Wednesday, July 01, 2026

Songs From The Film* - "She Don't Mind"/"Waiting For the World to Explode"


I didn't have much time to cry in my beer over the sudden split of The Cheap Cassettes. Charles Matthews has already launched his new solo project Songs From The Film* (who doesn't love a good Tommy Keene reference every once in a while?). A debut single (and video!) have been unleashed on this very blessed day. Are you ready? Are you excited? 

The beauty of recording solo material is that it doesn't necessarily have to fit in with any particular band or even any particular genre of music. You can just write the songs that are in your heart. Whatever comes out is whatever comes out! My history with writing about Charles's music now dates back 30 years. We were both young men then. Now, we're somehow still young men since 55 is the new 30. The first thing I'll say about this single is that it sounds like Charles. This is him on a plate that you'll absolutely want to eat up. This isn't specifically a punk rock project or a power pop project, but you can hear elements of both — along with all that bubblegum glam rock and big hair new wave pop we all grew up on. Anyone who loved the Dimestore Haloes and Cheap Cassettes will recognize Charles's signature style and voice. It's not like this is his Metal Machine Music. He's still in the familiar territory of hooky three-chord rock 'n' roll with punchy guitars. But at the same time, this is something a little different. You can hear Charles experimenting a little with his guitar tone, vocals, and the overall vibe. The guitar riffs on "She Don't Mind" are by themselves worth the price of admission. 

Upbeat and rockin,' "She Don't Mind" is a more conventional loud pop love song and certified smash. I literally laughed out loud at the entire first verse — not just because of the cleverness of it all but also because I recognized my own experience in those lines. If you can find your person who can put up with all your weirdness and return it with their own wonderful weirdness, that's a priceless, beautiful thing. A line like "And the day we met, I knew I'd be your singin', dancin' clown" hits me so hard that it gives me chills. If that's a little too much feelgood for your tastes, the mid-tempo rocker "Waiting For the World to Explode" ought to be very much to your liking. Who can't relate to a song about being so disenchanted with living in this dystopian timeline that you start thinking that the complete obliteration of the world might be a best-case scenario? Tailgating the apocalypse with a six-pack of Corona would be half-hearted; a 12-pack, though, is a full commitment. I love social commentary, sarcasm, and dark humor. Put them all together, and you've got pure gold. 

Recording by yourself has to be way harder than it seems. You are responsible for getting every detail right, and you're likely to be far more critical of yourself than you'd be of bandmates. When it comes to all those hours spent rehearsing and recording in solitude, you better damn well hope you like the company. It takes a special temperament and skill set to excel as a solo artist. For every George Michael, there are ten Stings. Thankfully, Charles Matthews is the antithesis of Sting. When I first heard "She Don't Mind," I knew that he had freaking nailed it with this new project. It was an immediate "Holy shit! This is good!" reaction. And before I could consider that maybe I was just a weirdo with funny taste in music, bona fide movers and shakers like Malibu Lou and Ryan Meyers had joined the fan club too. I'll gladly throw my lot in with those guys. Songs From The Film* has come out firing like a rocket. Digital is available now from the mighty Rum Bar Records. Vinyl is coming soon from Sioux Records. And how cool is that music video? Add the title of "filmmaker" to Charles's resume!

Sugar - "Keep Looping"


"Swipe and scroll.
Drop and roll.
Heads on fire." 

It still blows my mind when I realize Sugar is really back — as if I merely daydreamed this reunion and will soon wake up to discover that I imagined the whole thing. If anything, it seems like people are not talking enough about Sugar being revived and sounding very much like, uh, Sugar! "Keep Looping" is the band's third new track since last October, and the thing is blistering. On this song, Bob Mould is raging against AI and screen addiction, and that certainly could not be more topical in 2026. Sometimes I live in denial that we're living in a nightmare dystopia, but good ole' Bob is confronting the madness head-on. This is the punkiest and most ferocious the band has sounded since reuniting. Listen to those guitars! Listen to that rhythm section! The song would not have sounded out of place on Cooper Blue or Beaster. Man, this was no half-assed comeback. Sugar is ripping it like a band in its prime, and "Keep Looping" is truly a song for these times. Keep 'em coming, fellas!

Get The Net - Til House Lights


Sometimes I'll hear a band, and instantly, it's all the feels. New Jersey's Get The Net was a King Ralph recommendation, and I'm extremely thankful to have been made hip to the trio's full-band debut album. Starting out as Ryan Raichilson's solo project back in his college days, Get The Net has been reborn and revamped into a proper band — and a very promising one at that. 

