order from No Front Teeth Records or download directly from the Long Beach foursome's Bandcamp page. I had many good things to say about Radiohearts' last EP in 2014. But Lot To Learn, their newest release, is even better! On these four tracks, the band could easily pass for some forgotten sensation of first wave U.K. punk. But while you the influence of certain bands (Clash, Buzzcocks, Generation X) is palpable, Radiohearts don't sound like they're trying too hard to be those bands. They have their own sound, and I love how their songwriting is clearly informed by power pop but still unmistakably in the corner of '77 punk. Lot To Learn comes on with buzzing guitars, meaty bass lines, and hooks that just can't be denied. These four songs will have you bobbing your head and tapping your feet in no time, and the feel of the production/recording is spot-on for a punk rock record. This is pop-savvy punk music with some real bite to it, and you probably could convince your friends that this EP was originally released by Raw Records in 1977! If you, like me, believe in the eternal glory of the sound of '77, Lot To Learn is an essential purchase.
Wednesday, November 25, 2015
Wednesday, November 11, 2015
I've been a professional musician and songwriter for over 40 years. I live and breathe music. I also own thousands of albums and CDs…but they sit in my closet because…
I prefer to STREAM MUSIC!!!!
I know that the drop in physical record sales has financially hurt many of my fellow musicians. I feel for them. But as the music business evolves, there will be winner and losers. I believe streaming services such as Spotify, Apple Music, and YouTube Red will eventually have a hundred million subscribers worldwide … then more money will flow.
I also understand that fidelity is an issue. Every musician I know works hard to make the best sounding music possible. But I also know that most people listen to mp3s on cheap ear buds, negating a good portion of their efforts.
The point is convenience trumps everything, and we are never going back to what once was…
I don't own a typewriter, I don't have a landline phone, I don't have cable TV, and I don't mail letters. I shop online, I pay my bills online, I read the newspaper online, I communicate with my friends and family online…and every song that I ever want to hear is available online...instantly.
I love my vinyl, but when I want to listen to music...I stream.
...I want to thank Chris Stein (who doesn't share my feelings about streaming) for allowing me to have fun with his song, Tricia Scotti for the wonderful vocal, and Carl Rhodes for the concept.
Monday, November 9, 2015
This deluxe reissue of Promises To Deliver comes courtesy of the ever-dependable Rum Bar Records, and it's such a sweet deal. For a measly ten bucks, you get all nine songs from the original LP plus four 7" tracks, a previously unreleased outtake from the album sessions, and a demo version of the smash hit "Julie (Hang Out A Little Longer)". If I just wanted to make an abbreviated sales pitch, I'd say that Promises To Deliver is the album Bruce Springsteen would have made in his heyday if he'd been obsessed with The Replacements and Husker Du. But even that kind of praise sells the record short. And while I can't say that the "punk rock Springsteen" comparisons are completely inaccurate, it needs to be pointed out that Nato Coles is one of the most interesting and unique guys you'll ever meet in the world of music. He's got terrific stories to tell, and he's one of rock n' roll's most diehard true believers.
A brief recap: Nato Coles was in Milwaukee-based Modern Machines - one of the best and most criminally underrated punk bands of the early-to-mid 2000s. More recently, he was in Radio Faces and Used Kids. Five years ago, he moved to Minneapolis with the intention of starting a new band - one that would play tons of shows and tour constantly. And so Nato Coles & The Blue Diamond Band were born. You might read the description and imagine some kind of roots/Americana dad rock type deal. But the difference is that Nato and the gang play real rock n' roll. They just love traveling the country and giving every single live audience an incredible show. That's the spirit of the band, and it really comes through in its music. Promises To Deliver is something we don't hear enough these days - a good, solid American rock n' roll record. Drawn from classic rock, Midwestern punk, power pop, and good old country & western influences, the nine tracks on this release marked a huge leap forward in Nato's progression as a songwriter. And two years on, I'm really struck by how well these tunes hold up. From the consummate blue collar rock of "See Some Lights" to the insuppressible energy of "You Can Count On Me Tonight" to the anthemic chorus of its title track, this is a record packed with memorable and simply awesome songs. And "Econoline" is Nato's own "Left Of The Dial" - a heartfelt celebration of the life he's chosen and the trusty motor vehicle that makes it all possible.
