Sunday, January 18, 2026
honeychain - "Let's Get Pretty"
What an awesome year this has been for new music already, and now we're getting a new single from from the almighty honeychain? The music gods have been kind to us! "Let's Get Pretty" is the first music I've reviewed from Hillary Burton and company since the summer of 2020. Lots of stuff has happened since then, and of course I've mentioned Burton's name a few times since she's one-half of The Trouble Seekers. "Let's Get Pretty" picks up where "Pocket Full Of Good Luck" left off, rocking quite a bit harder than honeychain's earlier releases yet still recalling the slice of '90s alternative rock that took its cues from power pop and punk. Co-produced, engineered, mixed and mastered by Michael Eisenstein from Letters to Cleo, this track manages to sound classic and modern at the same time. This is a little bit of a darker sound for honeychain, and it has a very contemporary garage rock edge to it. If The Go-Go's had formed 40 years later, they might have sounded something like this. "Let's Get Pretty" is a promising return from one of the best bands out there, and I sure hope there's more on the way!
Throttle Back Sparky - Throttle Back, Sparky (20th Anniversary Limited Edition Vinyl)
One of my favorite things about being a music fan is constantly discovering new bands and also new-to-me bands. On the occasion of its 20th anniversary, the first and only album by mid-2000s Los Angeles rock band Throttle Back Sparky has received a (very) limited vinyl release. I'm wondering where the heck I was when this album came out. Thirtysomething me would have flipped out over this thing! It's a remarkable album, and the story behind it is perhaps even more remarkable. How did a bunch of actors from a theater company, all with completely unlike musical tastes, become sensations of the LA power pop scene and release one of the best albums you never heard? Robbie Rist, who played drums on the album and produced most of the tracks, famously described Throttle Back Sparky as "seven people, each with different records in their record collections, vibrating at different frequencies, held together by rubber bands." How could you read a quote like that and not be intrigued?
Throttle Back, Sparky, which was self-released on compact disc in 2005, is now available as a vinyl record that comes with a 32-page history of the band penned by lead singer Allen Lulu, who many of you know as an actor, music writer, and passionate rock historian. And what can I say about the album itself? In an entirely good way, it's unlike any record I've ever heard. It broadly falls under the umbrella of power pop, but any attempt to neatly place it into any defined genre of music would fail woefully. It's over-the-top theatrical yet also spectacularly hook-laden and audaciously rocking. Imagine if Meat Loaf had tried to make a hair metal record but only listened to the bands that secretly wanted to be The Raspberries or Cheap Trick, and he'd hired musicians who were into everything from punk to jazz, yet somehow it all worked through some kind of happy cosmic accident. If "Another Hoop" sounds like it could be the opening number from a rock opera, at least it's one you'd totally want to see. "Devil Got Shot" pushes itself oh-so-close to the line where a little campy might devolve into parody, but it never crosses it (largely because its hooks are undeniable, and it genuinely & convincingly rocks). "Beatrice" is the closest the album comes to power pop by the book, and it's glorious. Whatever your definition of an "epic" rock song is, "Trusted" will stretch it. Covers of The Sweet's "Hellraiser" and Cyndi Lauper's "She Bop" (which have been excluded from the Bandcamp digital version) present a fuller picture of what Throttle Back Sparky was all about, both musically and spiritually.
If you're going to go to the trouble of releasing a largely unsung album on vinyl twenty years after its original release, above all else you have to believe in its staying power. Certainly the cult of power pop is better organized now than it was two decades ago — if not considerably larger. So there's clearly an audience for Throttle Back, Sparky beyond longtime fans who will be excited to upgrade to vinyl. More importantly, this is an album that has clearly stood the test of time. This is not a case of "You had to be there." At a time when literally thousands of new releases get launched into the ether every single day, this album is something that stands out, something highly worthy of being heard and discovered by a whole new generation of fans. With only 100 total copies of the vinyl available, there is certainly some urgency required if you want in on the action. But I also think this album will be thoroughly enjoyed by a whole lots of folks who prefer to listen to their music digitally. If you love power pop but not necessarily the "same old, same old" type stuff, Throttle Back, Sparky ought to bring a jolt of sonic excitement into your new year.
