Showing posts with label Watts. Show all posts
Showing posts with label Watts. Show all posts

Wednesday, January 25, 2023

The Shang Hi Los - Aces Eights & Heartbreaks


Can you believe it has already been two years since I first prayed to the music gods for a Shang Hi Los full-length album? Having now had said album in my possession for a couple weeks, I will reiterate one of my core beliefs: music this good is always worth waiting for! Heading into 2023, the Rum Bar Records release Aces Eights & Heartbreaks was hands-down my most highly-anticipated album of the year. Not so long ago, I publicly predicted the album would be a "blockbuster." I must say it has proven to be all that and then some. 

To recap: The Shang Hi Los formed in 2019 and feature two of the finest singers and songwriters in modern-day rock and roll. Dan Kopko (Watts) and Jen D'Angora (The Dents, The Downbeat 5) are co songwriters and lead vocalists. They're joined by bassist Lee Harrington (The Neighborhoods, Future Dads) and drummer Chuck Ferreira (Eddie Japan, Lonely Leesa & The Lost Cowboys). The 2021 EP Kick It Like A Wicked Habit was a promising debut for this Boston super group, but Aces Eights & Heartbreaks totally blows it out of the water. While the influences for this release vary from garage rock to new wave to punk rock to power pop to spaghetti Westerns, what comes through here is that The Shang Hi Los are above all else a great rock and roll band. And the world can always use more great rock and roll bands. This record has got it all: killer riffs, magnificent vocals, radio-worthy choruses, awesome guitar solos, epic drumming, massive production, and melodies that will stick with you. The Shangs are the rare all-star group that's even more than the sum of its parts. Kopko and D'Angora work so well together (both vocally and as a creative partnership) that it's hard to believe they haven't been collaborating forever. Here and there, I might find myself saying "That sounds like a vintage Danny Kopko riff" or "This could have been a Jenny Dee song." But for the most part, The Shang Hi Los sound like something neither songwriter could have fully created on their own. 

Like any great rock album should, Aces Eights & Heartbreaks comes roaring out of the gates. "Takes One To Know One" is energetic, fun, and musically irresistible — a side 1/track 1 that even prime Cheap Trick would have envied. "Monsieur Valentine" sounds like the best Blondie song in decades (if it's not released as a single for Valentine's Day, that will be an opportunity missed!). With the bar set that high, the Shangs keep it going all the way to the end. The title track is a legit good stab at disco pop that has "couples' roller skate 1980" written all over it. "Plymouth Rock" is perfect punky power pop. "These Four Walls" and "Ingenue" are pure rockers with hooks for days. And of course there's "Billy" — a recently anointed Coolest Song in the World on Little Steven's Underground Garage. Why did I wait so long to mention the hit? Well on an album like this one, every song's a hit! 

Aces Eights & Heartbreaks represents everything that's wonderful about rock and roll. It features two excellent singers who sound great both individually and in harmony. It's stacked with stellar tunes that will have you tapping your toes, singing along, and breaking out the air guitar and drums. I wouldn't exactly call it "retro," but it recalls a time when they still played great rock songs on the radio. When these songs are playing, it's an eternal summer. God bless Malibu Lou for unleashing this masterpiece in the middle of January and laying waste to our collective winter blahs. The bar is always open! 


Friday, May 14, 2021

Watts - Shady Rock & Rollers


It's hard to believe that it's been five years since Watts released The Black Heart Of Rock-N-Roll -- the greatest '70s rock record of the 21st Century. A string of fantastic singles ("All Done With Rock n Roll", "Queens", "Breaking Glass") followed in the ensuing years -- suggesting that Watts had yet another epic rock album in the works. Today the Boston foursome finally unleashes its long-awaited follow-up to The Black Heart Of Rock-N-Roll. Out on Rum Bar Records, Shady Rock & Rollers is both a vintage Watts record and a logical next step in the band's progression. 

