Friday, May 31, 2024

My Thirty Favorite Songs of the 21st Century



I sometimes like to do fun lists just to share music I love with whomever may be reading. I like to think of this blog as a mixed tape I've been making for the world for the past 13 years. So I'm going to take that mission really literally today and share with you my thirty favorite songs of this century. Obviously I'm known for writing about pretty specific genres of music, but I think over the years I've become more focused on touting bands and artists I like regardless of how their music is labeled. So with this list today, I've identified the 30 tracks from 2000 to present that mean the most to me. For various reasons, these songs have become part of my life. They're in my soul. If I'm lucky enough to still be around 30 years from now, I will be able to listen to these songs then and hear the soundtrack to my 30s, 40s, and early 50s. In many cases, the bands and artists below went on to write and record arguably far better songs. But music is a very personal thing, and these particular songs are the ones that have stuck with me the most. If some of these songs are unfamiliar to you, I hope you enjoy them! 

30. Honeychain - "Some Boys Lie" (2017) 
This whole album is power pop greatness.


29. The Sorels - "Love Your Rock N' Roll" (2022)
I've more or less decided that the next time I name a blog after a song, this will be the song!


28. The Ergs! - "Blue" (2007) 
The demo version of this song was one of the first Ergs! songs I ever heard. To this day, I can't think of another song that better encapsulates why I love The Ergs!


27. Geoff Palmer - "I Like Murder Too" (2018)
This song is not just a song about two people belonging together because they both love true crime. But it nonetheless reminds me of my marriage and holds a special place in my heart.


26. The Tattle Tales - "September Girls" (2006) 
You never forget the songs that got you through the darkest times.


25. Exploding Hearts - "Throwaway Style" (2002)
An absolutely devastating love song from an album that was a game-changer for power pop punk rock.

24. The Unlovables - "I've Cried 4 U" (2002) 
At a Paul Westerberg show back in 2002, Lew Houston handed me a cassette tape with demos by the Exploding Hearts and The Unlovables on it. I'd never heard of The Unlovables before, and from the first note of their demo, I was having a "Where has this band been all my life?!" moment. I knew I was hearing the world's next great pop-punk band. The Unlovables would later record an arguably stronger version of "I've Cried 4 U," but there's a youthful energy to this earlier recording (from its debut EP) that just hits different.


23. Natalie Sweet - "Gimme Good Love" (2019) 
Natalie Sweet first wrote this song for her band The Shanghais and then revamped it for her solo album, which she recorded with Travis Ramin. This is perhaps the greatest party song of the last 30 years.


22. Damone - "Feel Bad Vibe" (2003) 
This could have and should have been a massive hit.


21. Kurt Baker - "Don't Go Falling In Love" (2012) 
One of the contemporary classics of power pop.

20. Jabber - "Maybe Next Year" (2012)
Behold one of the greatest pop-punk songs ever recorded and an anthem of guarded optimism. 

19. Ryan Allen - "Born Radical" (2015) 
The solo album Heart String Soul was my introduction to Ryan Allen, and I was a fan from the moment I first heard his voice. In "Born Radical," Allen tells his own origin story through the story of his parents. The song is a celebration of his mom and dad and how they were the ultimate source of everything he would become. They are many kinds of love songs in this world, but few are purer and more triumphant than this one.

18. Beach Patrol - "Battlestar Galactica"
I love that I live in a world where a band named after a Hulk Hogan song could spawn one of the greatest songwriters of a generation.

17. The Kidnappers -"Spanish Girls" (2003)
The idea of a garage punk band playing power pop is old hat nowadays, but it was a rather exciting concept twenty years ago. This song is everything that great power pop ought to be.

16. The Exbats - "I Got the Hots for Charlie Watts"
There are so many great Exbats songs. But this one is special.

15. Scrimshanders - "SXMW" (2000) 
Oddly enough, I discovered this song two decades after it was first released. It was February 2021. Malibu Lou sent me the Rum Bar Records Rebel Rousers compilation. This was peak pandemic time. I never really drove my car anywhere — except on Sundays when I'd have to back out of the garage to wheel the trash out to the curb. Then I'd take a little drive around the neighborhood just to give my car a little work. This was typically a two-minute drive, but then I came upon "SXMW," and I was instantly floored by this epic alt-country love song. My god, those lyrics! That voice! That hook! Soon I had a new routine. Every Sunday, I wheeled out the trash and drove around the neighborhood listening to "SXMW" on repeat. I don't often indulge in pandemic nostalgia, but this song always takes me back.