Friday, January 16, 2026
The Melmacs - "Run for Your Life"
There are quite a few albums releasing in 2026 that I'm super-excited about. #1 on the list is EUPHANCHOLIA, the sophomore long player from Dresden and Leipzig's mighty The Melmacs. The album will be out April 10th on Bakraufarfita Records and Wanda Records in Germany and Spaghetty Town Records in the USA. It has been nearly three years since I last had the privilege of writing about The Melmacs, so it's delight to today review "Run for Your Life," the first single from EUPHANCHOLIA. This song is vintage Melmacs. Musically it blends all the best parts of power pop, new wave, old school punk, and straight-forward rock 'n' roll. And in typical Melmacs fashion, the song manages to sound upbeat and infectious even though the lyrics are thoughtful and a little dark. This is really becoming this band's signature — crafting deeply serious songs yet having great fun doing it and exuding a contagious joy. This is a band you can always turn to when you're having a bad day or going through a rough patch. A little Melmacs does a lot for the soul! "Run for Your Life" has quickly emerged as my first favorite song of the year, and I can't for the world to hear the whole album!
KÜKEN - Palermo
Look who's back! Out on the forever legendary Alien Snatch Records, Palermo is the first new music from the mighty KÜKEN since KÜKEN III was released back in December of 2023. I've had the honor of touting the musical creations of Chris and Philipp for more than 26 years. And here they are in the year 2026 still smashing it up like their life depended on it. Palermo is vintage KÜKEN: four tracks of raw, thumping, and undeniably catchy punk rock that mercilessly clubs you over the head yet leaves you begging for more. These guys keep it simple as always, cranking the attitude and energy levels to ten and making sure to not cross the threshold of the two-minute song. And these tracks sound amazing, delivering exactly the sort of unbridled sonic ferocity that you would expect to emerge from a St. Pauli bunker. All four of these songs are grade-A rippers! As long as the wonder twins keep on making music, you can count on me to keep on writing about it. Daniel's remark in the liner notes about this EP being the first entry in everyone's best-of-2026 list is no joke. Maybe it's time for me to start my first draft!
Pat Todd & the Rankoutsiders - After The Dolls
Pat Todd & the Rankoutsiders are one of the surest things in rock 'n' roll. Anything they release is guaranteed to be top-notch. And that goes for their cover songs as well. The band's new 10" EP, After The Dolls (out on Heavy Medication Records), was a passion project for Pat Todd. As one of the world's biggest fans of the New York Dolls, Todd has a deep love for the band's catalog that extends into the music the members later released as solo artists. The concept of After The Dolls was to pay tribute to some of the amazing songs that Johnny Thunders and David Johansen wrote when they were supposedly "past their peak." And when you give a great songwriter like Pat Todd the leeway to put his own twist on some old classics and deep cuts, you know you're going to get something special.
Sometimes tribute albums fall flat, but After the Dolls feels different. All six of these tracks are inspired takes on incredible songs. The love for the original versions is palpable, but you can tell that you're listening to Pat Todd & the Rankoutsiders. Any Dolls/Thunders fan will be intimately acquainted with the material on the "Thunders side" of the record. Todd & the Rankoutsiders push the tempo on "Dead or Alive" to the point where it practically sounds like a Heartbreakers song. You can feel every ounce of heart and soul in the classic ballad "Disappointed in You." "Short Lives," from Thunders' 1985 release Que Sera, Sera, is re-worked into the roaring '70s punk classic it could have been. On the "Johansen side" of the record, the band pulls some deeper cuts. "Melody" and "Wreckless Crazy" are both from Johansen's oft-overlooked second solo album, In Style. "The Rope," one of Johansen's rawest and punkiest solo tracks, was the B-side to the 1978 single "Funky But Chic." "Wreckless Crazy," as Ted pointed out, comes out sounding like it could have been a Rankoutsiders original. It's a scorching update on the original. The band drags the disco-era blue-eyed soul of "Melody" into modern times without losing the spirit of Johansen's version. "The Rope" sounds like vintage '90s by way of the '70s punk rock 'n' roll — reiterating Johansen's profound influence on Todd and so many of his contemporaries.