While not exactly a concept album, Promises To Deliver offers numerous depictions of people seeking relief from shitty jobs and dreary existences - and finding it through good times and rock n' roll. Listening to these songs, you get a great idea of who Nato Coles is and why he does what he does. He lives to get out there and bring joy to people's lives through music. Having followed his career for a whole lot of years, I always knew he was a super talented guy. But backed by the best bar band this side of I-94, he fully achieved greatness on Promises To Deliver. This Rum Bar reissue is a must-own, and don't miss Nato Coles & The Blue Diamond Band the next time they roll through your town. Be sure to request your favorite Thin Lizzy song!
Thursday, November 5, 2015
When so much time passes between releases, there's not much of a need for a band to try anything too different. You just want to hear the band do what it does best. And in the case of Jukebox Zeros, that means rocking l.a.m.f! Much to my delight, Count To Ten is nothing more and nothing less than classic Jukebox Zeros. Think boozy, street-tough rock n' roll inspired by the likes of Johnny Thunders, The Stooges, The Dictators, and early Replacements - topped off with a real deal "Don't fuck with me!" Philly attitude. Ya gotta love it! I've been waiting a while to hear a new record like this, and I must say that Count To Ten is exactly what I was craving! While I highly recommend everything that Jukebox Zeros have ever released, this particular collection of songs is by far their best. Every time you think you're hearing the "hit", the next track comes along and proceeds to blow your head off. You'll go hoarse from screaming along to all those choruses, and your neck might not be able to withstand all of that frantic head-bobbing! But who ever said that rock n' roll was supposed to be safe?! On this release, the band had the privilege to work with the great Dean Rispler - the absolute gold standard of producers for trashed-out rock n' roll. The result, predictably, is an absolute fireball of an album. Jukebox Zeros have never sounded hotter on record. It's like the band is right in front of you and poised to tear the roof off of some seedy dive!
If you love The Humpers, Dead Boys, Heartbreakers, etc. but are not yet familiar with Jukebox Zeros, you owe it to yourself to check out Count To Ten. Peter Santa Maria has the perfect voice (and attitude) to front this kind of band, while lead guitarist Brian Zee is like Johnny Thunders & Cheetah Chrome rolled into one. And in Justin Lee and Wayne Wright, Jukebox Zeros boast one of the strongest rhythm sections out there. Highlighted by the appropriately titled "Snot Rocket", the Stones/NY Dolls style sing-along "Drama Queen", the surf-inflected screamer "Green Wave", and the scorching "Hey Now! Oh My!", this album could pass for a long-lost classic of NYC/Cleveland/Detroit punk rock. It's out now on Rankoutsider Records. Head on over to Bandcamp to order the CD - which includes a secret tenth track you can't stream for free!
Tuesday, November 3, 2015
I See The Lights, and it's a lock to make my year-end top ten list. You may know Anna Anabolic (guitar/vocals), Elliott Klein(guitar), and Dave Smilow (drums) from their other band, The Recordettes. They're joined in Party Lights by Joan Chew (bass/keyboards/backing vocals). And as awesome as The Recordettes are, Party Lights are even more up my alley. Their sound is basically a straight-up mix of '70s power pop, garage rock, and '60s girl groups. Of course that's my sort of thing, but there's something about the way that Party Lights integrate those influences that makes it even cooler. Over the course of a full album, Anna proves herself to be a dynamite songwriter and an instantly likable vocalist. And as the band name suggests, this is a record made to be thoroughly enjoyed. You're gonna wanna crank up the volume and dance around like crazy - pausing to shed a tear or two when the ballads come around. If you could somehow go back to 1979 and make one band out of Blondie, The Knack, and Cheap Trick, Party Lights would be it!
At a time when so many bands under the banner of "garage power pop" seem to be missing something, Party Lights totally get it right. It comes down to well-crafted and genuinely memorable songs. "Breakup #4" is the kind of tune you wish they played on the radio. "A Boy Like You" reminds me of a lo-fi Muffs in a totally non rip-offish way. Even when the influences are obvious (behold the majestic Cheap Trick worship of "Don't Miss You"), the distinctive personality of the band fully shines through. What a fun and delightful record! To anyone who is a regular follower of this blog and "gets" my taste in music, I urge you to acquire I See The Lights. And at least for the time being, it's a name your price download! One of the best albums of the year for free? How can you beat that?! Yay, Party Lights!