The Lord Rutledge Awards 2015

I know: I'm early this year. The Lord Rutledge Awards are traditionally posted on New Year's Eve. But I'll be off work until January, and my laptop at home is on its last legs. So this will be my final post of 2015. Once again, it's been a year full of great music. Below are some bands and individuals who helped make 2015 awesome:

Album of the Year:
The New Trocaderos - Thrills & Chills 
Read my full list here!  

Song of the Year:
Kurt Baker - "Back For Good" 
In a year full of first-rate punk smashers and genuine power pop hits, I went with a ballad for my song of the year? But truthfully, "Back For Good" is the one song from 2015 that I just can't stop playing. There is a certain irony that the best song on the most rockin' Kurt Baker album to date sounds like something that ought to pop up on Barry Manilow's Pandora channel. But let me tell you: "Back For Good" is sheer pop perfection! That chorus is nothing short of divine, and how can you not love that the bridge is a nod to Huey Lewis?! If they still played good music on the radio, Kurt Baker and Wyatt Funderburk would be living in mansions. 


Single of the Year:
L.A. Drugz- "All Burned Down" b/w ""Runnin"
So many bands (The Raydios, Born Loose, Maniac, The Dahlmanns, The Sensibles) turned out formidable singles in 2015. It was hard to pick just one winner! But I have to go with L.A. Drugz - who managed to marry '60s pop melodies with modern guitar work and a quintessential Los Angeles vibe on the stunning "All Burned Down". B-side "Runnin" is something new for this band: straight-up fast and furious punk rock. 


EP of the Year:
Lovesores/Born Loose split
The two greatest punk rock n' roll bands on the planet on the same record! 


Album of the Year (Masters Class):
Angelic Upstarts- Bullingdon Bastards 
This award goes to the best album released by a band that's 25 years or more into its existence. Bullingdon Bastards is the first Angelic Upstarts album in 13 years - and it's easily the band's best LP since the early '80s. It's that classic Upstarts sound all the way - with lyrics that have much to say about political issues of current relevance. A truly inspired return. 

Best New Band:
Fashionism
This was a particularly strong year for new bands. I get the feeling that I'm going to be writing about the likes of Pale Lips and Devious Ones for a very long time to come. But the award goes to Fashionism - a new Vancouver band featuring Jeff McCloy of the Tranzmitors on lead vocals along with members of The Jolts and New Town Animals. This is the ultimate F & L band - offering up a glammy take on '77 punk/powerpop. For fans of The Boys, Teenage Head, and Exploding Hearts. The band has released two superb singles so far, and I've got my fingers crossed for an LP in 2016! 


Producer of the Year:
Chris Pierce
Sometimes producers get overlooked in punk music. A lot of bands would prefer to have 100 percent control of the recording process. And producers are more often blamed for "ruining" punk records than they are credited for contributing to them. But truthfully, a skilled and sympathetic producer can play a vital role in making a punk rock record everything it ought to be. Good production is not about fancy equipment or studio trickery. It's about really knowing a band and helping them realize the sound they're going for. Night Birds were already the best punk band out there and would have made an incredible third album no matter who was producing. But working with Chris Pierce, they found the proverbial "next level". Mutiny At Muscle Beach captures Night Birds at their hottest and most ferocious. It's urgent, crackling, and fully representative of the band's must-see live rep. If I were in a punk band, I'd want this dude producing my records!


Songwriter of the Year:
Michael Chaney
If you like incredible melodies, awesome lyrics, and a variety of song styles that's rare for today's rock n' roll/garage world, The New Trocaderos' Thrills & Chills is the album for you. Michael Chaney's songwriting brings to mind those classic late '60s albums by The Kinks, Rolling Stones, and Beatles - but in a fully original and relevant way. Remember when producer/songwriters were respected as artists in their own right? Michael Chaney might be bringing those days back!