While Shady Rock & Rollers finds Watts still carrying on in the grand tradition of Aerosmith, KISS, and AC/DC, it broadens the band's musical vision with a more refined sound and major nods to its glam rock foundations. Building off the '70s hard rock purism of The Black Heart Of Rock-N-Roll, Shady Rock & Rollers brings to mind a time when there was no shame in aspiring to write massive radio hits that would dominate the airwaves and fill arenas. The band still delivers on all the essential fundamentals: big riffs, big hooks, ripping solos, and stellar work from one of one of modern-day rock's finest rhythm sections. If you want fist-pumping rock anthems, the bookend tracks "Loud & Fast" and the aforementioned "All Done With Rock n Roll" are sure to satisfy. "Queens" is like the best KISS song in 40 years. "The Night The Lights Went Down", featuring drummer John Lynch on lead vocals, is a punchy barroom rocker right in that Mott the Hoople/'70s Stones/early Aerosmith wheelhouse. But a particular strength of this album is the way the band complements its loud & fast side by also mastering the art of hard & slow. There are a number of tracks here that find Watts leaning hard into pop territory (yet still rocking hard!). "Shady" seems inhabited by the spirit of Marc Bolan, while "Heavy Metal Kids" and "Shocking Pink" are firmly rooted in the Cheap Trick wing of power pop. "When the Party Ends" is that rare power ballad that's actually powerful.  

It is to all of our benefit that Shady Rock & Rollers' concluding track "All Done With Rock n Roll" is not a retirement letter but rather a lamentation on how real rock and roll has fallen out of the mainstream. Watts is most definitely not done with rock and roll and has just delivered another fantastic album redolent of a time when the likes of Cheap Trick, KISS, and the almighty Stones reigned supreme. Uninterested in fame and fortune, Watts makes rock and roll for rock and roll's sake. Having missed the heyday of arena rock (I was only six years old in 1977), I can still experience a similar magic every time I put on a Watts record. It doesn't get much sweeter than popping Shady Rock & Rollers into my car CD player on a sunny day and cranking it loud! Now let's see if we can talk Malibu Lou into simultaneously releasing four solo albums from each member of Watts. Maybe next year?

Friday, January 22, 2021

The Shang Hi Los - Kick It Like A Wicked Bad Habit


Boston's The Shang Hi Los were without question my favorite new band of 2020. Needless to say, the band's debut EP was poised to be one of my most highly-anticipated releases of 2021. The good news was that I didn't have to wait very long. Kick It Like A Wicked Bad Habit is out today on your home of the hits, Rum Bar Records! The even better news is that The Shang Hi Los have not disappointed on their first extended play release. Kick It Like A Wicked Bad Habit is a most-own for any fan of rock and roll steeped in harmonies and pop melody!

To recap: The Shang Hi Los were formed back in 2019 by a couple of my favorite voices and songwriters. Jen D'Angora (Jenny Dee & The Deelinquents, The Dents, The Downbeat 5) and Dan Kopko (Watts) have been featured on this blog many times in the past. As collaborating songwriters, they've created a band that touches on their shared and combined influences. Thus The Shang Hi Los bring together the best elements of the last six decades of rock and roll. Particular inspirations are '60s girl groups, '70s glam and classic rock, '80s new wave, and '90s indie/alternative rock. The band is rounded out by a couple of all-stars from the Boston scene: bassist Lee Harrington (The Neighborhoods) and Boston's "drummer about town" Chuck Ferreira (Eddie Japan, Lonely Leesa & The Lost Cowboys). While sometimes "super groups" sound better on paper than they actually do on record, The Shang Hi Los are an example of a dream team that truly clicks. Kick It Like A Wicked Bad Habit highlights the talents of D'Angora and Kopko both individually and as a duo. "Stay" sounds like it could have been a Jenny Dee song, and "Skipping Records" could pass for a Watts tune. But on "Sway Little Player", "Funeral Home Mint", and an amazing cover of "Saturday In the Park", D'Angora and Kopko merge both their voices and their musical identities. I've already said plenty about "Sway Little Player", my pick for the #1 single of last year. The rest of the EP proves to be just as good. "Stay", masterfully produced by the incomparable Ed Valauskas, is an absolutely beautiful pop song that mixes old school Blondie vibes with a modern rock aesthetic. "Skipping Records", the second single from the EP, is a feelgood rocker that will have you up from your desk chair and dancing around the house in no time flat (I have this mental image of Malibu Lou hearing this song for the first time and totally flipping out!). "Funeral Home Mint" is new wave rock that actually rocks (that guitar solo is everything!). And to cap off the EP, that "Saturday In the Park" cover is nothing short of magical! It's spiritually faithful to the original and could not sound more "'70s". Yet it's also injected with the essence of The Shang Hi Los. The mixing work on this track by Dan Kopko & Pat DiCenso is top notch. 

