'n' roll. But whatever "it" is, Dangereens have got it in abundance. Chic reminds us that we're still living in an era of great rock 'n' roll bands and great rock 'n' roll records. There are a lot of factors that have made Alien Snatch Records such an enduring institution of the garage/punk/rock 'n' roll underground, but Daniel's ear for exceptional music remains the stuff of legend. If Dangereens aren't one of your favorite bands, you probably haven't heard them yet.

shiverlane - "Little English Pleasures"


Boston-based foursome shiverlane continues to be one of the most exciting up-and-coming bands in the musical universe that we broadly call power pop. In advance of its forthcoming album Sketches from the Departure Lounge (due in September), shiverlane has released the single "Little English Pleasures." This is probably the first power pop song ever to address the pleasure gardens of 18th century London. In typical shiverlane manner, the song dazzles with intoxicating melody and smart, memorable lyrics. It's playful while also hinting at some modern-day social commentary. Shiverlane is one of those bands that proves that exceptional musical talent does not necessarily detract from a band's ability to craft great pop songs. With its blend of humor, catchiness, and genuine educational value, "Little English Pleasures" is indicative of the unique charms that make shiverlane a must-hear band.  

Saturday, July 27, 2024

The Follow Ups - Know Who Your Friends Aren't


This is turning into the summer of pop-punk for me. Perhaps that's because there's so much music being released that just feels like the music that made me fall in love with punk rock in the first place. Know Who Your Friends Aren't is the second album (and first in five years) from Moncton, New Brunswick's The Follow Ups. It's out now on Faster and Louder Records in Canada and Mom's Basement Records in the U.S.A. In a totally good way, this album reminds me of the '90s. The Follow Ups take me back to a time when the lines between pop-punk and straight-up snotty punk rock were blurred. These guys play ballsy three-chord punk rock with snotty vocals and lyrics that are humorous in a wonderfully obnoxious way. Vocally, they give off Vindictives/Sloppy Seconds vibes. Musically, they seamlessly move between that Lookout! Records via the Ramones lane that is such a sweet spot for Mom's Basement and a faster, more aggressive '80s-influenced approach to punk rock. This is a really fun album. These guys never take themselves too seriously, but they are serious about playing high quality pop-punk. Their ability to write consistently good songs in varying styles is rare in this genre. Know Who Your Friends Aren't  is a super-solid record that doesn't try to break any new ground and doesn't need to. You might like this one even if pop-punk isn't always your thing!

Vista Blue - "No Baseball at the Summer Olympics"


I enjoy Vista Blue songs about baseball, and I enjoy Vista Blue songs about the Olympics. So of course a Vista Blue song about the 2024 Summer Olympics not including baseball is going to be totally up my alley. The band's new singe is called "No Baseball at the Summer Olympics," and the title pretty much says it all. Just in case you were not aware of this fact, Vista Blue is here to deliver the devastating news. The good news is that baseball will be back in the 2028 Summer Olympics, and the chances of Vista Blue releasing a triumphant sequel to this song in four years are very, very high. I also appreciate that "No Baseball at the Summer Olympics" is essentially a love song. Mike's lyrics are Gold Medal caliber, and he and Mark have turned out another punky pop earworm. Breaking even gets a shout-out! I can't think of another band that more consistently adds more fun to my life. "No Baseball at the Summer Olympics" is another smash from the VB hit factory. Enjoy the summer games, my friends! 

Tuesday, July 23, 2024

Hayley and the Crushers - Blood and Treasure


One thing I love that Hayley and the Crushers have been doing in recent years is releasing a lot of singles. Of course albums and EPs are great, but there's just something special about a single where the focus is on one song that you listen to over and over and really get to know. Today's streaming technology has really brought back the idea of great singles bands, and the Crushers are one of those for sure. "Blood and Treasure" is the third single they've released in advance of Unsubscribe from the Underground, their forthcoming EP on Kitten Robot Records. You could hear the band digging back into its punk roots on the previous two. "Blood and Treasure," on the other hand, is pure pop. And it's glorious! Hayley Cain wrote this tune about her relationship with her husband Reid — whom you all know and love as Dr. Cain ESQ. The song celebrates the couple's "irreplaceable love," and I have to say it gives me chills. Sometimes the most important things in life can be the hardest things to write about well since mere words might not be able to do them justice. But here Hayley writes beautifully about the most important thing of all. Her lyrics are heartfelt and vivid, and she sings the hell out of this song. Musically, "Blood and Treasure" brings to mind '60s Brill Building pop and girl groups with a hint of country. It's the sort of song you can't listen to just once, and it's surely an AM radio smash in some alternate universe where perfect pop songs dominate the charts. The full EP releases in September, but now is the time to enjoy "Blood and Treasure" in all its romantic glory.