Compilation of the Year:
Various Artists - We're Loud: 90s Cassette Punk Unknowns
A joint project between Slovenly Recordings and Black Gladiator, the double LP We're Loud is like a Killed By Death for the '90s - compiling 33 tracks by 19 unknown bands covering the years 1993-99. All tracks originally appeared on limited release or unreleased cassettes and come from the personal archives of Jaime Paul Lamb. Considering that this era is my wheelhouse for underground punk music, I was pretty amazed that I'd never heard of any of these bands! An absolutely essential collection of obscure '90s punk running the gamut from classic KBD fare (Mega & The Nyrdz, Fucking Pigs) to '60s garage (Van Buren Wheels) to lo-fi power pop (Les Fleurs du Mal) to top-shelf budget rock (Winners).

Reissue of the Year:
Nato Coles & The Blue Diamond Band - Promises To Deliver  
One of my favorite albums of the 2010s receives the deluxe reissue treatment on Rum Bar Records! Includes all the songs from the original LP plus six bonus tracks.  This is the album Bruce Springsteen would have made in his heyday if he'd been obsessed with The Replacements and Husker Du.


Label of the Year:
No Front Teeth Records
No Front Teeth has been one of my favorite labels for years. And when I look back at all the amazing releases on NFT this year (Radiohearts, Maniac, The Ills, Disco Lepers, Pale Lips, Gaggers, Sick Thoughts, the Scraps/Needle Exchange split, etc.), how could I possibly give the award to anyone else?!

Most Welcome Digital Reboot:
The Automatics' Bandcamp page
Rescued from the dustbin of history: the complete recordings of one of my favorite bands of all-time!  


Album I Most Regret Not Reviewing:
Royal Headache - High
Seriously! How in the hell did I miss this one?!


The Patrick Bateman Prize for Excellence in Music Criticism:
Dom Daley
I first came to follow Dom Daley because he was writing about many of the same releases that I was writing about. He's the go-to guy at Uber Rock for glam/punk, punk rock n' roll, power pop, and '77 type stuff. But beyond his impeccable taste, he's a brilliant writer as well. He has a really cool way of describing music with enthusiasm and humor, and I always look forward to his reviews. Read his piece on the new Born Loose album, and you're going to want to buy the record immediately!

Comeback of the Year:
Moral Crux
After 12 years of no music from Moral Crux, we finally got a new EP. And the band picked right up where it left off!


The F & L Championship Belt:
The Connection 
The championship belt is awarded annually to my current favorite band. Reigning champions The Cry! will be releasing new music soon and will have ample opportunity to regain the title in 2016. The same goes for previous title holders Something Fierce. But The Connection, on the strength of its best album to date, finally takes the crown. Having been reviewed an amazing seven times on F & L, The Connection is more than worthy of the title belt.

And on that note, I sign off for the year. I imagine I'll be "downsizing" F & L in a big way as I enter my second semester at college. I will have to be much less prolific when it comes to churning out reviews. But with much more great music awaiting us in 2016, I remain excited about spreading the gospel! Happy holidays, everyone!

-L.R.

Archive of Lord Rutledge Awards:
2014
2013
2012
2011

My Top Ten Albums of 2015

Well, it's that time of the year again! We are coming fast towards the end of 2015, and we can look back at yet another wonderful year of punk, garage, and power pop LPs!

It has always been hard for me to limit my favorite albums of the year to just ten titles. I probably heard at least 25 LPs this year that I considered to be top ten caliber. But forced with the task of identifying the absolute cream of the crop, I've come up with a top ten list that I'm really happy with. But don't take my word for it. I've included Bandcamp links so you listen for yourself! On to the list:

10. Hakan - self-titled 
This one seemed to fly under a lot of people's radar, and that's a shame. Great power poppy garage punk from Italy featuring Andrea from The Snookys. An essential purchase for fans of The Kidnappers and Marked Men.