Having come up in the world of '90s pop-punk, I can never get enough of a certain sound and style that Get The Net executes to perfection. That style is the less snotty, more melodic variant of pop-punk. You know what I'm talking about: punchy guitars, heartfelt lyrics, hummable melodies, and a singer who can actually sing. Music like this was practically the air that I breathed when I was a skinny pop-punk kid thirty-some years ago, and it still hits a sweet spot today. On Til House Lights, Get The Net powers through 12 tracks that take me back to pop-punk's heyday without necessarily sounding like any other bands in particular. When it comes to pop-punk, this is how it ought to be done. The songwriting and lyrics are top-notch, and the playing is tight and crisp. The production is just right — applying an appropriate amount of polish that allows those melodies to shine without dulling the power of the guitars and drums. This is a rock-solid, well-crafted album from start to finish and truly a breath of fresh air in the pop-punk universe. I will now pass Ralph's recommendation forward. If you like good pop-punk, this is a record you really ought to check out. The Garden State does it again!
 

Saturday, June 27, 2026

Bastard - "Doctor Gong" b/w "Comfort"


Well it only took 52 years, but Bastard finally has a record out! Famously, Bastard was the early-to-mid '70s U.K. and Belgium–based heavy rock band that featured Brian James (later of The Damned) and Alan Ward (later of Elton Motello). When we talk about "proto" punk rock, Bastard was a prime example. Listening to the single "Doctor Gong" (recorded in 1974), you can hear a band building off of The Stooges, MC5, Alice Cooper, etc. and cultivating a sound that has much in common with punk rock as we know it. The songwriting and musical approach aren't quite as lean as what "New Rose" would be a couple years later, but you can hear the raw energy and hard-pounding sonic attack starting to take shape. In celebration of issuing its 30th release, the red hot Dutch label Wap Shoo Wap Records did something special and rescued these two tracks from the dustbin of history. For those who thought these recordings might be interesting for music historians or Brian James super-fans but not exactly essential tracks in their own right, I'd say this record pretty much erases the skepticism. These tunes rip! Man, that Brian James sure could play the guitar! I honestly can't believe these tracks went unheard for five decades plus. The classic punk recordings of 1976 and '77 certainly weren't created in a vacuum, and it's thrilling to find one of the most direct precursors to first wave punk finally getting a record out. With a pressing limited to 300 copies, this thing is bound to be gone before you can blink twice. Pounce, my friends!

Adult Learners - self-titled EP


A few months since they released a super-promising demo online, Boston's Adult Learners have a 7" record out on Saccharine Tryst Records. Just in case you wondered if having properly released music would cause this wicked awesome foursome to sell out and record in a pricey studio with some overbearing slick producer, I can assure you that the band's lo-fi, low-budget charm remains fully and enthusiastically in tact. There's really only one word that rightfully sums up this EP, and that's fun! Adult Learners may be a very hard band to Google, but they're a joy to listen to with their high-energy, organ-driven mashup of garage rock, punk, and power pop. No songs cross the two-minute mark, and they don't need to. Each track gets to the hook as fast as possible, and that leaves room for more songs on the record. That's genius! This band keeps it simple and catchy, and these tunes will make you wanna get up and dance around the house (or whatever other physical space you happen to be inhabiting as you blast these tunes — you could do a lot of damage in a drug store or dentist's waiting room). There's definitely a ton of Boston garage rock DNA in Adult Learners' music, and at times I'm picking up early Blondie vibes as well. What's not to love? Push play and bop 'til you drop!

Friday, June 26, 2026

Taxi Girls - Static


On New Year's Eve of 2024, I wrote, "If we finally get a Taxi Girls full-length next year, it may very well be my album of the year for 2025!" Well, I was a year off in my estimation, but my prediction is surely looking spot-on. In what has been the best first six months of a year for new music in recent memory, Taxi Girls have my absolute favorite release of the half-year with their fantastic debut long player Static (out today on Stomp Records in North America and the great Wild Honey Records in Europe). 

Jamie Radu, Vera Bozickovic, Lynn Poulin, and Gabrielle Noël Bégin were smart to take their time and make their debut album something special. As good as the debut EP Coming Up Roses and follow-up single "Rainy" were, Static blows those releases away. It's that rarest of things: an album that carries the appeal and influence of late '70s/early '80s punk rock yet sounds genuinely current in the contemporary punk/garage/rock 'n' roll universe. Influences run the gamut from classic punk and new wave to power pop to '90s feminist punk and alternative rock to modern-day garage rock. Yet Taxi Girls aren't trying to be anyone but themselves. Jamie Radu, in fact, described the album to me as "us on a plate." And that's what I love about this record. The influences are all over the place, but these songs are uniquely and undeniably Taxi Girls. These four women are not just extraordinarily talented; they also have a chemistry and kinship with each other that is immediately palpable. You're getting different musical influences from everyone in the band, and it all coalesces into something that only these four individuals working together could have created. I've never heard a record that sounds quite like this. 

