Hey! We've all made it through another year! Let's take a moment to appreciate that. We are heading full-speed into 2023, and landmark albums I seemingly just reviewed yesterday (Night Birds' Born To Die In Suburbia, The Connection's Let It Rock) will be celebrating their 10th anniversaries. And I'm not ready to accept that The Queers' Love Songs for the Retarded is about to be a 30-year-old album. My god, where does the time go?
Saturday, December 31, 2022
F & L Best of 2022
Hey! We've all made it through another year! Let's take a moment to appreciate that. We are heading full-speed into 2023, and landmark albums I seemingly just reviewed yesterday (Night Birds' Born To Die In Suburbia, The Connection's Let It Rock) will be celebrating their 10th anniversaries. And I'm not ready to accept that The Queers' Love Songs for the Retarded is about to be a 30-year-old album. My god, where does the time go?
Thursday, December 29, 2022
Randells - "Seven Inch"
My final record review of 2022 features both a band and a record label that will be well-known to readers of this blog. Madrid-based Jarama 45RPM Recs. has been releasing stellar 45s since 2016 with a roster that has featured some of the leading bands of the punk/power pop world. Its newest release fits right in: it's a single from Swedish sensations Randells, who've been playing a top-notch brand of Ramones inspired bubblegum punk for several years now. "Seven Inch" is the band's second seven inch release, and of course it's a tribute to everyone's favorite singles format (with a touch of sexual innuendo). In vintage Randells form, the song marries perfect pop to buzz-saw punk as it celebrates the time-honored tradition of dropping the needle on a 45 RPM record. Of course Jarama 45RPM Recs. had to be the label to put this record out! Vinyl is limited to only 300 copies with only 53 remaining at the time of this review. Randells are one of the best bands going in the pop-punk world. If you've enjoyed their previous output, you will not want to miss this single. Seven inch is just enough!
Tuesday, December 27, 2022
The Unknowns - "Thinking About You"
Alex Kish and I were taping a best of 2022 show for Born Too Late, and Alex mentioned a new single by The Unknowns that he was really into. So I went and checked this single out, and I was blown away. I first heard this Brisbane-based band last year when it released a smashing cover of "Monster Mash." This led me to the band's full-length album Nothing Will Ever Stop, which I now consider one of the greatest modern-day garage punk albums. The surprise of new single "Thinking About You" is that it's a little bit of a different sound for The Unknowns — high energy power pop arriving just in time for summer in Australia. I would venture to say that any regular follower of this blog will go absolutely crazy for this single. This is what power pop is all about: big hooks, massive energy, and an overwhelming sense of fun. With there being crossover membership between The Unknowns and The Chats, I would imagine that most of you are familiar with The Unknowns. But if you aren't yet familiar with "Thinking About You," check out the video below for a shot of power pop bliss. This is absolute greatness!
Monday, December 26, 2022
Stay Put/Fresh Specimen split tape
Sunday, December 25, 2022
The Amplifier Heads - Rectifier
Rectifier, the fourth Amplifier Heads album in four years, is a full-on celebration of rock and roll. Coming in at a lean and mean nine tracks, this Rum Bar Records CD release continues the songwriting roll that Sal Baglio has been on since 2019. With The Amplifier Heads, the former Stompers singer/guitarist finds himself unhampered by stylistic restrictions. Rectifier, like its predecessors, brings to mind everything from garage rock to the British Invasion to glam rock to power pop to early rock and roll. I recently had the opportunity to interview Baglio about the album on an episode of Born Too Late. Perhaps we should have temporarily re-named the show Born At the Right Time since Baglio is of that generation that does remember rock 'n' roll radio! As a songwriter, he's influenced by all of that incredible music he grew up on in the '60s and '70s. In these songs, you'll hear hints of everyone from Berry to the Beatles to Bolan, yet it all comes out sounding uniquely like Sal Baglio.