If you're going to take your shot at covering Johnny freaking Thunders and Mr. David Johansen, you can't afford to miss. With After The Dolls, Pat Todd & the Rankoutsiders show the world what a tribute album ought to be. You can tell that this project was on Todd's mind for many years. The song selection could not have been more perfect, and all six of these tracks absolutely smoke. While the band succeeds at making these songs its own, it does so with tremendous affection for the original versions. This EP will make you want to go listen to your Johnny Thunders records and perhaps seek out some David Johansen records. And that, my friends, is surely the point.
https://heavymedicationrecords.bandcamp.com/album/after-the-dolls-e-p
https://www.facebook.com/pattoddrankoutsiders/
https://www.instagram.com/pat_todd_rankoutsider/
https://open.spotify.com/artist/62LLJc4KvbemlGofyWJyRo
https://www.heavymedication.com/
https://www.instagram.com/heavy_medication/
https://www.facebook.com/HeavyMedication
Radio Weekend - "By My Side"
Back with its second single from its forthcoming debut EP, Seattle power pop outfit Radio Weekend punches up the volume on the crunching mid-tempo rocker "By My Side." This song is giving me early '90s Pacific Northwest alternative power pop feels by way of '80s AOR, and I am here for it! I have to love a song that radiates mellow vibes but still rocks your face off. These guys are walking the line between power pop and full-on FM radio rock, and they pull that off splendidly. You get hooks a plenty but also riffs for days and even some epic guitar soloing. Another excellent single that pushes all the retro buttons in all the right ways!
Sunday, January 11, 2026
Kurt Baker - "Undertow Afterglow"
The man is back! This is my 28th time reviewing Mr. Kurt Baker as a lead artist, and I always delight in hearing new music from him. Out on Wicked Cool Records, Baker's new 7" "Undertow Afterglow" veers a little from the pop-punk influence of his more recent singles. Here we hear Baker working in his familiar lane of power pop and classic guitar pop. "Undertow Afterglow," which Baker co-wrote with Dan Miraldi, reflects a challenging year in Baker's life both personally and creatively. In one respect, it's a love song. In another, as Baker says, it "exemplifies the ups and downs of life." Sometimes when you're pulled in by the undertow, you have to hold on for dear life and trust that there's light at the end of the tunnel. This a splendidly bittersweet number full of intoxicating melodies, and a lot of people will relate to this tale of relationship upheaval. On the B-side, "My Brave Face" is a splendid cover of a song co-written by two of Baker's musical heroes: Elvis Costello and Paul McCartney. If anyone was going to be up to the task of putting his own spin on this song, it was certainly Kurt Baker! And I love how the song complements the A-side both musically and thematically. This world is always a better place with Kurt Baker's music in it, and I can't wait to hear how this next phase of his creative journey turns out! Physical copies of "Undertow Afterglow" are available on mellow yellow vinyl while supplies last!
The New Brutarians - "Tonight's Your Night (Tonight)"
The New Brutarians are back with another stone cold banger of a single! Last year's summer of singles was just the beginning! Adam T. and Robbie Rist are in full glam fury on this glitzy rocker that practically explodes out of your speakers. I'm talking scorching guitars, smashing drums, a whiff of whiskey and hairspray, and enough attitude in the vocals to raise Stiv Bators from the dead. If you dig Hanoi Rocks, the New York Dolls, early KISS, and Adam's old band The Beatings, then The New Brutarians are speaking your language! Vinyl release coming from Sioux Records later this year!
Saturday, January 10, 2026
Vista Blue - Yesterday
I love it when songwriters cover themselves! Yesterday, Vista Blue's new EP, finds Mike, Mark, and Donna tackling seven songs Mike wrote for The Robinsons between 1999 and 2009. As a huge fan of Mike Patton's singing and songwriting, I'm thrilled to hear him revisiting songs that he mostly wrote when he was in his 20s. I sometimes lose my mind when I realize how long ago the 2000s were. The math tells me that even the newest songs on this album would be old enough to drive a car, and the oldest ones would be eligible to run for Congress. At any point that these songs were being written, Donovan McNabb was my favorite football team's quarterback.
It must have been fascinating for Mike to reacquaint himself with songs he wrote when he was young and interpret them from his present-day perspective. Are any of us really the same person we were 20 years ago? So often, we look at the things our younger selves left behind and cringe. But Mike has found at least seven Robinsons songs he liked enough to put back into the universe. And I'm so glad he did. Any Vista Blue fan who's not already a Robinsons fan will be as soon as they hear this EP! You get all the buoyant charm that you've come to expect from Vista Blue but with perhaps a little more of a pure pop-punk style. And it's clear from the jump that Mike's flair for endearingly clever lyrics is not something he only recently acquired. This all makes me very disappointed in myself for not being hip to The Robinsons back in the day. Had I known back in the early 2000s that there was a band in Chalmette, Louisiana channeling The Mr. T. Experience by way of The Blue Album, I would have been all over that!