14. The Shang Hi Los - "Sway Little Player"
Another flashback to pandemic times. There were intriguing rumors that Jen D'Angora and Danny Kopko were starting a band which they'd co-front. This seemed like it could be the best thing ever, and the world quickly discovered that indeed it was.

13. Beach Patrol - "Don't Panic" (2019) 
There's no doubt that having the songs of Domenic Marcantonio in my life has made me a wiser human.

12. Spazzys - "Paco Doesn't Love Me" 
The greatest Ramones rip ever committed to tape.

11. Vista Blue - "There Goes the Sun" (2020) 
Of course this is one my favorite bands. I love dozens upon dozens of Vista Blue songs. Yet if you ask me to pick just one favorite, I won't hesitate. It's like picking my all-time favorite Philadelphia Phillie. "There Goes the Sun" is the Mike Schmidt of Vista Blue songs.

10. Pale Lips - "That Old Ghost Don't Lie" (2019) 
The thing that's amazing about songwriting is that someone can write a song that is intensely personal to them, yet once it goes out into the world, it can touch others in very profound ways. Beautifully haunting, "That Old Ghost Don't Lie" is so powerful because nearly every person alive knows the pain of coping with the death of a friend. This was very different for a Pale Lips song, and that's what makes it so remarkable.

9. The Sleeveens - "Give My Regards to the Dancing Girls" (2023) 
The album version is great as well, but the original 7" cut is truly epic and as joyful of a slab of rock 'n' roll as you could ever hope to hear.

8. Nato Coles and the Blue Diamond Band - "Promises to Deliver" (2013)
If I were a ball player, this would be my walk-up song.

7. King Louie & The Loose Diamonds - "Gypsy Switch" (2007)
There are so many Louie Bankston songs I love, but this is the one I would not want to live without.

6. Tina and the Total Babes - "Christy" (2001) 
This song can hold its own against any power pop classic of any era.

5. Compulsive Gamblers - "Stop & Think It Over" (2000)
A stone-cold classic.

4. Second Saturday - "What If" (2002) 
You know I love power pop and pop-punk. You know I like sappy love songs. You know I love twist endings. Put that all together, and you have the heart-racing greatness of "What If" by Second Saturday. Why in the world don't more people in the power pop community talk about what a great songwriter Wyatt Funderburk is?

3. Pale Lips - "Mary-Lou Sniffin' Glue" (2016)
This is literally the most fun song ever written by anyone ever. If it doesn't bring you joy, you are dead inside.

2. The Speedways - "In A World Without Love It's Hard To Stay Young"  (2020) 
I love The Speedways, and so many of their songs are meaningful to me. But "In A World Without Love It's Hard To Stay Young" is next-level stuff: a widescreen epic which transcends musical genre. It's one of those rare songs that gives me chills every time. 

1. Role Models - "Lost in the City" (2014)
I was a latecomer to the greatness of Rich Ragany as a songwriter. Justin Maurer shared "Lost in the City" on social media, so I went and checked out the song. It was love at first listen. I immediately wanted to hear more from Role Models, and I've been a huge Rags fan ever since. This is another example of an artist writing a deeply personal song yet creating something that's universally relatable and life-affirming in a way that will give you chills. A decade later, this remains a digital-only release, so maybe it will be new to some of you. God, what a perfect pop song!

-L.R.

JEM Records Celebrates Jagger & Richards


When the JEM Records Celebrates Jagger & Richards CD showed up in my mailbox a few weeks back, I felt like I was doing something forbidden by listening to it. The annual JEM Records Celebrates compilations have never come out this early in the year, and when I popped the latest installment into my car player, I felt like a naughty kid sneaking into his parents' closet to scope out his hidden Christmas presents. But let's be honest here: I certainly wasn't complaining that Marty Scott didn't make us wait until August to hear JEM Records Celebrates Jagger & Richards! 