9. Radioactivity- Silent Kill
Duh! 


8. Role Models - The Go-To Guy
Long-awaited full-length debut from Rich Rags' London-based glam/power pop/rock n' roll outfit. Highly recommended to anyone with a soft spot for early '90s college radio. 


7. Party Lights- I See The Lights
Garage and girl-group influenced power pop greatness from New York City. If Blondie, Cheap Trick, and The Knack had been one band, they would have been Party Lights!


6. Jukebox Zeros- Count To Ten 
Philly's finest! The first Jukebox Zeros album in a decade is an absolute smasher. No unexpected turns here: just great trashy punk rock n' roll in the tradition of Johnny Thunders, The Stooges, Dictators, and early Replacements. 


5. Ryan Allen- Heart String Soul
Indie rock vet Allen (Thunderbirds Are Now!, Friendly Foes, and Destroy This Place) embraces his power pop side on this brilliant solo effort. This very personal and autobiographical record will turn you into an instant fan.  "Angela '97" is pretty much the best song ever.


4. Night Birds- Mutiny at Muscle Beach
For their first release on Fat Wreck Chords, Night Birds step up the power and aggression and turn out a raging hardcore punk album that will leave you breathless. This is the band's third appearance on one of my year-end top ten lists. I'm pretty sure that's a record. 


3. The Connection- Labor Of Love
The best Connection album yet - executive produced by Andy Shernoff! Referencing everyone from Chuck Berry to the Beatles to the Stones to the Ramones, Labor Of Love is all killer, no filler! Anyone claiming that real rock n' roll no longer exists should seek out this title immediately.


2. Kurt Baker - Play It Cool
Recipient of my 2012 album of the year honors, Kurt Baker (along with his songwriting collaborator Wyatt Funderburk) nearly did it again! In fact, Play It Cool is probably an even better record than Brand New Beat. In almost any other year, it would have been #1 with a bullet.


1. The New Trocaderos - Thrills & Chills
It's a full podium sweep for The New England Mafia! I've known for a while that The Connection, Kurt Baker, and The New Trocaderos had the top three locked down. The only thing I had to work out was the order of my selections. So I locked myself in my study and listened to all three albums on constant repeat until I was ready to render a decision. It came down to this: Thrills & Chills is the strongest front-to-back rock n' roll album I've heard in a whole lot of years. Every song is a hit! And while The Connection and Kurt Baker are both amazing on their own, it's like chocolate and peanut butter when you put them together! Kudos to Michael Chaney for the creative vision and incredible songs!


Honorable Mentions:
Nick Piunti- Beyond The Static   
The Bloodtypes - Pull The Plug 
Nervous Talk - self titled 
Thee Tsunamis- Saturday Night Sweetheart
Unlovables/Dirt Bike Annie- Reunion Show split LP


Special honorable mention goes out to The Disconnects' Wake Up Dead - which was technically a late 2014 release. Had it been officially released in 2015, it would have made my top ten.

-L.R.

New Bloodtypes Album!

Woo hoo! The long-awaited second album from The Bloodtypes has arrived! What a wonderful way to finish off a great year for music!  

Hailing from Portland, Oregon, The Bloodtypes are one of my favorite present-day bands. I just love what this group represents: a return to the energy and fun of '77 punk/new wave and early '80s synth-pop - with lyrics that walk a fine line between sci-fi silliness and serious social commentary. It's been three-and-a-half years since The Bloodtypes released their first album, and the brand-new Pull The Plug does not disappoint! These are the catchiest and strongest songs yet from this most excellent band! If you were looking forward to more Rezillos/Blondie/Epoxies type new wave action, well there's plenty of that to be found here. But on this record, the band integrates all kinds of influences into its distinctive punk/wave sound. Taking on styles ranging from full-on early '80s hardcore ("Panic", "Rejected") to melodic synth-pop ("Modern Love", "Television Dreams") with additional hints of dance, prog, and garage rock, The Bloodtypes are not about to give you a chance to get bored! Seriously: there's no other band out there quite like this! Schneck Tourniquet continues to impress on lead vocals - showing the spunk to propel the album's more upbeat tracks along with a tenderness and humanity so crucial to slower songs like "Back From Space". And what a lovely voice she has! As you'd expect from a Bloodtypes album, songs cover such topics as S & M, spies, boyfriends in space, and the mass murder of aliens. But the band also tackles contemporary concerns about technology and society on this record. A lot of these songs have a great deal to say about how we're being manipulated into our own unhappiness by television, electronic devices, and a larger cyber-universe that distorts our realities. That said, the "message" of this release is not heavy-handed in any way. This is a fun record that will make you want to dance, jump around, and enjoy life. And if it also makes you think a little, well that's icing on the cake!