Running less than 25 minutes, Rectifier is a perfect little album to enjoy the old school way: pop in the CD, grab a tasty beverage, relax, and enjoy some timeless rock and roll! This album was born out of the success of the single "Space Cadette," which Baglio wrote for Norty Cohen's musical They Came To Rock. Malibu Lou figured that a smash hit like "Space Cadette" ought to be the centerpiece of an album. Baglio promptly worked his magic, and Rectifier came to be. The garage rock stomper (no pun intended, I swear!) "Space Cadette" is the album's literal and figurative centerpiece, but there are hits up and down the line. Bookended by the anthems "The Man Who Invented Rock and Roll" and "Rock Rules" are ace tracks such the triumphant sing-along "Underground" (a tribute to that magical place where rock and roll remains alive and well), the high energy rocker "Maniaxe," and the mesmerizing acoustic cut "Headhunter." Honestly, there's not a bad track in the bunch. Baglio, in his typical style, comes up with song titles that sound like sci-fi/horror B-movies but turn out to be so much more than that ("Monsters" is truly profound).
Rectifier is available now from the Rum Bar lounge and directly from The Amplifier Heads webstore. If you're been searching for that place where the music is loud and groovy, look no further!
Saturday, December 24, 2022
The Putz - Ho Ho Ho, Let's Go!
Holding strong to my vow to limit my reviews of Christmas music this year to no more than four, today I fill my third slot with the first new music from The Putz in two-and-a-half years. I'm going to come in under budget! Seriously, there was no way I was going to be ignoring new tunes from one of the best bands in modern-day pop-punk! Ho Ho Ho, Let's Go! is the second in what I hope will be an on-going series of holiday-themed EPs by The Putz. 2018's Mad Monster Party has become my #1 Halloween go-to, and now Ho Ho Ho, Let's Go! offers five great tracks worthy of consideration for my Christmas playlists going forward. The style of the songs is exactly what you'd expect from The Putz: textbook pop-punk done right. And while this is a Christmas-themed EP, it's not annoyingly merry or festive. The title track has all the makings of a new seasonal standard. It revisits the timeless theme of eagerly awaiting the arrival of Santa Claus on Christmas Eve. It's a classically kid-friendly tune that grownups will love too because, hey, a Ramones influence is almost always a recipe for a good time. For those less enamored with the holiday spirit, the cynical "Bah, Humbug!" will hit the spot. "(I Need) Eggnog" is not so much about eggnog as it is about needing a stiff drink to survive the drama and dysfunction of family gatherings. Who can't relate to that? "Mission: Mistletoe" imagines the ultimate boss move: throwing a Christmas party and inviting only girls.
Thursday, December 22, 2022
Nasty Party - Monochromatic TV
So I've been going through my favorite releases of 2022 in preparation for my annual end-of-the-year post. Yesterday I headed over to Bandcamp so I could give Nasty Party's recent EP Loaded Dice another listen. And what did I find? A brand-new EP! Now that's my idea of an early holiday gift! Monochromatic TV is Nasty Party's fourth EP since December 2020, and it continues the Sydney-based duo's quest to fill the world with music that will make you wanna rage against the powers-that-be and dance like there's no tomorrow. If you thought Simon and Rhys might have mellowed by this point, you'd be very wrong. On Monochromatic TV, they're more worked up than ever over the sad state of affairs in Australia and the failings of politicians who seem intent on making it all worse. In particular, they address lock out laws, climate policy, and the current state of political discourse. As always, the music triumphantly rides the thin line between classic punk and new wave. Spiritually, Nasty Party are the proper heirs to The Clash and Midnight Oil. Yet they have a sound and style that's all their own, and they've yet to write two songs that sound alike. "Pollies" just might be the greatest political song I've heard in the last five years. I love that while this tune specifically rails against politicians in Australia, its message, sadly, is universal. I envision people on every continent gleefully shouting that chorus. The title track explores the psychological effects of the government's abusive relationship with the people. Along the same lines, "Lie To Me" manages to be both an impassioned political rant and a perfect new wave pop song. "Wasn't On the TV" is Nasty Party at its most manically punkiest, and it makes me wanna run around like crazy and fuck shit up.