Having created the best tribute album I've ever heard last year with JEM Records Celebrates Ray Davies, the label had a tough act to follow. So why not have a go at (arguably) the greatest rock 'n' roll band the world has ever known? There have certainly been numerous Stones tribute albums over the years, but this one is definitely a cut above. In keeping with the spirit of this entire series, the point of this album is to celebrate Mick Jagger and Keith Richards as songwriters. They are so well-known as performers and personalities and eternal personifiers of bad-assery that they might actually be a little undervalued as songwriters. So it's a joy to hear JEM's talented stable of bands and artists take on some of their finest material. If you are assuming that the songs of Jagger & Richards won't suit the JEM roster the way the songs of Davies, Pete Townshend, Brian Wilson, and John Lennon did, this album will prove you wrong. Perhaps we don't associate the Stones with "pop," but this collection suggests that Jagger & Richards don't get enough credit for their command of melody and flair for hooks. Listening to Paul Collins take on the Stones' 1964 single "Tell Me," you can hear how this song was part of the primordial ooze from which power pop music sprang. If you didn't know "Dandelion" was a Stones B-side from 1967, you might think The Grip Weeds were covering The Zombies or Bee Gees! In one of the finest recordings he's ever done, Johnathan Pushkar transforms the early 2000s Jagger composition "Don't Stop" (first released on the Forty Licks compilation) into something that sounds like it came from the heyday of power pop. Marty Scott hand-picked "You Can't Always Get What You Want" for The High Frequencies (Lisa Mychols' new band with her husband Tom Richards), who give the song a glistening '80s pop-rock makeover while still remaining faithful to its iconic melodies. In an absolute genius move, The Airport 77s turn the '90s Stones rocker "Too Tight" into a Cars song! On the more rockin' side of things, The Cynz absolutely steal the show with an inspired, raucous take on the classic "Star Star." And The Midnight Callers transport "Jumpin' Jack Flash" to 1970s New York. 

The mistake that can sometimes be made with a Stones tribute is thinking you have to cover all the bases. That's literally impossible unless you're doing a triple album. JEM Records Celebrates Jagger & Richards works so well because it makes the right selections rather than the obvious ones. Whether you're talking classics (Nick Piunti putting his signature on "Ruby Tuesday") or deep cuts (The Anderson Council punching up 1967's "Connection"), the performances on this album are consistently top-notch. With these JEM Records Celebrates compilations, there's always a perfect balance between reverence for the original songs and a sense of joy in re-making them. As I did with the Ray Davies tribute, I've continued to listen to JEM Records Celebrates Jagger & Richards for pleasure even after I finished preparing for this review. From this album, you can expect much satisfaction.

Sunday, May 26, 2024

The Second Summer - undertow


Out now on compact disc on Kool Kat Musik is undertow, the debut album from Chicago-based power pop band The Second Summer. This album has already been endorsed by the illustrious Don Valentine, so you know it has got to be good. Undertow is one of those special albums where you can immediately feel the heart and soul the band put into it. The Second Summer is Steve Gatland on vocals & guitar, Joe Cancellaro on bass, Matt Broder on guitar & vocals, and Tony Holmes on drums & vocals. The pandemic was the impetus for these guys to get together to write and record songs. As band members dealt with the upheaval COVID brought to their lives, they found themselves with things to say and stories to tell. The band name was chosen because it gave them all something to believe in. And even when the pandemic faded, the inspiration and urgency remained. The Second Summer formed officially last fall, but three of the eight songs on undertow were recorded in 2020. These songs reflect not just where these guys were emotionally at the outset of the pandemic but also where they had come from and where they still hoped to go. If you love melody-driven guitar pop with huge choruses and silky-smooth harmonies, you'll be knocked out by the album's opening 1-2 punch of "The Reason" and "Something." And there's no drop-off from there. Vibe-wise, I'm feeling '90s indie/alternative in a big way. But the band's aesthetic is more timeless than consciously retro. These are simply fantastic, beautifully-crafted songs with relatable lyrics about adult life. Each track was released as a digital single, and that certainly explains the lack of filler material. But 100%, this feels like a cohesive album and not just a collection of singles. While it's chock full of gorgeous melodies and ear-pleasing hooks, undertow is a thoughtful and serious album that I really connect to on a human level. If I said "Wonder Why" and "Bad Feeling" didn't remind me of my own self-doubts, I'd be a liar. I can't imagine anyone on Earth not being able to relate to "Undefeated." Seriously, we all know that one person who will never admit they're wrong about anything ever. 

Undertow takes me back to my days of discovering music through '90s college and alternative radio yet feels fully updated for the world of 2024. Perhaps it was desperation that birthed The Second Summer, but from a power pop fan's perspective, it feels more like destiny. Order the CD here!