Pull The Plug is available now as a digital download directly from The Bloodtypes' Bandcamp. Visit the P.Trash Records and Bomb Pop Records web sites for information on how to order this release on LP and CD! I strongly urge all of my European friends to catch The Bloodtypes on tour in January. This is a show you won't want to miss! Click here for tour dates!



-L.R.

https://thebloodtypes.bandcamp.com/album/pull-the-plug 
http://www.thebloodtypes.com/ 
https://www.facebook.com/thebloodtypes 

Another great Miscalculations album!

They've done it again! Miscalculations are the brainchild of Shaun Clark and Marco Palumbo Rodriges - now joined by Mauro Venegas (guitar) and Robert Persson (bass). The London outfit is setting a new standard for post-modern punk music, and now we have the second brilliant album this year from Miscalculations! Kill The Whole Cast is the band's third album overall. The title makes it clear that this group has not suddenly decided to start writing songs about pretty girls and milkshakes - unless those pretty girls are secretly cyborg assassins and the milkshakes are laced with chemicals that could drive a man to madness. I'm really impressed that Miscalculations have managed to be this prolific yet still top themselves with every new release. And while the band's sound continues to evolve, it remains firmly rooted in late '70s U.K. punk and post-punk. If you're looking for the best qualities of Wire, the Buzzcocks, Joy Division, Gary Numan, The Screamers, 2000s Stitches, The Vicious, and Masshysteri combined into one band, Miscalculations are exactly that.

Kill The Whole Cast, like its two predecessors, is like sci-fi noir cinema set to music - evoking visions of cold concrete urban wastelands and the unmentionable horrors lurking around every corner. Miscalculations' music remains the stuff of contradictions: abrasive yet overtly melodic, bleak yet highly addictive, horrifying yet beautifully poetic. For the most part, these songs sound like vintage Miscalculations. Tracks like "The Worst Possible Advice", "Broken Skin", and "Organ Donor" walk a fine line between '77 punk and dark new wave. You'll be whistling those melodies to yourself before the disturbing nature of the lyrics completely sinks in! Elsewhere, the band dives fully into synth-pop territory with creepy numbers like "The Same Needle", "Metamorphosis", and the pitch-black "Born Blind".

Miscalculations continue to be the rare post-punk band that's just as much "punk" as it is "post". They've managed to build on their original vision without losing the plot, and clearly they've been on a creative hot streak that has allowed them to generate all of this fantastic music in such a short period of time. Kill The Whole Cast is the band's best album yet - and certainly a fine place to start if you don't yet own anything by Miscalculations. From now until the end of December, it's a free download over at the group's Bandcamp!



-L.R.

https://miscalculations.bandcamp.com/album/kill-the-whole-cast 
https://fdhrecords.bandcamp.com/album/kill-the-whole-cast
https://rockstarrecords.bandcamp.com/album/kill-the-whole-cast
https://www.facebook.com/miscalculationslondon

Meet The Sick Things!