My only criticism of Kick It Like A Wicked Bad Habit is not a criticism at all: it left me wanting more! Five songs from The Shang Hi Los is just not enough! Kudos to this band for getting this debut made during a pandemic. It took some coordination with tracks being recorded at four different studios, but it all came together swimmingly. I will cross my fingers for a debut album next year, and let's all hope for a time when The Shang Hi Los can get up and play these rockin' tunes in front of people who will be dancing and singing along! If you love rock and roll, you need some Shang Hi Los in your life.

Wednesday, April 08, 2020

Watts - Seventeen

Alright! Watts, one of America's finest rock and roll bands, has released maybe its strongest single yet. And it's free! Written by singer/guitarist Dan Kopko, "Seventeen" is Side A of a brand-new digital single available from Rum Bar Records. It's a ripping dive bar rocker that ought to have you dancing in your PJs within seconds. It delivers just about everything you could want from a rock and roll song: a toe-tapping beat, hard bluesy riffs, a killer vocal from Dan, sizzling lead work, a sing-along chorus, and for good measure a whole lot of horns! Watts is definitely treading early '70s Stones territory here - familiar ground for the Boston foursome. And let me tell you: the band rocks out this track like there's no tomorrow! As you can always expect from a Danny the K production, the guitars and drums are absolutely thunderous. Alex Kopko's horns add a cool layer to the band's usual attack. I know horns in rock and roll can be hit or miss, but here they definitely hit. This song is such a scorcher that it just about leaves me breathless! On the B-side, "When The Party Ends" switches things up with a mellow, reflective vibe that again brings peak-era Stones to mind. Dan and guitarist John Blout wrote this one together. It's a true power ballad - showing the thoughtful side of Watts while still packing one hell of a punch. 

Although "Seventeen" is a digital single, I appreciate that it was designed like it was a vinyl record. Watts has given us a pair of songs that are meant to complement each other. You've got one song for the height of the party and another for the contemplative morning after. This record is a perfect example of why I love Watts. Of course these guys can play circles around just about anybody, but it's their ability to write amazing tunes that really sets them apart. Crank up your digital turntable and enjoy a classic rock and roll single like hardly anybody makes anymore. All you need is a Watts poster for your wall!



-L.R.

https://rumbarrecords.bandcamp.com/album/seventeen-b-w-when-the-party-ends-free-digital-ep
https://watts.bandcamp.com/ 
https://www.facebook.com/wattsrock 
https://www.facebook.com/RumBarRecords

Wednesday, January 16, 2019

Watts - Breaking Glass

The best hard rock n' roll band going is back with another digital single to get you juiced up for a new album due this spring! "Breaking Glass" is a free download from Rum Bar Records, and it features Tim McCoy taking a turn on lead vocals. McCoy, who co-wrote this number with Dan Kopko, has a cool raspy voice that perfectly fits the tone of the song. This is definitely what you'd call a riff-driven number, and I've gotta say that that riff is bad-ass! Remember those days of rock yore when a cool riff was every bit as important as a memorable chorus? Watts sure do! And how wicked good is that guitar solo?! Along with "Breaking Glass", this three-song download includes "Queens" and "The Night The Lights Went Down". The former is a riff rocker anthem worthy of '70s KISS. The latter, featuring drummer Johnny Lynch on lead vocals, is arena-sized barroom rock n' roll right out of the Stones/Aerosmith playbook. What's not to love?! The last time Watts made an album, I called it "the greatest classic rock record of the decade". I stand by those remarks but fully expect Watts to outdo themselves with this new full-length coming out on Rum Bar. Blout and Kopko as a guitar tandem and songwriting partners are as good as it gets in rock. But I love hearing the band's incredible rhythm players getting some creative input as well. This is a true band in every sense. A wise man once posed the musical question "Who will save rock n' roll?". Watts just might - or at least die trying!