Saturday, May 25, 2024

Intrusive Thoughts - "Daytime Drama"


Today I've got an absolute ripper for you from the new international punk rock band Intrusive Thoughts. The band is based in Harrisburg Pennsylvania and Freiburg, Germany and features our friend Greg Lonesome on lead vocals and Oli W from Trenchkoat on guitar and bass. Zack Olsen (Recoils, Preacher Boy Trio, Slow Gherkin, etc.) plays drums. The band's debut single "Daytime Drama" is a ferocious shot of rockin' old school punk with a very important message. Greg wrote the lyrics as a reflection of how he felt before starting therapy. These lyrics are very raw and intense, and that's really the point. He has put this song into the world in hopes of breaking the stigma surrounding men's mental health. Of course "Daytime Drama" is a dark song, but it ends with a glimmer of hope. Of all the things that are disheartening about modern-day society, few are more disheartening (or damaging) than this popular notion that mental illness is a weakness and that seeking help makes you a weak person. Clearly the opposite is true: I'm awed by the courage Greg has to put himself out there like this, and I know the main reason he's doing it is to encourage people who relate personally to the song to seek help if they haven't already. He brings these lyrics to life with a powerful vocal, which is matched in intensity by Oli W's guitars. What a great and urgent debut! And it's a free download from Bandcamp. A little birdie told me this band may be releasing a cover of "Obsessive" The Vicious featuring an extra-special guest star vocalist, so stay tuned! 

Sunday, May 19, 2024

Kevin McGovern - "Don​’​t Wanna Be You"


My history of writing about Kevin McGovern's music dates back to 1995 and covers several musical entities. Yet I've never had the pleasure of discussing something he released under his own name — until today. It seems funny to say this, but "Don't Wanna Be You" is his first-ever proper solo release. Even though many of the more recent Prostitutes releases were essentially Kevin's work, "Don't Wanna Be You" feels like a new chapter for him. Sure, it's not that far-removed from The Prostitutes, and that voice would be instantly recognizable even if Kevin were fronting a polka band. But without a band name attached, Kevin is free to represent where he's at in 2024. This is probably the punkiest thing he's done in a number of years, yet there's a freshness and progressive boldness to it that separates it from previous releases he has worked on. More than anything else, this sounds like Kevin McGovern — an artist with a distinctive style who has nonetheless never allowed himself to stagnate or recycle ideas. If you're a longtime fan, you will love "Don​’​t Wanna Be You." If you've never heard of Kevin McGovern or The Prostitutes but love raging yet modern punk rock, you too will dig this track. This is the work of an artist who understands that you don't put your name on a piece of music unless it's your absolute best effort. In this case, Kevin has put his actual name on it. 

-L.R.

https://theprostitutes1.bandcamp.com/track/don-t-wanna-be-you

Cool Blog: Takin' A Ride


Check this out, folks! Takin' A Ride is a new blog created by former Flipside writer (and owner of the late '90s punk label Scam-O-Rama Records) Drunk Ted. With Takin' A Ride, Ted presents a mix of current show and album reviews, reflections on past shows and experiences he's had in the world of music, and interviews from the past and present. He describes Takin' A Ride as "a blog celebrating rock ‘n roll, rock, punk rock, garage rock, alternative rock, action rock, and all things that doth rock." That sure sounds like my kind of thing! Given Ted's nearly four decades of involvement with the underground music scene, this blog is sure to be a treasure trove of amazing stories, photos, and remembrances. If you came of age in the '90s punk underground as I did, Takin' A Ride will remind you what an incredible time that was to be into music. But the thing about Drunk Ted is that he has continued his enthusiasm into the present day, so he also uses this blog to champion bands that are out there right now making great records and rocking out on stage. If you enjoy my blog, you'll love Ted's as well!

Norcos Y Horchata - "Unkind Sometimes"


Well, this was inevitable: the I-94 Recordings Detroit covers series now includes one of Detroit's best present-day bands, the mighty Norcos Y Horchata! There's nothing cooler than seeing one of your favorite bands working with one of your favorite labels. And this team-up is no letdown. "Unkind Sometimes" is the 11th installment in the series, and it finds NYH tackling "Don't Come Crying To Me" by Detroit '77 punks Cinecyde. The movie theme on the cover art is a tribute to two members of Cinecyde running the legendary Thomas Video in the Detroit area back in the day. On the A-side, "Unkind Sometimes" is something a little different from NYH. The band takes some risks on this song, and they all pay off handsomely. The long introduction, the deliberate, almost tribal drum beat, and the dueling shouted vocals in the chorus all contribute to this song's distinct feel. NYH's tough, anthemic punk rock 'n' roll style remains fully in tact, but this song is unique in the band's catalog and instantly memorable because of that. While this band began as Amado's quarantine solo project, it has grown into a true group. Dougie, Roman, and Annie all make essential contributions to this song. This is a killer track, and of course the Cinecyde cover totally smokes. You know you need this record! There are 13 color variations of the vinyl with old school movie ratings on the sleeves. Happy shopping!