Has it really been over two months since I last reviewed a Canadian band?! Damn, I've been slacking! But I've got a good one for you today. Hailing from Montreal, The Sick Things are a brand new band featuring former members of Barn Burner, Prevenge, Nerve Control, Windpisser, and the Castavets. They just played their first gig last week, and they've released an excellent demo that is well worth checking out if you like power pop. While Montreal has been a hotbed for punk/power pop hybrids in recent years, The Sick Things are more straight-up power pop. Think Cheap Trick/Big Star/Dwight Twilley mixed with some good old '70s riff rock. These guys definitely hit the power side of the power pop equation - with muscular guitars and thumping drums reigning supreme on these three mid-tempo tracks. Especially on "We Got It Figured Out" and "Empty Castles", singer/guitarist Cam Turin shows a considerable talent for crafting anthemic choruses and melodies that really stick in your head. And his songwriting totally captures that eternal teenage feel that is such a hallmark of great power pop. Fans of The Jeanies and Terry & Louie ought to be all over these demos, and I'm excited as hell to hear more tunes from The Sick Things!



-L.R.

https://thesickthings.bandcamp.com/album/we-got-it-figured-out-demos-nov-2015 
https://www.facebook.com/The-Sick-Things-1655719188021296/ 

More greatness from The Ills!

Given my deep affection for the "Fuck off and die!" strain of punk rock, it's always a great day when a new release from the almighty Ills shows up in my mailbox. After all these years, this band remains as committed as ever to its three defining tenets: no friends, no talent, and no songs longer than a minute and a half. Fuck This Planet is the band's latest EP, and the title alone makes it clear that The Ills have not gone soft on us. They power through 15 snotty-as-hell tracks in exactly 17 minutes - with lyrics full of dark humor, horror references, and good old-fashioned people-hating. What's not to love?! Erika Ebola remains the perfect vocalist for this sort of '90s garage punk meets early '80s hardcore (imagine Kathleen Hanna or Allison Wolfe fronting the Circle Jerks). And Danny Dysentery's minimalist songwriting is nothing short of genius. Seriously: if really simple songs are as easy to write as most people think they are, then why doesn't every punk band attain this level of awesomeness? If ever there were an anthem for the times in which we're currently living, "Fuck This Planet" is IT!

Far from running out of gas after an album and three EPs, The Ills sound like they're having more fun than ever! And the addition of Stella Salmonella on saxophone adds a cool new dimension to the band's sound. If dealing with your fellow humans has got you feeling down, I have exactly the prescription you need. Crank "Fun Fun Fuck You!" and "Hate This Place" at the loudest volume possible and make ample use of your middle finger. Fuck This Planet is available on 10" vinyl from No Front Teeth Records or directly from The Ills' Bandcamp in digital form. Vinyl is limited, so get on it!




-L.R.

https://theillsrock.bandcamp.com/ 
https://www.facebook.com/theillsrock 
http://www.nofrontteeth.co.uk/#!product/prd1/4356731215/nftr-168 

Just Jeffrey!

Check it out! For the first time in 12 years, we get a solo album from Fashionism and Tranzmitors lead singer Jeff McCloy! But unlike his previous solo LP, the brand-new Coffee, Tea & Me is a noticeable departure from the type of record he typically makes. Recorded under the moniker of Just Jeffrey, this 18-track effort demonstrates that McCloy can excel outside the realm of '77 punk and power pop. And while his knack for crafting clever and catchy pop songs remains very much on display, here he embraces a much wider array of influences. Just as importantly, he proves talented enough to "stretch" himself creatively. Essentially he's made a singer/songwriter's record in the tradition of guys like Ray Davies and Paul Weller. Coffee, Tea & Me is an eclectic but distinctively English set of songs full of personal storytelling, reflections on the past, and pointed social commentary. In many ways, McCloy has given us his autobiography in song.