Whichever corner of the punk and punk-adjacent underground you gravitate to — whether that's old-style punk, power pop and pop-punk, garage rock, or the more rock 'n' roll side of punk — you are sure to find much to love about Static. It's full of superb songwriting with killer hooks. It rocks hard. It's got punk rock attitude all day long. The lyrics are meaningful and relatable. The production is incredible. And Vera and Jamie, as co-lead singers, have an amazing hot sauce & honey dynamic going on. Their styles are contrasting yet also beautifully complementary. Both individually and in harmony, they make a formidable tandem. I can't think of many bands with two lead singers/songwriters where I don't like one a little (or a lot) more than the other. But with these two, it's a dead heat. Add in a lead guitarist who totally shreds and one of the best drummers in punk rock, and you've got yourself a band that ought to be huge. 

Taxi Girls certainly chose well with the three singles it has released off the album. But I'm hard-pressed to find any song on here that wouldn't have been a fine choice for a single. The sequencing of this record is flawless. It comes roaring out of the gates with a great mix of powerhouse rockers ("Say It!" and "Red Flag Crush") and energetic, super-catchy punk tunes ("Try Harder" and "Auto-Hysterics") before taking a surprising turn with the sweet, sentimental power pop of "So Quaint" and the delightful, effortlessly cool new wave throwback "Midnight Mixtape." And from there, the ride remains a great time but never gets predictable. By the time I got through the four-song run which includes the furious punk scorcher "Kill Your Darlings," the poppy punk earworm "Secret Handshake," the punk rock 'n' roll fireball "It Makes Me Think," and the genius New Order/Go-Go's mashup "Highs//Lows," I started to wonder if this band has secretly been together for 15 years and is just compiling greatest hits! And one thing that is always a deal-clincher for me is when an album offers an extraordinary pair of bookends. I always love an album that starts off with a song that makes you want to listen to the whole record and closes with a song that makes you want to immediately play it again. "Say It!" opens the record with a proverbial bang, and album closer "Other Heart" is this simple, unassuming little ballad that just tears your heart out. It's beautiful, tender, and instantly memorable — a perfect punctuation mark on the best album I've heard in a long, long time. 

So is Static everything I thought it would be? Yes and then some! I have been known to sometimes overstate things a little bit (ha ha). But it's not hyperbole to suggest that this album puts Taxi Girls right in the thick of the "best band out there" conversation. For people my age, this is one of those records that reaffirms that it's a healthy thing to keep up with new bands and not assume that music stopped being good 30 years ago. If you have young daughters, granddaughters, nieces, etc., this is the kind of album that could very well inspire them to start their own bands and grow up to be total bad-asses like Jamie, Vera, Lynn, and Gabrielle. Honestly, I have a hard time imagining any regular reader of this blog not being into this record. It's just so freaking good! I have a different favorite song every day. You hear a record like this, and you believe in rock 'n' roll again. You'll want a tattoo —or at least a t-shirt! When I see the critical and fan acclaim Taxi Girls are receiving, it makes me happy because it shows that even in these times when algorithms are king, talent and hard work still matter in music. There are still some huge albums due out later this year, but it's going to take something truly out of this world to top Static.

Sunday, June 21, 2026

Charlie Continental - "Snow & Rain"


Sometimes you hear a record, and all you can really say is "wow." Clearly I exaggerate since I've managed to write 286 words about Charlie Continental's new single "Snow & Rain" (out on his very own Snappy Little Numbers). But absolutely, my initial reaction was a loss for words. It was just pure feeling. Chuck wrote these songs about the journey that he has gone through since he lost his wife Febra in 2024. I admire him so much for being willing to write about something so personal and painful. He has put himself out there in front of the whole world, and that would mean something even if the songs weren't any good. But the songs are really, really good. This gritty, straight-ahead style of melodic punk lends itself so well to writing and singing with heart on sleeve. These are songs about grief and loss, of course, but also about the uncertain, bumpy road that lies ahead when you try and move forward from that kind of loss. These songs aren't sappy or morose — just honest, raw, and heartfelt. The whole reason why we have songs and movies and books and all sorts of art is because it all connects us as human beings. We share others' joy, pain, hopes, and anxieties because we're in this thing called life together. "Snow & Rain" and "Untethered" make me feel connected to Chuck and to humans in general. It's nice to be reminded that empathy and compassion still live in this world. If writing "the catchiest sad songs" is a skill set that Chuck is notorious for possessing, that's a tremendous gift to have and share. "Snow & Rain" is one of the best singles I'll hear all year.