If you're in the "Why doesn't Mike write more love songs?" contingent, you'll be delighted by "Chalmette Romance," "You're Just a Cover," "The Lucky One," and "If Bill Gates Was My Dad." "I Love You (But the Game Is On)" has me cracking up because it reminds me of my own marriage and all the useless Philadelphia sports knowledge that my wife has had no choice but to absorb as a consequence of living with me (and yes, countless times, I've urged her to hang on because there were only two minutes left in the game). "I Hate Sonic Records" is perhaps the first love song I've ever heard that primarily exists to make fun of an overpriced record store. Mike wrote "Bedtime" before turning 33 as a response to Pulp's "Dishes," making it a perfect transitional song between his twentysomething compositions and the stuff he writes now. Because I so quickly forget that 2004 wasn't five years ago, I always relate to songs about navigating full-fledged adulthood and embracing being uncool. And when it comes to that particular kind of song, "Bedtime" is about as perfect as it gets. If this isn't the single best song in the entire Mike Patton songbook, it's at least in the top five.
I've always found the question of quantity vs. quality to be a false dilemma fallacy. It's absolutely possible to have quantity and quality. Vista Blue is nearing 80 releases at this point, and nothing the band has ever put out has felt sub-par or phoned-in. I shouldn't be surprised that I love a new release from what is probably my favorite band, but I do have to admit that Yesterday has turned out to be far more than what I expected it to be. This is not just a band re-doing a bunch of old songs "just because." Clearly the song selections were carefully considered. These are tunes that need to be heard if this kind of music is your cup of tea. This release works as a personal reflection for Mike, but just as importantly, it's an absolutely brilliant pop-punk EP. If you like these songs and are still unfamiliar with The Robinsons, I would recommend looking into some of the band's titles on Bandcamp like 2001's Cool Down! Got It? and the compilation album Still No Apostrophes. More new stuff from Vista Blue is coming soon!
Brad Marino - "Murder and Violence"
I've been writing about Brad Marino's solo music for eight years now. You'd think that after that long, I wouldn't be so consistently amazed by the songs he puts into the universe. Yet my reaction to his new single "Murder and Violence" is the same reaction I had to "C'Mon C'Mon C'Mon" way back when: Holy cow, that's freaking great! I wanted to go running out into the street and start raving about what an awesome tune this is! When you expect a lot from a recording artist yet always feel like you got even more than you were hoping for, that tells you that you're dealing with an extraordinary talent.
F & L Best of 2025 (Skinny Version)
Top 30 Albums of 2025
More heart-pounding greatness from Scott "Deluxe" Drake and his mighty band of Portland punk rock 'n' roll superstars. This album should have gotten way more attention than it did.
From my own review: "Many bands would be exhibiting palpable maturation by the time they got to their third album, but thankfully Blowers are doubling (or perhaps tripling) down on the thumping, rambunctious, and wonderfully stupid approach to rock 'n' roll that made them such sensations in the first place."
Lùlù's debut album, sung entirely in French and Italian, demonstrates that joyful & anthemic power pop rock 'n' roll is a universal language of its own.
13. Loose Lips - Last Laugh
Honorable Mentions:
Frankie Delmane & The Deviations - After All Of This We Must Fall In Love
Strange Neighbors - People Pleasers Pleasing People
Feedbacks - Bring Back the Light
WYLDLIFE - sorted.
Wisconsin Anger Team - Beyond The Everest Crater III
Beebe Gallini - Begged, Borrowed & Stealed
Goin' Places - Imperfect
Top 20 EPs of 2025
20. Handsome Dick Manitoba - Back on Broadway
Some of you might have heard of this guy.
19. Matthew Julian - The Wayside (songs that fell)
Imagine being so talented that you can release stuff this good as leftovers. The next Speedways album is written and now being rehearsed.
Six classic covers from this amazing SoCal punk band. Be sure not to miss Rum Bar's deluxe CD reissue of this band's first two LPs!
Saturday Night Karaoke main-man Prabu Pramayougha goes solo and takes things in more of a power pop direction.