The name Just Jeffrey says it all. While McCloy did recruit several friends to play on the album, this project was his baby entirely. These songs are an expression of who he is and what he's experienced. If you're expecting Fashionism or the Tranzmitors, that's not what this record is. But I can honestly say that Coffee, Tea & Me is at the same level of quality as any release that McCloy has ever played on. As the expression goes, this album is "all over the place". You'll hear jangly pop songs, Cure-like dirges, mod/soul ravers, introspective ballads, English traditional numbers, and even a couple of forays into outright weirdness. This is not the same old Jeffery we're used to hearing, and I wouldn't want it any other way. 18 tracks is a pretty ambitious number for one album, but something crucial would have been lost if this release had been more tightly edited. The album is exactly the length it needs to be for McCloy to tell his story. His emotional treatment of this material is quite powerful, and overall this is a terrific collection of songs. Of course I'm hoping he continues to make punk rock records for years to come. But let's not pigeonhole McCloy as an outstanding punk songwriter. Coffee, Tea & Me proves him to be an outstanding songwriter, period.



-L.R.

https://latidarecords.bandcamp.com/album/coffee-tea-me-ltdr-lp005 
http://www.latidarecords.com/ 
https://www.facebook.com/recordslatida/ 

Scraps v. Needle Exchange!

As much as I dig power pop, garage, etc., it's '77-style punk rock that will always be #1 in my heart. It's a safe bet that I'll be listening to The Clash, Damned, and Sex Pistols until the day I die. And I love the newer bands as well. When it comes to the current generation of '77 punk, two of the very best are Scraps out of London and Needle Exchange out of Germany. Rumor has it that Scraps may feature members of F & L favorites The Gaggers, Miscalculations, and Los Pepes. And Needle Exchange is a band I've been looking to write about for a while.

The always-reliable No Front Teeth Records had the brilliant idea of teaming Scraps and Needle Exchange on one dandy split 7". Needless to say, it's a must-own record! Both bands bring a raw, lo-fi edge to these recordings - really taking it back to the "anyone can do it" spirit of '77. I'm talking three chords powered out with attitude and primal aggression. Hot on the heels of that fantastic Radiohearts 7", this is another NFT single that could easily pass for a genuine 1977 punk release. Don't song titles like "Shoot You Dead" and "I Wanna Die" just sound like they ought to be old school punk?! And let me tell you: these tracks don't disappoint! Stream them now, and you'll hear for yourself! Hit up No Front Teeth to order a copy of the vinyl, and be sure to check out Needle Exchange's new-ish album as well! 



-L.R.

https://scrapslondon.bandcamp.com/album/scraps-needle-exchange-split 
https://needleexchange.bandcamp.com/album/needle-exchange-scraps-7-split 
https://www.facebook.com/scrapslondon/ 
https://www.facebook.com/NeedleExchange/ 
http://www.nofrontteeth.co.uk/#!product/prd1/4303213735/nftr-169 

Introducing TAD!

No doubt, a very large percentage of F & L's followers are in bands. With that in mind, I wanted to spread the word about a new app that may interest those of you who release music via iTunes, Spotify, Bandcamp, SoundCloud, etc. It's called TAD (Thumbnail Art Design), and essentially it allows you to create professional-looking cover art for your digital releases. What a great idea for an app! Using an iPhone or iPad, you can choose a classic album cover design template or build your own from scratch. Then you can select a photo from your phone or pick one from the TAD library. Via the app, you add a logo & text, choose your frames and filters, and complete your cover art within minutes. It's that easy!

The creator and co-founder of TAD is Lee Jones - singer/guitarist for the wonderful (and, sadly, now broken up) Solicitors. He came up with the idea when he was preparing one of his band's songs for a digital release. Unable to find an app that would allow him to create cover art quickly and easily, he ended up with a less than desirable thumbnail! So he went about creating TAD. He partnered with music industry veterans Ian Clifford and Paul Coleman, and now the app has launched! From now until December 14th, you can download it for free. Thereafter, it will be priced at $1.99. For more information, check out TAD's web site or Facebook page. And for your listening pleasure, I've embedded the final Solicitors' single below! Don't worry: it's not a Don Henley cover.


 

-L.R.

www.tadtheapp.com 

Supply and Demand!