Wednesday, December 21, 2022
Tuff Talk - Into the Night
I first wrote about Tuff Talk last year when the Seattle trio released an impressive debut single featuring two tracks of high quality power pop/punk. So I was pleased to recently discover that the band had a new EP in the works. Released last week, Into the Night is quite a progression from last year's single. While Tuff Talk hasn't exactly abandoned power pop ("Nite Burn," reworked from the band's demo, will delight anyone who went crazy over "Shelly" and "Never Say Die"), Into the Night finds the trio spreading its wings in a major way. The production (the EP was recorded by Johnny Sangster and mastered by Rachel Field) is absolutely massive. This is no humble DIY recording — it's a big hooky rock record! The guitars are loud and crunchy, the drums hit super-hard, and the bass lines totally pop. Yet the band's knack for well-crafted melodic tunes remains very much in tact. "Rollin'" brings to mind the early '90s glory days of alternative rock leaning power pop (or vice versa). "Into the Night" has the feel of an '80s band walking a line between arena rock and new wave. "Yesterday" was the real surprise for me: a deliberately-paced "classic alternative" track showing a moodier and more sophisticated side of Tuff Talk. "TV Eyes" finds the band back in power pop territory, but with a twist. I'm hearing a little dark jangle a la The Barracudas. Power pop fans will find plenty to like on Into the Night, and Tuff Talk's songwriting chops continue to shine. But I think a lot of people will hear this EP and be quite surprised. Bring on the full-length!
Friday, December 16, 2022
Greendales - self titled
As a rule, I don't review music you can't immediately sample yourself in the event you want to make sure I'm not full of shit. You all work hard for your money, and I don't want to be responsible for you wasting it on sucky music. I've adhered to a "digital only" review policy on the grounds that it's in everyone's best interest. But I have been known to make exceptions in very special cases. Such an exception has been made for the self-titled album by Greendales. I could not request access to a digital version of this album for the simple reason that no such thing exists. Released on Mom's Basement Records, this album is a 100% vinyl-only issue. There are 200 copies on clear vinyl and 200 on yellow. That's it. There are no CDs, cassettes, 8-track tapes, or digital downloads available. You won't find it on any digital music service. There are no digital tracks floating around for me to embed. What this means is that you will all have to pretend it's 1995 again and trust my judgment. But I feel like that's not much of an ask in the case of Greendales, who have celebrated the 27th anniversary of the release of the first Riverdales album by covering it in its entirety. Greendales are essentially a Mom's Basement Records supergroup. The lineup is the alien and the basement from the SUCK along with Brody from Proton Packs. Any person who would be interested in owning a cover of a Riverdales album would most likely already be a fan of the SUCK and Proton Packs. And it's hard to deny that this was a really awesome idea for an album!
I would personally consider the first Riverdales album to be the all-time gold standard for the genre that would later become known as Ramonescore (although I won't take exception to anyone who argues that Storm the Streets is better). Has it really been 27 years since it came out? Well the math sure works out. And I can clearly remember picking up my landline phone and calling my local compact disc store to see if they had the album in stock, so that tells you how much the world has changed since then. When you're dealing with such legendary material, your first duty is to not screw it up. That's mission accomplished for Greendales, who cover this album with textbook execution. Your second duty is to put your own twist on the songs — but not too much of a twist. Again, I feel like Greendales have succeeded. They approach these songs faithfully — but no so faithfully that the album is pointless. The thing that makes the first Riverdales album hold up for me is the way it balances the punk rock side of the Ramones with their pure pop side. Not every Ramonescore band of today would have the stuff to accentuate that yin/yang quality of the Riverdales. Yet Greendales absolutely do. They prove themselves to be a well-rounded punk-pop band as they gleefully tear into this album's straight-up bangers and embrace the melodic majesty of some of the slower tracks. If you're a fan of the SUCK and/or Proton Packs and think it would be cool to hear these guys cover the Riverdales, you will not be disappointed. What I appreciate is that listening to this album has given me an enhanced appreciation for the original album. It made me want to go back and listen to it again, and it made me remember how much I love it. Also, I find it interesting that while I'm not always keen on Ramonescore, I seem to be writing rave reviews any time the basement is involved. Never underestimate the value of a great drummer!
Summing up: Greendales have covered the classic first Riverdales album in its entirety. It's only available on vinyl and is limited to 400 copies. It went on sale moments ago via Mom's Basement Records and will likely sell out quickly. If you're a super fan of Ramonescore, the Mom's Basement label, or these guys' other bands, you're going to want to snag one of these bad boys pronto. Trust me.