Sunday, July 21, 2024

The Sleeveens - "UFOs”/"Bernadette"

The Sleeveens are indeed the "hottest band in the land." Within the first 30 seconds of the Nashville/Dublin–based outfit's debut single, I knew I had just met the next great band in the punk rock 'n' roll universe. Many others felt the same way, and word on the street is that the band's live shows blow away its studio recordings. The second Sleeveens single is out on I-94 Recordings, and something tells me it's gonna sell out in the blink of an eye. "UFOs" is #13 in I-94's Detroit covers 7" series. The title track is a slow-burning rocker with a spacey feel and clever lyrics about alien forces taking control of our lives. Now that's truly a song for our times! If The Sleeveens' album proved that their first single was no fluke, now "UFOs" proves that the album was no fluke. This is another phenomenal tune from one of the most exciting bands to come down the pike in a long time. On the B-side, The Sleeveens tear into The Four Tops' 1967 chart smash "Bernadette." This is a classic case of a band honoring the original version of a beloved tune but also making it its own. The Sleeveens definitely punk up "Bernadette," but they also add some interesting twists en route to remaking the song. Don't sleep on this one, my friends. This is the freaking Sleeveens! Head on over to the I-94 web site and order your copy (or copies!) while supplies last! 

Saturday, July 20, 2024

Real Rejects - Not Allowed


Well here you go, kids: the garage-trash budget punk rock 'n' roll ear-melting, face-smashing, world-wrecking degenerate masterpiece you've been awaiting with bated breath can now be yours courtesy of the legendary Alien Snatch Records.

A couple weeks back, I proclaimed Real Rejects the "next big thing" in the garage punk universe. This was not just a personal whim but rather the result of meticulous research and consultation with my spiritual advisors. Or maybe I just knew that if Alien Snatch was in on the action, everyone with impeccable taste in music was going to want a Real Rejects tattoo by year's end. Real Rejects are TJ Cabot (Phone Jerks, Nerve Button) on vocals & guitar, Jesse Leblanc (Feral Trash, Outtacontroller) on guitar, Claude Doiron (Nerve Button, Bad Luck #13) on bass, Sonic Hz on keyboards, and Cam Murphy (Thee Requiems, Ghostown Belle) on drums. It was by complete accident that the band name brings to mind two of the greatest garage punk bands of the post-2000 years, The Real Losers and Teenage Rejects (who both, by the way, had releases on Alien Snatch). Yet the shared musical DNA is undeniable. You may or may not consider Not Allowed a full-length album depending on which side of the 10-inch record debate you fall on. But at nine tracks and an 18-minute running time, it makes the full-length cut in my book. I'm no longer a collector of vinyl recordings, but when I was, I thought 10-inchers were the coolest. They have the versatility to be albums or EPs or singles, which is very cool in my book. And I've never been able to understand why anyone would ever prefer 7 inches if they could have ten. Good on Alien Snatch for believing in this format! 

Whether it's an album or a mini-album or a super-sized EP,  Not Allowed is an absolute scorcher of a record. After all those years of solo home recording, Tyler has really hit the jackpot with this merry band of Moncton punk greats. These guys rock l.a.m.f. and take the Rejects' sound to the next level. These nine tracks fully realize the potential of all those really awesome TJ Cabot releases of years past. Think Stooges meet DMZ meets Pagans meet ? and the Mysterians meet Angry Samoans meet Rip Off Records —  or something like that. I'm not saying that the Summer of Spite digital single wasn't full-blown killer. But the thing about Daniel at Alien Snatch is that he has an ear for greatness, and of course the stuff on Not Allowed is the top shelf Real Rejects. I love the blend of high energy, organ-driven '60s garage rock; filthy, attitude-laden '70s/early '80s punk; and quintessential '90s/2000s budget trash. The tunes are great; the lyrics are hilarious and wonderfully spiteful; and the energy level is off the charts. This is the perfect album length for me: it still leaves you wanting more, but it won't leave you feeling short-changed. Is this really an album? Of course it's an album, and it's one of the year's best! 

Jay Castro and I taped a new episode of our Born Too Late podcast last night in which we listed our all-time favorite releases from Alien Snatch Records. As I prepared my list, I was really awed by the sheer volume of amazing records that have come out (and continue to come out) on this label. Without a doubt, this is one of the greatest punk rock record labels to ever exist, and it's incredible that Daniel has kept it going strong for 25 years and counting. So when you head on over to Bandcamp to purchase Not Allowed (come on: you know you're going to!), be sure to take a deeper dive into the Alien Snatch catalog. I know it's terribly irresponsible of me to be compelling you to spend money during inflationary times, but I can't think of a record label or roster of bands that's more worthy of some of your hard-earned dollars. What good is life without music?