Alright! The Dictators NYC have finally made a record! It's called "Supply and Demand", and it was most definitely worth the wait! As you probably know, The Dictators NYC are made up of longtime Dictators members Handsome Dick Manitoba, Ross The Boss Friedman, and JP "Thunderbolt" Patterson along with Daniel Rey and Dean Rispler. They've been killing it on stage for four years, and now they've finally given us an original song! The "NYC" added to the band name acknowledges that it's no longer the original Dictators without the involvement of Andy Shernoff. But the band plays Dictators songs live, and "Supply And Demand" sure sounds like The Dictators! Written by Handsome Dick, Ross The Boss, and Jake Manitoba, this sing-along anthem tells the true story of how The Dictators NYC came to be. You know the sound - powerful guitars, thundering drums, and a chorus so catchy that it ought to be illegal. Handsome Dick is in prime form on lead vocals, and his lyrical game proves strong ("They came from America, all 50 states/They even came from Togo and outer space!"). Backed by a live recording of the band covering "Kick Out The Jams" in San Francisco, "Supply And Demand" is absolutely the powerhouse debut I was expecting from The Dictators NYC! If you loved the D.F.F.D. album, this is very much in the same vein. Head on over to Striped Music if you want a vinyl copy. Downloads are available from Bandcamp.



-L.R.

https://thedictatorsnyc.bandcamp.com/album/supply-and-demand 
http://thedictatorsnyc.com/ 
https://www.facebook.com/TheDictatorsNYC/

Travis Ramin: now on Bandcamp!!

Woo hoo! The great Travis Ramin now has a Bandcamp page! As both a producer and performer, he's been responsible for some of the most enduring power pop, garage, and girl band recordings of the past 20 years. If I had to come up with a short-list of individuals most responsible for the modern day resurgence of power pop, he'd be on it! Most of his notable productions have gone out of print and become nearly impossible to find. Now - with just a few clicks of your mouse - you can own classic late '90s/early 2000s releases by Candygirl, Tina And The Total Babes, Nikki Corvette, and The Short Fuses! And if you still haven't heard more recent Ramin productions like the self-titled Ana Lucia LP (my #7 album of 2012!) or Holly Beth Vincent's "Hey Boy" 7", now's your chance! Download prices are very reasonable ($7 for albums, $3 for EPs), and there's also a merch section where you can order hard copies of the releases Travis still has in stock.

Do yourself a favor and check out all the good stuff Travis has made available for download. That Tina And The Total Babes LP is one of my five favorite power pop albums of all-time. I'm so psyched that a whole new generation of fans will now get to hear it! Remember Sundaegirl, the bubblegum "kid sister" band to Candygirl? You can check out that EP as well - along with a brand-new offering from Candygirl's bad girl cousin, Motorgirl! And nobody's digital music collection is complete without the Travis solo hit, "Right Hot Dog, Wrong Bun". Have at it, my friends!



-L.R.

https://travisraminproducer.bandcamp.com/ 

New Born Loose album!

Hot damn! Born Loose has a new album out on Hound Gawd! Records, and the thing will totally destroy anything in its path! Prepare to be bruised and battered in the best way imaginable! The one-sheet for this release describes it as the "soundtrack for your backyard fight club". Oh my god, that's brilliant! And it's so very true! If ever there were an album perfectly suited to accompany extreme recreational violence, this would be it! Hot on the heels of the great "I Loathe You" single and that smashing split 7" with the almighty Lovesores, Blowout! is precisely the beer-soaked blood and guts punk rock n' roll masterpiece I was hoping for. It's gonna take a serious run at punk rock album of the year honors!