Thursday, December 15, 2022
Sal Cannestra's Department of Amusement with Pete Donnelly and Mike Yannich
Three Mid-Atlantic indie/punk lifers walk into a recording studio. No, this is not a setup for a joke. It's the basis for Sal Cannestra's Department of Amusement, a splendid new project/album showcasing one of the most underrated songwriters of recent times and a dream team rhythm section. On vocals and guitar is Sal Cannestra (Sleeper/Serpico, The Gerunds, The Thirteeen). On bass and keyboards is Pete Donnelly of the legendary Figgs. On drums is Mike Yannich of The Ergs! and (literally) countless other bands. With this lineup, you're talking about 90+ years of combined experience in the underground music scene with connections to New York, Philadelphia, and New Jersey. This album may be the most "East Coast" thing ever, and I am here for it! In my mind, I picture these songs playing in every sandwich shop from Delaware County to New Haven.
Sunday, December 11, 2022
Self-Cut Bangs - Circle Around The Free
One of the most pleasant surprises of the unpleasantly surprising year of 2020 was the debut of Calgary duo Self-Cut Bangs. No doubt, "Self-Cut Bangs" is the greatest-ever name for a pandemic inspired band. But the music has proven to be even better than the name. To recap: Self-Cut Bangs began as one couple's home recording project during COVID lockdown. That spring/summer, Cayley O'Neill (Dark Time) and Shawn Petsche (Napalmpom) wrote and recorded one new song every Saturday. They kept up this ritual long enough to make an album, which was released in September 2020 to great acclaim (including mine). The album was such a success that Self-Cut Bangs became a permanent entity (and now a full-fledged live-ready band!). A couple years later, we now get Circle Around The Free, the sophomore release from Self-Cut Bangs. And oddly enough, I'd call this the band's "COVID" album. That first album was conceived as an escapist project. It was the feelgood indie power pop album we all needed at the time. Circle Around The Free, on the other hand, is inspired by the couple's actual voice memos from 2020. Across these 12 tracks, Cayley and Shawn dig deep into their own reflections on a time of sudden change and unprecedented strangeness. And as the world slowly returns to as close to "normal" as we'll likely ever get, these songs prove to be relatable and comforting.
I'll say first off that Circle Around The Free is a little more expansive in approach compared to its predecessor. The vibe that Cayley and Shawn went for this time is "retro futuristic," and that's something I can totally get into. This album seems far more in line with modern-day indie rock, yet it's also decidedly more '80s new wave sounding than the last one. I don't know how that's even possible, but these two totally pulled it off. And if you listened to the first album and were surprised that it was co-crafted by the guitarist from Napalmpom, you will definitely hear a few tracks this time out where the classic rock comes out to play. Circle Around The Free does what few albums manage to do: bring together the best parts of new wave/post-punk, classic alternative rock, and contemporary indie rock in a completely satisfying way. This is a record that sounds cool and current without sacrificing big hooks and a rockin' edge. It looks to the future while offering numerous nods to the past. Tracks like "Shivers" and "In Colour" are so redolent of peak '90s indie rock that they practically make me feel twentysomething again. "Stargazer" and "Wake" give the synth-pop of yore a modern makeover. If there's already such a thing as a "vintage" Self-Cut Bangs song, "Never Say Never" is it. Elsewhere, Circle Around The Free stretches the band's sound in cool ways. There are pure indie rock tunes ("Make Believe"), high-energy rockers ("Abraham"), and even successful forays into post-punk ("Gibberish"). If I described a song as being half Black Sabbath and half indie pop, you'd never in a million years expect that to work. But somehow, someway, closing track "Head Start" is an absolute triumph.
Like Self-Cut Bangs' debut, Circle Around The Free was home recorded and then turned over to Lorrie Matheson, who works his usual mixing and mastering magic. What results is a very warm-sounding modern rock record that seems tailor-made for long walks in the cold spent pondering the events of recent years (we are getting to the time of the year for such a thing!). Since the album's completion, the addition of drummer Joel Nye (Hot Little Rocket), guitarist Dillon Whitfield (Astral Swans, Reuben & The Dark), and bassist Nicola Cavanagh (Cardiograms, Night Committee) has expanded Self-Cut Bangs from a one couple home-recording project to a full band featuring two couples! One can only hope that any potential Fleetwood Mac/ABBA level of fame to come is not accompanied by the epic drama that plagued those bands. Another cool thing this band is working on is making music videos for all the songs on Circle Around The Free. I've embedded a couple of the clips below, but there are several more worth checking out on the band's YouTube page. Circle Around The Free, like its predecessor, is a free download from Bandcamp. Music this good for the price of free is a rare treat. Jump on it!