"Bubbling with bright riffs and bittersweet vibes, Soda Pops bring a sugar-coated chaos with their garage pop tunes with distorted guitars, tongue-in-cheek lyrics about serious issues like substance abuse & mental health problems, sing-along hooks, and enough sweet nothings to keep your heart warm while it breaks."
Six tracks of amazing co-ed pop-punk from Toulouse, France! Malibu Lou says he's reminded of the Teen Idols, and that is some high praise!
After dropping the smash hit "Misery" last year, Daniel James and friends came through with a full EP early this year. If dark and gritty Midwestern punk with irresistible pop hooks sounds like your cup of tea, you need to own this record.
Debuting their first-ever track to be sung exclusively in French, Dany Laj and The Looks send out a message of hope in times that too often seem hopeless. The idea that things will ultimately be okay can be hard to subscribe to, but this song will make you believe it.
This is a rare case where a songwriter (Stefan Murphy) essentially covers his own song, and you're not left thinking, "What was the point?" Yes, the original Mighty Stef version of "Downtown" is a classic in its own right. But the song was practically begging for a fiery garage rock 'n' roll kick in the pants from The Sleeveens, and I love how some of the lyrics have become all the more poignant due to the present state of the world (The line "How do they expect us to relate when they fill our heads with lies and then have the cheek to wonder why we grow to hate them?" could have been written yesterday!). The first verse alone is some of the most powerful poetry to ever grace a rock 'n' roll song:
You know, the nine-to-five is eating us alive
Eating us alive
We are not kings, we are foot soldiers
On the road to nowhere
This is not the way it was supposed to be
We promised ourselves a revolution
But we ended up walking out in the cold again
Vista Blue - "Can't Lose"
Yeah, you think of giving in cause the days are too long
Lying on your back, and the sun is in your eyes
When you realize that the other guy was too strong
But each day we're paying our dues
And we say, "Clear eyes, full hearts, can't lose."
I don't know about you, but I'm ready to take on the world! Coach Taylor can take a songwriting co-credit if he wants, but I love how Mike found a way make his message universal. When no one else in the world believes in you, you have to keep believing in yourself. If certain people look at Mike Patton and say, "He's such a talented pop-punk songwriter; why doesn't he write more love songs?", I would answer by saying that if you write about the things you love, all your songs are love songs.
Gino and the Goons/Chinese Junk - Talk Trash With
The Jive - Extended Play
The Beaten Hearts - 2010 Recordings
For the second year in a row, I had to give the nod to Mom's Basement Records. Being someone who has always loved pop-punk, I feel like this label manages to reignite that love every year. And I love how Mom's Basement can turn a new release into a true event. Just look at some of the stuff John and Tricia put into the world this year: that Borderlines EP, a Bacarrudas Halloween record, a surprise Young Hasselhoffs 7", a Beatnik Termites/Putz split 12", first-ever vinyl issues for Boris the Sprinkler's Gets a Clue and The Unicorn Dogs' Age Typical Junk Behavior, and new albums from The Remote Controls, Goin' Places, Dropped Out, The Rip Taylors, and Regal Beagle. And that's not even close to everything that came out this year on MBR! I really need to send these folks a tangible prize: perhaps official F & L varsity jackets, some high-quality glassware, or glow-in-the-dark yo-yos.
Takin' A Ride
***
So that's a wrap on 2025. For a fuller picture of what was good in our world this year, be sure check out the reader top tens I posted yesterday. Bring on 2026! There's already quite a bit I'm looking forward to in the new year (such as new albums from Brad Marino, The Melmacs, The Speedways, and The Dahlmanns), and I'm sure there will also be plenty of surprises and new findings. To all of you, I hope the upcoming year is full of happiness and hot tunes. See you next year!
Faster and Louder Best of Archive
Sunday, January 04, 2026
Proton Packs - The Tunnel At The End Of The Light
Italy's Proton Packs, in advance of a new album due out early this year, have released a new single that just might squash any New Year's optimism that you may have worked up (ha!). Actually, the song isn't quite the bummer that it seems to be. Somewhat inspired by a quote from the late Italian director Mario Monicelli ("Hope is a trap"), "The Tunnel At The End Of The Light" finds the band philosophizing about how waiting for some outside force to save us can actually prevent us from taking control of our own fates. This is indeed a bleaker melodic punk rock song, but I can kind of dig the concept here: sometimes our greatest hope is to abandon hope. In typical Proton Packs fashion, this song manages to be dark in a way that's genuinely rousing and anthemic. And production-wise, this track sounds amazing. The full album, which promises to "delve into the realm of dreams, prophecies, hallucinations, and nightmares," will be out soon on Mom's Basement Records!