Born Loose, of course, is the New York City outfit featuring the legendary Larry May (Candy Snatchers) on lead vocals. He's joined by guitarist Suke (Iron Prostate), bassist Shane Konen (Live Ones, Ghetto Ways), and drummer Eric Robel (Heroin Sheiks, Nova Express). Blowout! is the band's second LP, and every track is a swift and violent kick to the teeth. May, an all-time great punk front man, has never sounded more deranged or pissed-off. He and his band mates are in no mood for screwing around. From start to finish, they're on the attack - mixing scorching garage-punk with elements of Detroit rock, scuzzy '70s punk, light speed early '80s hardcore, and hints of the Chuck Berry gone wild stylings of Bon Scott era AC/DC. Suke's lead guitar is on fire, and that rhythm section is as primal and relentless as they come. You see song titles like "Waste Me", "Fair Warning", and "Ain't That Swell (Baby Go To Hell)" and expect a certain kind of band. And that is exactly what you'll get! At a time when punk music is rarely as dangerous and thoroughly unwholesome as it ought to be, it's great that we can still count on bands like Born Loose to stand for excessive drinking, questionable life choices, and ill will towards men. If you long for the heyday of the Dead Boys and Stooges (or even Candy Snatchers and New Bomb Turks), Blowout! is an album you need to own. Grab an adult beverage, crank the volume way up, and enjoy pissing off the neighbors. My European friends should check out the band's upcoming tour dates!



-L.R.

http://www.houndgawd.com/shop/ 
https://www.facebook.com/HoundGawdRecords/ 
https://www.facebook.com/bornloose/ 

Meet Doubtfire!

What do you call a super group when it's a duo? A super duo! Made up of Bil McRackin (McRackins) and J Prozac (The Prozacs), Doubtfire is about as super of a duo as you'll find in the world of pop-punk. Perhaps that explains the band's comic book cover art! These two guys have over 10,000 total releases to their combined credit (only a slight exaggeration), and they've both played a large part in keeping pop-punk music going strong for the past two decades. Now they've joined forces and become Doubtfire. Not surprisingly, the results are terrific! The band's debut album features ten original compositions plus two covers. Sure: there are songs that will remind you of McRackins (like "Kung Fu Magoo"), and there are songs that will remind you of The Prozacs (like "Eyes On You"). But the majority of the songs are a perfect combination of both band members. And I think that was the point of these two individuals collaborating in writing songs. Doubtfire brings together the musical strengths of both men. You've got Bil's goofy persona and impressive command of Ramones-style hooks along with J's intensely personal lyrics and considerable talent for writing quality pop songs. And while I never have any objection to touting pop-punk records where every song sounds pretty much the same, this is not that kind of album. From the rockin' opener "California" to the classic Lookout! Records stylings of "Just Maybe" to the grown-up pop-punk of "Love This Rock And Roll" to the high-speed adrenaline of "Spit It Out", Doubtfire's debut offers tremendous variety without veering too far from what these two guys do best.

It's pretty amazing when you think about how this album came to be. Bil and J, separated by more than 3,000 miles, collaborated on lyrics and music for each of the 10 original songs. J ended up flying to Vancouver - where he and Bil worked for a week to complete the album. This was a true two-man effort. No outside musicians were involved, and Bil handled all recording, producing, and mixing himself. Especially in regards to the vocal harmonies and lead guitar hooks, the album is a textbook case of how a pop-punk recording should be produced. It sounds like a million bucks! Just as importantly, the songs are really strong. The choice of covers (Pete Townshend's "Let My Love Open The Door" and the Ginger Wildheart-penned "Superpowered Superfly") emphasizes the wider array of influences that informed this album. Of course these guys love The Ramones ("Punk Rock Heart" is a wonderful love letter to da bruddas). But they've infused plenty of glam/rock n' roll into their sound as well. It's great to hear a couple of pop-punk lifers affirming the staying power of this musical form. You'd expect these guys to get together and do something really excellent. And sure enough, Doubtfire's debut does not disappoint. Let's hope for a sequel!



-L.R.

https://doubtfire1.bandcamp.com/album/doubtfire 
https://www.facebook.com/jprozac 
https://www.facebook.com/mcrackins/ 
https://www.facebook.com/ratgirlrecords/