-L.R.

https://rumbarrecords.bandcamp.com/album/breaking-glass-queens-the-night-the-lights-went-down 
https://watts.bandcamp.com/ 
https://www.facebook.com/wattsrock 
https://www.facebook.com/RumBarRecords 

Monday, November 27, 2017

Watts - All Done With Rock n Roll

Today we've got a free single from Watts titled "All Done With Rock n Roll". Thankfully, Watts is most definitely not all done with rock n' roll! Here Watts accept that the glory days of rock n' roll bands packing stadiums and selling millions of records have long since passed. Fittingly, the song brings to mind a time when thundering guitars and a big chorus were the perfect recipe for commercial success. This is up there with the catchiest songs Watts has ever written. That hook is so simple, yet impossible to resist. And I love those Queen-like stacked vocals at the end!

If you love classic rock and lament that music like that isn't being made anymore, treat yourself to this free single from Watts and consider checking out the band's full catalog. Rock n' roll didn't die - it just went underground!



-L.R.

https://watts.bandcamp.com/track/all-done-with-rock-n-roll 
https://www.facebook.com/wattsrock 

Monday, June 20, 2016

The Black Heart Of Rock-N-Roll!

Watts, the best classic rock band going, has finally gone out and made its classic album. It's like the last 25 years in music never happened, and I couldn't be happier!

When I last checked in with Watts, I had high praise for the Boston band's third album Flash of White Light. Now with their new one The Black Heart Of Rock-N-Roll, Watts have taken what they do best and found a way to do it even better. This is still the Watts that you know and love - a band kicking it back to the heyday of the Rolling Stones, AC/DC, Thin Lizzy, and Aerosmith. But it's clear that with this album, the band really set out to hit one out of the park. Here Watts sound like a band that went to every length to write its best songs yet and record them to perfection. Everything about The Black Heart Of Rock-N-Roll just sounds "bigger": the hooks, the guitars, the production, you name it. And out of ten total tracks, I can't name one that wouldn't make a fine single. What we have here is an an album that would be tailor made for radio airplay if the '70s had never ended. And that's exactly what we need more of in 2016.

One thing I like about Watts is that they're a true band. All four members sing, and everyone plays an essential role. John Blout and Dan Kopko are probably my favorite guitar tandem out there - a modern day answer to Keith Richards/Mick Taylor, Joe Perry/Brad Whitford, and the Young brothers. Those thunderous riffs and killer solos hit the sweet spot for me every time. But you can't talk about Watts without also mentioning the phenomenal rhythm section of Johnny Lynch (drums) and Tim McCoy (bass). The Black Heart Of Rock-N-Roll is what you get when hot chops meet monster hooks and straight-up stellar songwriting. It starts out strong with the riff-heavy title track, ends with an old-fashioned arena anthem in "Bring On The Lights", and unleashes a parade of hits in between. My first reaction to "She's So Electric" was to wonder how these guys got Mick Jagger to sing on their record. My second was to note that the Stones haven't sounded this good in 35 years! You hear a lot of bands that can emulate the guitar power of '70s AC/DC, but few can come close to matching the songwriting. Watts are pretty much there on "Strut (Like A Champ)" (and I love the little nod to Angus Young in the solo!). "Stage Fright" has me fondly recalling the days when Aerosmith still made great records, while "Fast & Loose" is forcing me to admit I sometimes like southern rock. And lead single "Up All Night" is vintage Watts - a song built on maximum riff power and a simple but effective hook.