TOAD-EATER - demo
One thing I enjoy about music in the digital age is that a lot of bands release demos into the streaming wild. It reminds me of listening to actual demo tapes back in the '90s when I was coming up in the punk-reviewing world. Sometimes these demos are not so great, but sometimes they're super-promising. I'm really enjoying the new demo from Lansing, Michigan's TOAD-EATER. This five-piece, fronted by Ben Ackley, plays a brand of music I don't hear as often as I used to: high energy punk rock that's catchy and tuneful but not necessarily "pop-punk." Ackley is definitely a genuine original in the vocal department. His lyrics are absolutely fantastic, and thankfully they're included on the Bandcamp stream. If you're into melodic but also endearingly weird punk rock, this demo ought to be to your liking. Honestly, this is almost too good to be a demo. I have a feeling that TOAD-EATER is going to make a pretty big splash in the punk world in 2026.
Saturday, January 03, 2026
Whyte Lipstick - Deadbeat
Out of Boston, Massachusetts comes Whyte Lipstick, an exciting punk rock trio that recently released its debut album, Deadbeat. The band features Coco from Electric Street Queens and Francesca and Mary from Loretta. I hate to resort to clichés so early in the year, but Deadbeat is absolutely a breath of fresh air. This album delivers 10 tracks of straight-forward punk rock that's loaded with attitude and fun to listen to. I love the raw energy and snotty spirit in these songs. This is music with just the right amount of rough edges and enough gusto to get your toes tapping until the end of time. The band's sound is pretty original too. There are no obvious influences to cite. This is the sort of fast, fierce punk rock that begs to be played obnoxiously loud while you scream along and flip off whomever might be annoying you today. A couple of the slower burning tracks bring to mind the edgier indie/alternative rock of the late '80s and early '90s. Great stuff from one of punk music's most iconic cities!
Born Too Late is on Bandcamp!
I am excited to announce that Born Too Late, the podcast I co-host with my friend Jay Castro, now has a Bandcamp page. We won't be moving the entire catalog of episodes to Bandcamp. That would be way too much work for Jay — who handles all the technical stuff with BTL. But we expect to put all the newer episodes on Bandcamp, and some episodes in the future will be Bandcamp exclusives. Up now on Bandcamp are our two most recent episodes. We interviewed Marco from No Front Teeth Records on the occasion of the label's 25th anniversary. And then we interviewed Greg Lowery just before The Control Freaks released their new album.
After quietly ending BTL about a year ago, Jay and I have quietly revived it. Our entire archive from our podcast era is available from Spotify and Apple. The 75 episodes we did with WFMU are archived here. If you haven't seen Jay's new site, Shock Treatment, be sure to check it out. He just did a roundup of his favorite music of 2025, and there's lots of cool stuff in there that's worth looking into!
Friday, January 02, 2026
Faz Waltz - Strikes Ten
Back with their tenth full-length album, Italian trio Faz Waltz remain all-in on the sound of first generation American rock 'n' roll. Strikes Ten is pure energy from the jump, summoning the spirits of Little Richard, Elvis, and Jerry Lee Lewis across 11 original songs that rip so hard that they could pass for covers of forgotten classics. Faz La Rocca continues to impress as a songwriter, singer, and pianist, and his rhythm section is absolute fire. While the rockers rule the day, La Rocca proves he can also shine as a crooner on more relaxed numbers like "Full Moon Serenade," "Lonesome Me," and "Little One." This is a fine example of a band knowing what kind of music it wants to make and executing it fantastically well. And unlike actual 1950s rock 'n' roll LPs, this one isn't three-quarters filler! Call it retro if you want, but Strikes Ten is a really good time and an inspired set of songs. It certainly doesn't hurt to have Brown Barcella, (arguably) the best music producer in modern-day rock 'n' roll, co-producing the album with La Rocca. My friends across the ocean can order the vinyl here!


