I'm not saying you shouldn't drop a couple hundred bucks on tickets to see AC/DC or KISS this summer. I would merely urge you to also catch Watts live if you ever get the chance. This is a band keeping the fire burning for real rock n' roll in 2016, and it has just turned out the album of its life. Downloads are available now via Rum Bar Records - with CDs arriving next month. And, yes, this is the kind of album that sounds especially great on vinyl. Fear not- LPs are coming in the fall! 



-L.R.

https://rumbarrecords.bandcamp.com/album/the-black-heart-of-rock-n-roll-2
https://watts.bandcamp.com/
https://www.facebook.com/wattsrock/
https://www.facebook.com/RumBarRecords

Friday, December 26, 2014

Watts rock!

Flash Of White Light is the third album from Watts - and it's the kind of record that will make you wish you could catch these Boston rock n' rollers live! I love that this album makes zero concessions to the past 35 years of "progress" in popular music. It's exactly what we need more of in today's world - straight-up rock n' roll full of hot licks, high-powered riffs, and superbly-crafted hooks. Imagine if you could edit down your local classic rock station so that it only played the good stuff (Rolling Stones, Faces, AC/DC, early Aerosmith). Watts would fit right in on that channel!

When it comes to the current generation of no-frills rock n' roll, you have your bands with swagger and you have your bands with songs. It's rare to hear a band that's got both, and that's why Watts really stand out. John Blout and Dan Kopko, who tear it up on lead and rhythm guitar like a modern day Mick Taylor and Keith Richards, also excel in the singing and songwriting departments. And with drummer Johnny "Rock" Lynch (Neighborhoods/Dirty Truckers) and bassist Tim McCoy rounding out a phenomenal lineup, it's hard to find a better current rock n' roll band than Watts. Flash Of White Light sounds like it could have been issued in 1978 - not just for stylistic reasons, but also because it recalls a time when there was no shame in aspiring to write a hit song. In the case of Watts, the band has basically aimed for a whole album of hit songs! I would go so far as to say that you could easily slip a track like "Wasted Angels" or "Rocks" in between Cheap Trick and KISS on just about any rock oldies station, and people would be like, "This song is great! Why haven't I heard it before?" But I'm hesitant to use a word like "retro" to describe Watts, because that would imply that their music sounds out of time in the modern age. I prefer the term timeless - especially when you consider that real rock n' roll has never gone away no matter how widely it's been ignored by the mainstream in recent decades. And now more than ever, we need music like this.

Like so many of those great rock albums of yore, Flash Of White Light finds that perfect mix of sing-along rockers (the crackling title track), melodic mid-tempo numbers ("The Mess Is The Makeup"), and genuinely good ballads ("Better [For A Girl Like You]"). Of course the guitar work is electrifying, but it's a credit to the band that it never overshadows the songwriting. This is definitely one of those albums where every song is a little different and not just a rehash of the previous track. And even the deep cuts are gold. "Flying Over With Bombs" is like the "Sweet Child O' Mine" of 2014, while the Stones-y "Sidewinder" brings to mind unsung greats of the recent past like The Dragons and Bash & Pop. And while the band has great fun pointing out the derivative nature of its music on album-closer "Trick", the song itself is a complete triumph and a textbook example of why Watts rule. I've never cared a lick if something I'm listening to is breaking new ground. I just want to rock, ya know?! Watts rock hard, write great tunes, and live for that moment when they get to hit the stage and fill a room with energy. Flash Of White Light is highly recommended not just to classic rock fans but to anyone who craves music that is exciting and vital. Get the CD from Rum Bar Records, and vinyl lovers can still pick up the "Flash Of White Light" 45 while supplies last!



-L.R.

http://kingyumrecords.bandcamp.com/album/flash-of-white-light-cd-koozie-combo 
https://www.facebook.com/wattsrock 
https://www.facebook.com/RumBarRecords